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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEE3AA it is the complementary color #311C55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEE3AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEE3AA shade: #D3E3A5, #E4F5B8, #F5FFCB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEE3AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEE3AA shade: #CEE3AA, #BDD197, #ACBF84, #9BAD71 and #8A9B5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEE3AA shade: #CEE2AA, #DDE2AA, #E2D9AA, #E2CAAA and #E2BBAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEE3AA shade: #CEE2AA, #BFE2AA, #B0E2AA, #AAE2B4 and #AAE2C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEE3AA shade matches the following richer shades: #CEE2AA, #D0ECA1, #D3F598 and #D5FE8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEE3AA shade: #CEE2AA, #CBD9B3, #C9D0BD, #C7C7C6 and #C4BECF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEE3AA shade: #E2D9AA, #DDE2AA, #CEE2AA, #BFE2AA and #B0E2AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEE3AA shade: #AACE6C, #BCD88B, #CEE2AA, #E0EDC9 and #F2F7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEE3AA shade: #CEE3AA, #AAE2CA and #E1AAE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEE3AA shade: #CEE3AA, #AACEE2 and #E2AACE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEE3AA shade: #CEE3AA, #AAE2CA, #BFAAE2 and #E2AAC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEE3AA shade: #CEE3AA, #AAE2DB, #BFAAE2 and #E2AAB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 25 / 11

HEX #CEE3AA

RGB 206 227 170

HSL 82.11, 0.5%, 0.78%

LAB 87.47, -16.63, 25.59

 

Complementary color

CMYK 42 / 67 / 0 / 67

HEX #311C55

RGB 49 28 85

HSL 262.11, 0.5%, 0.22%

LAB 16.2, 24.67, -31.06

 

CMYK 7 / 0 / 27 / 11

HEX #D3E3A5

RGB 211 227 165

HSL 75.48, 0.53%, 0.77%

LAB 87.73, -15.53, 28.58

 

CMYK 7 / 0 / 25 / 4

HEX #E4F5B8

RGB 228 245 184

HSL 76.72, 0.75%, 0.84%

LAB 93.99, -15.6, 27.58

 

CMYK 4 / 0 / 20 / 0

HEX #F5FFCB

RGB 245 255 203

HSL 71.54, 1%, 0.9%

LAB 98.13, -11.75, 23.8

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 9 / 0 / 25 / 11

HEX #CEE3AA

RGB 206 227 170

HSL 82.11, 0.5%, 0.78%

LAB 87.47, -16.63, 25.59

 

CMYK 10 / 0 / 28 / 18

HEX #BDD197

RGB 189 209 151

HSL 80.69, 0.39%, 0.71%

LAB 81.1, -16.61, 26.61

 

CMYK 10 / 0 / 31 / 25

HEX #ACBF84

RGB 172 191 132

HSL 79.32, 0.32%, 0.63%

LAB 74.63, -16.57, 27.68

 

CMYK 10 / 0 / 35 / 32

HEX #9BAD71

RGB 155 173 113

HSL 78, 0.27%, 0.56%

LAB 68.06, -16.51, 28.81

 

CMYK 11 / 0 / 39 / 39

HEX #8A9B5E

RGB 138 155 94

HSL 76.72, 0.24%, 0.49%

LAB 61.35, -16.42, 29.99

 

CMYK 9 / 0 / 25 / 11

HEX #CEE2AA

RGB 206 226 170

HSL 81.43, 0.49%, 0.78%

LAB 87.2, -16.14, 25.23

 

CMYK 2 / 0 / 25 / 11

HEX #DDE2AA

RGB 221 226 170

HSL 65.36, 0.49%, 0.78%

LAB 88.29, -10.66, 26.89

 

CMYK 0 / 4 / 25 / 11

HEX #E2D9AA

RGB 226 217 170

HSL 50.36, 0.49%, 0.78%

LAB 86.35, -4.23, 24.31

 

CMYK 0 / 11 / 25 / 11

HEX #E2CAAA

RGB 226 202 170

HSL 34.29, 0.49%, 0.78%

LAB 82.55, 3.53, 19.06

 

