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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEEDAA it is the complementary color #311255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEEDAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEEDAA shade: #D3EDA5, #E4FFB8, #F5FFCB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEEDAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEEDAA shade: #CEEDAA, #BDDB97, #ACC984, #9BB771 and #8AA55E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEEDAA shade: #CEEDAA, #E0EDAA, #EDE8AA, #EDD6AA and #EDC4AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEEDAA shade: #CEEDAA, #BCEDAA, #AAEDAA, #AAEDBC and #AAEDCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEEDAA shade matches the following richer shades: #CEEDAA, #CFF5A2 and #CFFD9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEEDAA shade: #CEEDAA, #CDE4B3, #CDDCBB, #CCD4C3 and #CCCCCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEEDAA shade: #EDE7AA, #E0EDAA, #CFEDAA, #BDEDAA and #ABEDAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEEDAA shade: #A7DE66, #BAE588, #CEEDAA, #E2F4CC and #F5FBEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEEDAA shade: #CEEDAA, #AAEDD5 and #EDAAE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEEDAA shade: #CEEDAA, #AACFED and #EDAACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEEDAA shade: #CEEDAA, #AAEDD5, #C8AAED and #EDAAC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEEDAA shade: #CEEDAA, #AAEDE9, #C8AAED and #EDAAAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 28 / 7

HEX #CEEDAA

RGB 206 237 170

HSL 87.76, 0.65%, 0.8%

LAB 90.13, -21.54, 29.21

 

Complementary color

CMYK 42 / 79 / 0 / 67

HEX #311255

RGB 49 18 85

HSL 267.76, 0.65%, 0.2%

LAB 14.07, 30.54, -34.52

 

CMYK 11 / 0 / 30 / 7

HEX #D3EDA5

RGB 211 237 165

HSL 81.67, 0.67%, 0.79%

LAB 90.38, -20.44, 32.15

 

CMYK 11 / 0 / 28 / 0

HEX #E4FFB8

RGB 228 255 184

HSL 82.82, 1%, 0.86%

LAB 96.61, -20.46, 31.12

 

CMYK 4 / 0 / 20 / 0

HEX #F5FFCB

RGB 245 255 203

HSL 71.54, 1%, 0.9%

LAB 98.13, -11.75, 23.8

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 13 / 0 / 28 / 7

HEX #CEEDAA

RGB 206 237 170

HSL 87.76, 0.65%, 0.8%

LAB 90.13, -21.54, 29.21

 

CMYK 14 / 0 / 31 / 14

HEX #BDDB97

RGB 189 219 151

HSL 86.47, 0.49%, 0.73%

LAB 83.82, -21.56, 30.26

 

CMYK 14 / 0 / 34 / 21

HEX #ACC984

RGB 172 201 132

HSL 85.22, 0.39%, 0.65%

LAB 77.41, -21.58, 31.35

 

CMYK 15 / 0 / 38 / 28

HEX #9BB771

RGB 155 183 113

HSL 84, 0.33%, 0.58%

LAB 70.89, -21.58, 32.5

 

CMYK 16 / 0 / 43 / 35

HEX #8AA55E

RGB 138 165 94

HSL 82.82, 0.28%, 0.51%

LAB 64.26, -21.55, 33.69

 

CMYK 13 / 0 / 28 / 7

HEX #CEEDAA

RGB 206 237 170

HSL 87.76, 0.65%, 0.8%

LAB 90.13, -21.54, 29.21

 

CMYK 5 / 0 / 28 / 7

HEX #E0EDAA

RGB 224 237 170

HSL 71.64, 0.65%, 0.8%

LAB 91.38, -15.03, 31.1

 

CMYK 0 / 2 / 28 / 7

HEX #EDE8AA

RGB 237 232 170

HSL 55.52, 0.65%, 0.8%

LAB 91.06, -7.72, 30.85

 

