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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF2AA8 it is the complementary color #30D557. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF2AA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF2AA8 shade: #D42AA3, #E53CB6, #F64EC9, #FF60DC and #FF72EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF2AA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF2AA8 shade: #CF2AA8, #BE1895, #AD0682, #9C006F and #8B005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF2AA8 shade: #CF2AA8, #CF2A7B, #CF2A4F and #CF2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF2AA8 shade: #CF2AA8, #C92ACF, #9D2ACF, #702ACF and #442ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF2AA8 shade matches the following richer shades: #CF2AA8, #E316B3 and #F702BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF2AA8 shade: #CF2AA8, #BB3E9D, #A65293, #926788 and #7E7B7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF2AA8 shade: #9D2ACF, #C92ACF, #CF2AA8, #CF2A7C and #CF2A50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF2AA8 shade: #8A1C70, #AD238C, #CF2AA8, #D949B7 and #E06BC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF2AA8 shade: #CF2AA8, #CF712A and #2ACFB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF2AA8 shade: #CF2AA8, #A8CF2A and #2AA8CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF2AA8 shade: #CF2AA8, #CF712A, #2ACF50 and #2A87CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF2AA8 shade: #CF2AA8, #CFA32A, #2ACF50 and #2A56CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 19 / 19

HEX #CF2AA8

RGB 207 42 168

HSL 314.18, 0.66%, 0.49%

LAB 49.19, 72.65, -29.27

 

Complementary color

CMYK 77 / 0 / 59 / 16

HEX #30D557

RGB 48 213 87

HSL 134.18, 0.66%, 0.51%

LAB 75.39, -66.33, 49.78

 

CMYK 0 / 80 / 23 / 17

HEX #D42AA3

RGB 212 42 163

HSL 317.29, 0.67%, 0.5%

LAB 49.85, 73.12, -25.21

 

CMYK 0 / 74 / 21 / 10

HEX #E53CB6

RGB 229 60 182

HSL 316.69, 0.76%, 0.57%

LAB 55.35, 74.43, -27.62

 

CMYK 0 / 68 / 18 / 4

HEX #F64EC9

RGB 246 78 201

HSL 316.07, 0.9%, 0.64%

LAB 61.01, 75.09, -29.54

 

CMYK 0 / 62 / 14 / 0

HEX #FF60DC

RGB 255 96 220

HSL 313.21, 1%, 0.69%

LAB 65.59, 73.26, -33.05

 

CMYK 0 / 55 / 6 / 0

HEX #FF72EF

RGB 255 114 239

HSL 306.81, 1%, 0.72%

LAB 69.13, 68.63, -38.08

 

CMYK 0 / 80 / 19 / 19

HEX #CF2AA8

RGB 207 42 168

HSL 314.18, 0.66%, 0.49%

LAB 49.19, 72.65, -29.27

 

CMYK 0 / 87 / 22 / 25

HEX #BE1895

RGB 190 24 149

HSL 314.82, 0.78%, 0.42%

LAB 43.9, 70.43, -26.38

 

CMYK 0 / 97 / 25 / 32

HEX #AD0682

RGB 173 6 130

HSL 315.45, 0.93%, 0.35%

LAB 38.94, 67.01, -22.71

 

CMYK 0 / 100 / 29 / 39

HEX #9C006F

RGB 156 0 111

HSL 317.31, 1%, 0.31%

LAB 34.43, 62.01, -18.04

 

CMYK 0 / 100 / 34 / 45

HEX #8B005C

RGB 139 0 92

HSL 320.29, 1%, 0.27%

LAB 30.06, 56.26, -12.79

 

CMYK 0 / 80 / 19 / 19

HEX #CF2AA8

RGB 207 42 168

HSL 314.18, 0.66%, 0.49%

LAB 49.19, 72.65, -29.27

 

CMYK 0 / 80 / 41 / 19

HEX #CF2A7B

RGB 207 42 123

HSL 330.55, 0.66%, 0.49%

LAB 47.43, 67.53, -4.9

 

