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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEF440 it is the complementary color #310BBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEF440. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEF440 shade: #D3F43B, #E4FF4E, #F5FF61, #FFFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEF440. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEF440 shade: #CEF440, #BDE22D, #ACD01A, #9BBE07 and #8AAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEF440 shade: #CDF33E, #F3E93E, #F3B83E, #F3873E and #F3563E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEF440 shade: #CDF33E, #9CF33E, #6BF33E, #3EF341 and #3EF372

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEF440 shade matches the following richer shades: #CDF33E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEF440 shade: #CDF33E, #C3E34E, #BAD25F, #B0C26F and #A7B180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEF440 shade: #F3B73E, #F3E73E, #CFF33E, #9FF33E and #6EF33E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEF440 shade: #A9D30C, #C3F117, #CDF33E, #D7F665 and #E1F88C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEF440 shade: #CEF440, #3EF386 and #CF3EF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEF440 shade: #CEF440, #3ECFF3 and #F33ECF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEF440 shade: #CEF440, #3EF386, #623EF3 and #F33EAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEF440 shade: #CEF440, #3EF3BD, #623EF3 and #F33E74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 74 / 4

HEX #CEF440

RGB 206 244 64

HSL 72.67, 0.89%, 0.6%

LAB 90.87, -34.77, 76.88

 

Complementary color

CMYK 74 / 94 / 0 / 25

HEX #310BBF

RGB 49 11 191

HSL 252.67, 0.89%, 0.4%

LAB 25.73, 62.25, -81.97

 

CMYK 14 / 0 / 76 / 4

HEX #D3F43B

RGB 211 244 59

HSL 70.7, 0.89%, 0.59%

LAB 91.17, -33.03, 78.81

 

CMYK 11 / 0 / 69 / 0

HEX #E4FF4E

RGB 228 255 78

HSL 69.15, 1%, 0.65%

LAB 95.4, -30.51, 77.14

 

CMYK 4 / 0 / 62 / 0

HEX #F5FF61

RGB 245 255 97

HSL 63.8, 1%, 0.69%

LAB 96.74, -22.72, 71.83

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 16 / 0 / 74 / 4

HEX #CEF440

RGB 206 244 64

HSL 72.67, 0.89%, 0.6%

LAB 90.87, -34.77, 76.88

 

CMYK 16 / 0 / 80 / 11

HEX #BDE22D

RGB 189 226 45

HSL 72.27, 0.76%, 0.53%

LAB 84.69, -34.03, 76.29

 

CMYK 17 / 0 / 88 / 18

HEX #ACD01A

RGB 172 208 26

HSL 71.87, 0.78%, 0.46%

LAB 78.44, -33.12, 74.75

 

CMYK 18 / 0 / 96 / 25

HEX #9BBE07

RGB 155 190 7

HSL 71.48, 0.93%, 0.39%

LAB 72.1, -32.02, 71.88

 

CMYK 20 / 0 / 100 / 33

HEX #8AAC00

RGB 138 172 0

HSL 71.86, 1%, 0.34%

LAB 65.68, -30.7, 67.31

 

CMYK 16 / 0 / 74 / 5

HEX #CDF33E

RGB 205 243 62

HSL 72.6, 0.88%, 0.6%

LAB 90.52, -34.8, 77.15

 

CMYK 0 / 4 / 74 / 5

HEX #F3E93E

RGB 243 233 62

HSL 56.69, 0.88%, 0.6%

LAB 90.63, -14.71, 78.26

 

CMYK 0 / 24 / 74 / 5

HEX #F3B83E

RGB 243 184 62

HSL 40.44, 0.88%, 0.6%

LAB 78.28, 10.22, 66.6

 

CMYK 0 / 44 / 74 / 5

HEX #F3873E

RGB 243 135 62

HSL 24.2, 0.88%, 0.6%

LAB 67.07, 35.89, 55.48

 

CMYK 0 / 65 / 74 / 5

HEX #F3563E

RGB 243 86 62

HSL 7.96, 0.88%, 0.6%

LAB 58.09, 58.92, 46.06

 

CMYK 16 / 0 / 74 / 5

HEX #CDF33E

RGB 205 243 62

HSL 72.6, 0.88%, 0.6%

LAB 90.52, -34.8, 77.15

 

CMYK 36 / 0 / 74 / 5

HEX #9CF33E

RGB 156 243 62

HSL 88.84, 0.88%, 0.6%

LAB 87.74, -52.79, 73.53

 

CMYK 56 / 0 / 74 / 5

HEX #6BF33E

RGB 107 243 62

HSL 105.08, 0.88%, 0.6%

LAB 85.79, -67.27, 70.97

 

CMYK 74 / 0 / 73 / 5

HEX #3EF341

RGB 62 243 65

HSL 120.99, 0.88%, 0.6%

LAB 84.74, -75.89, 68.6

 

CMYK 74 / 0 / 53 / 5

HEX #3EF372

RGB 62 243 114

HSL 137.24, 0.88%, 0.6%

LAB 85.17, -70.75, 49.14

 

CMYK 16 / 0 / 74 / 5

HEX #CDF33E

RGB 205 243 62

HSL 72.6, 0.88%, 0.6%

LAB 90.52, -34.8, 77.15

 

CMYK 16 / 0 / 74 / 5

HEX #CDF33E

RGB 205 243 62

HSL 72.6, 0.88%, 0.6%

LAB 90.52, -34.8, 77.15

 

CMYK 14 / 0 / 66 / 11

HEX #C3E34E

RGB 195 227 78

HSL 72.89, 0.73%, 0.6%

LAB 85.55, -30.49, 66.45

 