CMYK 0 / 10 / 28 / 7

HEX #EDD6AA

RGB 237 214 170

HSL 39.4, 0.65%, 0.8%

LAB 86.5, 1.44, 24.67

 

CMYK 0 / 17 / 28 / 7

HEX #EDC4AA

RGB 237 196 170

HSL 23.28, 0.65%, 0.8%

LAB 82.05, 10.83, 18.52

 

CMYK 13 / 0 / 28 / 7

HEX #CEEDAA

RGB 206 237 170

HSL 87.76, 0.65%, 0.8%

LAB 90.13, -21.54, 29.21

 

CMYK 21 / 0 / 28 / 7

HEX #BCEDAA

RGB 188 237 170

HSL 103.88, 0.65%, 0.8%

LAB 89, -27.8, 27.48

 

CMYK 28 / 0 / 28 / 7

HEX #AAEDAA

RGB 170 237 170

HSL 120, 0.65%, 0.8%

LAB 87.98, -33.76, 25.92

 

CMYK 28 / 0 / 21 / 7

HEX #AAEDBC

RGB 170 237 188

HSL 136.12, 0.65%, 0.8%

LAB 88.33, -30.67, 17.12

 

CMYK 28 / 0 / 13 / 7

HEX #AAEDCE

RGB 170 237 206

HSL 152.24, 0.65%, 0.8%

LAB 88.72, -27.27, 8.32

 

CMYK 13 / 0 / 28 / 7

HEX #CEEDAA

RGB 206 237 170

HSL 87.76, 0.65%, 0.8%

LAB 90.13, -21.54, 29.21

 

CMYK 16 / 0 / 34 / 4

HEX #CFF5A2

RGB 207 245 162

HSL 87.47, 0.81%, 0.8%

LAB 92.21, -26.12, 36.03

 

CMYK 18 / 0 / 39 / 1

HEX #CFFD9A

RGB 207 253 154

HSL 87.88, 0.96%, 0.8%

LAB 94.25, -30.9, 42.64

 

CMYK 13 / 0 / 28 / 7

HEX #CEEDAA

RGB 206 237 170

HSL 87.76, 0.65%, 0.8%

LAB 90.13, -21.54, 29.21

 

CMYK 10 / 0 / 21 / 11

HEX #CDE4B3

RGB 205 228 179

HSL 88.16, 0.48%, 0.8%

LAB 87.83, -16.14, 21.43

 

CMYK 7 / 0 / 15 / 14

HEX #CDDCBB

RGB 205 220 187

HSL 87.27, 0.32%, 0.8%

LAB 85.88, -10.85, 14.53

 

CMYK 4 / 0 / 8 / 17

HEX #CCD4C3

RGB 204 212 195

HSL 88.24, 0.17%, 0.8%

LAB 83.9, -5.76, 7.46

 

CMYK 0 / 0 / 0 / 20

HEX #CCCCCB

RGB 204 204 203

HSL 60, 0.01%, 0.8%

LAB 82.02, -0.18, 0.49

 

CMYK 0 / 3 / 28 / 7

HEX #EDE7AA

RGB 237 231 170

HSL 54.63, 0.65%, 0.8%

LAB 90.81, -7.22, 30.5

 

CMYK 5 / 0 / 28 / 7

HEX #E0EDAA

RGB 224 237 170

HSL 71.64, 0.65%, 0.8%

LAB 91.38, -15.03, 31.1

 

CMYK 13 / 0 / 28 / 7

HEX #CFEDAA

RGB 207 237 170

HSL 86.87, 0.65%, 0.8%

LAB 90.2, -21.18, 29.31

 

CMYK 20 / 0 / 28 / 7

HEX #BDEDAA

RGB 189 237 170

HSL 102.99, 0.65%, 0.8%

LAB 89.06, -27.46, 27.58

 

CMYK 28 / 0 / 28 / 7

HEX #ABEDAA

RGB 171 237 170

HSL 119.1, 0.65%, 0.8%

LAB 88.03, -33.44, 26.01

 

