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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEEBA7 it is the complementary color #311458. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEEBA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEEBA7 shade: #D3EBA2, #E4FDB5, #F5FFC8, #FFFFDB and #FFFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEEBA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEEBA7 shade: #CEEBA7, #BDD994, #ACC781, #9BB56E and #8AA35B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEEBA7 shade: #CEEBA7, #E0EBA7, #EBE3A7, #EBD1A7 and #EBBFA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEEBA7 shade: #CEEBA7, #BCEBA7, #AAEBA7, #A7EBB7 and #A7EBC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEEBA7 shade matches the following richer shades: #CEEBA7, #CFF39F and #D0FC96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEEBA7 shade: #CEEBA7, #CDE2B0, #CBD9B9, #CAD1C1 and #C9C8CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEEBA7 shade: #EBE3A7, #E1EBA7, #CFEBA7, #BDEBA7 and #ABEBA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEEBA7 shade: #A8DB64, #BBE386, #CEEBA7, #E1F2C9 and #F3FAEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEEBA7 shade: #CEEBA7, #A7EBD1 and #EBA7EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEEBA7 shade: #CEEBA7, #A7CFEB and #EBA7CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEEBA7 shade: #CEEBA7, #A7EBD1, #C3A7EB and #EBA7C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEEBA7 shade: #CEEBA7, #A7EBE5, #C3A7EB and #EBA7AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 29 / 8

HEX #CEEBA7

RGB 206 235 167

HSL 85.59, 0.63%, 0.79%

LAB 89.55, -20.99, 29.95

 

Complementary color

CMYK 44 / 77 / 0 / 65

HEX #311458

RGB 49 20 88

HSL 265.59, 0.63%, 0.21%

LAB 14.72, 30.33, -35.48

 

CMYK 10 / 0 / 31 / 8

HEX #D3EBA2

RGB 211 235 162

HSL 79.73, 0.65%, 0.78%

LAB 89.8, -19.87, 32.89

 

CMYK 10 / 0 / 28 / 1

HEX #E4FDB5

RGB 228 253 181

HSL 80.83, 0.95%, 0.85%

LAB 96.03, -19.91, 31.85

 

CMYK 4 / 0 / 22 / 0

HEX #F5FFC8

RGB 245 255 200

HSL 70.91, 1%, 0.89%

LAB 98.07, -12.18, 25.24

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 12 / 0 / 29 / 8

HEX #CEEBA7

RGB 206 235 167

HSL 85.59, 0.63%, 0.79%

LAB 89.55, -20.99, 29.95

 

CMYK 13 / 0 / 32 / 15

HEX #BDD994

RGB 189 217 148

HSL 84.35, 0.48%, 0.72%

LAB 83.22, -21, 31.01

 

CMYK 14 / 0 / 35 / 22

HEX #ACC781

RGB 172 199 129

HSL 83.14, 0.38%, 0.64%

LAB 76.8, -20.99, 32.11

 

CMYK 14 / 0 / 39 / 29

HEX #9BB56E

RGB 155 181 110

HSL 81.97, 0.32%, 0.57%

LAB 70.28, -20.97, 33.27

 

CMYK 15 / 0 / 44 / 36

HEX #8AA35B

RGB 138 163 91

HSL 80.83, 0.28%, 0.5%

LAB 63.63, -20.91, 34.47

 

CMYK 12 / 0 / 29 / 8

HEX #CEEBA7

RGB 206 235 167

HSL 85.59, 0.63%, 0.79%

LAB 89.55, -20.99, 29.95

 

CMYK 5 / 0 / 29 / 8

HEX #E0EBA7

RGB 224 235 167

HSL 69.71, 0.63%, 0.79%

LAB 90.8, -14.44, 31.86

 

CMYK 0 / 3 / 29 / 8

HEX #EBE3A7

RGB 235 227 167

HSL 52.94, 0.63%, 0.79%

LAB 89.58, -6.34, 30.35

 

