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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF2F10 it is the complementary color #30D0EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF2F10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF2F10 shade: #D42F0B, #E5411E, #F65331, #FF6544 and #FF7757

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF2F10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF2F10 shade: #CF2F10, #BE1D00, #AD0B00, #9C0000 and #8B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF2F10 shade: #D02F0F and #D00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF2F10 shade: #D02F0F, #D0630F, #D0970F, #D0CB0F and #A2D00F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF2F10 shade matches the following richer shades: #D02F0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF2F10 shade: #D02F0F, #BE3B21, #AC4734, #9A5346 and #886058

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF2F10 shade: #D00F59, #D00F26, #D02C0F, #D0600F and #D0930F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF2F10 shade: #831D09, #AA260C, #D02F0F, #ED3D1B and #F05E42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF2F10 shade: #CF2F10, #8DD00F and #0F3FD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF2F10 shade: #CF2F10, #0FD02C and #2C0FD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF2F10 shade: #CF2F10, #8DD00F, #0FB3D0 and #530FD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF2F10 shade: #CF2F10, #53D00F, #0FB3D0 and #8D0FD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 92 / 19

HEX #CF2F10

RGB 207 47 16

HSL 9.74, 0.86%, 0.44%

LAB 46.09, 60.41, 53.97

 

Complementary color

CMYK 80 / 13 / 0 / 6

HEX #30D0EF

RGB 48 208 239

HSL 189.74, 0.86%, 0.56%

LAB 77.26, -29.33, -26.63

 

CMYK 0 / 78 / 95 / 17

HEX #D42F0B

RGB 212 47 11

HSL 10.75, 0.9%, 0.44%

LAB 47.05, 61.85, 56.57

 

CMYK 0 / 72 / 87 / 10

HEX #E5411E

RGB 229 65 30

HSL 10.55, 0.79%, 0.51%

LAB 52.43, 61.48, 55.16

 

CMYK 0 / 66 / 80 / 4

HEX #F65331

RGB 246 83 49

HSL 10.36, 0.92%, 0.58%

LAB 58.04, 60.66, 52.71

 

CMYK 0 / 60 / 73 / 0

HEX #FF6544

RGB 255 101 68

HSL 10.59, 1%, 0.63%

LAB 62.49, 56.87, 48.29

 

CMYK 0 / 53 / 66 / 0

HEX #FF7757

RGB 255 119 87

HSL 11.43, 1%, 0.67%

LAB 65.86, 49.59, 42.18

 

CMYK 0 / 77 / 92 / 19

HEX #CF2F10

RGB 207 47 16

HSL 9.74, 0.86%, 0.44%

LAB 46.09, 60.41, 53.97

 

CMYK 0 / 85 / 100 / 25

HEX #BE1D00

RGB 190 29 0

HSL 9.16, 1%, 0.37%

LAB 40.94, 60.05, 54.41

 

CMYK 0 / 94 / 100 / 32

HEX #AD0B00

RGB 173 11 0

HSL 3.82, 1%, 0.34%

LAB 36.22, 58.56, 50.34

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 100 / 100 / 45

HEX #8B0000

RGB 139 0 0

HSL 0, 1%, 0.27%

LAB 28.08, 51.01, 41.29

 

CMYK 0 / 77 / 93 / 18

HEX #D02F0F

RGB 208 47 15

HSL 9.95, 0.87%, 0.44%

LAB 46.28, 60.7, 54.52

 

CMYK 0 / 93 / 93 / 18

HEX #D00F0F

RGB 208 15 15

HSL 0, 0.87%, 0.44%

LAB 43.92, 67.4, 53.05

 

CMYK 0 / 77 / 93 / 18

HEX #D02F0F

RGB 208 47 15

HSL 9.95, 0.87%, 0.44%

LAB 46.28, 60.7, 54.52

 

CMYK 0 / 52 / 93 / 18

HEX #D0630F

RGB 208 99 15

HSL 26.11, 0.87%, 0.44%

LAB 54.42, 39.02, 59.95

 

CMYK 0 / 27 / 93 / 18

HEX #D0970F

RGB 208 151 15

HSL 42.28, 0.87%, 0.44%

LAB 66.2, 11.33, 68.42

 

CMYK 0 / 2 / 93 / 18

HEX #D0CB0F

RGB 208 203 15

HSL 58.45, 0.87%, 0.44%

LAB 79.7, -15.85, 78.57

 

CMYK 22 / 0 / 93 / 18

HEX #A2D00F

RGB 162 208 15

HSL 74.3, 0.87%, 0.44%

LAB 77.77, -37.34, 75.63

 

CMYK 0 / 77 / 93 / 18

HEX #D02F0F

RGB 208 47 15

HSL 9.95, 0.87%, 0.44%

LAB 46.28, 60.7, 54.52

 

CMYK 0 / 77 / 93 / 18

HEX #D02F0F

RGB 208 47 15

HSL 9.95, 0.87%, 0.44%

LAB 46.28, 60.7, 54.52

 

CMYK 0 / 69 / 83 / 25

HEX #BE3B21

RGB 190 59 33

HSL 9.94, 0.7%, 0.44%

LAB 44.5, 51.15, 44.16

 

CMYK 0 / 59 / 70 / 33

HEX #AC4734

RGB 172 71 52

HSL 9.5, 0.54%, 0.44%

LAB 43.54, 40.18, 31.95

 

