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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEE1C0 it is the complementary color #311E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEE1C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEE1C0 shade: #D3E1BB, #E4F3CE, #F5FFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEE1C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEE1C0 shade: #CEE1C0, #BDCFAD, #ACBD9A, #9BAB87 and #8A9974

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEE1C0 shade: #CEE1C1, #D7E1C1, #DFE1C1, #E1D9C1 and #E1D1C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEE1C0 shade: #CEE1C1, #C5E1C1, #C1E1C4, #C1E1CD and #C1E1D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEE1C0 shade matches the following richer shades: #CEE1C1, #CDE8B9, #CCF0B2, #CBF7AA and #CAFEA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEE1C0 shade: #CEE1C1, #CFD9C8, #D0D2CF, #D2CAD7 and #D3C3DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEE1C0 shade: #E0E1C1, #D7E1C1, #CEE1C1, #C6E1C1 and #C1E1C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEE1C0 shade: #A3C689, #B8D3A5, #CEE1C1, #E4EEDC and #FAFBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEE1C0 shade: #CEE1C0, #C1E1D9 and #E1C1DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEE1C0 shade: #CEE1C0, #C1CEE1 and #E1C1CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEE1C0 shade: #CEE1C0, #C1E1D9, #D3C1E1 and #E1C1C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEE1C0 shade: #CEE1C0, #C1DFE1, #D3C1E1 and #E1C3C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 15 / 12

HEX #CEE1C0

RGB 206 225 192

HSL 94.55, 0.35%, 0.82%

LAB 87.38, -12.21, 14.02

 

Complementary color

CMYK 22 / 52 / 0 / 75

HEX #311E3F

RGB 49 30 63

HSL 274.55, 0.35%, 0.18%

LAB 15.17, 16.84, -17.58

 

CMYK 6 / 0 / 17 / 12

HEX #D3E1BB

RGB 211 225 187

HSL 82.11, 0.39%, 0.81%

LAB 87.62, -11.26, 17.04

 

CMYK 6 / 0 / 15 / 5

HEX #E4F3CE

RGB 228 243 206

HSL 84.32, 0.61%, 0.88%

LAB 93.91, -11.31, 16.18

 

CMYK 4 / 0 / 12 / 0

HEX #F5FFE1

RGB 245 255 225

HSL 80, 1%, 0.94%

LAB 98.58, -8.39, 13.21

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 8 / 0 / 15 / 12

HEX #CEE1C0

RGB 206 225 192

HSL 94.55, 0.35%, 0.82%

LAB 87.38, -12.21, 14.02

 

CMYK 9 / 0 / 16 / 19

HEX #BDCFAD

RGB 189 207 173

HSL 91.76, 0.26%, 0.75%

LAB 80.99, -12.2, 14.87

 

CMYK 9 / 0 / 19 / 26

HEX #ACBD9A

RGB 172 189 154

HSL 89.14, 0.21%, 0.67%

LAB 74.51, -12.19, 15.76

 

CMYK 9 / 0 / 21 / 33

HEX #9BAB87

RGB 155 171 135

HSL 86.67, 0.18%, 0.6%

LAB 67.91, -12.19, 16.7

 

CMYK 10 / 0 / 24 / 40

HEX #8A9974

RGB 138 153 116

HSL 84.32, 0.15%, 0.53%

LAB 61.17, -12.18, 17.71

 

CMYK 8 / 0 / 14 / 12

HEX #CEE1C1

RGB 206 225 193

HSL 95.63, 0.35%, 0.82%

LAB 87.4, -12.04, 13.53

 

CMYK 4 / 0 / 14 / 12

HEX #D7E1C1

RGB 215 225 193

HSL 78.75, 0.35%, 0.82%

LAB 88.04, -8.89, 14.53

 

CMYK 1 / 0 / 14 / 12

HEX #DFE1C1

RGB 223 225 193

HSL 63.75, 0.35%, 0.82%

LAB 88.63, -6.05, 15.45

 

CMYK 0 / 4 / 14 / 12

HEX #E1D9C1

RGB 225 217 193

HSL 45, 0.35%, 0.82%

LAB 86.74, -1.24, 12.8

 

