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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEDBE7 it is the complementary color #312418. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEDBE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEDBE7 shade: #D3DBE2, #E4EDF5 and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEDBE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEDBE7 shade: #CEDBE7, #BDC9D4, #ACB7C1, #9BA5AE and #8A939B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEDBE7 shade: #CFDBE7, #CFD5E7, #CFCFE7, #D6CFE7 and #DCCFE7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEDBE7 shade: #CFDBE7, #CFD5E7 and #CFCFE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEDBE7 shade matches the following richer shades: #CFDBE7, #C9DCED, #C3DCF2, #BDDCF8 and #B8DCFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEDBE7 shade: #CFDBE7, #D4DBE1, #DADBDB, #E0DBD6 and #E6DAD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEDBE7 shade: #CFE7E5, #CFE2E7, #CFDCE7, #CFD5E7 and #CFCFE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEDBE7 shade: #97B3CC, #B3C7D9, #CFDBE7 and #EAF0F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEDBE7 shade: #CEDBE7, #DFCFE7 and #E5E7CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEDBE7 shade: #CEDBE7, #E7CFDC and #DCE7CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEDBE7 shade: #CEDBE7, #DFCFE7, #E7DACF and #D7E7CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEDBE7 shade: #CEDBE7, #E6CFE7, #E7DACF and #CFE7CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 5 / 0 / 9

HEX #CEDBE7

RGB 206 219 231

HSL 208.8, 0.34%, 0.86%

LAB 86.78, -2.02, -7.38

 

Complementary color

CMYK 0 / 27 / 51 / 81

HEX #312418

RGB 49 36 24

HSL 28.8, 0.34%, 0.14%

LAB 15.39, 4.18, 10.39

 

CMYK 7 / 3 / 0 / 11

HEX #D3DBE2

RGB 211 219 226

HSL 208, 0.21%, 0.86%

LAB 87, -1.37, -4.37

 

CMYK 7 / 3 / 0 / 4

HEX #E4EDF5

RGB 228 237 245

HSL 208.24, 0.46%, 0.93%

LAB 93.3, -1.49, -4.9

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 11 / 5 / 0 / 9

HEX #CEDBE7

RGB 206 219 231

HSL 208.8, 0.34%, 0.86%

LAB 86.78, -2.02, -7.38

 

CMYK 11 / 5 / 0 / 17

HEX #BDC9D4

RGB 189 201 212

HSL 208.7, 0.21%, 0.79%

LAB 80.37, -1.91, -6.88

 

CMYK 11 / 5 / 0 / 24

HEX #ACB7C1

RGB 172 183 193

HSL 208.57, 0.14%, 0.72%

LAB 73.86, -1.8, -6.38

 

CMYK 11 / 5 / 0 / 32

HEX #9BA5AE

RGB 155 165 174

HSL 208.42, 0.1%, 0.65%

LAB 67.23, -1.69, -5.86

 

CMYK 11 / 5 / 0 / 39

HEX #8A939B

RGB 138 147 155

HSL 208.24, 0.08%, 0.57%

LAB 60.46, -1.57, -5.34

 

CMYK 10 / 5 / 0 / 9

HEX #CFDBE7

RGB 207 219 231

HSL 210, 0.33%, 0.86%

LAB 86.85, -1.7, -7.26

 

CMYK 10 / 8 / 0 / 9

HEX #CFD5E7

RGB 207 213 231

HSL 225, 0.33%, 0.86%

LAB 85.31, 1.44, -9.54

 

CMYK 10 / 10 / 0 / 9

HEX #CFCFE7

RGB 207 207 231

HSL 240, 0.33%, 0.86%

LAB 83.79, 4.6, -11.81

 

CMYK 7 / 10 / 0 / 9

HEX #D6CFE7

RGB 214 207 231

HSL 257.5, 0.33%, 0.86%

LAB 84.32, 6.88, -10.96

 

CMYK 5 / 10 / 0 / 9

HEX #DCCFE7

RGB 220 207 231

HSL 272.5, 0.33%, 0.86%

LAB 84.8, 8.85, -10.2

 

CMYK 10 / 5 / 0 / 9

HEX #CFDBE7

RGB 207 219 231

HSL 210, 0.33%, 0.86%

LAB 86.85, -1.7, -7.26

 

CMYK 10 / 8 / 0 / 9

HEX #CFD5E7

RGB 207 213 231

HSL 225, 0.33%, 0.86%

LAB 85.31, 1.44, -9.54

 

CMYK 10 / 10 / 0 / 9

HEX #CFCFE7

RGB 207 207 231

HSL 240, 0.33%, 0.86%

LAB 83.79, 4.6, -11.81

 

CMYK 10 / 5 / 0 / 9

HEX #CFDBE7

RGB 207 219 231

HSL 210, 0.33%, 0.86%

LAB 86.85, -1.7, -7.26

 

CMYK 15 / 7 / 0 / 7

HEX #C9DCED

RGB 201 220 237

HSL 208.33, 0.5%, 0.86%

LAB 86.86, -2.92, -10.46

 

CMYK 19 / 9 / 0 / 5

HEX #C3DCF2

RGB 195 220 242

HSL 208.09, 0.64%, 0.86%

LAB 86.6, -3.72, -13.52

 

CMYK 24 / 11 / 0 / 3

HEX #BDDCF8

RGB 189 220 248

HSL 208.47, 0.81%, 0.86%

LAB 86.4, -4.21, -17.04

 

CMYK 28 / 13 / 0 / 0

HEX #B8DCFE

RGB 184 220 254

HSL 209.14, 0.97%, 0.86%

LAB 86.27, -4.3, -20.42

 

