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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEF14A it is the complementary color #310EB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEF14A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEF14A shade: #D3F145, #E4FF58, #F5FF6B, #FFFF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEF14A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEF14A shade: #CEF14A, #BDDF37, #ACCD24, #9BBB11 and #8AA900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEF14A shade: #CEF14A, #F1E74A, #F1BA4A, #F18D4A and #F1604A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEF14A shade: #CEF14A, #A1F14A, #74F14A, #4AF14D and #4AF17A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEF14A shade matches the following richer shades: #CEF14A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEF14A shade: #CEF14A, #C5E15A, #BCD26A, #B3C279 and #AAB289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEF14A shade: #F1B94A, #F1E64A, #D0F14A, #A3F14A and #77F14A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEF14A shade: #AFD910, #C4EE24, #CEF14A, #D8F471 and #E3F797

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEF14A shade: #CEF14A, #4AF18D and #D04AF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEF14A shade: #CEF14A, #4AD0F1 and #F14AD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEF14A shade: #CEF14A, #4AF18D, #6C4AF1 and #F14AAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEF14A shade: #CEF14A, #4AF1BF, #6C4AF1 and #F14A7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 69 / 5

HEX #CEF14A

RGB 206 241 74

HSL 72.57, 0.86%, 0.62%

LAB 90.1, -32.89, 72.8

 

Complementary color

CMYK 73 / 92 / 0 / 29

HEX #310EB5

RGB 49 14 181

HSL 252.57, 0.86%, 0.38%

LAB 24.65, 58.96, -77.81

 

CMYK 12 / 0 / 71 / 5

HEX #D3F145

RGB 211 241 69

HSL 70.47, 0.86%, 0.61%

LAB 90.41, -31.19, 74.93

 

CMYK 11 / 0 / 65 / 0

HEX #E4FF58

RGB 228 255 88

HSL 69.7, 1%, 0.67%

LAB 95.46, -29.95, 73.6

 

CMYK 4 / 0 / 58 / 0

HEX #F5FF6B

RGB 245 255 107

HSL 64.05, 1%, 0.71%

LAB 96.82, -22.06, 67.85

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 15 / 0 / 69 / 5

HEX #CEF14A

RGB 206 241 74

HSL 72.57, 0.86%, 0.62%

LAB 90.1, -32.89, 72.8

 

CMYK 15 / 0 / 75 / 13

HEX #BDDF37

RGB 189 223 55

HSL 72.14, 0.72%, 0.55%

LAB 83.9, -32.25, 72.73

 

CMYK 16 / 0 / 82 / 20

HEX #ACCD24

RGB 172 205 36

HSL 71.72, 0.7%, 0.47%

LAB 77.61, -31.45, 71.93

 

CMYK 17 / 0 / 91 / 27

HEX #9BBB11

RGB 155 187 17

HSL 71.29, 0.83%, 0.4%

LAB 71.25, -30.46, 69.97

 

CMYK 18 / 0 / 100 / 34

HEX #8AA900

RGB 138 169 0

HSL 71.01, 1%, 0.33%

LAB 64.79, -29.28, 66.63

 

CMYK 15 / 0 / 69 / 5

HEX #CEF14A

RGB 206 241 74

HSL 72.57, 0.86%, 0.62%

LAB 90.1, -32.89, 72.8

 

CMYK 0 / 4 / 69 / 5

HEX #F1E74A

RGB 241 231 74

HSL 56.41, 0.86%, 0.62%

LAB 90.02, -14.02, 73.58

 

CMYK 0 / 23 / 69 / 5

HEX #F1BA4A

RGB 241 186 74

HSL 40.24, 0.86%, 0.62%

LAB 78.64, 8.89, 62.09

 

CMYK 0 / 41 / 69 / 5

HEX #F18D4A

RGB 241 141 74

HSL 24.07, 0.86%, 0.62%

LAB 68.2, 32.56, 50.96

 

CMYK 0 / 60 / 69 / 5

HEX #F1604A

RGB 241 96 74

HSL 7.9, 0.86%, 0.62%

LAB 59.49, 54.52, 41.14

 

CMYK 15 / 0 / 69 / 5

HEX #CEF14A

RGB 206 241 74

HSL 72.57, 0.86%, 0.62%

LAB 90.1, -32.89, 72.8

 

CMYK 33 / 0 / 69 / 5

HEX #A1F14A

RGB 161 241 74

HSL 88.74, 0.86%, 0.62%

LAB 87.48, -49.54, 69.29

 

CMYK 52 / 0 / 69 / 5

HEX #74F14A

RGB 116 241 74

HSL 104.91, 0.86%, 0.62%

LAB 85.56, -63.41, 66.72

 

CMYK 69 / 0 / 68 / 5

HEX #4AF14D

RGB 74 241 77

HSL 121.08, 0.86%, 0.62%

LAB 84.43, -72.42, 64.07

 

CMYK 69 / 0 / 49 / 5

HEX #4AF17A

RGB 74 241 122

HSL 137.25, 0.86%, 0.62%

LAB 84.88, -67.16, 45.08

 

CMYK 15 / 0 / 69 / 5

HEX #CEF14A

RGB 206 241 74

HSL 72.57, 0.86%, 0.62%

LAB 90.1, -32.89, 72.8

 

CMYK 15 / 0 / 69 / 5

HEX #CEF14A

RGB 206 241 74

HSL 72.57, 0.86%, 0.62%

LAB 90.1, -32.89, 72.8

 

CMYK 12 / 0 / 60 / 12

HEX #C5E15A

RGB 197 225 90

HSL 72.44, 0.69%, 0.62%

LAB 85.23, -27.93, 61.28

 