CMYK 0 / 17 / 25 / 11

HEX #E2BBAA

RGB 226 187 170

HSL 18.21, 0.49%, 0.78%

LAB 78.82, 11.44, 13.84

 

CMYK 9 / 0 / 25 / 11

HEX #CEE2AA

RGB 206 226 170

HSL 81.43, 0.49%, 0.78%

LAB 87.2, -16.14, 25.23

 

CMYK 15 / 0 / 25 / 11

HEX #BFE2AA

RGB 191 226 170

HSL 97.5, 0.49%, 0.78%

LAB 86.19, -21.47, 23.68

 

CMYK 22 / 0 / 25 / 11

HEX #B0E2AA

RGB 176 226 170

HSL 113.57, 0.49%, 0.78%

LAB 85.26, -26.61, 22.26

 

CMYK 25 / 0 / 20 / 11

HEX #AAE2B4

RGB 170 226 180

HSL 130.71, 0.49%, 0.78%

LAB 85.12, -26.87, 16.79

 

CMYK 25 / 0 / 14 / 11

HEX #AAE2C3

RGB 170 226 195

HSL 146.79, 0.49%, 0.78%

LAB 85.44, -24.1, 9.39

 

CMYK 9 / 0 / 25 / 11

HEX #CEE2AA

RGB 206 226 170

HSL 81.43, 0.49%, 0.78%

LAB 87.2, -16.14, 25.23

 

CMYK 12 / 0 / 32 / 7

HEX #D0ECA1

RGB 208 236 161

HSL 82.4, 0.66%, 0.78%

LAB 89.85, -21.58, 33.42

 

CMYK 14 / 0 / 38 / 4

HEX #D3F598

RGB 211 245 152

HSL 81.94, 0.82%, 0.78%

LAB 92.32, -25.96, 41.18

 

CMYK 16 / 0 / 44 / 0

HEX #D5FE8F

RGB 213 254 143

HSL 82.16, 0.98%, 0.78%

LAB 94.74, -30.5, 48.65

 

CMYK 9 / 0 / 25 / 11

HEX #CEE2AA

RGB 206 226 170

HSL 81.43, 0.49%, 0.78%

LAB 87.2, -16.14, 25.23

 

CMYK 6 / 0 / 18 / 15

HEX #CBD9B3

RGB 203 217 179

HSL 82.11, 0.33%, 0.78%

LAB 84.78, -11.33, 17.16

 

CMYK 3 / 0 / 9 / 18

HEX #C9D0BD

RGB 201 208 189

HSL 82.11, 0.17%, 0.78%

LAB 82.49, -5.78, 8.6

 

CMYK 0 / 0 / 1 / 22

HEX #C7C7C6

RGB 199 199 198

HSL 60, 0.01%, 0.78%

LAB 80.22, -0.18, 0.49

 

CMYK 5 / 8 / 0 / 19

HEX #C4BECF

RGB 196 190 207

HSL 261.18, 0.15%, 0.78%

LAB 77.91, 5.29, -7.77

 

CMYK 0 / 4 / 25 / 11

HEX #E2D9AA

RGB 226 217 170

HSL 50.36, 0.49%, 0.78%

LAB 86.35, -4.23, 24.31

 

CMYK 2 / 0 / 25 / 11

HEX #DDE2AA

RGB 221 226 170

HSL 65.36, 0.49%, 0.78%

LAB 88.29, -10.66, 26.89

 

CMYK 9 / 0 / 25 / 11

HEX #CEE2AA

RGB 206 226 170

HSL 81.43, 0.49%, 0.78%

LAB 87.2, -16.14, 25.23

 

CMYK 15 / 0 / 25 / 11

HEX #BFE2AA

RGB 191 226 170

HSL 97.5, 0.49%, 0.78%

LAB 86.19, -21.47, 23.68

 

CMYK 22 / 0 / 25 / 11

HEX #B0E2AA

RGB 176 226 170

HSL 113.57, 0.49%, 0.78%

LAB 85.26, -26.61, 22.26

 