CMYK 0 / 80 / 62 / 19

HEX #CF2A4F

RGB 207 42 79

HSL 346.55, 0.66%, 0.49%

LAB 46.29, 64.08, 20.56

 

CMYK 0 / 80 / 80 / 19

HEX #CF2A2A

RGB 207 42 42

HSL 0, 0.66%, 0.49%

LAB 45.76, 62.41, 41.81

 

CMYK 0 / 80 / 19 / 19

HEX #CF2AA8

RGB 207 42 168

HSL 314.18, 0.66%, 0.49%

LAB 49.19, 72.65, -29.27

 

CMYK 3 / 80 / 0 / 19

HEX #C92ACF

RGB 201 42 207

HSL 297.82, 0.66%, 0.49%

LAB 50.19, 77.06, -50.49

 

CMYK 24 / 80 / 0 / 19

HEX #9D2ACF

RGB 157 42 207

HSL 281.82, 0.66%, 0.49%

LAB 43.25, 69.15, -62.02

 

CMYK 46 / 80 / 0 / 19

HEX #702ACF

RGB 112 42 207

HSL 265.45, 0.66%, 0.49%

LAB 37.13, 62.19, -72.28

 

CMYK 67 / 80 / 0 / 19

HEX #442ACF

RGB 68 42 207

HSL 249.45, 0.66%, 0.49%

LAB 32.68, 57.19, -79.76

 

CMYK 0 / 80 / 19 / 19

HEX #CF2AA8

RGB 207 42 168

HSL 314.18, 0.66%, 0.49%

LAB 49.19, 72.65, -29.27

 

CMYK 0 / 90 / 21 / 11

HEX #E316B3

RGB 227 22 179

HSL 314.05, 0.82%, 0.49%

LAB 52.02, 81.84, -31.07

 

CMYK 0 / 99 / 23 / 3

HEX #F702BD

RGB 247 2 189

HSL 314.2, 0.98%, 0.49%

LAB 55.58, 88.45, -31.07

 

CMYK 0 / 80 / 19 / 19

HEX #CF2AA8

RGB 207 42 168

HSL 314.18, 0.66%, 0.49%

LAB 49.19, 72.65, -29.27

 

CMYK 0 / 67 / 16 / 27

HEX #BB3E9D

RGB 187 62 157

HSL 314.4, 0.5%, 0.49%

LAB 47.55, 59.95, -25.55

 

CMYK 0 / 51 / 11 / 35

HEX #A65293

RGB 166 82 147

HSL 313.57, 0.34%, 0.49%

LAB 47.3, 43.23, -20.24

 

CMYK 0 / 29 / 7 / 43

HEX #926788

RGB 146 103 136

HSL 313.95, 0.17%, 0.49%

LAB 48.99, 22.84, -11.34

 

CMYK 0 / 2 / 1 / 51

HEX #7E7B7D

RGB 126 123 125

HSL 320, 0.01%, 0.49%

LAB 51.93, 1.53, -0.69

 

CMYK 24 / 80 / 0 / 19

HEX #9D2ACF

RGB 157 42 207

HSL 281.82, 0.66%, 0.49%

LAB 43.25, 69.15, -62.02

 

CMYK 3 / 80 / 0 / 19

HEX #C92ACF

RGB 201 42 207

HSL 297.82, 0.66%, 0.49%

LAB 50.19, 77.06, -50.49

 

CMYK 0 / 80 / 19 / 19

HEX #CF2AA8

RGB 207 42 168

HSL 314.18, 0.66%, 0.49%

LAB 49.19, 72.65, -29.27

 

CMYK 0 / 80 / 40 / 19

HEX #CF2A7C

RGB 207 42 124

HSL 330.18, 0.66%, 0.49%

LAB 47.46, 67.63, -5.46

 

CMYK 0 / 80 / 61 / 19

HEX #CF2A50

RGB 207 42 80

HSL 346.18, 0.66%, 0.49%

LAB 46.31, 64.14, 19.98

 