CMYK 0 / 11 / 29 / 8

HEX #EBD1A7

RGB 235 209 167

HSL 37.06, 0.63%, 0.79%

LAB 85.02, 2.88, 24.18

 

CMYK 0 / 19 / 29 / 8

HEX #EBBFA7

RGB 235 191 167

HSL 21.18, 0.63%, 0.79%

LAB 80.58, 12.31, 18.05

 

CMYK 12 / 0 / 29 / 8

HEX #CEEBA7

RGB 206 235 167

HSL 85.59, 0.63%, 0.79%

LAB 89.55, -20.99, 29.95

 

CMYK 20 / 0 / 29 / 8

HEX #BCEBA7

RGB 188 235 167

HSL 101.47, 0.63%, 0.79%

LAB 88.4, -27.31, 28.2

 

CMYK 28 / 0 / 29 / 8

HEX #AAEBA7

RGB 170 235 167

HSL 117.35, 0.63%, 0.79%

LAB 87.36, -33.32, 26.63

 

CMYK 29 / 0 / 22 / 8

HEX #A7EBB7

RGB 167 235 183

HSL 134.12, 0.63%, 0.79%

LAB 87.51, -31.56, 18.55

 

CMYK 29 / 0 / 14 / 8

HEX #A7EBC9

RGB 167 235 201

HSL 150, 0.63%, 0.79%

LAB 87.9, -28.19, 9.73

 

CMYK 12 / 0 / 29 / 8

HEX #CEEBA7

RGB 206 235 167

HSL 85.59, 0.63%, 0.79%

LAB 89.55, -20.99, 29.95

 

CMYK 15 / 0 / 35 / 5

HEX #CFF39F

RGB 207 243 159

HSL 85.71, 0.78%, 0.79%

LAB 91.63, -25.57, 36.76

 

CMYK 17 / 0 / 40 / 1

HEX #D0FC96

RGB 208 252 150

HSL 85.88, 0.94%, 0.79%

LAB 93.98, -30.57, 44.26

 

CMYK 12 / 0 / 29 / 8

HEX #CEEBA7

RGB 206 235 167

HSL 85.59, 0.63%, 0.79%

LAB 89.55, -20.99, 29.95

 

CMYK 9 / 0 / 22 / 11

HEX #CDE2B0

RGB 205 226 176

HSL 85.2, 0.46%, 0.79%

LAB 87.24, -15.6, 22.17

 

CMYK 6 / 0 / 15 / 15

HEX #CBD9B9

RGB 203 217 185

HSL 86.25, 0.3%, 0.79%

LAB 84.91, -10.36, 14.18

 

CMYK 3 / 0 / 8 / 18

HEX #CAD1C1

RGB 202 209 193

HSL 86.25, 0.15%, 0.79%

LAB 82.92, -5.26, 7.1

 

CMYK 0 / 1 / 0 / 21

HEX #C9C8CA

RGB 201 200 202

HSL 270, 0.02%, 0.79%

LAB 80.73, 0.72, -0.88

 

CMYK 0 / 3 / 29 / 8

HEX #EBE3A7

RGB 235 227 167

HSL 52.94, 0.63%, 0.79%

LAB 89.58, -6.34, 30.35

 

CMYK 4 / 0 / 29 / 8

HEX #E1EBA7

RGB 225 235 167

HSL 68.82, 0.63%, 0.79%

LAB 90.88, -14.07, 31.97

 

CMYK 12 / 0 / 29 / 8

HEX #CFEBA7

RGB 207 235 167

HSL 84.71, 0.63%, 0.79%

LAB 89.61, -20.63, 30.05

 

CMYK 20 / 0 / 29 / 8

HEX #BDEBA7

RGB 189 235 167

HSL 100.59, 0.63%, 0.79%

LAB 88.46, -26.97, 28.3

 

CMYK 27 / 0 / 29 / 8

HEX #ABEBA7

RGB 171 235 167

HSL 116.47, 0.63%, 0.79%

LAB 87.42, -33, 26.71

 

