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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF5892 it is the complementary color #30A76D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF5892. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF5892 shade: #D4588D, #E56AA0, #F67CB3, #FF8EC6 and #FFA0D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF5892. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF5892 shade: #CF5892, #BE467F, #AD346C, #9C2259 and #8B1046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF5892 shade: #CE5892, #CE5872 and #CE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF5892 shade: #CE5892, #CE58B2, #CB58CE, #AB58CE and #8C58CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF5892 shade matches the following richer shades: #CE5892, #E04791 and #F13691

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF5892 shade: #CE5892, #BD6A92, #AC7B93, #9A8C93 and #899E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF5892 shade: #CA58CE, #CE58B3, #CE5893, #CE5874 and #CE5C58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF5892 shade: #A52F69, #C5397D, #CE5892, #D878A7 and #E198BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF5892 shade: #CF5892, #CEAB58 and #58C3CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF5892 shade: #CF5892, #93CE58 and #5893CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF5892 shade: #CF5892, #CEAB58, #58CE93 and #587CCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF5892 shade: #CF5892, #CECE58, #58CE93 and #5858CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 29 / 19

HEX #CF5892

RGB 207 88 146

HSL 330.76, 0.55%, 0.58%

LAB 54.37, 53.06, -8.37

 

Complementary color

CMYK 71 / 0 / 35 / 35

HEX #30A76D

RGB 48 167 109

HSL 150.76, 0.55%, 0.42%

LAB 61.11, -46.3, 20.79

 

CMYK 0 / 58 / 33 / 17

HEX #D4588D

RGB 212 88 141

HSL 334.35, 0.59%, 0.59%

LAB 54.97, 54.01, -4.45

 

CMYK 0 / 54 / 30 / 10

HEX #E56AA0

RGB 229 106 160

HSL 333.66, 0.7%, 0.66%

LAB 61.22, 53.38, -5.97

 

CMYK 0 / 50 / 27 / 4

HEX #F67CB3

RGB 246 124 179

HSL 332.95, 0.87%, 0.73%

LAB 67.47, 52.65, -7.26

 

CMYK 0 / 44 / 22 / 0

HEX #FF8EC6

RGB 255 142 198

HSL 330.27, 1%, 0.78%

LAB 72.68, 49.28, -9.99

 

CMYK 0 / 37 / 15 / 0

HEX #FFA0D9

RGB 255 160 217

HSL 324, 1%, 0.81%

LAB 76.93, 42.96, -14.08

 

CMYK 0 / 57 / 29 / 19

HEX #CF5892

RGB 207 88 146

HSL 330.76, 0.55%, 0.58%

LAB 54.37, 53.06, -8.37

 

CMYK 0 / 63 / 33 / 25

HEX #BE467F

RGB 190 70 127

HSL 331.5, 0.48%, 0.51%

LAB 48.08, 53.5, -6.69

 

CMYK 0 / 70 / 38 / 32

HEX #AD346C

RGB 173 52 108

HSL 332.23, 0.54%, 0.44%

LAB 41.88, 53.59, -4.57

 

CMYK 0 / 78 / 43 / 39

HEX #9C2259

RGB 156 34 89

HSL 332.95, 0.64%, 0.37%

LAB 35.86, 53.05, -1.8

 

CMYK 0 / 88 / 50 / 45

HEX #8B1046

RGB 139 16 70

HSL 333.66, 0.79%, 0.3%

LAB 30.16, 51.43, 1.9

 

CMYK 0 / 57 / 29 / 19

HEX #CE5892

RGB 206 88 146

HSL 330.51, 0.55%, 0.58%

LAB 54.21, 52.75, -8.61

 

CMYK 0 / 57 / 45 / 19

HEX #CE5872

RGB 206 88 114

HSL 346.78, 0.55%, 0.58%

LAB 53.29, 49.08, 9

 

CMYK 0 / 57 / 57 / 19

HEX #CE5858

RGB 206 88 88

HSL 0, 0.55%, 0.58%

LAB 52.74, 46.8, 23.62

 

CMYK 0 / 57 / 29 / 19

HEX #CE5892

RGB 206 88 146

HSL 330.51, 0.55%, 0.58%

LAB 54.21, 52.75, -8.61

 

CMYK 0 / 57 / 14 / 19

HEX #CE58B2

RGB 206 88 178

HSL 314.24, 0.55%, 0.58%

LAB 55.4, 57.27, -25.51

 

CMYK 1 / 57 / 0 / 19

HEX #CB58CE

RGB 203 88 206

HSL 298.47, 0.55%, 0.58%

LAB 56.22, 61.07, -40.34

 

CMYK 17 / 57 / 0 / 19

HEX #AB58CE

RGB 171 88 206

HSL 282.2, 0.55%, 0.58%

LAB 51.94, 52.88, -47.38

 

CMYK 32 / 57 / 0 / 19

HEX #8C58CE

RGB 140 88 206

HSL 266.44, 0.55%, 0.58%

LAB 48.27, 45.21, -53.46

 

CMYK 0 / 57 / 29 / 19

HEX #CE5892

RGB 206 88 146

HSL 330.51, 0.55%, 0.58%

LAB 54.21, 52.75, -8.61

 

CMYK 0 / 68 / 35 / 12

HEX #E04791

RGB 224 71 145

HSL 330.98, 0.71%, 0.58%

LAB 54.45, 65.03, -7.37

 

CMYK 0 / 78 / 40 / 5

HEX #F13691

RGB 241 54 145

HSL 330.8, 0.87%, 0.58%

LAB 55.47, 74.92, -5.54

 

CMYK 0 / 57 / 29 / 19

HEX #CE5892

RGB 206 88 146

HSL 330.51, 0.55%, 0.58%

LAB 54.21, 52.75, -8.61

 

