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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEE2B5 it is the complementary color #311D4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEE2B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEE2B5 shade: #D3E2B0, #E4F4C3, #F5FFD6, #FFFFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEE2B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEE2B5 shade: #CEE2B5, #BDD0A2, #ACBE8F, #9BAC7C and #8A9A69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEE2B5 shade: #CEE2B5, #DAE2B5, #E2DEB5, #E2D2B5 and #E2C5B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEE2B5 shade: #CEE2B5, #C2E2B5, #B6E2B5, #B5E2C0 and #B5E2CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEE2B5 shade matches the following richer shades: #CEE2B5, #CFEAAD, #D0F2A5 and #D1FB9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEE2B5 shade: #CEE2B5, #CDDABD, #CCD1C6, #CBC9CE and #CAC1D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEE2B5 shade: #E2DDB5, #DAE2B5, #CEE2B5, #C3E2B5 and #B7E2B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEE2B5 shade: #A7CB7A, #BAD697, #CEE2B5, #E2EDD3 and #F5F9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEE2B5 shade: #CEE2B5, #B5E2D1 and #E2B5E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEE2B5 shade: #CEE2B5, #B5CEE2 and #E2B5CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEE2B5 shade: #CEE2B5, #B5E2D1, #C9B5E2 and #E2B5C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEE2B5 shade: #CEE2B5, #B5E2DF, #C9B5E2 and #E2B5B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 20 / 11

HEX #CEE2B5

RGB 206 226 181

HSL 86.67, 0.44%, 0.8%

LAB 87.41, -14.48, 19.81

 

Complementary color

CMYK 34 / 61 / 0 / 71

HEX #311D4A

RGB 49 29 74

HSL 266.67, 0.44%, 0.2%

LAB 15.62, 20.68, -24.49

 

CMYK 7 / 0 / 22 / 11

HEX #D3E2B0

RGB 211 226 176

HSL 78, 0.46%, 0.79%

LAB 87.67, -13.45, 22.82

 

CMYK 7 / 0 / 20 / 4

HEX #E4F4C3

RGB 228 244 195

HSL 79.59, 0.69%, 0.86%

LAB 93.94, -13.5, 21.89

 

CMYK 4 / 0 / 16 / 0

HEX #F5FFD6

RGB 245 255 214

HSL 74.63, 1%, 0.92%

LAB 98.35, -10.11, 18.51

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 9 / 0 / 20 / 11

HEX #CEE2B5

RGB 206 226 181

HSL 86.67, 0.44%, 0.8%

LAB 87.41, -14.48, 19.81

 

CMYK 9 / 0 / 22 / 18

HEX #BDD0A2

RGB 189 208 162

HSL 84.78, 0.33%, 0.73%

LAB 81.04, -14.47, 20.75

 

CMYK 9 / 0 / 25 / 25

HEX #ACBE8F

RGB 172 190 143

HSL 82.98, 0.27%, 0.65%

LAB 74.56, -14.45, 21.74

 

CMYK 10 / 0 / 28 / 33

HEX #9BAC7C

RGB 155 172 124

HSL 81.25, 0.22%, 0.58%

LAB 67.97, -14.43, 22.78

 

CMYK 10 / 0 / 32 / 40

HEX #8A9A69

RGB 138 154 105

HSL 79.59, 0.2%, 0.51%

LAB 61.25, -14.39, 23.9

 

CMYK 9 / 0 / 20 / 11

HEX #CEE2B5

RGB 206 226 181

HSL 86.67, 0.44%, 0.8%

LAB 87.41, -14.48, 19.81

 

CMYK 4 / 0 / 20 / 11

HEX #DAE2B5

RGB 218 226 181

HSL 70.67, 0.44%, 0.8%

LAB 88.27, -10.18, 21.14

 

CMYK 0 / 2 / 20 / 11

HEX #E2DEB5

RGB 226 222 181

HSL 54.67, 0.44%, 0.8%

LAB 87.85, -5.24, 20.64

 

