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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEDC88 it is the complementary color #312377. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEDC88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEDC88 shade: #D3DC83, #E4EE96, #F5FFA9, #FFFFBC and #FFFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEDC88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEDC88 shade: #CEDC88, #BDCA75, #ACB862, #9BA64F and #8A943C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEDC88 shade: #CEDC88, #DCD388, #DCBD88, #DCA688 and #DC8F88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEDC88 shade: #CEDC88, #B7DC88, #A1DC88, #8ADC88 and #88DC9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEDC88 shade matches the following richer shades: #CEDC88, #D6E87C and #DFF56F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEDC88 shade: #CEDC88, #C6D094, #BEC3A1, #B5B7AD and #ADABB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEDC88 shade: #DCBD88, #DCD488, #CEDC88, #B8DC88 and #A1DC88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEDC88 shade: #B4CA48, #C1D368, #CEDC88, #DBE5A8 and #E8EFC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEDC88 shade: #CEDC88, #88DCA7 and #C888DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEDC88 shade: #CEDC88, #88CEDC and #DC88CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEDC88 shade: #CEDC88, #88DCA7, #9688DC and #DC88BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEDC88 shade: #CEDC88, #88DCC0, #9688DC and #DC88A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 38 / 14

HEX #CEDC88

RGB 206 220 136

HSL 70, 0.55%, 0.7%

LAB 85.04, -17.63, 39.7

 

Complementary color

CMYK 59 / 71 / 0 / 53

HEX #312377

RGB 49 35 119

HSL 250, 0.55%, 0.3%

LAB 20.78, 31.26, -45.94

 

CMYK 4 / 0 / 40 / 14

HEX #D3DC83

RGB 211 220 131

HSL 66.07, 0.56%, 0.69%

LAB 85.34, -16.26, 42.64

 

CMYK 4 / 0 / 37 / 7

HEX #E4EE96

RGB 228 238 150

HSL 66.82, 0.72%, 0.76%

LAB 91.62, -16.5, 41.5

 

CMYK 4 / 0 / 34 / 0

HEX #F5FFA9

RGB 245 255 169

HSL 66.98, 1%, 0.83%

LAB 97.55, -16.22, 40.06

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 6 / 0 / 38 / 14

HEX #CEDC88

RGB 206 220 136

HSL 70, 0.55%, 0.7%

LAB 85.04, -17.63, 39.7

 

CMYK 6 / 0 / 42 / 21

HEX #BDCA75

RGB 189 202 117

HSL 69.18, 0.45%, 0.63%

LAB 78.66, -17.41, 40.86

 

CMYK 7 / 0 / 47 / 28

HEX #ACB862

RGB 172 184 98

HSL 68.37, 0.38%, 0.55%

LAB 72.18, -17.14, 42.03

 

CMYK 7 / 0 / 52 / 35

HEX #9BA64F

RGB 155 166 79

HSL 67.59, 0.36%, 0.48%

LAB 65.6, -16.8, 43.2

 

CMYK 7 / 0 / 59 / 42

HEX #8A943C

RGB 138 148 60

HSL 66.82, 0.42%, 0.41%

LAB 58.89, -16.34, 44.27

 

CMYK 6 / 0 / 38 / 14

HEX #CEDC88

RGB 206 220 136

HSL 70, 0.55%, 0.7%

LAB 85.04, -17.63, 39.7

 

CMYK 0 / 4 / 38 / 14

HEX #DCD388

RGB 220 211 136

HSL 53.57, 0.55%, 0.7%

LAB 83.75, -7.68, 38.25

 

CMYK 0 / 14 / 38 / 14

HEX #DCBD88

RGB 220 189 136

HSL 37.86, 0.55%, 0.7%

LAB 78.1, 3.73, 30.89

 

CMYK 0 / 25 / 38 / 14

HEX #DCA688

RGB 220 166 136

HSL 21.43, 0.55%, 0.7%

LAB 72.41, 15.99, 23.26

 

CMYK 0 / 35 / 38 / 14

HEX #DC8F88

RGB 220 143 136

HSL 5, 0.55%, 0.7%

LAB 67, 28.37, 15.84

 

CMYK 6 / 0 / 38 / 14

HEX #CEDC88

RGB 206 220 136

HSL 70, 0.55%, 0.7%

LAB 85.04, -17.63, 39.7

 

CMYK 17 / 0 / 38 / 14

HEX #B7DC88

RGB 183 220 136

HSL 86.43, 0.55%, 0.7%

LAB 83.46, -26.25, 37.35

 

CMYK 27 / 0 / 38 / 14

HEX #A1DC88

RGB 161 220 136

HSL 102.14, 0.55%, 0.7%

LAB 82.13, -34.05, 35.37

 

CMYK 37 / 0 / 38 / 14

HEX #8ADC88

RGB 138 220 136

HSL 118.57, 0.55%, 0.7%

LAB 80.94, -41.55, 33.59

 

CMYK 38 / 0 / 29 / 14

HEX #88DC9D

RGB 136 220 157

HSL 135, 0.55%, 0.7%

LAB 81.21, -38.69, 23.12

 

CMYK 6 / 0 / 38 / 14

HEX #CEDC88

RGB 206 220 136

HSL 70, 0.55%, 0.7%

LAB 85.04, -17.63, 39.7

 

CMYK 8 / 0 / 47 / 9

HEX #D6E87C

RGB 214 232 124

HSL 70, 0.7%, 0.7%

LAB 88.67, -21.7, 50.21

 

CMYK 9 / 0 / 55 / 4

HEX #DFF56F

RGB 223 245 111

HSL 69.85, 0.87%, 0.7%

LAB 92.64, -25.6, 61.01

 

