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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEEF5E it is the complementary color #3110A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEEF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEEF5E shade: #D3EF59, #E4FF6C, #F5FF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEEF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEEF5E shade: #CEEF5E, #BDDD4B, #ACCB38, #9BB925 and #8AA712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEEF5E shade: #CDEE5C, #EEE85C, #EEC15C, #EE995C and #EE725C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEEF5E shade: #CDEE5C, #A6EE5C, #7EEE5C, #5CEE61 and #5CEE89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEEF5E shade matches the following richer shades: #CDEE5C and #D5FD4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEEF5E shade: #CDEE5C, #C5E06B, #BDD279, #B6C387 and #AEB596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEEF5E shade: #EEC05C, #EEE75C, #CFEE5C, #A8EE5C and #81EE5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEEF5E shade: #B4E216, #C2EB37, #CDEE5C, #D9F282 and #E4F6A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEEF5E shade: #CEEF5E, #5CEE99 and #D45CEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEEF5E shade: #CEEF5E, #5CCFEE and #EE5CCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEEF5E shade: #CEEF5E, #5CEE99, #7C5CEE and #EE5CB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEEF5E shade: #CEEF5E, #5CEEC5, #7C5CEE and #EE5C86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 61 / 6

HEX #CEEF5E

RGB 206 239 94

HSL 73.66, 0.82%, 0.65%

LAB 89.7, -30.69, 64.67

 

Complementary color

CMYK 70 / 90 / 0 / 37

HEX #3110A1

RGB 49 16 161

HSL 253.66, 0.82%, 0.35%

LAB 22.29, 53.02, -69.66

 

CMYK 12 / 0 / 63 / 6

HEX #D3EF59

RGB 211 239 89

HSL 71.2, 0.82%, 0.64%

LAB 90, -29.09, 67.13

 

CMYK 11 / 0 / 58 / 0

HEX #E4FF6C

RGB 228 255 108

HSL 71.02, 1%, 0.71%

LAB 95.62, -28.6, 65.77

 

CMYK 4 / 0 / 50 / 0

HEX #F5FF7F

RGB 245 255 127

HSL 64.69, 1%, 0.75%

LAB 97.01, -20.51, 59.35

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 14 / 0 / 61 / 6

HEX #CEEF5E

RGB 206 239 94

HSL 73.66, 0.82%, 0.65%

LAB 89.7, -30.69, 64.67

 

CMYK 14 / 0 / 66 / 13

HEX #BDDD4B

RGB 189 221 75

HSL 73.15, 0.68%, 0.58%

LAB 83.46, -30.24, 65.32

 

CMYK 15 / 0 / 72 / 20

HEX #ACCB38

RGB 172 203 56

HSL 72.65, 0.59%, 0.51%

LAB 77.14, -29.66, 65.58

 

CMYK 16 / 0 / 80 / 27

HEX #9BB925

RGB 155 185 37

HSL 72.16, 0.67%, 0.44%

LAB 70.73, -28.93, 65.17

 

CMYK 17 / 0 / 89 / 35

HEX #8AA712

RGB 138 167 18

HSL 71.68, 0.81%, 0.36%

LAB 64.23, -28, 63.63

 

CMYK 14 / 0 / 61 / 7

HEX #CDEE5C

RGB 205 238 92

HSL 73.56, 0.81%, 0.65%

LAB 89.35, -30.76, 65.09

 

CMYK 0 / 3 / 61 / 7

HEX #EEE85C

RGB 238 232 92

HSL 57.53, 0.81%, 0.65%

LAB 90.17, -14.74, 66.69

 

CMYK 0 / 19 / 61 / 7

HEX #EEC15C

RGB 238 193 92

HSL 41.51, 0.81%, 0.65%

LAB 80.23, 5.03, 55.78

 

CMYK 0 / 36 / 61 / 7

HEX #EE995C

RGB 238 153 92

HSL 25.07, 0.81%, 0.65%

LAB 70.69, 26.13, 44.76

 

CMYK 0 / 52 / 61 / 7

HEX #EE725C

RGB 238 114 92

HSL 9.04, 0.81%, 0.65%

LAB 62.49, 46.12, 34.8

 

CMYK 14 / 0 / 61 / 7

HEX #CDEE5C

RGB 205 238 92

HSL 73.56, 0.81%, 0.65%

LAB 89.35, -30.76, 65.09

 

CMYK 30 / 0 / 61 / 7

HEX #A6EE5C

RGB 166 238 92

HSL 89.59, 0.81%, 0.65%

LAB 87.01, -45.2, 61.87

 

CMYK 47 / 0 / 61 / 7

HEX #7EEE5C

RGB 126 238 92

HSL 106.03, 0.81%, 0.65%

LAB 85.18, -57.98, 59.32

 

CMYK 61 / 0 / 59 / 7

HEX #5CEE61

RGB 92 238 97

HSL 122.05, 0.81%, 0.65%

LAB 84.12, -65.97, 55.68

 

CMYK 61 / 0 / 42 / 7

HEX #5CEE89

RGB 92 238 137

HSL 138.49, 0.81%, 0.65%

LAB 84.6, -60.49, 37.53

 

CMYK 14 / 0 / 61 / 7

HEX #CDEE5C

RGB 205 238 92

HSL 73.56, 0.81%, 0.65%

LAB 89.35, -30.76, 65.09

 

CMYK 16 / 0 / 69 / 1

HEX #D5FD4E

RGB 213 253 78

HSL 73.71, 0.98%, 0.65%

LAB 93.86, -35.42, 75.28

 

CMYK 14 / 0 / 61 / 7

HEX #CDEE5C

RGB 205 238 92

HSL 73.56, 0.81%, 0.65%

LAB 89.35, -30.76, 65.09

 