CMYK 0 / 7 / 14 / 12

HEX #E1D1C1

RGB 225 209 193

HSL 30, 0.35%, 0.82%

LAB 84.72, 2.91, 9.92

 

CMYK 8 / 0 / 14 / 12

HEX #CEE1C1

RGB 206 225 193

HSL 95.63, 0.35%, 0.82%

LAB 87.4, -12.04, 13.53

 

CMYK 12 / 0 / 14 / 12

HEX #C5E1C1

RGB 197 225 193

HSL 112.5, 0.35%, 0.82%

LAB 86.79, -15.14, 12.58

 

CMYK 14 / 0 / 13 / 12

HEX #C1E1C4

RGB 193 225 196

HSL 125.63, 0.35%, 0.82%

LAB 86.59, -15.96, 10.69

 

CMYK 14 / 0 / 9 / 12

HEX #C1E1CD

RGB 193 225 205

HSL 142.5, 0.35%, 0.82%

LAB 86.8, -14.33, 6.26

 

CMYK 14 / 0 / 5 / 12

HEX #C1E1D6

RGB 193 225 214

HSL 159.38, 0.35%, 0.82%

LAB 87.02, -12.63, 1.84

 

CMYK 8 / 0 / 14 / 12

HEX #CEE1C1

RGB 206 225 193

HSL 95.63, 0.35%, 0.82%

LAB 87.4, -12.04, 13.53

 

CMYK 12 / 0 / 20 / 9

HEX #CDE8B9

RGB 205 232 185

HSL 94.47, 0.51%, 0.82%

LAB 89.01, -17.18, 19.96

 

CMYK 15 / 0 / 26 / 6

HEX #CCF0B2

RGB 204 240 178

HSL 94.84, 0.67%, 0.82%

LAB 90.95, -22.52, 26.21

 

CMYK 18 / 0 / 31 / 3

HEX #CBF7AA

RGB 203 247 170

HSL 94.29, 0.83%, 0.82%

LAB 92.63, -27.38, 32.53

 

CMYK 20 / 0 / 36 / 0

HEX #CAFEA3

RGB 202 254 163

HSL 94.29, 0.98%, 0.82%

LAB 94.35, -31.96, 38.29

 

CMYK 8 / 0 / 14 / 12

HEX #CEE1C1

RGB 206 225 193

HSL 95.63, 0.35%, 0.82%

LAB 87.4, -12.04, 13.53

 

CMYK 5 / 0 / 8 / 15

HEX #CFD9C8

RGB 207 217 200

HSL 95.29, 0.18%, 0.82%

LAB 85.53, -6.43, 7.2

 

CMYK 1 / 0 / 1 / 18

HEX #D0D2CF

RGB 208 210 207

HSL 100, 0.03%, 0.82%

LAB 83.97, -1.22, 1.23

 

CMYK 2 / 6 / 0 / 16

HEX #D2CAD7

RGB 210 202 215

HSL 276.92, 0.14%, 0.82%

LAB 82.3, 5.14, -5.47

 

CMYK 5 / 12 / 0 / 13

HEX #D3C3DE

RGB 211 195 222

HSL 275.56, 0.29%, 0.82%

LAB 80.82, 10.53, -11.4

 

CMYK 0 / 0 / 14 / 12

HEX #E0E1C1

RGB 224 225 193

HSL 61.88, 0.35%, 0.82%

LAB 88.71, -5.7, 15.57

 

CMYK 4 / 0 / 14 / 12

HEX #D7E1C1

RGB 215 225 193

HSL 78.75, 0.35%, 0.82%

LAB 88.04, -8.89, 14.53

 

CMYK 8 / 0 / 14 / 12

HEX #CEE1C1

RGB 206 225 193

HSL 95.63, 0.35%, 0.82%

LAB 87.4, -12.04, 13.53

 

CMYK 12 / 0 / 14 / 12

HEX #C6E1C1

RGB 198 225 193

HSL 110.63, 0.35%, 0.82%

LAB 86.85, -14.8, 12.68

 

