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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEDCAF it is the complementary color #312350. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEDCAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEDCAF shade: #D3DCAA, #E4EEBD, #F5FFD0, #FFFFE3 and #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEDCAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEDCAF shade: #CEDCAF, #BDCA9C, #ACB889, #9BA676 and #8A9463

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEDCAF shade: #CCDBAD, #D9DBAD, #DBD0AD, #DBC4AD and #DBB8AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEDCAF shade: #CCDBAD, #C0DBAD, #B4DBAD, #ADDBB2 and #ADDBBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEDCAF shade matches the following richer shades: #CCDBAD, #D0E4A3, #D4EE9A and #D7F791

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEDCAF shade: #CCDBAD, #C9D1B6, #C5C8C0, #C2BEC9 and #BEB5D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEDCAF shade: #DBD0AD, #D9DBAD, #CDDBAD, #C1DBAD and #B5DBAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEDCAF shade: #A9C274, #BBCE90, #CCDBAD, #DEE7CA and #F0F4E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEDCAF shade: #CEDCAF, #ADDBC4 and #D6ADDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEDCAF shade: #CEDCAF, #ADCDDB and #DBADCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEDCAF shade: #CEDCAF, #ADDBC4, #BBADDB and #DBADC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEDCAF shade: #CEDCAF, #ADDBD2, #BBADDB and #DBADB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 20 / 14

HEX #CEDCAF

RGB 206 220 175

HSL 78.67, 0.39%, 0.77%

LAB 85.71, -12.39, 20.58

 

Complementary color

CMYK 39 / 56 / 0 / 69

HEX #312350

RGB 49 35 80

HSL 258.67, 0.39%, 0.23%

LAB 17.62, 18.47, -25.4

 

CMYK 4 / 0 / 23 / 14

HEX #D3DCAA

RGB 211 220 170

HSL 70.8, 0.42%, 0.76%

LAB 85.98, -11.32, 23.61

 

CMYK 4 / 0 / 21 / 7

HEX #E4EEBD

RGB 228 238 189

HSL 72.24, 0.59%, 0.84%

LAB 92.27, -11.42, 22.66

 

CMYK 4 / 0 / 18 / 0

HEX #F5FFD0

RGB 245 255 208

HSL 72.77, 1%, 0.91%

LAB 98.23, -11.01, 21.39

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 6 / 0 / 20 / 14

HEX #CEDCAF

RGB 206 220 175

HSL 78.67, 0.39%, 0.77%

LAB 85.71, -12.39, 20.58

 

CMYK 6 / 0 / 23 / 21

HEX #BDCA9C

RGB 189 202 156

HSL 76.96, 0.3%, 0.7%

LAB 79.31, -12.33, 21.53

 

CMYK 7 / 0 / 26 / 28

HEX #ACB889

RGB 172 184 137

HSL 75.32, 0.25%, 0.63%

LAB 72.8, -12.26, 22.54

 

CMYK 7 / 0 / 29 / 35

HEX #9BA676

RGB 155 166 118

HSL 73.75, 0.21%, 0.56%

LAB 66.17, -12.17, 23.62

 

CMYK 7 / 0 / 33 / 42

HEX #8A9463

RGB 138 148 99

HSL 72.24, 0.2%, 0.48%

LAB 59.42, -12.05, 24.76

 

CMYK 7 / 0 / 21 / 14

HEX #CCDBAD

RGB 204 219 173

HSL 79.57, 0.39%, 0.77%

LAB 85.26, -12.91, 20.98

 

CMYK 1 / 0 / 21 / 14

HEX #D9DBAD

RGB 217 219 173

HSL 62.61, 0.39%, 0.77%

LAB 86.22, -8.17, 22.46

 

CMYK 0 / 5 / 21 / 14

HEX #DBD0AD

RGB 219 208 173

HSL 45.65, 0.39%, 0.77%

LAB 83.54, -1.79, 18.77

 

CMYK 0 / 11 / 21 / 14

HEX #DBC4AD

RGB 219 196 173

HSL 30, 0.39%, 0.77%

LAB 80.49, 4.49, 14.5

 