CMYK 10 / 0 / 50 / 18

HEX #BCD26A

RGB 188 210 106

HSL 72.69, 0.54%, 0.62%

LAB 80.64, -22.9, 48.64

 

CMYK 8 / 0 / 38 / 24

HEX #B3C279

RGB 179 194 121

HSL 72.33, 0.37%, 0.62%

LAB 75.79, -16.84, 35.02

 

CMYK 4 / 0 / 23 / 30

HEX #AAB289

RGB 170 178 137

HSL 71.71, 0.21%, 0.62%

LAB 71, -9.89, 20.07

 

CMYK 0 / 23 / 69 / 5

HEX #F1B94A

RGB 241 185 74

HSL 39.88, 0.86%, 0.62%

LAB 78.4, 9.41, 61.84

 

CMYK 0 / 5 / 69 / 5

HEX #F1E64A

RGB 241 230 74

HSL 56.05, 0.86%, 0.62%

LAB 89.76, -13.53, 73.32

 

CMYK 14 / 0 / 69 / 5

HEX #D0F14A

RGB 208 241 74

HSL 71.86, 0.86%, 0.62%

LAB 90.24, -32.11, 72.97

 

CMYK 32 / 0 / 69 / 5

HEX #A3F14A

RGB 163 241 74

HSL 88.02, 0.86%, 0.62%

LAB 87.58, -48.85, 69.43

 

CMYK 51 / 0 / 69 / 5

HEX #77F14A

RGB 119 241 74

HSL 103.83, 0.86%, 0.62%

LAB 85.67, -62.6, 66.86

 

CMYK 19 / 0 / 93 / 15

HEX #AFD910

RGB 175 217 16

HSL 72.54, 0.86%, 0.46%

LAB 81.17, -36.23, 78.55

 

CMYK 18 / 0 / 85 / 7

HEX #C4EE24

RGB 196 238 36

HSL 72.48, 0.86%, 0.54%

LAB 88.45, -36.99, 81.78

 

CMYK 15 / 0 / 69 / 5

HEX #CEF14A

RGB 206 241 74

HSL 72.57, 0.86%, 0.62%

LAB 90.1, -32.89, 72.8

 

CMYK 11 / 0 / 54 / 4

HEX #D8F471

RGB 216 244 113

HSL 72.82, 0.86%, 0.7%

LAB 91.91, -27.66, 59.16

 

CMYK 8 / 0 / 39 / 3

HEX #E3F797

RGB 227 247 151

HSL 72.5, 0.86%, 0.78%

LAB 93.92, -21.14, 43.95

 

CMYK 15 / 0 / 69 / 5

HEX #CEF14A

RGB 206 241 74

HSL 72.57, 0.86%, 0.62%

LAB 90.1, -32.89, 72.8

 

CMYK 69 / 0 / 41 / 5

HEX #4AF18D

RGB 74 241 141

HSL 144.07, 0.86%, 0.62%

LAB 85.14, -64.14, 36.17

 

CMYK 14 / 69 / 0 / 5

HEX #D04AF1

RGB 208 74 241

HSL 288.14, 0.86%, 0.62%

LAB 56.74, 74.24, -59.2

 

CMYK 15 / 0 / 69 / 5

HEX #CEF14A

RGB 206 241 74

HSL 72.57, 0.86%, 0.62%

LAB 90.1, -32.89, 72.8

 

CMYK 69 / 14 / 0 / 5

HEX #4AD0F1

RGB 74 208 241

HSL 191.86, 0.86%, 0.62%

LAB 77.83, -25.85, -26.8

 

CMYK 0 / 69 / 14 / 5

HEX #F14AD0

RGB 241 74 208

HSL 311.86, 0.86%, 0.62%

LAB 60.03, 76.22, -35.11

 

CMYK 15 / 0 / 69 / 5

HEX #CEF14A

RGB 206 241 74

HSL 72.57, 0.86%, 0.62%

LAB 90.1, -32.89, 72.8

 

CMYK 69 / 0 / 41 / 5

HEX #4AF18D

RGB 74 241 141

HSL 144.07, 0.86%, 0.62%

LAB 85.14, -64.14, 36.17

 

CMYK 55 / 69 / 0 / 5

HEX #6C4AF1

RGB 108 74 241

HSL 252.22, 0.86%, 0.62%

LAB 44.85, 55.96, -79.03

 

CMYK 0 / 69 / 28 / 5

HEX #F14AAE

RGB 241 74 174

HSL 324.07, 0.86%, 0.62%

LAB 58.65, 71.82, -17.73

 

CMYK 15 / 0 / 69 / 5

HEX #CEF14A

RGB 206 241 74

HSL 72.57, 0.86%, 0.62%

LAB 90.1, -32.89, 72.8

 

CMYK 69 / 0 / 21 / 5

HEX #4AF1BF

RGB 74 241 191

HSL 162.04, 0.86%, 0.62%

LAB 86.07, -54.1, 11.89

 

CMYK 55 / 69 / 0 / 5

HEX #6C4AF1

RGB 108 74 241

HSL 252.22, 0.86%, 0.62%

LAB 44.85, 55.96, -79.03

 

CMYK 0 / 69 / 49 / 5

HEX #F14A7C

RGB 241 74 124

HSL 342.04, 0.86%, 0.62%

LAB 57.13, 66.73, 9.31

 

Description

Color code: HEX #CEF14A | qconv.com Color code: HEX #CEF14A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 241 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 241 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 69 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 69% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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