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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF29D1 it is the complementary color #30D62E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF29D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF29D1 shade: #D429CC, #E53BDF, #F64DF2, #FF5FFF and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF29D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF29D1 shade: #CF29D1, #BE17BE, #AD05AB, #9C0098 and #8B0085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF29D1 shade: #CE29D0, #D029A5, #D02978, #D0294B and #D02929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF29D1 shade: #CE29D0, #A129D0, #7429D0, #4729D0 and #2929D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF29D1 shade matches the following richer shades: #CE29D0, #E215E4 and #F600F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF29D1 shade: #CE29D0, #BA3DBC, #A751A8, #936594 and #7F7A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF29D1 shade: #7429D0, #A129D0, #CD29D0, #D029A6 and #D0297A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF29D1 shade: #8A1B8B, #AC22AE, #CE29D0, #D948DA and #E06AE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF29D1 shade: #CF29D1, #D04729 and #29D08A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF29D1 shade: #CF29D1, #D0CD29 and #29D0CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF29D1 shade: #CF29D1, #D04729, #2CD029 and #29B1D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF29D1 shade: #CF29D1, #D07A29, #2CD029 and #297FD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 80 / 0 / 18

HEX #CF29D1

RGB 207 41 209

HSL 299.29, 0.67%, 0.49%

LAB 51.22, 78.73, -49.95

 

Complementary color

CMYK 78 / 0 / 79 / 16

HEX #30D62E

RGB 48 214 46

HSL 119.29, 0.67%, 0.51%

LAB 75.4, -70.4, 65.38

 

CMYK 0 / 81 / 4 / 17

HEX #D429CC

RGB 212 41 204

HSL 302.81, 0.68%, 0.5%

LAB 51.77, 78.93, -46.14

 

CMYK 0 / 74 / 3 / 10

HEX #E53BDF

RGB 229 59 223

HSL 302.12, 0.77%, 0.56%

LAB 57.19, 80.48, -48.2

 

CMYK 0 / 69 / 2 / 4

HEX #F64DF2

RGB 246 77 242

HSL 301.42, 0.9%, 0.63%

LAB 62.77, 81.35, -49.82

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 1 / 80 / 0 / 18

HEX #CF29D1

RGB 207 41 209

HSL 299.29, 0.67%, 0.49%

LAB 51.22, 78.73, -49.95

 

CMYK 0 / 88 / 0 / 25

HEX #BE17BE

RGB 190 23 190

HSL 300, 0.78%, 0.42%

LAB 46.01, 76.27, -47.42

 

CMYK 0 / 97 / 1 / 32

HEX #AD05AB

RGB 173 5 171

HSL 300.71, 0.94%, 0.35%

LAB 41.11, 72.65, -44.22

 

CMYK 0 / 100 / 3 / 39

HEX #9C0098

RGB 156 0 152

HSL 301.54, 1%, 0.31%

LAB 36.62, 67.46, -40.11

 

CMYK 0 / 100 / 4 / 45

HEX #8B0085

RGB 139 0 133

HSL 302.59, 1%, 0.27%

LAB 32.22, 61.65, -35.62

 

CMYK 1 / 80 / 0 / 18

HEX #CE29D0

RGB 206 41 208

HSL 299.28, 0.67%, 0.49%

LAB 50.99, 78.39, -49.74

 

CMYK 0 / 80 / 21 / 18

HEX #D029A5

RGB 208 41 165

HSL 315.45, 0.67%, 0.49%

LAB 49.15, 72.73, -27.55

 

CMYK 0 / 80 / 42 / 18

HEX #D02978

RGB 208 41 120

HSL 331.62, 0.67%, 0.49%

LAB 47.43, 67.75, -3.05

 

CMYK 0 / 80 / 64 / 18

HEX #D0294B

RGB 208 41 75

HSL 347.78, 0.67%, 0.49%

LAB 46.32, 64.38, 23.09

 

CMYK 0 / 80 / 80 / 18

HEX #D02929

RGB 208 41 41

HSL 0, 0.67%, 0.49%

LAB 45.85, 62.93, 42.5

 

CMYK 1 / 80 / 0 / 18

HEX #CE29D0

RGB 206 41 208

HSL 299.28, 0.67%, 0.49%

LAB 50.99, 78.39, -49.74

 

CMYK 23 / 80 / 0 / 18

HEX #A129D0

RGB 161 41 208

HSL 283.11, 0.67%, 0.49%

LAB 43.82, 70.32, -61.64

 

CMYK 44 / 80 / 0 / 18

HEX #7429D0

RGB 116 41 208

HSL 266.95, 0.67%, 0.49%

LAB 37.58, 63.36, -72.1

 

CMYK 66 / 80 / 0 / 18

HEX #4729D0

RGB 71 41 208

HSL 250.78, 0.67%, 0.49%

LAB 32.87, 58.19, -80.01

 

CMYK 80 / 80 / 0 / 18

HEX #2929D0

RGB 41 41 208

HSL 240, 0.67%, 0.49%

LAB 30.91, 56.05, -83.33

 

CMYK 1 / 80 / 0 / 18

HEX #CE29D0

RGB 206 41 208

HSL 299.28, 0.67%, 0.49%

LAB 50.99, 78.39, -49.74

 

CMYK 1 / 91 / 0 / 11

HEX #E215E4

RGB 226 21 228

HSL 299.42, 0.83%, 0.49%

LAB 54.35, 88.29, -55.57

 

CMYK 1 / 100 / 0 / 2

HEX #F600F9

RGB 246 0 249

HSL 299.28, 1%, 0.49%

LAB 58.45, 96.04, -60.6

 

CMYK 1 / 80 / 0 / 18

HEX #CE29D0

RGB 206 41 208

HSL 299.28, 0.67%, 0.49%

LAB 50.99, 78.39, -49.74

 