CMYK 0 / 16 / 21 / 14

HEX #DBB8AD

RGB 219 184 173

HSL 14.35, 0.39%, 0.77%

LAB 77.49, 10.86, 10.26

 

CMYK 7 / 0 / 21 / 14

HEX #CCDBAD

RGB 204 219 173

HSL 79.57, 0.39%, 0.77%

LAB 85.26, -12.91, 20.98

 

CMYK 12 / 0 / 21 / 14

HEX #C0DBAD

RGB 192 219 173

HSL 95.22, 0.39%, 0.77%

LAB 84.43, -17.19, 19.69

 

CMYK 18 / 0 / 21 / 14

HEX #B4DBAD

RGB 180 219 173

HSL 110.87, 0.39%, 0.77%

LAB 83.64, -21.36, 18.49

 

CMYK 21 / 0 / 19 / 14

HEX #ADDBB2

RGB 173 219 178

HSL 126.52, 0.39%, 0.77%

LAB 83.32, -22.85, 15.34

 

CMYK 21 / 0 / 13 / 14

HEX #ADDBBF

RGB 173 219 191

HSL 143.48, 0.39%, 0.77%

LAB 83.6, -20.47, 8.89

 

CMYK 7 / 0 / 21 / 14

HEX #CCDBAD

RGB 204 219 173

HSL 79.57, 0.39%, 0.77%

LAB 85.26, -12.91, 20.98

 

CMYK 9 / 0 / 29 / 11

HEX #D0E4A3

RGB 208 228 163

HSL 78.46, 0.55%, 0.77%

LAB 87.75, -17.4, 29.59

 

CMYK 11 / 0 / 35 / 7

HEX #D4EE9A

RGB 212 238 154

HSL 78.57, 0.71%, 0.77%

LAB 90.54, -22, 37.9

 

CMYK 13 / 0 / 41 / 3

HEX #D7F791

RGB 215 247 145

HSL 78.82, 0.86%, 0.77%

LAB 93.02, -26.27, 45.55

 

CMYK 7 / 0 / 21 / 14

HEX #CCDBAD

RGB 204 219 173

HSL 79.57, 0.39%, 0.77%

LAB 85.26, -12.91, 20.98

 

CMYK 4 / 0 / 13 / 18

HEX #C9D1B6

RGB 201 209 182

HSL 77.78, 0.23%, 0.77%

LAB 82.59, -7.47, 12.47

 

CMYK 1 / 0 / 4 / 22

HEX #C5C8C0

RGB 197 200 192

HSL 82.5, 0.07%, 0.77%

LAB 80.17, -2.48, 3.63

 

CMYK 3 / 5 / 0 / 21

HEX #C2BEC9

RGB 194 190 201

HSL 261.82, 0.09%, 0.77%

LAB 77.59, 3.45, -5.03

 

CMYK 10 / 14 / 0 / 17

HEX #BEB5D3

RGB 190 181 211

HSL 258, 0.25%, 0.77%

LAB 75.26, 8.95, -13.95

 

CMYK 0 / 5 / 21 / 14

HEX #DBD0AD

RGB 219 208 173

HSL 45.65, 0.39%, 0.77%

LAB 83.54, -1.79, 18.77

 

CMYK 1 / 0 / 21 / 14

HEX #D9DBAD

RGB 217 219 173

HSL 62.61, 0.39%, 0.77%

LAB 86.22, -8.17, 22.46

 

CMYK 6 / 0 / 21 / 14

HEX #CDDBAD

RGB 205 219 173

HSL 78.26, 0.39%, 0.77%

LAB 85.33, -12.55, 21.09

 

CMYK 12 / 0 / 21 / 14

HEX #C1DBAD

RGB 193 219 173

HSL 93.91, 0.39%, 0.77%

LAB 84.49, -16.84, 19.8

 

CMYK 17 / 0 / 21 / 14

HEX #B5DBAD

RGB 181 219 173

HSL 109.57, 0.39%, 0.77%

LAB 83.71, -21.01, 18.59

 