CMYK 25 / 0 / 54 / 13

HEX #A7DE66

RGB 167 222 102

HSL 87.5, 0.65%, 0.64%

LAB 82.6, -36.89, 52.5

 

CMYK 19 / 0 / 41 / 10

HEX #BAE588

RGB 186 229 136

HSL 87.74, 0.64%, 0.72%

LAB 86.13, -29.43, 40.82

 

CMYK 13 / 0 / 28 / 7

HEX #CEEDAA

RGB 206 237 170

HSL 87.76, 0.65%, 0.8%

LAB 90.13, -21.54, 29.21

 

CMYK 7 / 0 / 16 / 4

HEX #E2F4CC

RGB 226 244 204

HSL 87, 0.65%, 0.88%

LAB 93.98, -12.82, 17.3

 

CMYK 2 / 0 / 5 / 2

HEX #F5FBEE

RGB 245 251 238

HSL 87.69, 0.62%, 0.96%

LAB 97.87, -4.24, 5.53

 

CMYK 13 / 0 / 28 / 7

HEX #CEEDAA

RGB 206 237 170

HSL 87.76, 0.65%, 0.8%

LAB 90.13, -21.54, 29.21

 

CMYK 28 / 0 / 10 / 7

HEX #AAEDD5

RGB 170 237 213

HSL 158.51, 0.65%, 0.8%

LAB 88.88, -25.87, 4.9

 

CMYK 0 / 28 / 2 / 7

HEX #EDAAE9

RGB 237 170 233

HSL 303.58, 0.65%, 0.8%

LAB 77.66, 34.55, -21.86

 

CMYK 13 / 0 / 28 / 7

HEX #CEEDAA

RGB 206 237 170

HSL 87.76, 0.65%, 0.8%

LAB 90.13, -21.54, 29.21

 

CMYK 28 / 13 / 0 / 7

HEX #AACFED

RGB 170 207 237

HSL 206.87, 0.65%, 0.8%

LAB 81.45, -5.47, -18.78

 

CMYK 0 / 28 / 13 / 7

HEX #EDAACF

RGB 237 170 207

HSL 326.87, 0.65%, 0.8%

LAB 76.84, 30.1, -8.97

 

CMYK 13 / 0 / 28 / 7

HEX #CEEDAA

RGB 206 237 170

HSL 87.76, 0.65%, 0.8%

LAB 90.13, -21.54, 29.21

 

CMYK 28 / 0 / 10 / 7

HEX #AAEDD5

RGB 170 237 213

HSL 158.51, 0.65%, 0.8%

LAB 88.88, -25.87, 4.9

 

CMYK 16 / 28 / 0 / 7

HEX #C8AAED

RGB 200 170 237

HSL 266.87, 0.65%, 0.8%

LAB 74.28, 23.64, -29.5

 

CMYK 0 / 28 / 18 / 7

HEX #EDAAC2

RGB 237 170 194

HSL 338.51, 0.65%, 0.8%

LAB 76.47, 28.05, -2.43

 

CMYK 13 / 0 / 28 / 7

HEX #CEEDAA

RGB 206 237 170

HSL 87.76, 0.65%, 0.8%

LAB 90.13, -21.54, 29.21

 

CMYK 28 / 0 / 2 / 7

HEX #AAEDE9

RGB 170 237 233

HSL 176.42, 0.65%, 0.8%

LAB 89.39, -21.65, -4.81

 

CMYK 16 / 28 / 0 / 7

HEX #C8AAED

RGB 200 170 237

HSL 266.87, 0.65%, 0.8%

LAB 74.28, 23.64, -29.5

 

CMYK 0 / 28 / 27 / 7

HEX #EDAAAE

RGB 237 170 174

HSL 356.42, 0.65%, 0.8%

LAB 75.95, 25.15, 7.76

 

Description

Color code: HEX #CEEDAA | qconv.com Color code: HEX #CEEDAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 237 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 237 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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