CMYK 11 / 0 / 55 / 18

HEX #BAD25F

RGB 186 210 95

HSL 72.52, 0.56%, 0.6%

LAB 80.38, -24.69, 53.43

 

CMYK 9 / 0 / 43 / 24

HEX #B0C26F

RGB 176 194 111

HSL 73.01, 0.4%, 0.6%

LAB 75.43, -19.18, 39.61

 

CMYK 6 / 0 / 28 / 31

HEX #A7B180

RGB 167 177 128

HSL 72.24, 0.24%, 0.6%

LAB 70.33, -11.84, 23.97

 

CMYK 0 / 25 / 74 / 5

HEX #F3B73E

RGB 243 183 62

HSL 40.11, 0.88%, 0.6%

LAB 78.03, 10.74, 66.36

 

CMYK 0 / 5 / 74 / 5

HEX #F3E73E

RGB 243 231 62

HSL 56.02, 0.88%, 0.6%

LAB 90.12, -13.72, 77.79

 

CMYK 15 / 0 / 74 / 5

HEX #CFF33E

RGB 207 243 62

HSL 71.93, 0.88%, 0.6%

LAB 90.65, -34.01, 77.32

 

CMYK 35 / 0 / 74 / 5

HEX #9FF33E

RGB 159 243 62

HSL 87.85, 0.88%, 0.6%

LAB 87.88, -51.77, 73.72

 

CMYK 55 / 0 / 74 / 5

HEX #6EF33E

RGB 110 243 62

HSL 104.09, 0.88%, 0.6%

LAB 85.89, -66.52, 71.1

 

CMYK 20 / 0 / 94 / 17

HEX #A9D30C

RGB 169 211 12

HSL 72.66, 0.89%, 0.44%

LAB 79.07, -35.96, 77.18

 

CMYK 19 / 0 / 90 / 5

HEX #C3F117

RGB 195 241 23

HSL 72.66, 0.89%, 0.52%

LAB 89.19, -39.01, 84.55

 

CMYK 16 / 0 / 74 / 5

HEX #CDF33E

RGB 205 243 62

HSL 72.6, 0.88%, 0.6%

LAB 90.52, -34.8, 77.15

 

CMYK 13 / 0 / 59 / 4

HEX #D7F665

RGB 215 246 101

HSL 72.83, 0.89%, 0.68%

LAB 92.26, -29.95, 64.74

 

CMYK 9 / 0 / 44 / 3

HEX #E1F88C

RGB 225 248 140

HSL 72.78, 0.89%, 0.76%

LAB 93.9, -23.56, 49.2

 

CMYK 16 / 0 / 74 / 4

HEX #CEF440

RGB 206 244 64

HSL 72.67, 0.89%, 0.6%

LAB 90.87, -34.77, 76.88

 

CMYK 74 / 0 / 45 / 5

HEX #3EF386

RGB 62 243 134

HSL 143.87, 0.88%, 0.6%

LAB 85.43, -67.74, 39.94

 

CMYK 15 / 74 / 0 / 5

HEX #CF3EF3

RGB 207 62 243

HSL 288.07, 0.88%, 0.6%

LAB 55.26, 78.56, -62.71

 

CMYK 16 / 0 / 74 / 4

HEX #CEF440

RGB 206 244 64

HSL 72.67, 0.89%, 0.6%

LAB 90.87, -34.77, 76.88

 

CMYK 74 / 15 / 0 / 5

HEX #3ECFF3

RGB 62 207 243

HSL 191.93, 0.88%, 0.6%

LAB 77.35, -26.21, -28.62

 

CMYK 0 / 74 / 15 / 5

HEX #F33ECF

RGB 243 62 207

HSL 311.93, 0.88%, 0.6%

LAB 58.98, 80.3, -36.15

 

CMYK 16 / 0 / 74 / 4

HEX #CEF440

RGB 206 244 64

HSL 72.67, 0.89%, 0.6%

LAB 90.87, -34.77, 76.88

 

CMYK 74 / 0 / 45 / 5

HEX #3EF386

RGB 62 243 134

HSL 143.87, 0.88%, 0.6%

LAB 85.43, -67.74, 39.94

 

CMYK 60 / 74 / 0 / 5

HEX #623EF3

RGB 98 62 243

HSL 251.93, 0.88%, 0.6%

LAB 42.02, 61.21, -84.84

 

CMYK 0 / 74 / 30 / 5

HEX #F33EAB

RGB 243 62 171

HSL 323.87, 0.88%, 0.6%

LAB 57.5, 75.85, -17.71

 

CMYK 16 / 0 / 74 / 4

HEX #CEF440

RGB 206 244 64

HSL 72.67, 0.89%, 0.6%

LAB 90.87, -34.77, 76.88

 

CMYK 74 / 0 / 22 / 5

HEX #3EF3BD

RGB 62 243 189

HSL 162.1, 0.88%, 0.6%

LAB 86.4, -56.9, 13.37

 

CMYK 60 / 74 / 0 / 5

HEX #623EF3

RGB 98 62 243

HSL 251.93, 0.88%, 0.6%

LAB 42.02, 61.21, -84.84

 

CMYK 0 / 74 / 52 / 5

HEX #F33E74

RGB 243 62 116

HSL 342.1, 0.88%, 0.6%

LAB 55.85, 70.66, 12.3

 

Description

Color code: HEX #CEF440 | qconv.com Color code: HEX #CEF440 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 244 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 244 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 74 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 74% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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