CMYK 10 / 5 / 0 / 9

HEX #CFDBE7

RGB 207 219 231

HSL 210, 0.33%, 0.86%

LAB 86.85, -1.7, -7.26

 

CMYK 6 / 3 / 0 / 12

HEX #D4DBE1

RGB 212 219 225

HSL 207.69, 0.18%, 0.86%

LAB 87.04, -1.23, -3.77

 

CMYK 0 / 0 / 0 / 14

HEX #DADBDB

RGB 218 219 219

HSL 180, 0.01%, 0.86%

LAB 87.33, -0.33, -0.13

 

CMYK 0 / 2 / 4 / 12

HEX #E0DBD6

RGB 224 219 214

HSL 30, 0.14%, 0.86%

LAB 87.66, 0.83, 3.05

 

CMYK 0 / 5 / 10 / 10

HEX #E6DAD0

RGB 230 218 208

HSL 27.27, 0.31%, 0.86%

LAB 87.74, 2.43, 6.38

 

CMYK 10 / 0 / 1 / 9

HEX #CFE7E5

RGB 207 231 229

HSL 175, 0.33%, 0.86%

LAB 89.89, -8.26, -1.73

 

CMYK 10 / 2 / 0 / 9

HEX #CFE2E7

RGB 207 226 231

HSL 192.5, 0.33%, 0.86%

LAB 88.65, -5.32, -4.6

 

CMYK 10 / 5 / 0 / 9

HEX #CFDCE7

RGB 207 220 231

HSL 207.5, 0.33%, 0.86%

LAB 87.11, -2.22, -6.88

 

CMYK 10 / 8 / 0 / 9

HEX #CFD5E7

RGB 207 213 231

HSL 225, 0.33%, 0.86%

LAB 85.31, 1.44, -9.54

 

CMYK 10 / 10 / 0 / 9

HEX #CFCFE7

RGB 207 207 231

HSL 240, 0.33%, 0.86%

LAB 83.79, 4.6, -11.81

 

CMYK 26 / 12 / 0 / 20

HEX #97B3CC

RGB 151 179 204

HSL 208.3, 0.34%, 0.7%

LAB 71.68, -3.9, -15.81

 

CMYK 18 / 8 / 0 / 15

HEX #B3C7D9

RGB 179 199 217

HSL 208.42, 0.33%, 0.78%

LAB 79.29, -3.03, -11.25

 

CMYK 10 / 5 / 0 / 9

HEX #CFDBE7

RGB 207 219 231

HSL 210, 0.33%, 0.86%

LAB 86.85, -1.7, -7.26

 

CMYK 4 / 2 / 0 / 4

HEX #EAF0F5

RGB 234 240 245

HSL 207.27, 0.35%, 0.94%

LAB 94.49, -1.07, -3.11

 

CMYK 11 / 5 / 0 / 9

HEX #CEDBE7

RGB 206 219 231

HSL 208.8, 0.34%, 0.86%

LAB 86.78, -2.02, -7.38

 

CMYK 3 / 10 / 0 / 9

HEX #DFCFE7

RGB 223 207 231

HSL 280, 0.33%, 0.86%

LAB 85.04, 9.85, -9.82

 

CMYK 1 / 0 / 10 / 9

HEX #E5E7CF

RGB 229 231 207

HSL 65, 0.33%, 0.86%

LAB 90.92, -4.76, 11.45

 

CMYK 11 / 5 / 0 / 9

HEX #CEDBE7

RGB 206 219 231

HSL 208.8, 0.34%, 0.86%

LAB 86.78, -2.02, -7.38

 

CMYK 0 / 10 / 5 / 9

HEX #E7CFDC

RGB 231 207 220

HSL 327.5, 0.33%, 0.86%

LAB 85.39, 10.56, -3.37

 

CMYK 5 / 0 / 10 / 9

HEX #DCE7CF

RGB 220 231 207

HSL 87.5, 0.33%, 0.86%

LAB 90.26, -7.89, 10.42

 

CMYK 11 / 5 / 0 / 9

HEX #CEDBE7

RGB 206 219 231

HSL 208.8, 0.34%, 0.86%

LAB 86.78, -2.02, -7.38

 

CMYK 3 / 10 / 0 / 9

HEX #DFCFE7

RGB 223 207 231

HSL 280, 0.33%, 0.86%

LAB 85.04, 9.85, -9.82

 

CMYK 0 / 6 / 10 / 9

HEX #E7DACF

RGB 231 218 207

HSL 27.5, 0.33%, 0.86%

LAB 87.79, 2.61, 6.99

 

CMYK 7 / 0 / 10 / 9

HEX #D7E7CF

RGB 215 231 207

HSL 100, 0.33%, 0.86%

LAB 89.91, -9.61, 9.87

 

CMYK 11 / 5 / 0 / 9

HEX #CEDBE7

RGB 206 219 231

HSL 208.8, 0.34%, 0.86%

LAB 86.78, -2.02, -7.38

 

CMYK 0 / 10 / 0 / 9

HEX #E6CFE7

RGB 230 207 231

HSL 297.5, 0.33%, 0.86%

LAB 85.61, 12.18, -8.9

 

CMYK 0 / 6 / 10 / 9

HEX #E7DACF

RGB 231 218 207

HSL 27.5, 0.33%, 0.86%

LAB 87.79, 2.61, 6.99

 

CMYK 10 / 0 / 10 / 9

HEX #CFE7CF

RGB 207 231 207

HSL 120, 0.33%, 0.86%

LAB 89.36, -12.32, 9

 

Description

Color code: HEX #CEDBE7 | qconv.com Color code: HEX #CEDBE7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 219 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 219 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 5 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 5% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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