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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF5655 it is the complementary color #30A9AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF5655. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF5655 shade: #D45650, #E56863, #F67A76, #FF8C89 and #FF9E9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF5655. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF5655 shade: #CF5655, #BE4442, #AD322F, #9C201C and #8B0E09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF5655 shade: #CE5453 and #CE5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF5655 shade: #CE5453, #CE7653, #CE9753, #CEB853 and #C4CE53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF5655 shade matches the following richer shades: #CE5453, #E04342 and #F23230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF5655 shade: #CE5453, #BD6665, #AB7777, #998989 and #879A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF5655 shade: #CE5395, #CE5374, #CE5353, #CE7453 and #CE9553

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF5655 shade: #A22E2D, #C23836, #CE5453, #D77474 and #E09494

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF5655 shade: #CF5655, #B6CE53 and #5385CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF5655 shade: #CF5655, #53CE53 and #5353CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF5655 shade: #CF5655, #B6CE53, #53CECE and #6C53CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF5655 shade: #CF5655, #91CE53, #53CECE and #9153CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 59 / 19

HEX #CF5655

RGB 207 86 85

HSL 0.49, 0.56%, 0.57%

LAB 52.48, 47.87, 25.07

 

Complementary color

CMYK 72 / 1 / 0 / 33

HEX #30A9AA

RGB 48 169 170

HSL 180.49, 0.56%, 0.43%

LAB 63.27, -31.62, -10.06

 

CMYK 0 / 59 / 62 / 17

HEX #D45650

RGB 212 86 80

HSL 2.73, 0.61%, 0.57%

LAB 53.2, 49.29, 29.06

 

CMYK 0 / 55 / 57 / 10

HEX #E56863

RGB 229 104 99

HSL 2.31, 0.71%, 0.64%

LAB 59.4, 48.19, 26.65

 

CMYK 0 / 50 / 52 / 4

HEX #F67A76

RGB 246 122 118

HSL 1.88, 0.88%, 0.71%

LAB 65.61, 47.06, 24.57

 

CMYK 0 / 45 / 46 / 0

HEX #FF8C89

RGB 255 140 137

HSL 1.53, 1%, 0.77%

LAB 70.75, 43.08, 21.13

 

CMYK 0 / 38 / 39 / 0

HEX #FF9E9C

RGB 255 158 156

HSL 1.21, 1%, 0.81%

LAB 74.9, 35.85, 16.4

 

CMYK 0 / 58 / 59 / 19

HEX #CF5655

RGB 207 86 85

HSL 0.49, 0.56%, 0.57%

LAB 52.48, 47.87, 25.07

 

CMYK 0 / 64 / 65 / 25

HEX #BE4442

RGB 190 68 66

HSL 0.97, 0.49%, 0.5%

LAB 46.28, 48.84, 27.79

 

CMYK 0 / 71 / 73 / 32

HEX #AD322F

RGB 173 50 47

HSL 1.43, 0.57%, 0.43%

LAB 40.2, 49.54, 31.03

 

CMYK 0 / 79 / 82 / 39

HEX #9C201C

RGB 156 32 28

HSL 1.88, 0.7%, 0.36%

LAB 34.36, 49.68, 34.8

 

CMYK 0 / 90 / 94 / 45

HEX #8B0E09

RGB 139 14 9

HSL 2.31, 0.88%, 0.29%

LAB 28.96, 48.78, 38.34

 

CMYK 0 / 59 / 60 / 19

HEX #CE5453

RGB 206 84 83

HSL 0.49, 0.56%, 0.57%

LAB 51.94, 48.31, 25.5

 

CMYK 0 / 60 / 60 / 19

HEX #CE5353

RGB 206 83 83

HSL 0, 0.56%, 0.57%

LAB 51.76, 48.77, 25.28

 

CMYK 0 / 59 / 60 / 19

HEX #CE5453

RGB 206 84 83

HSL 0.49, 0.56%, 0.57%

LAB 51.94, 48.31, 25.5

 

CMYK 0 / 43 / 60 / 19

HEX #CE7653

RGB 206 118 83

HSL 17.07, 0.56%, 0.57%

LAB 58.7, 31.19, 34.05

 

CMYK 0 / 27 / 60 / 19

HEX #CE9753

RGB 206 151 83

HSL 33.17, 0.56%, 0.57%

LAB 66.43, 13.31, 43.38

 

CMYK 0 / 11 / 60 / 19

HEX #CEB853

RGB 206 184 83

HSL 49.27, 0.56%, 0.57%

LAB 74.84, -4.32, 53.04

 

CMYK 5 / 0 / 60 / 19

HEX #C4CE53

RGB 196 206 83

HSL 64.88, 0.56%, 0.57%

LAB 79.9, -19.67, 58.41

 

CMYK 0 / 59 / 60 / 19

HEX #CE5453

RGB 206 84 83

HSL 0.49, 0.56%, 0.57%

LAB 51.94, 48.31, 25.5

 

CMYK 0 / 70 / 71 / 12

HEX #E04342

RGB 224 67 66

HSL 0.38, 0.72%, 0.57%

LAB 52.12, 60.36, 36.26

 

CMYK 0 / 79 / 80 / 5

HEX #F23230

RGB 242 50 48

HSL 0.62, 0.88%, 0.57%

LAB 53.35, 70.34, 48.42

 

CMYK 0 / 59 / 60 / 19

HEX #CE5453

RGB 206 84 83

HSL 0.49, 0.56%, 0.57%

LAB 51.94, 48.31, 25.5

 