CMYK 14 / 0 / 13 / 12

HEX #C1E1C4

RGB 193 225 196

HSL 125.63, 0.35%, 0.82%

LAB 86.59, -15.96, 10.69

 

CMYK 18 / 0 / 31 / 22

HEX #A3C689

RGB 163 198 137

HSL 94.43, 0.35%, 0.66%

LAB 76.06, -22.69, 26.84

 

CMYK 13 / 0 / 22 / 17

HEX #B8D3A5

RGB 184 211 165

HSL 95.22, 0.34%, 0.74%

LAB 81.56, -17.3, 19.84

 

CMYK 8 / 0 / 14 / 12

HEX #CEE1C1

RGB 206 225 193

HSL 95.63, 0.35%, 0.82%

LAB 87.4, -12.04, 13.53

 

CMYK 4 / 0 / 8 / 7

HEX #E4EEDC

RGB 228 238 220

HSL 93.33, 0.35%, 0.9%

LAB 92.93, -6.49, 7.56

 

CMYK 0 / 0 / 1 / 2

HEX #FAFBF8

RGB 250 251 248

HSL 80, 0.27%, 0.98%

LAB 98.47, -0.85, 1.31

 

CMYK 8 / 0 / 15 / 12

HEX #CEE1C0

RGB 206 225 192

HSL 94.55, 0.35%, 0.82%

LAB 87.38, -12.21, 14.02

 

CMYK 14 / 0 / 4 / 12

HEX #C1E1D9

RGB 193 225 217

HSL 165, 0.35%, 0.82%

LAB 87.09, -12.04, 0.37

 

CMYK 0 / 14 / 3 / 12

HEX #E1C1DB

RGB 225 193 219

HSL 311.25, 0.35%, 0.82%

LAB 81.44, 15.76, -8.75

 

CMYK 8 / 0 / 15 / 12

HEX #CEE1C0

RGB 206 225 192

HSL 94.55, 0.35%, 0.82%

LAB 87.38, -12.21, 14.02

 

CMYK 14 / 8 / 0 / 12

HEX #C1CEE1

RGB 193 206 225

HSL 215.63, 0.35%, 0.82%

LAB 82.33, -0.6, -10.89

 

CMYK 0 / 14 / 8 / 12

HEX #E1C1CE

RGB 225 193 206

HSL 335.63, 0.35%, 0.82%

LAB 81.07, 13.48, -2.3

 

CMYK 8 / 0 / 15 / 12

HEX #CEE1C0

RGB 206 225 192

HSL 94.55, 0.35%, 0.82%

LAB 87.38, -12.21, 14.02

 

CMYK 14 / 0 / 4 / 12

HEX #C1E1D9

RGB 193 225 217

HSL 165, 0.35%, 0.82%

LAB 87.09, -12.04, 0.37

 

CMYK 6 / 14 / 0 / 12

HEX #D3C1E1

RGB 211 193 225

HSL 273.75, 0.35%, 0.82%

LAB 80.42, 12.19, -13.61

 

CMYK 0 / 14 / 11 / 12

HEX #E1C1C8

RGB 225 193 200

HSL 346.88, 0.35%, 0.82%

LAB 80.92, 12.48, 0.7

 

CMYK 8 / 0 / 15 / 12

HEX #CEE1C0

RGB 206 225 192

HSL 94.55, 0.35%, 0.82%

LAB 87.38, -12.21, 14.02

 

CMYK 14 / 1 / 0 / 12

HEX #C1DFE1

RGB 193 223 225

HSL 183.75, 0.35%, 0.82%

LAB 86.78, -9.43, -4.31

 

CMYK 6 / 14 / 0 / 12

HEX #D3C1E1

RGB 211 193 225

HSL 273.75, 0.35%, 0.82%

LAB 80.42, 12.19, -13.61

 

CMYK 0 / 13 / 14 / 12

HEX #E1C3C1

RGB 225 195 193

HSL 3.75, 0.35%, 0.82%

LAB 81.23, 10.28, 4.91

 

Description

Color code: HEX #CEE1C0 | qconv.com Color code: HEX #CEE1C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 225 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 225 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 15 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 15% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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