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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF35C2 it is the complementary color #30CA3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF35C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF35C2 shade: #D435BD, #E547D0, #F659E3, #FF6BF6 and #FF7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF35C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF35C2 shade: #CF35C2, #BE23AF, #AD119C, #9C0089 and #8B0076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF35C2 shade: #CF34C2, #CF3498, #CF346E, #CF3445 and #CF3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF35C2 shade: #CF34C2, #B234CF, #8934CF, #5F34CF and #3534CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF35C2 shade matches the following richer shades: #CF34C2, #E320D3 and #F70CE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF35C2 shade: #CF34C2, #BB48B1, #A75DA0, #927190 and #7E857F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF35C2 shade: #8934CF, #B334CF, #CF34C2, #CF3499 and #CF346F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF35C2 shade: #8F2186, #B129A5, #CF34C2, #D756CC and #DF77D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF35C2 shade: #CF35C2, #CF6034 and #34CF9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF35C2 shade: #CF35C2, #C2CF34 and #34C2CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF35C2 shade: #CF35C2, #CF6034, #34CF41 and #34A3CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF35C2 shade: #CF35C2, #CF8E34, #34CF41 and #3475CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 6 / 19

HEX #CF35C2

RGB 207 53 194

HSL 305.06, 0.62%, 0.51%

LAB 51.5, 73.27, -40.85

 

Complementary color

CMYK 76 / 0 / 70 / 21

HEX #30CA3D

RGB 48 202 61

HSL 125.06, 0.62%, 0.49%

LAB 71.69, -65.6, 56.57

 

CMYK 0 / 75 / 11 / 17

HEX #D435BD

RGB 212 53 189

HSL 308.68, 0.65%, 0.52%

LAB 52.08, 73.62, -36.98

 

CMYK 0 / 69 / 9 / 10

HEX #E547D0

RGB 229 71 208

HSL 307.97, 0.75%, 0.59%

LAB 57.77, 74.46, -38.78

 

CMYK 0 / 64 / 8 / 4

HEX #F659E3

RGB 246 89 227

HSL 307.26, 0.9%, 0.66%

LAB 63.58, 74.77, -40.2

 

CMYK 0 / 58 / 4 / 0

HEX #FF6BF6

RGB 255 107 246

HSL 303.65, 1%, 0.71%

LAB 68.34, 72.74, -43.18

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 74 / 6 / 19

HEX #CF35C2

RGB 207 53 194

HSL 305.06, 0.62%, 0.51%

LAB 51.5, 73.27, -40.85

 

CMYK 0 / 82 / 8 / 25

HEX #BE23AF

RGB 190 35 175

HSL 305.81, 0.69%, 0.44%

LAB 45.97, 71.71, -38.68

 

CMYK 0 / 90 / 10 / 32

HEX #AD119C

RGB 173 17 156

HSL 306.54, 0.82%, 0.37%

LAB 40.71, 69.08, -35.84

 

CMYK 0 / 100 / 12 / 39

HEX #9C0089

RGB 156 0 137

HSL 307.31, 1%, 0.31%

LAB 35.74, 65.31, -32.3

 

CMYK 0 / 100 / 15 / 45

HEX #8B0076

RGB 139 0 118

HSL 309.06, 1%, 0.27%

LAB 31.34, 59.49, -27.57

 

CMYK 0 / 75 / 6 / 19

HEX #CF34C2

RGB 207 52 194

HSL 305.03, 0.62%, 0.51%

LAB 51.4, 73.57, -41.01

 

CMYK 0 / 75 / 27 / 19

HEX #CF3498

RGB 207 52 152

HSL 321.29, 0.62%, 0.51%

LAB 49.48, 67.84, -19.32

 

CMYK 0 / 75 / 47 / 19

HEX #CF346E

RGB 207 52 110

HSL 337.55, 0.62%, 0.51%

LAB 48.07, 63.43, 3.97

 

