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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEFB23 it is the complementary color #3104DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEFB23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEFB23 shade: #D3FB1E, #E4FF31, #F5FF44, #FFFF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEFB23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEFB23 shade: #CEFB23, #BDE910, #ACD700, #9BC500 and #8AB300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEFB23 shade: #CDFA23, #FAED23, #FAB323, #FA7923 and #FA3F23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEFB23 shade: #CDFA23, #93FA23, #59FA23, #23FA26 and #23FA60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEFB23 shade matches the following richer shades: #CDFA23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEFB23 shade: #CDFA23, #C3E835, #B8D647, #ADC459 and #A3B16B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEFB23 shade: #FAB223, #FAEC23, #CFFA23, #95FA23 and #5CFA23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEFB23 shade: #9EC704, #BEEF04, #CDFA23, #D6FB4B and #DFFC73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEFB23 shade: #CEFB23, #23FA79 and #CF23FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEFB23 shade: #CEFB23, #23CFFA and #FA23CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEFB23 shade: #CEFB23, #23FA79, #4E23FA and #FA23A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEFB23 shade: #CEFB23, #23FAB9, #4E23FA and #FA2363

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 86 / 2

HEX #CEFB23

RGB 206 251 35

HSL 72.5, 0.96%, 0.56%

LAB 92.68, -38.92, 85.75

 

Complementary color

CMYK 78 / 98 / 0 / 14

HEX #3104DC

RGB 49 4 220

HSL 252.5, 0.96%, 0.44%

LAB 29.18, 70.76, -93.15

 

CMYK 16 / 0 / 88 / 2

HEX #D3FB1E

RGB 211 251 30

HSL 70.86, 0.97%, 0.55%

LAB 92.99, -37.08, 86.99

 

CMYK 11 / 0 / 81 / 0

HEX #E4FF31

RGB 228 255 49

HSL 67.86, 1%, 0.6%

LAB 95.26, -31.7, 85.55

 

CMYK 4 / 0 / 73 / 0

HEX #F5FF44

RGB 245 255 68

HSL 63.21, 1%, 0.63%

LAB 96.55, -24.22, 81.95

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 18 / 0 / 86 / 2

HEX #CEFB23

RGB 206 251 35

HSL 72.5, 0.96%, 0.56%

LAB 92.68, -38.92, 85.75

 

CMYK 19 / 0 / 93 / 9

HEX #BDE910

RGB 189 233 16

HSL 72.17, 0.87%, 0.49%

LAB 86.57, -37.9, 83.17

 

CMYK 20 / 0 / 100 / 16

HEX #ACD700

RGB 172 215 0

HSL 72, 1%, 0.42%

LAB 80.39, -36.71, 79.4

 

CMYK 21 / 0 / 100 / 23

HEX #9BC500

RGB 155 197 0

HSL 72.79, 1%, 0.39%

LAB 74.13, -35.35, 74.19

 

CMYK 23 / 0 / 100 / 30

HEX #8AB300

RGB 138 179 0

HSL 73.74, 1%, 0.35%

LAB 67.76, -33.96, 68.88

 

CMYK 18 / 0 / 86 / 2

HEX #CDFA23

RGB 205 250 35

HSL 72.56, 0.96%, 0.56%

LAB 92.34, -38.87, 85.44

 

CMYK 0 / 5 / 86 / 2

HEX #FAED23

RGB 250 237 35

HSL 56.37, 0.96%, 0.56%

LAB 92.14, -14.55, 86.62

 

CMYK 0 / 28 / 86 / 2

HEX #FAB323

RGB 250 179 35

HSL 40.19, 0.96%, 0.56%

LAB 77.69, 14.95, 75.01

 

CMYK 0 / 52 / 86 / 2

HEX #FA7923

RGB 250 121 35

HSL 24, 0.96%, 0.56%

LAB 65.06, 44.78, 64.84

 

CMYK 0 / 75 / 86 / 2

HEX #FA3F23

RGB 250 63 35

HSL 7.81, 0.96%, 0.56%

LAB 56.09, 68.61, 57.61

 

CMYK 18 / 0 / 86 / 2

HEX #CDFA23

RGB 205 250 35

HSL 72.56, 0.96%, 0.56%

LAB 92.34, -38.87, 85.44

 

CMYK 41 / 0 / 86 / 2

HEX #93FA23

RGB 147 250 35

HSL 88.74, 0.96%, 0.56%

LAB 89.25, -59.62, 81.6

 

CMYK 64 / 0 / 86 / 2

HEX #59FA23

RGB 89 250 35

HSL 104.93, 0.96%, 0.56%

LAB 87.3, -74.95, 79.15

 

CMYK 86 / 0 / 85 / 2

HEX #23FA26

RGB 35 250 38

HSL 120.84, 0.96%, 0.56%

LAB 86.44, -82.39, 77.46

 

CMYK 86 / 0 / 62 / 2

HEX #23FA60

RGB 35 250 96

HSL 137.02, 0.96%, 0.56%

LAB 86.79, -78, 58.9

 

CMYK 18 / 0 / 86 / 2

HEX #CDFA23

RGB 205 250 35

HSL 72.56, 0.96%, 0.56%

LAB 92.34, -38.87, 85.44

 

CMYK 18 / 0 / 86 / 2

HEX #CDFA23

RGB 205 250 35

HSL 72.56, 0.96%, 0.56%

LAB 92.34, -38.87, 85.44

 