CMYK 0 / 46 / 47 / 26

HEX #BD6665

RGB 189 102 101

HSL 0.68, 0.4%, 0.57%

LAB 53.23, 34.61, 16.22

 

CMYK 0 / 30 / 30 / 33

HEX #AB7777

RGB 171 119 119

HSL 0, 0.24%, 0.57%

LAB 55.26, 20.39, 8.2

 

CMYK 0 / 10 / 10 / 40

HEX #998989

RGB 153 137 137

HSL 0, 0.07%, 0.57%

LAB 58.48, 6.01, 2.19

 

CMYK 12 / 0 / 0 / 40

HEX #879A9A

RGB 135 154 154

HSL 180, 0.09%, 0.57%

LAB 62.16, -6.7, -2.28

 

CMYK 0 / 60 / 28 / 19

HEX #CE5395

RGB 206 83 149

HSL 327.8, 0.56%, 0.57%

LAB 53.47, 55.4, -11.5

 

CMYK 0 / 60 / 44 / 19

HEX #CE5374

RGB 206 83 116

HSL 343.9, 0.56%, 0.57%

LAB 52.47, 51.59, 6.65

 

CMYK 0 / 60 / 60 / 19

HEX #CE5353

RGB 206 83 83

HSL 0, 0.56%, 0.57%

LAB 51.76, 48.77, 25.28

 

CMYK 0 / 44 / 60 / 19

HEX #CE7453

RGB 206 116 83

HSL 16.1, 0.56%, 0.57%

LAB 58.26, 32.25, 33.51

 

CMYK 0 / 28 / 60 / 19

HEX #CE9553

RGB 206 149 83

HSL 32.2, 0.56%, 0.57%

LAB 65.94, 14.4, 42.8

 

CMYK 0 / 72 / 72 / 36

HEX #A22E2D

RGB 162 46 45

HSL 0.51, 0.57%, 0.41%

LAB 37.53, 47.36, 28.59

 

CMYK 0 / 71 / 72 / 24

HEX #C23836

RGB 194 56 54

HSL 0.86, 0.56%, 0.49%

LAB 45.03, 54.4, 33.52

 

CMYK 0 / 59 / 60 / 19

HEX #CE5453

RGB 206 84 83

HSL 0.49, 0.56%, 0.57%

LAB 51.94, 48.31, 25.5

 

CMYK 0 / 46 / 46 / 16

HEX #D77474

RGB 215 116 116

HSL 0, 0.55%, 0.65%

LAB 60.07, 38.59, 17.47

 

CMYK 0 / 34 / 34 / 12

HEX #E09494

RGB 224 148 148

HSL 0, 0.55%, 0.73%

LAB 68.87, 28.65, 11.83

 

CMYK 0 / 58 / 59 / 19

HEX #CF5655

RGB 207 86 85

HSL 0.49, 0.56%, 0.57%

LAB 52.48, 47.87, 25.07

 

CMYK 12 / 0 / 60 / 19

HEX #B6CE53

RGB 182 206 83

HSL 71.71, 0.56%, 0.57%

LAB 78.88, -25.33, 56.99

 

CMYK 60 / 35 / 0 / 19

HEX #5385CE

RGB 83 133 206

HSL 215.61, 0.56%, 0.57%

LAB 55.14, 5.35, -42.78

 

CMYK 0 / 58 / 59 / 19

HEX #CF5655

RGB 207 86 85

HSL 0.49, 0.56%, 0.57%

LAB 52.48, 47.87, 25.07

 

CMYK 60 / 0 / 60 / 19

HEX #53CE53

RGB 83 206 83

HSL 120, 0.56%, 0.57%

LAB 73.94, -58.17, 50.09

 

CMYK 60 / 60 / 0 / 19

HEX #5353CE

RGB 83 83 206

HSL 240, 0.56%, 0.57%

LAB 41.97, 36.19, -63.89

 

CMYK 0 / 58 / 59 / 19

HEX #CF5655

RGB 207 86 85

HSL 0.49, 0.56%, 0.57%

LAB 52.48, 47.87, 25.07

 

CMYK 12 / 0 / 60 / 19

HEX #B6CE53

RGB 182 206 83

HSL 71.71, 0.56%, 0.57%

LAB 78.88, -25.33, 56.99

 

CMYK 60 / 0 / 0 / 19

HEX #53CECE

RGB 83 206 206

HSL 180, 0.56%, 0.57%

LAB 76.34, -33.65, -10.22

 

CMYK 48 / 60 / 0 / 19

HEX #6C53CE

RGB 108 83 206

HSL 252.2, 0.56%, 0.57%

LAB 43.99, 40.88, -60.53

 

CMYK 0 / 58 / 59 / 19

HEX #CF5655

RGB 207 86 85

HSL 0.49, 0.56%, 0.57%

LAB 52.48, 47.87, 25.07

 

CMYK 30 / 0 / 60 / 19

HEX #91CE53

RGB 145 206 83

HSL 89.76, 0.56%, 0.57%

LAB 76.55, -39.49, 53.75

 

CMYK 60 / 0 / 0 / 19

HEX #53CECE

RGB 83 206 206

HSL 180, 0.56%, 0.57%

LAB 76.34, -33.65, -10.22

 

CMYK 30 / 60 / 0 / 19

HEX #9153CE

RGB 145 83 206

HSL 270.24, 0.56%, 0.57%

LAB 47.83, 49.07, -54.13

 

Description

Color code: HEX #CF5655 | qconv.com Color code: HEX #CF5655 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 86 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 86 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 59 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 59% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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