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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEFB6E it is the complementary color #310491. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEFB6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEFB6E shade: #D3FB69, #E4FF7C, #F5FF8F, #FFFFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEFB6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEFB6E shade: #CEFB6E, #BDE95B, #ACD748, #9BC535 and #8AB322

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEFB6E shade: #CEFB6E, #F4FB6E, #FBDC6E, #FBB66E and #FB906E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEFB6E shade: #CEFB6E, #A8FB6E, #82FB6E, #6EFB80 and #6EFBA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEFB6E shade matches the following richer shades: #CEFB6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEFB6E shade: #CEFB6E, #CAEF7A, #C5E386, #C1D792 and #BDCB9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEFB6E shade: #FBDC6E, #F4FB6E, #CEFB6E, #A9FB6E and #83FB6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEFB6E shade: #B3F91E, #C0FA46, #CEFB6E, #DBFC97 and #E9FDBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEFB6E shade: #CEFB6E, #6EFBB7 and #EF6EFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEFB6E shade: #CEFB6E, #6ECEFB and #FB6ECE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEFB6E shade: #CEFB6E, #6EFBB7, #9B6EFB and #FB6EB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEFB6E shade: #CEFB6E, #6EFBE1, #9B6EFB and #FB6E88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 56 / 2

HEX #CEFB6E

RGB 206 251 110

HSL 79.15, 0.95%, 0.71%

LAB 93.12, -34.94, 61.7

 

Complementary color

CMYK 66 / 97 / 0 / 43

HEX #310491

RGB 49 4 145

HSL 259.15, 0.95%, 0.29%

LAB 19.16, 52.09, -65.01

 

CMYK 16 / 0 / 58 / 2

HEX #D3FB69

RGB 211 251 105

HSL 76.44, 0.95%, 0.7%

LAB 93.39, -33.47, 64.23

 

CMYK 11 / 0 / 51 / 0

HEX #E4FF7C

RGB 228 255 124

HSL 72.37, 1%, 0.74%

LAB 95.78, -27.28, 58.95

 

CMYK 4 / 0 / 44 / 0

HEX #F5FF8F

RGB 245 255 143

HSL 65.36, 1%, 0.78%

LAB 97.19, -19.04, 52.17

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 18 / 0 / 56 / 2

HEX #CEFB6E

RGB 206 251 110

HSL 79.15, 0.95%, 0.71%

LAB 93.12, -34.94, 61.7

 

CMYK 19 / 0 / 61 / 9

HEX #BDE95B

RGB 189 233 91

HSL 78.59, 0.76%, 0.64%

LAB 86.92, -34.66, 62.57

 

CMYK 20 / 0 / 67 / 16

HEX #ACD748

RGB 172 215 72

HSL 78.04, 0.64%, 0.56%

LAB 80.65, -34.3, 63.22

 

CMYK 21 / 0 / 73 / 23

HEX #9BC535

RGB 155 197 53

HSL 77.5, 0.58%, 0.49%

LAB 74.29, -33.81, 63.46

 

CMYK 23 / 0 / 81 / 30

HEX #8AB322

RGB 138 179 34

HSL 76.97, 0.68%, 0.42%

LAB 67.84, -33.15, 63

 

CMYK 18 / 0 / 56 / 2

HEX #CEFB6E

RGB 206 251 110

HSL 79.15, 0.95%, 0.71%

LAB 93.12, -34.94, 61.7

 

CMYK 3 / 0 / 56 / 2

HEX #F4FB6E

RGB 244 251 110

HSL 62.98, 0.95%, 0.71%

LAB 95.73, -20.33, 65.35

 

CMYK 0 / 12 / 56 / 2

HEX #FBDC6E

RGB 251 220 110

HSL 46.81, 0.95%, 0.71%

LAB 88.36, -2.23, 57.12

 

CMYK 0 / 27 / 56 / 2

HEX #FBB66E

RGB 251 182 110

HSL 30.64, 0.95%, 0.71%

LAB 79.09, 17.42, 46.14

 

CMYK 0 / 43 / 56 / 2

HEX #FB906E

RGB 251 144 110

HSL 14.47, 0.95%, 0.71%

LAB 70.58, 37.24, 35.58

 

CMYK 18 / 0 / 56 / 2

HEX #CEFB6E

RGB 206 251 110

HSL 79.15, 0.95%, 0.71%

LAB 93.12, -34.94, 61.7

 

CMYK 33 / 0 / 56 / 2

HEX #A8FB6E

RGB 168 251 110

HSL 95.32, 0.95%, 0.71%

LAB 90.98, -48.4, 58.68

 

CMYK 48 / 0 / 56 / 2

HEX #82FB6E

RGB 130 251 110

HSL 111.49, 0.95%, 0.71%

LAB 89.33, -59.98, 56.34

 

CMYK 56 / 0 / 49 / 2

HEX #6EFB80

RGB 110 251 128

HSL 127.66, 0.95%, 0.71%

LAB 88.86, -62.79, 47.38

 

CMYK 56 / 0 / 34 / 2

HEX #6EFBA6

RGB 110 251 166

HSL 143.83, 0.95%, 0.71%

LAB 89.42, -56.76, 29.5

 

CMYK 18 / 0 / 56 / 2

HEX #CEFB6E

RGB 206 251 110

HSL 79.15, 0.95%, 0.71%

LAB 93.12, -34.94, 61.7

 

CMYK 18 / 0 / 56 / 2

HEX #CEFB6E

RGB 206 251 110

HSL 79.15, 0.95%, 0.71%

LAB 93.12, -34.94, 61.7

 

