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Color name
HEX #CEF778

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEF778 it is the complementary color #310887. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEF778. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEF778 shade: #D3F773, #E4FF86, #F5FF99, #FFFFAC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEF778. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEF778 shade: #CEF778, #BDE565, #ACD352, #9BC13F and #8AAF2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEF778 shade: #CEF778, #F0F778, #F7DB78, #F7B978 and #F79778

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEF778 shade: #CEF778, #ABF778, #89F778, #78F788 and #78F7AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEF778 shade matches the following richer shades: #CEF778

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEF778 shade: #CEF778, #CAEB83, #C5E08F, #C1D49A and #BDC8A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEF778 shade: #F7DB78, #F0F778, #CEF778, #ADF778 and #8BF778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEF778 shade: #B1F22A, #BFF451, #CEF778, #DCF99F and #EAFBC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEF778 shade: #CEF778, #78F7B9 and #EC78F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEF778 shade: #CEF778, #78CEF7 and #F778CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEF778 shade: #CEF778, #78F7B9, #A078F7 and #F778B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEF778 shade: #CEF778, #78F7DF, #A078F7 and #F7788F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

Complementary color

CMYK 64 / 94 / 0 / 47

HEX #310887

RGB 49 8 135

HSL 259.37, 0.89%, 0.28%

LAB 18.26, 48.35, -60.25

 

CMYK 15 / 0 / 53 / 3

HEX #D3F773

RGB 211 247 115

HSL 76.36, 0.89%, 0.71%

LAB 92.4, -30.79, 58.76

 

CMYK 11 / 0 / 47 / 0

HEX #E4FF86

RGB 228 255 134

HSL 73.39, 1%, 0.76%

LAB 95.89, -26.36, 54.51

 

CMYK 4 / 0 / 40 / 0

HEX #F5FF99

RGB 245 255 153

HSL 65.88, 1%, 0.8%

LAB 97.32, -18.02, 47.56

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

CMYK 17 / 0 / 56 / 10

HEX #BDE565

RGB 189 229 101

HSL 78.75, 0.71%, 0.65%

LAB 85.9, -32.01, 57.12

 

CMYK 18 / 0 / 61 / 17

HEX #ACD352

RGB 172 211 82

HSL 78.14, 0.59%, 0.57%

LAB 79.6, -31.73, 58.02

 

CMYK 20 / 0 / 67 / 24

HEX #9BC13F

RGB 155 193 63

HSL 77.54, 0.51%, 0.5%

LAB 73.2, -31.34, 58.67

 

CMYK 21 / 0 / 75 / 31

HEX #8AAF2C

RGB 138 175 44

HSL 76.95, 0.6%, 0.43%

LAB 66.71, -30.82, 58.85

 

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

CMYK 3 / 0 / 51 / 3

HEX #F0F778

RGB 240 247 120

HSL 63.31, 0.89%, 0.72%

LAB 94.48, -19.2, 59.46

 

CMYK 0 / 11 / 51 / 3

HEX #F7DB78

RGB 247 219 120

HSL 46.77, 0.89%, 0.72%

LAB 87.87, -2.55, 51.76

 

CMYK 0 / 25 / 51 / 3

HEX #F7B978

RGB 247 185 120

HSL 30.71, 0.89%, 0.72%

LAB 79.52, 15.05, 41.52

 

CMYK 0 / 39 / 51 / 3

HEX #F79778

RGB 247 151 120

HSL 14.65, 0.89%, 0.72%

LAB 71.73, 32.9, 31.58

 

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

CMYK 31 / 0 / 51 / 3

HEX #ABF778

RGB 171 247 120

HSL 95.91, 0.89%, 0.72%

LAB 90.11, -44.67, 53.2

 

CMYK 45 / 0 / 51 / 3

HEX #89F778

RGB 137 247 120

HSL 111.97, 0.89%, 0.72%

LAB 88.54, -55.31, 50.94

 

CMYK 51 / 0 / 45 / 3

HEX #78F788

RGB 120 247 136

HSL 127.56, 0.89%, 0.72%

LAB 88.11, -57.75, 42.69

 

CMYK 51 / 0 / 31 / 3

HEX #78F7AB

RGB 120 247 171

HSL 144.09, 0.89%, 0.72%

LAB 88.66, -51.98, 25.99

 

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

CMYK 14 / 0 / 44 / 8

HEX #CAEB83

RGB 202 235 131

HSL 79.04, 0.72%, 0.72%

LAB 88.74, -26.97, 46.76

 