CMYK 17 / 0 / 48 / 19

HEX #AACE6C

RGB 170 206 108

HSL 82.04, 0.5%, 0.62%

LAB 78.33, -27.71, 44.59

 

CMYK 13 / 0 / 36 / 15

HEX #BCD88B

RGB 188 216 139

HSL 81.82, 0.5%, 0.7%

LAB 82.74, -22.08, 34.95

 

CMYK 9 / 0 / 25 / 11

HEX #CEE2AA

RGB 206 226 170

HSL 81.43, 0.49%, 0.78%

LAB 87.2, -16.14, 25.23

 

CMYK 5 / 0 / 15 / 7

HEX #E0EDC9

RGB 224 237 201

HSL 81.67, 0.5%, 0.86%

LAB 91.97, -10.5, 16

 

CMYK 2 / 0 / 6 / 3

HEX #F2F7E8

RGB 242 247 232

HSL 80, 0.48%, 0.94%

LAB 96.5, -4.25, 6.62

 

CMYK 9 / 0 / 25 / 11

HEX #CEE3AA

RGB 206 227 170

HSL 82.11, 0.5%, 0.78%

LAB 87.47, -16.63, 25.59

 

CMYK 25 / 0 / 11 / 11

HEX #AAE2CA

RGB 170 226 202

HSL 154.29, 0.49%, 0.78%

LAB 85.61, -22.73, 5.94

 

CMYK 0 / 25 / 0 / 11

HEX #E1AAE2

RGB 225 170 226

HSL 298.93, 0.49%, 0.78%

LAB 76.22, 29.39, -20.36

 

CMYK 9 / 0 / 25 / 11

HEX #CEE3AA

RGB 206 227 170

HSL 82.11, 0.5%, 0.78%

LAB 87.47, -16.63, 25.59

 

CMYK 25 / 9 / 0 / 11

HEX #AACEE2

RGB 170 206 226

HSL 201.43, 0.49%, 0.78%

LAB 80.84, -7.48, -13.82

 

CMYK 0 / 25 / 9 / 11

HEX #E2AACE

RGB 226 170 206

HSL 321.43, 0.49%, 0.78%

LAB 75.68, 26.16, -10.26

 

CMYK 9 / 0 / 25 / 11

HEX #CEE3AA

RGB 206 227 170

HSL 82.11, 0.5%, 0.78%

LAB 87.47, -16.63, 25.59

 

CMYK 25 / 0 / 11 / 11

HEX #AAE2CA

RGB 170 226 202

HSL 154.29, 0.49%, 0.78%

LAB 85.61, -22.73, 5.94

 

CMYK 15 / 25 / 0 / 11

HEX #BFAAE2

RGB 191 170 226

HSL 262.5, 0.49%, 0.78%

LAB 73.1, 18.46, -25.4

 

CMYK 0 / 25 / 14 / 11

HEX #E2AAC3

RGB 226 170 195

HSL 333.21, 0.49%, 0.78%

LAB 75.36, 24.33, -4.72

 

CMYK 9 / 0 / 25 / 11

HEX #CEE3AA

RGB 206 227 170

HSL 82.11, 0.5%, 0.78%

LAB 87.47, -16.63, 25.59

 

CMYK 25 / 0 / 3 / 11

HEX #AAE2DB

RGB 170 226 219

HSL 172.5, 0.49%, 0.78%

LAB 86.03, -19.24, -2.4

 

CMYK 15 / 25 / 0 / 11

HEX #BFAAE2

RGB 191 170 226

HSL 262.5, 0.49%, 0.78%

LAB 73.1, 18.46, -25.4

 

CMYK 0 / 25 / 21 / 11

HEX #E2AAB2

RGB 226 170 178

HSL 351.43, 0.49%, 0.78%

LAB 74.91, 21.69, 3.92

 

Description

Color code: HEX #CEE3AA | qconv.com Color code: HEX #CEE3AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 227 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 227 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 25 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 25% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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