CMYK 16 / 0 / 77 / 9

HEX #C3E835

RGB 195 232 53

HSL 72.4, 0.8%, 0.56%

LAB 86.79, -34.09, 76.14

 

CMYK 14 / 0 / 67 / 16

HEX #B8D647

RGB 184 214 71

HSL 72.59, 0.64%, 0.56%

LAB 81.15, -29.18, 64.36

 

CMYK 12 / 0 / 55 / 23

HEX #ADC459

RGB 173 196 89

HSL 72.9, 0.48%, 0.56%

LAB 75.5, -23.58, 50.32

 

CMYK 8 / 0 / 40 / 31

HEX #A3B16B

RGB 163 177 107

HSL 72, 0.31%, 0.56%

LAB 69.68, -16.18, 34.18

 

CMYK 0 / 29 / 86 / 2

HEX #FAB223

RGB 250 178 35

HSL 39.91, 0.96%, 0.56%

LAB 77.45, 15.48, 74.82

 

CMYK 0 / 6 / 86 / 2

HEX #FAEC23

RGB 250 236 35

HSL 56.09, 0.96%, 0.56%

LAB 91.88, -14.06, 86.42

 

CMYK 17 / 0 / 86 / 2

HEX #CFFA23

RGB 207 250 35

HSL 72, 0.96%, 0.56%

LAB 92.47, -38.09, 85.6

 

CMYK 40 / 0 / 86 / 2

HEX #95FA23

RGB 149 250 35

HSL 88.19, 0.96%, 0.56%

LAB 89.34, -58.98, 81.71

 

CMYK 63 / 0 / 86 / 2

HEX #5CFA23

RGB 92 250 35

HSL 104.09, 0.96%, 0.56%

LAB 87.37, -74.33, 79.24

 

CMYK 21 / 0 / 98 / 22

HEX #9EC704

RGB 158 199 4

HSL 72.62, 0.96%, 0.4%

LAB 74.9, -35, 74.44

 

CMYK 21 / 0 / 98 / 6

HEX #BEEF04

RGB 190 239 4

HSL 72.51, 0.97%, 0.48%

LAB 88.3, -40.3, 85.57

 

CMYK 18 / 0 / 86 / 2

HEX #CDFA23

RGB 205 250 35

HSL 72.56, 0.96%, 0.56%

LAB 92.34, -38.87, 85.44

 

CMYK 15 / 0 / 70 / 2

HEX #D6FB4B

RGB 214 251 75

HSL 72.61, 0.96%, 0.64%

LAB 93.36, -34.29, 75.85

 

CMYK 12 / 0 / 54 / 1

HEX #DFFC73

RGB 223 252 115

HSL 72.7, 0.96%, 0.72%

LAB 94.55, -28.56, 61.44

 

CMYK 18 / 0 / 86 / 2

HEX #CEFB23

RGB 206 251 35

HSL 72.5, 0.96%, 0.56%

LAB 92.68, -38.92, 85.75

 

CMYK 86 / 0 / 52 / 2

HEX #23FA79

RGB 35 250 121

HSL 144, 0.96%, 0.56%

LAB 87.05, -74.78, 48.11

 

CMYK 17 / 86 / 0 / 2

HEX #CF23FA

RGB 207 35 250

HSL 288, 0.96%, 0.56%

LAB 53.35, 86.65, -69.69

 

CMYK 18 / 0 / 86 / 2

HEX #CEFB23

RGB 206 251 35

HSL 72.5, 0.96%, 0.56%

LAB 92.68, -38.92, 85.75

 

CMYK 86 / 17 / 0 / 2

HEX #23CFFA

RGB 35 207 250

HSL 192, 0.96%, 0.56%

LAB 77.21, -26.27, -32.61

 

CMYK 0 / 86 / 17 / 2

HEX #FA23CF

RGB 250 35 207

HSL 312, 0.96%, 0.56%

LAB 58.07, 87.81, -37.49

 

CMYK 18 / 0 / 86 / 2

HEX #CEFB23

RGB 206 251 35

HSL 72.5, 0.96%, 0.56%

LAB 92.68, -38.92, 85.75

 

CMYK 86 / 0 / 52 / 2

HEX #23FA79

RGB 35 250 121

HSL 144, 0.96%, 0.56%

LAB 87.05, -74.78, 48.11

 

CMYK 69 / 86 / 0 / 2

HEX #4E23FA

RGB 78 35 250

HSL 252, 0.96%, 0.56%

LAB 37.34, 72.34, -96.57

 

CMYK 0 / 86 / 34 / 2

HEX #FA23A4

RGB 250 35 164

HSL 324, 0.96%, 0.56%

LAB 56.29, 83.01, -15.34

 

CMYK 18 / 0 / 86 / 2

HEX #CEFB23

RGB 206 251 35

HSL 72.5, 0.96%, 0.56%

LAB 92.68, -38.92, 85.75

 

CMYK 86 / 0 / 26 / 2

HEX #23FAB9

RGB 35 250 185

HSL 161.86, 0.96%, 0.56%

LAB 88.08, -62.9, 17.75

 

CMYK 69 / 86 / 0 / 2

HEX #4E23FA

RGB 78 35 250

HSL 252, 0.96%, 0.56%

LAB 37.34, 72.34, -96.57

 

CMYK 0 / 86 / 60 / 2

HEX #FA2363

RGB 250 35 99

HSL 342.14, 0.96%, 0.56%

LAB 54.48, 77.89, 20.8

 

Description

Color code: HEX #CEFB23 | qconv.com Color code: HEX #CEFB23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 251 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 251 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 86 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 86% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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