CMYK 0 / 7 / 20 / 11

HEX #E2D2B5

RGB 226 210 181

HSL 38.67, 0.44%, 0.8%

LAB 84.79, 0.93, 16.38

 

CMYK 0 / 13 / 20 / 11

HEX #E2C5B5

RGB 226 197 181

HSL 21.33, 0.44%, 0.8%

LAB 81.53, 7.74, 11.78

 

CMYK 9 / 0 / 20 / 11

HEX #CEE2B5

RGB 206 226 181

HSL 86.67, 0.44%, 0.8%

LAB 87.41, -14.48, 19.81

 

CMYK 14 / 0 / 20 / 11

HEX #C2E2B5

RGB 194 226 181

HSL 102.67, 0.44%, 0.8%

LAB 86.6, -18.68, 18.56

 

CMYK 19 / 0 / 20 / 11

HEX #B6E2B5

RGB 182 226 181

HSL 118.67, 0.44%, 0.8%

LAB 85.84, -22.76, 17.39

 

CMYK 20 / 0 / 15 / 11

HEX #B5E2C0

RGB 181 226 192

HSL 134.67, 0.44%, 0.8%

LAB 86.02, -21.15, 11.87

 

CMYK 20 / 0 / 9 / 11

HEX #B5E2CD

RGB 181 226 205

HSL 152, 0.44%, 0.8%

LAB 86.32, -18.71, 5.47

 

CMYK 9 / 0 / 20 / 11

HEX #CEE2B5

RGB 206 226 181

HSL 86.67, 0.44%, 0.8%

LAB 87.41, -14.48, 19.81

 

CMYK 12 / 0 / 26 / 8

HEX #CFEAAD

RGB 207 234 173

HSL 86.56, 0.59%, 0.8%

LAB 89.45, -19.29, 26.77

 

CMYK 14 / 0 / 32 / 5

HEX #D0F2A5

RGB 208 242 165

HSL 86.49, 0.75%, 0.8%

LAB 91.52, -23.93, 33.62

 

CMYK 17 / 0 / 38 / 2

HEX #D1FB9C

RGB 209 251 156

HSL 86.53, 0.92%, 0.8%

LAB 93.86, -29.01, 41.19

 

CMYK 9 / 0 / 20 / 11

HEX #CEE2B5

RGB 206 226 181

HSL 86.67, 0.44%, 0.8%

LAB 87.41, -14.48, 19.81

 

CMYK 6 / 0 / 13 / 15

HEX #CDDABD

RGB 205 218 189

HSL 86.9, 0.28%, 0.8%

LAB 85.4, -9.51, 12.79

 

CMYK 2 / 0 / 5 / 18

HEX #CCD1C6

RGB 204 209 198

HSL 87.27, 0.11%, 0.8%

LAB 83.19, -3.69, 4.85

 

CMYK 1 / 2 / 0 / 19

HEX #CBC9CE

RGB 203 201 206

HSL 264, 0.05%, 0.8%

LAB 81.25, 1.61, -2.25

 

CMYK 6 / 10 / 0 / 16

HEX #CAC1D6

RGB 202 193 214

HSL 265.71, 0.2%, 0.8%

LAB 79.36, 7.05, -9.36

 

CMYK 0 / 2 / 20 / 11

HEX #E2DDB5

RGB 226 221 181

HSL 53.33, 0.44%, 0.8%

LAB 87.59, -4.73, 20.29

 

CMYK 4 / 0 / 20 / 11

HEX #DAE2B5

RGB 218 226 181

HSL 70.67, 0.44%, 0.8%

LAB 88.27, -10.18, 21.14

 

CMYK 9 / 0 / 20 / 11

HEX #CEE2B5

RGB 206 226 181

HSL 86.67, 0.44%, 0.8%

LAB 87.41, -14.48, 19.81

 

CMYK 14 / 0 / 20 / 11

HEX #C3E2B5

RGB 195 226 181

HSL 101.33, 0.44%, 0.8%

LAB 86.67, -18.33, 18.67

 

CMYK 19 / 0 / 20 / 11

HEX #B7E2B5

RGB 183 226 181

HSL 117.33, 0.44%, 0.8%

LAB 85.9, -22.42, 17.49

 