CMYK 0 / 44 / 23 / 26

HEX #BD6A92

RGB 189 106 146

HSL 331.08, 0.39%, 0.58%

LAB 55.28, 38.14, -7.28

 

CMYK 0 / 28 / 15 / 33

HEX #AC7B93

RGB 172 123 147

HSL 330.61, 0.23%, 0.58%

LAB 57.12, 22.84, -5.35

 

CMYK 0 / 9 / 5 / 40

HEX #9A8C93

RGB 154 140 147

HSL 330, 0.06%, 0.58%

LAB 59.65, 6.51, -1.83

 

CMYK 13 / 0 / 6 / 38

HEX #899E94

RGB 137 158 148

HSL 151.43, 0.1%, 0.58%

LAB 63.27, -9.42, 2.73

 

CMYK 2 / 57 / 0 / 19

HEX #CA58CE

RGB 202 88 206

HSL 297.97, 0.55%, 0.58%

LAB 56.08, 60.82, -40.57

 

CMYK 0 / 57 / 13 / 19

HEX #CE58B3

RGB 206 88 179

HSL 313.73, 0.55%, 0.58%

LAB 55.44, 57.43, -26.03

 

CMYK 0 / 57 / 29 / 19

HEX #CE5893

RGB 206 88 147

HSL 330, 0.55%, 0.58%

LAB 54.25, 52.88, -9.15

 

CMYK 0 / 57 / 44 / 19

HEX #CE5874

RGB 206 88 116

HSL 345.76, 0.55%, 0.58%

LAB 53.34, 49.29, 7.88

 

CMYK 0 / 55 / 57 / 19

HEX #CE5C58

RGB 206 92 88

HSL 2.03, 0.55%, 0.58%

LAB 53.47, 44.88, 24.58

 

CMYK 0 / 72 / 36 / 35

HEX #A52F69

RGB 165 47 105

HSL 330.51, 0.56%, 0.42%

LAB 39.67, 52.83, -6.13

 

CMYK 0 / 71 / 37 / 23

HEX #C5397D

RGB 197 57 125

HSL 330.86, 0.55%, 0.5%

LAB 47.34, 60.45, -6.46

 

CMYK 0 / 57 / 29 / 19

HEX #CE5892

RGB 206 88 146

HSL 330.51, 0.55%, 0.58%

LAB 54.21, 52.75, -8.61

 

CMYK 0 / 44 / 23 / 15

HEX #D878A7

RGB 216 120 167

HSL 330.63, 0.55%, 0.66%

LAB 62.36, 43.12, -8.49

 

CMYK 0 / 32 / 16 / 12

HEX #E198BC

RGB 225 152 188

HSL 330.41, 0.55%, 0.74%

LAB 70.94, 32.52, -7.43

 

CMYK 0 / 57 / 29 / 19

HEX #CF5892

RGB 207 88 146

HSL 330.76, 0.55%, 0.58%

LAB 54.37, 53.06, -8.37

 

CMYK 0 / 17 / 57 / 19

HEX #CEAB58

RGB 206 171 88

HSL 42.2, 0.55%, 0.58%

LAB 71.52, 2.91, 46.88

 

CMYK 57 / 5 / 0 / 19

HEX #58C3CE

RGB 88 195 206

HSL 185.59, 0.55%, 0.58%

LAB 73.26, -27.45, -14.82

 

CMYK 0 / 57 / 29 / 19

HEX #CF5892

RGB 207 88 146

HSL 330.76, 0.55%, 0.58%

LAB 54.37, 53.06, -8.37

 

CMYK 29 / 0 / 57 / 19

HEX #93CE58

RGB 147 206 88

HSL 90, 0.55%, 0.58%

LAB 76.71, -38.3, 51.74

 

CMYK 57 / 29 / 0 / 19

HEX #5893CE

RGB 88 147 206

HSL 210, 0.55%, 0.58%

LAB 59.34, -1.85, -36.17

 

CMYK 0 / 57 / 29 / 19

HEX #CF5892

RGB 207 88 146

HSL 330.76, 0.55%, 0.58%

LAB 54.37, 53.06, -8.37

 

CMYK 0 / 17 / 57 / 19

HEX #CEAB58

RGB 206 171 88

HSL 42.2, 0.55%, 0.58%

LAB 71.52, 2.91, 46.88

 

CMYK 57 / 0 / 29 / 19

HEX #58CE93

RGB 88 206 147

HSL 150, 0.55%, 0.58%

LAB 75.03, -46.86, 19.58

 

CMYK 57 / 40 / 0 / 19

HEX #587CCE

RGB 88 124 206

HSL 221.69, 0.55%, 0.58%

LAB 52.89, 11.78, -46.33

 

CMYK 0 / 57 / 29 / 19

HEX #CF5892

RGB 207 88 146

HSL 330.76, 0.55%, 0.58%

LAB 54.37, 53.06, -8.37

 

CMYK 0 / 0 / 57 / 19

HEX #CECE58

RGB 206 206 88

HSL 60, 0.55%, 0.58%

LAB 80.72, -15.21, 57.35

 

CMYK 57 / 0 / 29 / 19

HEX #58CE93

RGB 88 206 147

HSL 150, 0.55%, 0.58%

LAB 75.03, -46.86, 19.58

 

CMYK 57 / 57 / 0 / 19

HEX #5858CE

RGB 88 88 206

HSL 240, 0.55%, 0.58%

LAB 43.52, 34.01, -61.36

 

Description

Color code: HEX #CF5892 | qconv.com Color code: HEX #CF5892 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 88 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 88 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 29 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 29% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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