CMYK 13 / 0 / 40 / 24

HEX #A9C274

RGB 169 194 116

HSL 79.23, 0.39%, 0.61%

LAB 75, -21.32, 36.43

 

CMYK 9 / 0 / 30 / 19

HEX #BBCE90

RGB 187 206 144

HSL 78.39, 0.39%, 0.69%

LAB 80.02, -16.83, 28.78

 

CMYK 7 / 0 / 21 / 14

HEX #CCDBAD

RGB 204 219 173

HSL 79.57, 0.39%, 0.77%

LAB 85.26, -12.91, 20.98

 

CMYK 4 / 0 / 13 / 9

HEX #DEE7CA

RGB 222 231 202

HSL 78.62, 0.38%, 0.85%

LAB 90.3, -8.02, 13.1

 

CMYK 2 / 0 / 6 / 4

HEX #F0F4E6

RGB 240 244 230

HSL 77.14, 0.39%, 0.93%

LAB 95.56, -3.76, 6.27

 

CMYK 6 / 0 / 20 / 14

HEX #CEDCAF

RGB 206 220 175

HSL 78.67, 0.39%, 0.77%

LAB 85.71, -12.39, 20.58

 

CMYK 21 / 0 / 11 / 14

HEX #ADDBC4

RGB 173 219 196

HSL 150, 0.39%, 0.77%

LAB 83.72, -19.52, 6.41

 

CMYK 2 / 21 / 0 / 14

HEX #D6ADDB

RGB 214 173 219

HSL 293.48, 0.39%, 0.77%

LAB 75.64, 22.83, -17.54

 

CMYK 6 / 0 / 20 / 14

HEX #CEDCAF

RGB 206 220 175

HSL 78.67, 0.39%, 0.77%

LAB 85.71, -12.39, 20.58

 

CMYK 21 / 6 / 0 / 14

HEX #ADCDDB

RGB 173 205 219

HSL 198.26, 0.39%, 0.77%

LAB 80.55, -7.62, -10.49

 

CMYK 0 / 21 / 6 / 14

HEX #DBADCD

RGB 219 173 205

HSL 318.26, 0.39%, 0.77%

LAB 75.67, 21.97, -9.81

 

CMYK 6 / 0 / 20 / 14

HEX #CEDCAF

RGB 206 220 175

HSL 78.67, 0.39%, 0.77%

LAB 85.71, -12.39, 20.58

 

CMYK 21 / 0 / 11 / 14

HEX #ADDBC4

RGB 173 219 196

HSL 150, 0.39%, 0.77%

LAB 83.72, -19.52, 6.41

 

CMYK 15 / 21 / 0 / 14

HEX #BBADDB

RGB 187 173 219

HSL 258.26, 0.39%, 0.77%

LAB 73.26, 14.03, -21.36

 

CMYK 0 / 21 / 11 / 14

HEX #DBADC4

RGB 219 173 196

HSL 330, 0.39%, 0.77%

LAB 75.41, 20.42, -5.28

 

CMYK 6 / 0 / 20 / 14

HEX #CEDCAF

RGB 206 220 175

HSL 78.67, 0.39%, 0.77%

LAB 85.71, -12.39, 20.58

 

CMYK 21 / 0 / 4 / 14

HEX #ADDBD2

RGB 173 219 210

HSL 168.26, 0.39%, 0.77%

LAB 84.07, -16.72, -0.5

 

CMYK 15 / 21 / 0 / 14

HEX #BBADDB

RGB 187 173 219

HSL 258.26, 0.39%, 0.77%

LAB 73.26, 14.03, -21.36

 

CMYK 0 / 21 / 17 / 14

HEX #DBADB6

RGB 219 173 182

HSL 348.26, 0.39%, 0.77%

LAB 75.03, 18.14, 1.82

 

Description

Color code: HEX #CEDCAF | qconv.com Color code: HEX #CEDCAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 220 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 220 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 20 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 20% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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