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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF395E it is the complementary color #30C6A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF395E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF395E shade: #D43959, #E54B6C, #F65D7F, #FF6F92 and #FF81A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF395E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF395E shade: #CF395E, #BE274B, #AD1538, #9C0325 and #8B0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF395E shade: #CF395E and #CF3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF395E shade: #CF395E, #CF3987, #CF39AF, #C639CF and #9E39CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF395E shade matches the following richer shades: #CF395E, #E32654 and #F6124A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF395E shade: #CF395E, #BB4D68, #A76172, #93757C and #808986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF395E shade: #CF39AE, #CF3987, #CF395F, #CF3C39 and #CF6439

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF395E shade: #93233F, #B42B4D, #CF395E, #D75B79 and #DF7C94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF395E shade: #CF395E, #CFC739 and #399ACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF395E shade: #CF395E, #5FCF39 and #395FCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF395E shade: #CF395E, #CFC739, #39CFA9 and #3941CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF395E shade: #CF395E, #A9CF39, #39CFA9 and #5F39CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 55 / 19

HEX #CF395E

RGB 207 57 94

HSL 345.2, 0.61%, 0.52%

LAB 48.26, 60.46, 14.03

 

Complementary color

CMYK 76 / 0 / 19 / 22

HEX #30C6A1

RGB 48 198 161

HSL 165.2, 0.61%, 0.48%

LAB 71.95, -47.03, 7.62

 

CMYK 0 / 73 / 58 / 17

HEX #D43959

RGB 212 57 89

HSL 347.61, 0.64%, 0.53%

LAB 49.06, 61.56, 18.32

 

CMYK 0 / 67 / 53 / 10

HEX #E54B6C

RGB 229 75 108

HSL 347.14, 0.75%, 0.6%

LAB 54.84, 61.5, 15.28

 

CMYK 0 / 62 / 48 / 4

HEX #F65D7F

RGB 246 93 127

HSL 346.67, 0.89%, 0.66%

LAB 60.74, 61.07, 12.76

 

CMYK 0 / 56 / 43 / 0

HEX #FF6F92

RGB 255 111 146

HSL 345.42, 1%, 0.72%

LAB 65.52, 57.86, 8.77

 

CMYK 0 / 49 / 35 / 0

HEX #FF81A5

RGB 255 129 165

HSL 342.86, 1%, 0.75%

LAB 69.24, 51.46, 3.35

 

CMYK 0 / 72 / 55 / 19

HEX #CF395E

RGB 207 57 94

HSL 345.2, 0.61%, 0.52%

LAB 48.26, 60.46, 14.03

 

CMYK 0 / 79 / 61 / 25

HEX #BE274B

RGB 190 39 75

HSL 345.7, 0.66%, 0.45%

LAB 42.62, 59.94, 17.57

 

CMYK 0 / 88 / 68 / 32

HEX #AD1538

RGB 173 21 56

HSL 346.18, 0.78%, 0.38%

LAB 37.31, 58.49, 21.98

 

CMYK 0 / 98 / 76 / 39

HEX #9C0325

RGB 156 3 37

HSL 346.67, 0.96%, 0.31%

LAB 32.41, 55.89, 27.3

 

CMYK 0 / 100 / 87 / 45

HEX #8B0012

RGB 139 0 18

HSL 352.23, 1%, 0.27%

LAB 28.2, 51.33, 33.33

 

CMYK 0 / 72 / 55 / 19

HEX #CF395E

RGB 207 57 94

HSL 345.2, 0.61%, 0.52%

LAB 48.26, 60.46, 14.03

 

CMYK 0 / 72 / 72 / 19

HEX #CF3939

RGB 207 57 57

HSL 0, 0.61%, 0.52%

LAB 47.61, 58.26, 35.37

 

CMYK 0 / 72 / 55 / 19

HEX #CF395E

RGB 207 57 94

HSL 345.2, 0.61%, 0.52%

LAB 48.26, 60.46, 14.03

 

CMYK 0 / 72 / 35 / 19

HEX #CF3987

RGB 207 57 135

HSL 328.8, 0.61%, 0.52%

LAB 49.42, 64.26, -9.21

 

CMYK 0 / 72 / 15 / 19

HEX #CF39AF

RGB 207 57 175

HSL 312.8, 0.61%, 0.52%

LAB 51.02, 69.27, -30.54

 

CMYK 4 / 72 / 0 / 19

HEX #C639CF

RGB 198 57 207

HSL 296.4, 0.61%, 0.52%

LAB 51.19, 72.18, -48.92

 

CMYK 24 / 72 / 0 / 19

HEX #9E39CF

RGB 158 57 207

HSL 280.4, 0.61%, 0.52%

LAB 45.22, 64.09, -58.83

 

CMYK 0 / 72 / 55 / 19

HEX #CF395E

RGB 207 57 94

HSL 345.2, 0.61%, 0.52%

LAB 48.26, 60.46, 14.03

 

CMYK 0 / 83 / 63 / 11

HEX #E32654

RGB 227 38 84

HSL 345.4, 0.77%, 0.52%

LAB 49.93, 70.67, 23.01

 

CMYK 0 / 93 / 70 / 4

HEX #F6124A

RGB 246 18 74

HSL 345.26, 0.93%, 0.52%

LAB 52.42, 78.08, 32.96

 

CMYK 0 / 72 / 55 / 19

HEX #CF395E

RGB 207 57 94

HSL 345.2, 0.61%, 0.52%

LAB 48.26, 60.46, 14.03

 