CMYK 0 / 75 / 67 / 19

HEX #CF3445

RGB 207 52 69

HSL 353.42, 0.62%, 0.51%

LAB 47.17, 60.54, 27.78

 

CMYK 0 / 75 / 75 / 19

HEX #CF3434

RGB 207 52 52

HSL 0, 0.62%, 0.51%

LAB 46.93, 59.75, 37.48

 

CMYK 0 / 75 / 6 / 19

HEX #CF34C2

RGB 207 52 194

HSL 305.03, 0.62%, 0.51%

LAB 51.4, 73.57, -41.01

 

CMYK 14 / 75 / 0 / 19

HEX #B234CF

RGB 178 52 207

HSL 288.77, 0.62%, 0.51%

LAB 47.53, 69.79, -54.96

 

CMYK 34 / 75 / 0 / 19

HEX #8934CF

RGB 137 52 207

HSL 272.9, 0.62%, 0.51%

LAB 41.66, 62.18, -64.74

 

CMYK 54 / 75 / 0 / 19

HEX #5F34CF

RGB 95 52 207

HSL 256.65, 0.62%, 0.51%

LAB 36.73, 55.57, -72.99

 

CMYK 74 / 75 / 0 / 19

HEX #3534CF

RGB 53 52 207

HSL 240.39, 0.62%, 0.51%

LAB 33.39, 50.92, -78.62

 

CMYK 0 / 75 / 6 / 19

HEX #CF34C2

RGB 207 52 194

HSL 305.03, 0.62%, 0.51%

LAB 51.4, 73.57, -41.01

 

CMYK 0 / 86 / 7 / 11

HEX #E320D3

RGB 227 32 211

HSL 304.92, 0.78%, 0.51%

LAB 54.1, 84.5, -46.3

 

CMYK 0 / 95 / 8 / 3

HEX #F70CE4

RGB 247 12 228

HSL 304.85, 0.94%, 0.51%

LAB 57.69, 92.59, -50.03

 

CMYK 0 / 75 / 6 / 19

HEX #CF34C2

RGB 207 52 194

HSL 305.03, 0.62%, 0.51%

LAB 51.4, 73.57, -41.01

 

CMYK 0 / 61 / 5 / 27

HEX #BB48B1

RGB 187 72 177

HSL 305.22, 0.46%, 0.51%

LAB 49.95, 58.98, -33.62

 

CMYK 0 / 44 / 4 / 35

HEX #A75DA0

RGB 167 93 160

HSL 305.68, 0.3%, 0.51%

LAB 50.19, 40.07, -23.48

 

CMYK 0 / 23 / 1 / 43

HEX #927190

RGB 146 113 144

HSL 303.64, 0.13%, 0.51%

LAB 51.76, 18.56, -11.89

 

CMYK 5 / 0 / 5 / 48

HEX #7E857F

RGB 126 133 127

HSL 128.57, 0.03%, 0.51%

LAB 54.81, -3.78, 2.33

 

CMYK 34 / 75 / 0 / 19

HEX #8934CF

RGB 137 52 207

HSL 272.9, 0.62%, 0.51%

LAB 41.66, 62.18, -64.74

 

CMYK 14 / 75 / 0 / 19

HEX #B334CF

RGB 179 52 207

HSL 289.16, 0.62%, 0.51%

LAB 47.68, 69.99, -54.71

 

CMYK 0 / 75 / 6 / 19

HEX #CF34C2

RGB 207 52 194

HSL 305.03, 0.62%, 0.51%

LAB 51.4, 73.57, -41.01

 

CMYK 0 / 75 / 26 / 19

HEX #CF3499

RGB 207 52 153

HSL 320.9, 0.62%, 0.51%

LAB 49.52, 67.97, -19.85

 

CMYK 0 / 75 / 46 / 19

HEX #CF346F

RGB 207 52 111

HSL 337.16, 0.62%, 0.51%

LAB 48.09, 63.52, 3.4

 