CMYK 12 / 0 / 36 / 12

HEX #C5E08F

RGB 197 224 143

HSL 80, 0.57%, 0.72%

LAB 85.59, -22.13, 36.76

 

CMYK 9 / 0 / 27 / 17

HEX #C1D49A

RGB 193 212 154

HSL 79.66, 0.4%, 0.72%

LAB 82.25, -16.21, 26.64

 

CMYK 5 / 0 / 17 / 22

HEX #BDC8A6

RGB 189 200 166

HSL 79.41, 0.24%, 0.72%

LAB 78.97, -9.75, 15.76

 

CMYK 0 / 11 / 51 / 3

HEX #F7DB78

RGB 247 219 120

HSL 46.77, 0.89%, 0.72%

LAB 87.87, -2.55, 51.76

 

CMYK 3 / 0 / 51 / 3

HEX #F0F778

RGB 240 247 120

HSL 63.31, 0.89%, 0.72%

LAB 94.48, -19.2, 59.46

 

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

CMYK 30 / 0 / 51 / 3

HEX #ADF778

RGB 173 247 120

HSL 94.96, 0.89%, 0.72%

LAB 90.21, -43.99, 53.35

 

CMYK 44 / 0 / 51 / 3

HEX #8BF778

RGB 139 247 120

HSL 111.02, 0.89%, 0.72%

LAB 88.62, -54.74, 51.06

 

CMYK 27 / 0 / 83 / 5

HEX #B1F22A

RGB 177 242 42

HSL 79.5, 0.88%, 0.56%

LAB 88.46, -45.81, 80.04

 

CMYK 22 / 0 / 67 / 4

HEX #BFF451

RGB 191 244 81

HSL 79.51, 0.88%, 0.64%

LAB 90.03, -39.57, 69.87

 

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

CMYK 12 / 0 / 36 / 2

HEX #DCF99F

RGB 220 249 159

HSL 79.33, 0.88%, 0.8%

LAB 94.09, -23.73, 40.14

 

CMYK 7 / 0 / 21 / 2

HEX #EAFBC6

RGB 234 251 198

HSL 79.25, 0.87%, 0.88%

LAB 96.23, -14.39, 23.59

 

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

CMYK 51 / 0 / 25 / 3

HEX #78F7B9

RGB 120 247 185

HSL 150.71, 0.89%, 0.72%

LAB 88.93, -49.3, 19.2

 

CMYK 4 / 51 / 0 / 3

HEX #EC78F7

RGB 236 120 247

HSL 294.8, 0.89%, 0.72%

LAB 68.01, 62.24, -44.42

 

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

CMYK 51 / 17 / 0 / 3

HEX #78CEF7

RGB 120 206 247

HSL 199.37, 0.89%, 0.72%

LAB 78.96, -15.01, -28.15

 

CMYK 0 / 51 / 17 / 3

HEX #F778CE

RGB 247 120 206

HSL 319.37, 0.89%, 0.72%

LAB 67.77, 58.62, -21.96

 

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

CMYK 51 / 0 / 25 / 3

HEX #78F7B9

RGB 120 247 185

HSL 150.71, 0.89%, 0.72%

LAB 88.93, -49.3, 19.2

 

CMYK 35 / 51 / 0 / 3

HEX #A078F7

RGB 160 120 247

HSL 258.9, 0.89%, 0.72%

LAB 59.55, 42.72, -58.36

 

CMYK 0 / 51 / 27 / 3

HEX #F778B5

RGB 247 120 181

HSL 331.18, 0.89%, 0.72%

LAB 66.93, 55.14, -9.18

 

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

CMYK 51 / 0 / 10 / 3

HEX #78F7DF

RGB 120 247 223

HSL 168.66, 0.89%, 0.72%

LAB 89.79, -41.03, 0.73

 

CMYK 35 / 51 / 0 / 3

HEX #A078F7

RGB 160 120 247

HSL 258.9, 0.89%, 0.72%

LAB 59.55, 42.72, -58.36

 

CMYK 0 / 51 / 42 / 3

HEX #F7788F

RGB 247 120 143

HSL 349.13, 0.89%, 0.72%

LAB 65.9, 50.71, 10.85

 

Description

Color code: HEX #CEF778 | qconv.com Color code: HEX #CEF778 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 247 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 247 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 51 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 51% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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