CMYK 0 / 59 / 44 / 27

HEX #BB4D68

RGB 187 77 104

HSL 345.27, 0.45%, 0.52%

LAB 48.1, 46.81, 7.22

 

CMYK 0 / 42 / 32 / 35

HEX #A76172

RGB 167 97 114

HSL 345.43, 0.28%, 0.52%

LAB 49.47, 30.49, 2.78

 

CMYK 0 / 20 / 16 / 42

HEX #93757C

RGB 147 117 124

HSL 346, 0.12%, 0.52%

LAB 52.27, 12.9, 0.62

 

CMYK 7 / 0 / 2 / 46

HEX #808986

RGB 128 137 134

HSL 160, 0.04%, 0.52%

LAB 56.29, -3.9, 0.46

 

CMYK 0 / 72 / 16 / 19

HEX #CF39AE

RGB 207 57 174

HSL 313.2, 0.61%, 0.52%

LAB 50.98, 69.13, -30.02

 

CMYK 0 / 72 / 35 / 19

HEX #CF3987

RGB 207 57 135

HSL 328.8, 0.61%, 0.52%

LAB 49.42, 64.26, -9.21

 

CMYK 0 / 72 / 54 / 19

HEX #CF395F

RGB 207 57 95

HSL 344.8, 0.61%, 0.52%

LAB 48.28, 60.53, 13.45

 

CMYK 0 / 71 / 72 / 19

HEX #CF3C39

RGB 207 60 57

HSL 1.2, 0.61%, 0.52%

LAB 48, 57.18, 35.82

 

CMYK 0 / 52 / 72 / 19

HEX #CF6439

RGB 207 100 57

HSL 17.2, 0.61%, 0.52%

LAB 54.74, 39.38, 43.35

 

CMYK 0 / 76 / 57 / 42

HEX #93233F

RGB 147 35 63

HSL 345, 0.62%, 0.36%

LAB 33.49, 47.77, 11.44

 

CMYK 0 / 76 / 57 / 29

HEX #B42B4D

RGB 180 43 77

HSL 345.11, 0.61%, 0.44%

LAB 41.16, 56, 14.02

 

CMYK 0 / 72 / 55 / 19

HEX #CF395E

RGB 207 57 94

HSL 345.2, 0.61%, 0.52%

LAB 48.26, 60.46, 14.03

 

CMYK 0 / 58 / 44 / 16

HEX #D75B79

RGB 215 91 121

HSL 345.48, 0.61%, 0.6%

LAB 55.39, 51.4, 8.03

 

CMYK 0 / 44 / 34 / 13

HEX #DF7C94

RGB 223 124 148

HSL 345.45, 0.61%, 0.68%

LAB 63.54, 40.94, 4.2

 

CMYK 0 / 72 / 55 / 19

HEX #CF395E

RGB 207 57 94

HSL 345.2, 0.61%, 0.52%

LAB 48.26, 60.46, 14.03

 

CMYK 0 / 4 / 72 / 19

HEX #CFC739

RGB 207 199 57

HSL 56.8, 0.61%, 0.52%

LAB 78.7, -13.09, 67.65

 

CMYK 72 / 26 / 0 / 19

HEX #399ACF

RGB 57 154 207

HSL 201.2, 0.61%, 0.52%

LAB 60.33, -10.76, -35.27

 

CMYK 0 / 72 / 55 / 19

HEX #CF395E

RGB 207 57 94

HSL 345.2, 0.61%, 0.52%

LAB 48.26, 60.46, 14.03

 

CMYK 54 / 0 / 72 / 19

HEX #5FCF39

RGB 95 207 57

HSL 104.8, 0.61%, 0.52%

LAB 74.42, -57.94, 61.22

 

CMYK 72 / 54 / 0 / 19

HEX #395FCF

RGB 57 95 207

HSL 224.8, 0.61%, 0.52%

LAB 43.59, 25.07, -61.9

 

CMYK 0 / 72 / 55 / 19

HEX #CF395E

RGB 207 57 94

HSL 345.2, 0.61%, 0.52%

LAB 48.26, 60.46, 14.03

 

CMYK 0 / 4 / 72 / 19

HEX #CFC739

RGB 207 199 57

HSL 56.8, 0.61%, 0.52%

LAB 78.7, -13.09, 67.65

 

CMYK 72 / 0 / 18 / 19

HEX #39CFA9

RGB 57 207 169

HSL 164.8, 0.61%, 0.52%

LAB 75.05, -47.69, 7.76

 

CMYK 72 / 69 / 0 / 19

HEX #3941CF

RGB 57 65 207

HSL 236.8, 0.61%, 0.52%

LAB 36.28, 43.89, -73.84

 

CMYK 0 / 72 / 55 / 19

HEX #CF395E

RGB 207 57 94

HSL 345.2, 0.61%, 0.52%

LAB 48.26, 60.46, 14.03

 

CMYK 18 / 0 / 72 / 19

HEX #A9CF39

RGB 169 207 57

HSL 75.2, 0.61%, 0.52%

LAB 78.08, -32.68, 66.08

 

CMYK 72 / 0 / 18 / 19

HEX #39CFA9

RGB 57 207 169

HSL 164.8, 0.61%, 0.52%

LAB 75.05, -47.69, 7.76

 

CMYK 54 / 72 / 0 / 19

HEX #5F39CF

RGB 95 57 207

HSL 255.2, 0.61%, 0.52%

LAB 37.6, 53.13, -71.57

 

Description

Color code: HEX #CF395E | qconv.com Color code: HEX #CF395E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 57 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 57 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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