CMYK 15 / 0 / 49 / 6

HEX #CAEF7A

RGB 202 239 122

HSL 78.97, 0.79%, 0.71%

LAB 89.72, -29.79, 52.23

 

CMYK 13 / 0 / 41 / 11

HEX #C5E386

RGB 197 227 134

HSL 79.35, 0.62%, 0.71%

LAB 86.27, -24.68, 42.13

 

CMYK 10 / 0 / 32 / 16

HEX #C1D792

RGB 193 215 146

HSL 79.13, 0.46%, 0.71%

LAB 82.92, -18.81, 31.68

 

CMYK 7 / 0 / 22 / 20

HEX #BDCB9E

RGB 189 203 158

HSL 78.67, 0.3%, 0.71%

LAB 79.61, -12.54, 20.9

 

CMYK 0 / 12 / 56 / 2

HEX #FBDC6E

RGB 251 220 110

HSL 46.81, 0.95%, 0.71%

LAB 88.36, -2.23, 57.12

 

CMYK 3 / 0 / 56 / 2

HEX #F4FB6E

RGB 244 251 110

HSL 62.98, 0.95%, 0.71%

LAB 95.73, -20.33, 65.35

 

CMYK 18 / 0 / 56 / 2

HEX #CEFB6E

RGB 206 251 110

HSL 79.15, 0.95%, 0.71%

LAB 93.12, -34.94, 61.7

 

CMYK 33 / 0 / 56 / 2

HEX #A9FB6E

RGB 169 251 110

HSL 94.89, 0.95%, 0.71%

LAB 91.03, -48.07, 58.76

 

CMYK 48 / 0 / 56 / 2

HEX #83FB6E

RGB 131 251 110

HSL 111.06, 0.95%, 0.71%

LAB 89.37, -59.7, 56.39

 

CMYK 28 / 0 / 88 / 2

HEX #B3F91E

RGB 179 249 30

HSL 79.18, 0.95%, 0.55%

LAB 90.52, -48.37, 84.18

 

CMYK 23 / 0 / 72 / 2

HEX #C0FA46

RGB 192 250 70

HSL 79.33, 0.95%, 0.63%

LAB 91.69, -42.48, 75.44

 

CMYK 18 / 0 / 56 / 2

HEX #CEFB6E

RGB 206 251 110

HSL 79.15, 0.95%, 0.71%

LAB 93.12, -34.94, 61.7

 

CMYK 13 / 0 / 40 / 1

HEX #DBFC97

RGB 219 252 151

HSL 79.6, 0.94%, 0.79%

LAB 94.7, -26.47, 44.83

 

CMYK 8 / 0 / 25 / 1

HEX #E9FDBF

RGB 233 253 191

HSL 79.35, 0.94%, 0.87%

LAB 96.55, -16.74, 27.57

 

CMYK 18 / 0 / 56 / 2

HEX #CEFB6E

RGB 206 251 110

HSL 79.15, 0.95%, 0.71%

LAB 93.12, -34.94, 61.7

 

CMYK 56 / 0 / 27 / 2

HEX #6EFBB7

RGB 110 251 183

HSL 151.06, 0.95%, 0.71%

LAB 89.73, -53.54, 21.29

 

CMYK 5 / 56 / 0 / 2

HEX #EF6EFB

RGB 239 110 251

HSL 294.89, 0.95%, 0.71%

LAB 66.88, 68.3, -48.37

 

CMYK 18 / 0 / 56 / 2

HEX #CEFB6E

RGB 206 251 110

HSL 79.15, 0.95%, 0.71%

LAB 93.12, -34.94, 61.7

 

CMYK 56 / 18 / 0 / 2

HEX #6ECEFB

RGB 110 206 251

HSL 199.15, 0.95%, 0.71%

LAB 78.71, -15.9, -30.7

 

CMYK 0 / 56 / 18 / 2

HEX #FB6ECE

RGB 251 110 206

HSL 319.15, 0.95%, 0.71%

LAB 66.61, 64.34, -23.68

 

CMYK 18 / 0 / 56 / 2

HEX #CEFB6E

RGB 206 251 110

HSL 79.15, 0.95%, 0.71%

LAB 93.12, -34.94, 61.7

 

CMYK 56 / 0 / 27 / 2

HEX #6EFBB7

RGB 110 251 183

HSL 151.06, 0.95%, 0.71%

LAB 89.73, -53.54, 21.29

 

CMYK 38 / 56 / 0 / 2

HEX #9B6EFB

RGB 155 110 251

HSL 259.15, 0.95%, 0.71%

LAB 57.16, 48.11, -64.43

 

CMYK 0 / 56 / 29 / 2

HEX #FB6EB2

RGB 251 110 178

HSL 331.06, 0.95%, 0.71%

LAB 65.65, 60.62, -9.33

 

CMYK 18 / 0 / 56 / 2

HEX #CEFB6E

RGB 206 251 110

HSL 79.15, 0.95%, 0.71%

LAB 93.12, -34.94, 61.7

 

CMYK 56 / 0 / 10 / 2

HEX #6EFBE1

RGB 110 251 225

HSL 168.94, 0.95%, 0.71%

LAB 90.66, -44.32, 0.93

 

CMYK 38 / 56 / 0 / 2

HEX #9B6EFB

RGB 155 110 251

HSL 259.15, 0.95%, 0.71%

LAB 57.16, 48.11, -64.43

 

CMYK 0 / 56 / 46 / 2

HEX #FB6E88

RGB 251 110 136

HSL 348.94, 0.95%, 0.71%

LAB 64.51, 56.05, 12.98

 

Description

Color code: HEX #CEFB6E | qconv.com Color code: HEX #CEFB6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 251 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 251 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 56 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 56% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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