CMYK 0 / 77 / 6 / 44

HEX #8F2186

RGB 143 33 134

HSL 304.91, 0.63%, 0.35%

LAB 35.3, 55.96, -31.3

 

CMYK 0 / 77 / 7 / 31

HEX #B129A5

RGB 177 41 165

HSL 305.29, 0.62%, 0.43%

LAB 43.73, 65.95, -36.43

 

CMYK 0 / 75 / 6 / 19

HEX #CF34C2

RGB 207 52 194

HSL 305.03, 0.62%, 0.51%

LAB 51.4, 73.57, -41.01

 

CMYK 0 / 60 / 5 / 16

HEX #D756CC

RGB 215 86 204

HSL 305.12, 0.62%, 0.59%

LAB 57.52, 64.69, -37.04

 

CMYK 0 / 47 / 4 / 13

HEX #DF77D6

RGB 223 119 214

HSL 305.19, 0.62%, 0.67%

LAB 64.75, 53.3, -31.34

 

CMYK 0 / 74 / 6 / 19

HEX #CF35C2

RGB 207 53 194

HSL 305.06, 0.62%, 0.51%

LAB 51.5, 73.27, -40.85

 

CMYK 0 / 54 / 75 / 19

HEX #CF6034

RGB 207 96 52

HSL 17.03, 0.62%, 0.51%

LAB 53.9, 41.16, 44.99

 

CMYK 75 / 0 / 24 / 19

HEX #34CF9E

RGB 52 207 158

HSL 161.03, 0.62%, 0.51%

LAB 74.71, -50.95, 13.16

 

CMYK 0 / 74 / 6 / 19

HEX #CF35C2

RGB 207 53 194

HSL 305.06, 0.62%, 0.51%

LAB 51.5, 73.27, -40.85

 

CMYK 6 / 0 / 75 / 19

HEX #C2CF34

RGB 194 207 52

HSL 65.03, 0.62%, 0.51%

LAB 79.81, -22.75, 69.99

 

CMYK 75 / 6 / 0 / 19

HEX #34C2CF

RGB 52 194 207

HSL 185.03, 0.62%, 0.51%

LAB 72.11, -32.04, -17.19

 

CMYK 0 / 74 / 6 / 19

HEX #CF35C2

RGB 207 53 194

HSL 305.06, 0.62%, 0.51%

LAB 51.5, 73.27, -40.85

 

CMYK 0 / 54 / 75 / 19

HEX #CF6034

RGB 207 96 52

HSL 17.03, 0.62%, 0.51%

LAB 53.9, 41.16, 44.99

 

CMYK 75 / 0 / 69 / 19

HEX #34CF41

RGB 52 207 65

HSL 125.03, 0.62%, 0.51%

LAB 73.37, -66.24, 56.82

 

CMYK 75 / 21 / 0 / 19

HEX #34A3CF

RGB 52 163 207

HSL 197.03, 0.62%, 0.51%

LAB 62.87, -16.31, -31.33

 

CMYK 0 / 74 / 6 / 19

HEX #CF35C2

RGB 207 53 194

HSL 305.06, 0.62%, 0.51%

LAB 51.5, 73.27, -40.85

 

CMYK 0 / 31 / 75 / 19

HEX #CF8E34

RGB 207 142 52

HSL 34.84, 0.62%, 0.51%

LAB 64.05, 16.82, 55.33

 

CMYK 75 / 0 / 69 / 19

HEX #34CF41

RGB 52 207 65

HSL 125.03, 0.62%, 0.51%

LAB 73.37, -66.24, 56.82

 

CMYK 75 / 43 / 0 / 19

HEX #3475CF

RGB 52 117 207

HSL 214.84, 0.62%, 0.51%

LAB 49.44, 10.47, -52.48

 

Description

Color code: HEX #CF35C2 | qconv.com Color code: HEX #CF35C2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 53 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 53 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 6 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 6% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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