CMYK 18 / 0 / 40 / 20

HEX #A7CB7A

RGB 167 203 122

HSL 86.67, 0.44%, 0.64%

LAB 77.48, -25.74, 36.52

 

CMYK 13 / 0 / 29 / 16

HEX #BAD697

RGB 186 214 151

HSL 86.67, 0.43%, 0.72%

LAB 82.25, -20.19, 28.12

 

CMYK 9 / 0 / 20 / 11

HEX #CEE2B5

RGB 206 226 181

HSL 86.67, 0.44%, 0.8%

LAB 87.41, -14.48, 19.81

 

CMYK 5 / 0 / 11 / 7

HEX #E2EDD3

RGB 226 237 211

HSL 85.38, 0.42%, 0.88%

LAB 92.33, -8.19, 11.34

 

CMYK 2 / 0 / 4 / 2

HEX #F5F9F0

RGB 245 249 240

HSL 86.67, 0.43%, 0.96%

LAB 97.41, -2.89, 3.84

 

CMYK 9 / 0 / 20 / 11

HEX #CEE2B5

RGB 206 226 181

HSL 86.67, 0.44%, 0.8%

LAB 87.41, -14.48, 19.81

 

CMYK 20 / 0 / 8 / 11

HEX #B5E2D1

RGB 181 226 209

HSL 157.33, 0.44%, 0.8%

LAB 86.41, -17.93, 3.5

 

CMYK 0 / 20 / 1 / 11

HEX #E2B5E0

RGB 226 181 224

HSL 302.67, 0.44%, 0.8%

LAB 78.81, 23.43, -15.36

 

CMYK 9 / 0 / 20 / 11

HEX #CEE2B5

RGB 206 226 181

HSL 86.67, 0.44%, 0.8%

LAB 87.41, -14.48, 19.81

 

CMYK 20 / 9 / 0 / 11

HEX #B5CEE2

RGB 181 206 226

HSL 206.67, 0.44%, 0.8%

LAB 81.54, -4.15, -12.7

 

CMYK 0 / 20 / 9 / 11

HEX #E2B5CE

RGB 226 181 206

HSL 326.67, 0.44%, 0.8%

LAB 78.27, 20.25, -6.42

 

CMYK 9 / 0 / 20 / 11

HEX #CEE2B5

RGB 206 226 181

HSL 86.67, 0.44%, 0.8%

LAB 87.41, -14.48, 19.81

 

CMYK 20 / 0 / 8 / 11

HEX #B5E2D1

RGB 181 226 209

HSL 157.33, 0.44%, 0.8%

LAB 86.41, -17.93, 3.5

 

CMYK 11 / 20 / 0 / 11

HEX #C9B5E2

RGB 201 181 226

HSL 266.67, 0.44%, 0.8%

LAB 76.65, 15.62, -19.91

 

CMYK 0 / 20 / 12 / 11

HEX #E2B5C6

RGB 226 181 198

HSL 337.33, 0.44%, 0.8%

LAB 78.05, 18.92, -2.41

 

CMYK 9 / 0 / 20 / 11

HEX #CEE2B5

RGB 206 226 181

HSL 86.67, 0.44%, 0.8%

LAB 87.41, -14.48, 19.81

 

CMYK 20 / 0 / 1 / 11

HEX #B5E2DF

RGB 181 226 223

HSL 176, 0.44%, 0.8%

LAB 86.77, -15.09, -3.35

 

CMYK 11 / 20 / 0 / 11

HEX #C9B5E2

RGB 201 181 226

HSL 266.67, 0.44%, 0.8%

LAB 76.65, 15.62, -19.91

 

CMYK 0 / 20 / 19 / 11

HEX #E2B5B8

RGB 226 181 184

HSL 356, 0.44%, 0.8%

LAB 77.68, 16.7, 4.66

 

Description

Color code: HEX #CEE2B5 | qconv.com Color code: HEX #CEE2B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 226 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 226 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 20 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 20% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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