CMYK 1 / 68 / 0 / 26

HEX #BA3DBC

RGB 186 61 188

HSL 299.06, 0.51%, 0.49%

LAB 48.77, 64.98, -41.91

 

CMYK 1 / 52 / 0 / 34

HEX #A751A8

RGB 167 81 168

HSL 299.31, 0.35%, 0.49%

LAB 48.17, 47.76, -31.33

 

CMYK 1 / 32 / 0 / 42

HEX #936594

RGB 147 101 148

HSL 298.72, 0.19%, 0.49%

LAB 49.07, 26.68, -18.34

 

CMYK 0 / 4 / 0 / 50

HEX #7F7A7F

RGB 127 122 127

HSL 300, 0.02%, 0.49%

LAB 51.8, 2.89, -2.05

 

CMYK 44 / 80 / 0 / 18

HEX #7429D0

RGB 116 41 208

HSL 266.95, 0.67%, 0.49%

LAB 37.58, 63.36, -72.1

 

CMYK 23 / 80 / 0 / 18

HEX #A129D0

RGB 161 41 208

HSL 283.11, 0.67%, 0.49%

LAB 43.82, 70.32, -61.64

 

CMYK 1 / 80 / 0 / 18

HEX #CD29D0

RGB 205 41 208

HSL 298.92, 0.67%, 0.49%

LAB 50.83, 78.2, -50.01

 

CMYK 0 / 80 / 20 / 18

HEX #D029A6

RGB 208 41 166

HSL 315.09, 0.67%, 0.49%

LAB 49.19, 72.86, -28.08

 

CMYK 0 / 80 / 41 / 18

HEX #D0297A

RGB 208 41 122

HSL 330.9, 0.67%, 0.49%

LAB 47.5, 67.94, -4.18

 

CMYK 1 / 81 / 0 / 45

HEX #8A1B8B

RGB 138 27 139

HSL 299.46, 0.67%, 0.33%

LAB 34.09, 57.46, -36.37

 

CMYK 1 / 80 / 0 / 32

HEX #AC22AE

RGB 172 34 174

HSL 299.14, 0.67%, 0.41%

LAB 42.72, 68.22, -43.44

 

CMYK 1 / 80 / 0 / 18

HEX #CE29D0

RGB 206 41 208

HSL 299.28, 0.67%, 0.49%

LAB 50.99, 78.39, -49.74

 

CMYK 0 / 67 / 0 / 15

HEX #D948DA

RGB 217 72 218

HSL 299.59, 0.66%, 0.57%

LAB 56.53, 72.93, -46.52

 

CMYK 0 / 53 / 0 / 12

HEX #E06AE1

RGB 224 106 225

HSL 299.5, 0.66%, 0.65%

LAB 63, 61.7, -40.2

 

CMYK 1 / 80 / 0 / 18

HEX #CF29D1

RGB 207 41 209

HSL 299.29, 0.67%, 0.49%

LAB 51.22, 78.73, -49.95

 

CMYK 0 / 66 / 80 / 18

HEX #D04729

RGB 208 71 41

HSL 10.78, 0.67%, 0.49%

LAB 49.59, 52.6, 46.18

 

CMYK 80 / 0 / 34 / 18

HEX #29D08A

RGB 41 208 138

HSL 154.85, 0.67%, 0.49%

LAB 74.46, -56.98, 23.38

 

CMYK 1 / 80 / 0 / 18

HEX #CF29D1

RGB 207 41 209

HSL 299.29, 0.67%, 0.49%

LAB 51.22, 78.73, -49.95

 

CMYK 0 / 1 / 80 / 18

HEX #D0CD29

RGB 208 205 41

HSL 58.92, 0.67%, 0.49%

LAB 80.31, -16.28, 74.04

 

CMYK 80 / 0 / 1 / 18

HEX #29D0CD

RGB 41 208 205

HSL 178.92, 0.67%, 0.49%

LAB 76.06, -40.19, -10.18

 

CMYK 1 / 80 / 0 / 18

HEX #CF29D1

RGB 207 41 209

HSL 299.29, 0.67%, 0.49%

LAB 51.22, 78.73, -49.95

 

CMYK 0 / 66 / 80 / 18

HEX #D04729

RGB 208 71 41

HSL 10.78, 0.67%, 0.49%

LAB 49.59, 52.6, 46.18

 

CMYK 79 / 0 / 80 / 18

HEX #2CD029

RGB 44 208 41

HSL 118.92, 0.67%, 0.49%

LAB 73.42, -69.43, 64.93

 

CMYK 80 / 15 / 0 / 18

HEX #29B1D0

RGB 41 177 208

HSL 191.14, 0.67%, 0.49%

LAB 66.88, -24.45, -25.71

 

CMYK 1 / 80 / 0 / 18

HEX #CF29D1

RGB 207 41 209

HSL 299.29, 0.67%, 0.49%

LAB 51.22, 78.73, -49.95

 

CMYK 0 / 41 / 80 / 18

HEX #D07A29

RGB 208 122 41

HSL 29.1, 0.67%, 0.49%

LAB 59.42, 27.63, 55.47

 

CMYK 79 / 0 / 80 / 18

HEX #2CD029

RGB 44 208 41

HSL 118.92, 0.67%, 0.49%

LAB 73.42, -69.43, 64.93

 

CMYK 80 / 39 / 0 / 18

HEX #297FD0

RGB 41 127 208

HSL 209.1, 0.67%, 0.49%

LAB 52.07, 3.45, -48.88

 

Description

Color code: HEX #CF29D1 | qconv.com Color code: HEX #CF29D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 41 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 41 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 80 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 80% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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