CMYK 0 / 46 / 55 / 40

HEX #9A5346

RGB 154 83 70

HSL 9.29, 0.38%, 0.44%

LAB 43.51, 28.1, 20.7

 

CMYK 0 / 29 / 35 / 47

HEX #886058

RGB 136 96 88

HSL 10, 0.21%, 0.44%

LAB 44.67, 15.14, 11.04

 

CMYK 0 / 93 / 57 / 18

HEX #D00F59

RGB 208 15 89

HSL 336.99, 0.87%, 0.44%

LAB 44.9, 70.12, 12.51

 

CMYK 0 / 93 / 82 / 18

HEX #D00F26

RGB 208 15 38

HSL 352.85, 0.87%, 0.44%

LAB 44.08, 67.83, 42.4

 

CMYK 0 / 79 / 93 / 18

HEX #D02C0F

RGB 208 44 15

HSL 9.02, 0.87%, 0.44%

LAB 45.97, 61.57, 54.32

 

CMYK 0 / 54 / 93 / 18

HEX #D0600F

RGB 208 96 15

HSL 25.18, 0.87%, 0.44%

LAB 53.82, 40.52, 59.54

 

CMYK 0 / 29 / 93 / 18

HEX #D0930F

RGB 208 147 15

HSL 41.04, 0.87%, 0.44%

LAB 65.21, 13.5, 67.69

 

CMYK 0 / 78 / 93 / 49

HEX #831D09

RGB 131 29 9

HSL 9.84, 0.87%, 0.27%

LAB 28.7, 42.15, 37.42

 

CMYK 0 / 78 / 93 / 33

HEX #AA260C

RGB 170 38 12

HSL 9.87, 0.87%, 0.36%

LAB 37.77, 51.8, 46.34

 

CMYK 0 / 77 / 93 / 18

HEX #D02F0F

RGB 208 47 15

HSL 9.95, 0.87%, 0.44%

LAB 46.28, 60.7, 54.52

 

CMYK 0 / 74 / 89 / 7

HEX #ED3D1B

RGB 237 61 27

HSL 9.71, 0.85%, 0.52%

LAB 53.41, 65.23, 57.74

 

CMYK 0 / 61 / 73 / 6

HEX #F05E42

RGB 240 94 66

HSL 9.66, 0.85%, 0.6%

LAB 58.9, 54.69, 44.7

 

CMYK 0 / 77 / 92 / 19

HEX #CF2F10

RGB 207 47 16

HSL 9.74, 0.86%, 0.44%

LAB 46.09, 60.41, 53.97

 

CMYK 32 / 0 / 93 / 18

HEX #8DD00F

RGB 141 208 15

HSL 80.83, 0.87%, 0.44%

LAB 76.56, -45.35, 74.16

 

CMYK 93 / 70 / 0 / 18

HEX #0F3FD0

RGB 15 63 208

HSL 225.08, 0.87%, 0.44%

LAB 34.42, 42.65, -77.55

 

CMYK 0 / 77 / 92 / 19

HEX #CF2F10

RGB 207 47 16

HSL 9.74, 0.86%, 0.44%

LAB 46.09, 60.41, 53.97

 

CMYK 93 / 0 / 79 / 18

HEX #0FD02C

RGB 15 208 44

HSL 129.02, 0.87%, 0.44%

LAB 73.15, -71.76, 63.71

 

CMYK 79 / 93 / 0 / 18

HEX #2C0FD0

RGB 44 15 208

HSL 249.02, 0.87%, 0.44%

LAB 27.93, 65.56, -88.28

 

CMYK 0 / 77 / 92 / 19

HEX #CF2F10

RGB 207 47 16

HSL 9.74, 0.86%, 0.44%

LAB 46.09, 60.41, 53.97

 

CMYK 32 / 0 / 93 / 18

HEX #8DD00F

RGB 141 208 15

HSL 80.83, 0.87%, 0.44%

LAB 76.56, -45.35, 74.16

 

CMYK 93 / 14 / 0 / 18

HEX #0FB3D0

RGB 15 179 208

HSL 189.02, 0.87%, 0.44%

LAB 67.2, -27.11, -25.25

 

CMYK 60 / 93 / 0 / 18

HEX #530FD0

RGB 83 15 208

HSL 261.14, 0.87%, 0.44%

LAB 31.2, 67.51, -82.76

 

CMYK 0 / 77 / 92 / 19

HEX #CF2F10

RGB 207 47 16

HSL 9.74, 0.86%, 0.44%

LAB 46.09, 60.41, 53.97

 

CMYK 60 / 0 / 93 / 18

HEX #53D00F

RGB 83 208 15

HSL 98.86, 0.87%, 0.44%

LAB 74.18, -63.26, 71.23

 

CMYK 93 / 14 / 0 / 18

HEX #0FB3D0

RGB 15 179 208

HSL 189.02, 0.87%, 0.44%

LAB 67.2, -27.11, -25.25

 

CMYK 32 / 93 / 0 / 18

HEX #8D0FD0

RGB 141 15 208

HSL 279.17, 0.87%, 0.44%

LAB 38.83, 73.17, -69.92

 

Description

Color code: HEX #CF2F10 | qconv.com Color code: HEX #CF2F10 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 47 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 47 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 92 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 92% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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