CMYK 6 / 0 / 38 / 14

HEX #CEDC88

RGB 206 220 136

HSL 70, 0.55%, 0.7%

LAB 85.04, -17.63, 39.7

 

CMYK 5 / 0 / 29 / 18

HEX #C6D094

RGB 198 208 148

HSL 70, 0.39%, 0.7%

LAB 81.43, -13.16, 28.73

 

CMYK 3 / 0 / 17 / 24

HEX #BEC3A1

RGB 190 195 161

HSL 68.82, 0.22%, 0.7%

LAB 77.61, -7.59, 16.53

 

CMYK 1 / 0 / 5 / 28

HEX #B5B7AD

RGB 181 183 173

HSL 72, 0.06%, 0.7%

LAB 74, -2.53, 4.83

 

CMYK 6 / 8 / 0 / 27

HEX #ADABB9

RGB 173 171 185

HSL 248.57, 0.09%, 0.7%

LAB 70.53, 3.42, -6.91

 

CMYK 0 / 14 / 38 / 14

HEX #DCBD88

RGB 220 189 136

HSL 37.86, 0.55%, 0.7%

LAB 78.1, 3.73, 30.89

 

CMYK 0 / 4 / 38 / 14

HEX #DCD488

RGB 220 212 136

HSL 54.29, 0.55%, 0.7%

LAB 84.01, -8.18, 38.59

 

CMYK 6 / 0 / 38 / 14

HEX #CEDC88

RGB 206 220 136

HSL 70, 0.55%, 0.7%

LAB 85.04, -17.63, 39.7

 

CMYK 16 / 0 / 38 / 14

HEX #B8DC88

RGB 184 220 136

HSL 85.71, 0.55%, 0.7%

LAB 83.52, -25.88, 37.44

 

CMYK 27 / 0 / 38 / 14

HEX #A1DC88

RGB 161 220 136

HSL 102.14, 0.55%, 0.7%

LAB 82.13, -34.05, 35.37

 

CMYK 11 / 0 / 64 / 21

HEX #B4CA48

RGB 180 202 72

HSL 70.15, 0.55%, 0.54%

LAB 77.53, -25, 60.11

 

CMYK 9 / 0 / 51 / 17

HEX #C1D368

RGB 193 211 104

HSL 70.09, 0.55%, 0.62%

LAB 81.25, -21.61, 50.4

 

CMYK 6 / 0 / 38 / 14

HEX #CEDC88

RGB 206 220 136

HSL 70, 0.55%, 0.7%

LAB 85.04, -17.63, 39.7

 

CMYK 4 / 0 / 27 / 10

HEX #DBE5A8

RGB 219 229 168

HSL 69.84, 0.54%, 0.78%

LAB 88.89, -13.17, 28.7

 

CMYK 3 / 0 / 16 / 6

HEX #E8EFC8

RGB 232 239 200

HSL 70.77, 0.55%, 0.86%

LAB 93.04, -8.85, 18.1

 

CMYK 6 / 0 / 38 / 14

HEX #CEDC88

RGB 206 220 136

HSL 70, 0.55%, 0.7%

LAB 85.04, -17.63, 39.7

 

CMYK 38 / 0 / 24 / 14

HEX #88DCA7

RGB 136 220 167

HSL 142.14, 0.55%, 0.7%

LAB 81.41, -36.85, 18.16

 

CMYK 9 / 38 / 0 / 14

HEX #C888DC

RGB 200 136 220

HSL 285.71, 0.55%, 0.7%

LAB 65.79, 38.71, -33.28

 

CMYK 6 / 0 / 38 / 14

HEX #CEDC88

RGB 206 220 136

HSL 70, 0.55%, 0.7%

LAB 85.04, -17.63, 39.7

 

CMYK 38 / 6 / 0 / 14

HEX #88CEDC

RGB 136 206 220

HSL 190, 0.55%, 0.7%

LAB 78.78, -18.42, -13.89

 

CMYK 0 / 38 / 6 / 14

HEX #DC88CE

RGB 220 136 206

HSL 310, 0.55%, 0.7%

LAB 67.49, 42.31, -22.7

 

CMYK 6 / 0 / 38 / 14

HEX #CEDC88

RGB 206 220 136

HSL 70, 0.55%, 0.7%

LAB 85.04, -17.63, 39.7

 

CMYK 38 / 0 / 24 / 14

HEX #88DCA7

RGB 136 220 167

HSL 142.14, 0.55%, 0.7%

LAB 81.41, -36.85, 18.16

 

CMYK 32 / 38 / 0 / 14

HEX #9688DC

RGB 150 136 220

HSL 250, 0.55%, 0.7%

LAB 61.01, 24.04, -41.1

 

CMYK 0 / 38 / 14 / 14

HEX #DC88BD

RGB 220 136 189

HSL 322.14, 0.55%, 0.7%

LAB 66.9, 39.48, -14.09

 

CMYK 6 / 0 / 38 / 14

HEX #CEDC88

RGB 206 220 136

HSL 70, 0.55%, 0.7%

LAB 85.04, -17.63, 39.7

 

CMYK 38 / 0 / 13 / 14

HEX #88DCC0

RGB 136 220 192

HSL 160, 0.55%, 0.7%

LAB 81.96, -31.8, 5.75

 

CMYK 32 / 38 / 0 / 14

HEX #9688DC

RGB 150 136 220

HSL 250, 0.55%, 0.7%

LAB 61.01, 24.04, -41.1

 

CMYK 0 / 38 / 25 / 14

HEX #DC88A4

RGB 220 136 164

HSL 340, 0.55%, 0.7%

LAB 66.14, 35.71, -1.14

 

Description

Color code: HEX #CEDC88 | qconv.com Color code: HEX #CEDC88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 220 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 220 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 38 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 38% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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