CMYK 23 / 0 / 54 / 14

HEX #A8DB64

RGB 168 219 100

HSL 85.71, 0.62%, 0.63%

LAB 81.79, -35.36, 52.48

 

CMYK 18 / 0 / 41 / 11

HEX #BBE386

RGB 187 227 134

HSL 85.81, 0.62%, 0.71%

LAB 85.62, -28.37, 41.16

 

CMYK 12 / 0 / 29 / 8

HEX #CEEBA7

RGB 206 235 167

HSL 85.59, 0.63%, 0.79%

LAB 89.55, -20.99, 29.95

 

CMYK 7 / 0 / 17 / 5

HEX #E1F2C9

RGB 225 242 201

HSL 84.88, 0.61%, 0.87%

LAB 93.33, -12.64, 17.93

 

CMYK 3 / 0 / 6 / 2

HEX #F3FAEA

RGB 243 250 234

HSL 86.25, 0.62%, 0.95%

LAB 97.38, -5.09, 6.86

 

CMYK 12 / 0 / 29 / 8

HEX #CEEBA7

RGB 206 235 167

HSL 85.59, 0.63%, 0.79%

LAB 89.55, -20.99, 29.95

 

CMYK 29 / 0 / 11 / 8

HEX #A7EBD1

RGB 167 235 209

HSL 157.06, 0.63%, 0.79%

LAB 88.08, -26.6, 5.81

 

CMYK 0 / 29 / 0 / 8

HEX #EBA7EA

RGB 235 167 234

HSL 300.88, 0.63%, 0.79%

LAB 76.82, 35.69, -23.69

 

CMYK 12 / 0 / 29 / 8

HEX #CEEBA7

RGB 206 235 167

HSL 85.59, 0.63%, 0.79%

LAB 89.55, -20.99, 29.95

 

CMYK 29 / 12 / 0 / 8

HEX #A7CFEB

RGB 167 207 235

HSL 204.71, 0.63%, 0.79%

LAB 81.2, -6.8, -18.1

 

CMYK 0 / 29 / 12 / 8

HEX #EBA7CF

RGB 235 167 207

HSL 324.71, 0.63%, 0.79%

LAB 75.95, 31.01, -10.31

 

CMYK 12 / 0 / 29 / 8

HEX #CEEBA7

RGB 206 235 167

HSL 85.59, 0.63%, 0.79%

LAB 89.55, -20.99, 29.95

 

CMYK 29 / 0 / 11 / 8

HEX #A7EBD1

RGB 167 235 209

HSL 157.06, 0.63%, 0.79%

LAB 88.08, -26.6, 5.81

 

CMYK 17 / 29 / 0 / 8

HEX #C3A7EB

RGB 195 167 235

HSL 264.71, 0.63%, 0.79%

LAB 73.05, 23.32, -30.35

 

CMYK 0 / 29 / 18 / 8

HEX #EBA7C1

RGB 235 167 193

HSL 337.06, 0.63%, 0.79%

LAB 75.54, 28.79, -3.26

 

CMYK 12 / 0 / 29 / 8

HEX #CEEBA7

RGB 206 235 167

HSL 85.59, 0.63%, 0.79%

LAB 89.55, -20.99, 29.95

 

CMYK 29 / 0 / 3 / 8

HEX #A7EBE5

RGB 167 235 229

HSL 174.71, 0.63%, 0.79%

LAB 88.59, -22.39, -3.92

 

CMYK 17 / 29 / 0 / 8

HEX #C3A7EB

RGB 195 167 235

HSL 264.71, 0.63%, 0.79%

LAB 73.05, 23.32, -30.35

 

CMYK 0 / 29 / 26 / 8

HEX #EBA7AD

RGB 235 167 173

HSL 354.71, 0.63%, 0.79%

LAB 75.02, 25.88, 6.94

 

Description

Color code: HEX #CEEBA7 | qconv.com Color code: HEX #CEEBA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 235 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 235 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 29 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 29% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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