CMYK 0 / 80 / 19 / 46

HEX #8A1C70

RGB 138 28 112

HSL 314.18, 0.66%, 0.33%

LAB 32.71, 52.98, -21.62

 

CMYK 0 / 80 / 19 / 32

HEX #AD238C

RGB 173 35 140

HSL 314.35, 0.66%, 0.41%

LAB 41.18, 63.13, -25.38

 

CMYK 0 / 80 / 19 / 19

HEX #CF2AA8

RGB 207 42 168

HSL 314.18, 0.66%, 0.49%

LAB 49.19, 72.65, -29.27

 

CMYK 0 / 66 / 16 / 15

HEX #D949B7

RGB 217 73 183

HSL 314.17, 0.65%, 0.57%

LAB 55.01, 67.21, -28.88

 

CMYK 0 / 52 / 12 / 12

HEX #E06BC5

RGB 224 107 197

HSL 313.85, 0.65%, 0.65%

LAB 61.99, 56.61, -26.02

 

CMYK 0 / 80 / 19 / 19

HEX #CF2AA8

RGB 207 42 168

HSL 314.18, 0.66%, 0.49%

LAB 49.19, 72.65, -29.27

 

CMYK 0 / 45 / 80 / 19

HEX #CF712A

RGB 207 113 42

HSL 25.82, 0.66%, 0.49%

LAB 57.31, 32.04, 53.04

 

CMYK 80 / 0 / 14 / 19

HEX #2ACFB3

RGB 42 207 179

HSL 169.82, 0.66%, 0.49%

LAB 75.06, -46.83, 2.36

 

CMYK 0 / 80 / 19 / 19

HEX #CF2AA8

RGB 207 42 168

HSL 314.18, 0.66%, 0.49%

LAB 49.19, 72.65, -29.27

 

CMYK 19 / 0 / 80 / 19

HEX #A8CF2A

RGB 168 207 42

HSL 74.18, 0.66%, 0.49%

LAB 77.94, -33.77, 70.57

 

CMYK 80 / 19 / 0 / 19

HEX #2AA8CF

RGB 42 168 207

HSL 194.18, 0.66%, 0.49%

LAB 64.16, -20.04, -29.34

 

CMYK 0 / 80 / 19 / 19

HEX #CF2AA8

RGB 207 42 168

HSL 314.18, 0.66%, 0.49%

LAB 49.19, 72.65, -29.27

 

CMYK 0 / 45 / 80 / 19

HEX #CF712A

RGB 207 113 42

HSL 25.82, 0.66%, 0.49%

LAB 57.31, 32.04, 53.04

 

CMYK 80 / 0 / 61 / 19

HEX #2ACF50

RGB 42 207 80

HSL 133.82, 0.66%, 0.49%

LAB 73.35, -65.98, 50.51

 

CMYK 80 / 35 / 0 / 19

HEX #2A87CF

RGB 42 135 207

HSL 206.18, 0.66%, 0.49%

LAB 54.37, -1.62, -44.66

 

CMYK 0 / 80 / 19 / 19

HEX #CF2AA8

RGB 207 42 168

HSL 314.18, 0.66%, 0.49%

LAB 49.19, 72.65, -29.27

 

CMYK 0 / 21 / 80 / 19

HEX #CFA32A

RGB 207 163 42

HSL 44, 0.66%, 0.49%

LAB 69.2, 5.07, 63.94

 

CMYK 80 / 0 / 61 / 19

HEX #2ACF50

RGB 42 207 80

HSL 133.82, 0.66%, 0.49%

LAB 73.35, -65.98, 50.51

 

CMYK 80 / 58 / 0 / 19

HEX #2A56CF

RGB 42 86 207

HSL 224, 0.66%, 0.49%

LAB 40.66, 29.22, -66.7

 

Description

Color code: HEX #CF2AA8 | qconv.com Color code: HEX #CF2AA8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 42 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 42 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 19 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 19% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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