CMYK 12 / 0 / 52 / 12

HEX #C5E06B

RGB 197 224 107

HSL 73.85, 0.65%, 0.65%

LAB 85.12, -26.05, 53.64

 

CMYK 10 / 0 / 42 / 18

HEX #BDD279

RGB 189 210 121

HSL 74.16, 0.5%, 0.65%

LAB 80.9, -20.94, 41.67

 

CMYK 7 / 0 / 31 / 24

HEX #B6C387

RGB 182 195 135

HSL 73, 0.33%, 0.65%

LAB 76.51, -14.39, 28.73

 

CMYK 4 / 0 / 17 / 29

HEX #AEB596

RGB 174 181 150

HSL 73.55, 0.17%, 0.65%

LAB 72.39, -7.93, 14.99

 

CMYK 0 / 19 / 61 / 7

HEX #EEC05C

RGB 238 192 92

HSL 41.1, 0.81%, 0.65%

LAB 79.98, 5.55, 55.51

 

CMYK 0 / 3 / 61 / 7

HEX #EEE75C

RGB 238 231 92

HSL 57.12, 0.81%, 0.65%

LAB 89.91, -14.25, 66.41

 

CMYK 13 / 0 / 61 / 7

HEX #CFEE5C

RGB 207 238 92

HSL 72.74, 0.81%, 0.65%

LAB 89.48, -29.98, 65.28

 

CMYK 29 / 0 / 61 / 7

HEX #A8EE5C

RGB 168 238 92

HSL 88.77, 0.81%, 0.65%

LAB 87.12, -44.5, 62.02

 

CMYK 46 / 0 / 61 / 7

HEX #81EE5C

RGB 129 238 92

HSL 104.79, 0.81%, 0.65%

LAB 85.3, -57.12, 59.49

 

CMYK 20 / 0 / 90 / 11

HEX #B4E216

RGB 180 226 22

HSL 73.53, 0.82%, 0.49%

LAB 84.05, -38.2, 80.17

 

CMYK 17 / 0 / 77 / 8

HEX #C2EB37

RGB 194 235 55

HSL 73.67, 0.82%, 0.57%

LAB 87.56, -35.77, 76.25

 

CMYK 14 / 0 / 61 / 7

HEX #CDEE5C

RGB 205 238 92

HSL 73.56, 0.81%, 0.65%

LAB 89.35, -30.76, 65.09

 

CMYK 10 / 0 / 46 / 5

HEX #D9F282

RGB 217 242 130

HSL 73.39, 0.81%, 0.73%

LAB 91.63, -24.75, 51.03

 

CMYK 7 / 0 / 32 / 4

HEX #E4F6A7

RGB 228 246 167

HSL 73.67, 0.81%, 0.81%

LAB 93.97, -18.36, 36.11

 

CMYK 14 / 0 / 61 / 6

HEX #CEEF5E

RGB 206 239 94

HSL 73.66, 0.82%, 0.65%

LAB 89.7, -30.69, 64.67

 

CMYK 61 / 0 / 36 / 7

HEX #5CEE99

RGB 92 238 153

HSL 145.07, 0.81%, 0.65%

LAB 84.86, -57.74, 29.85

 

CMYK 11 / 61 / 0 / 7

HEX #D45CEE

RGB 212 92 238

HSL 289.32, 0.81%, 0.65%

LAB 59.73, 67.31, -52.73

 

CMYK 14 / 0 / 61 / 6

HEX #CEEF5E

RGB 206 239 94

HSL 73.66, 0.82%, 0.65%

LAB 89.7, -30.69, 64.67

 

CMYK 61 / 13 / 0 / 7

HEX #5CCFEE

RGB 92 207 238

HSL 192.74, 0.81%, 0.65%

LAB 77.92, -23.5, -25.01

 

CMYK 0 / 61 / 13 / 7

HEX #EE5CCF

RGB 238 92 207

HSL 312.74, 0.81%, 0.65%

LAB 61.94, 68.6, -31.59

 

CMYK 14 / 0 / 61 / 6

HEX #CEEF5E

RGB 206 239 94

HSL 73.66, 0.82%, 0.65%

LAB 89.7, -30.69, 64.67

 

CMYK 61 / 0 / 36 / 7

HEX #5CEE99

RGB 92 238 153

HSL 145.07, 0.81%, 0.65%

LAB 84.86, -57.74, 29.85

 

CMYK 48 / 61 / 0 / 7

HEX #7C5CEE

RGB 124 92 238

HSL 253.15, 0.81%, 0.65%

LAB 49.63, 48.09, -69.49

 

CMYK 0 / 61 / 26 / 7

HEX #EE5CB1

RGB 238 92 177

HSL 325.07, 0.81%, 0.65%

LAB 60.79, 64.47, -16.27

 

CMYK 14 / 0 / 61 / 6

HEX #CEEF5E

RGB 206 239 94

HSL 73.66, 0.82%, 0.65%

LAB 89.7, -30.69, 64.67

 

CMYK 61 / 0 / 17 / 7

HEX #5CEEC5

RGB 92 238 197

HSL 163.15, 0.81%, 0.65%

LAB 85.73, -48.62, 8.33

 

CMYK 48 / 61 / 0 / 7

HEX #7C5CEE

RGB 124 92 238

HSL 253.15, 0.81%, 0.65%

LAB 49.63, 48.09, -69.49

 

CMYK 0 / 61 / 44 / 7

HEX #EE5C86

RGB 238 92 134

HSL 342.74, 0.81%, 0.65%

LAB 59.48, 59.64, 6.73

 

Description

Color code: HEX #CEEF5E | qconv.com Color code: HEX #CEEF5E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 239 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 239 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 61 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 61% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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