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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF53EE it is the complementary color #30AC11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF53EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF53EE shade: #D453E9, #E565FC, #F677FF, #FF89FF and #FF9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF53EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF53EE shade: #CF53EE, #BE41DB, #AD2FC8, #9C1DB5 and #8B0BA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF53EE shade: #CF53EE, #EE53E3, #EE53B9, #EE538F and #EE5366

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF53EE shade: #CF53EE, #A553EE, #7B53EE and #5353EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF53EE shade matches the following richer shades: #CF53EE and #D844FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF53EE shade: #CF53EE, #C562DE, #BC71CF, #B381C0 and #AA90B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF53EE shade: #7C53EE, #A553EE, #CF53EE, #EE53E3 and #EE53BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF53EE shade: #B215D9, #C42DEA, #CF53EE, #D978F1 and #E49EF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF53EE shade: #CF53EE, #EE5353 and #53EE91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF53EE shade: #CF53EE, #EECF53 and #53EECF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF53EE shade: #CF53EE, #EE5353, #72EE53 and #53EEEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF53EE shade: #CF53EE, #EE8153, #72EE53 and #53BFEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

Complementary color

CMYK 72 / 0 / 90 / 33

HEX #30AC11

RGB 48 172 17

HSL 108, 0.82%, 0.37%

LAB 61.8, -58.87, 60.18

 

CMYK 9 / 64 / 0 / 9

HEX #D453E9

RGB 212 83 233

HSL 291.6, 0.77%, 0.62%

LAB 58.1, 70.16, -52.53

 

CMYK 9 / 60 / 0 / 1

HEX #E565FC

RGB 229 101 252

HSL 290.86, 0.96%, 0.69%

LAB 64.16, 69.99, -53.31

 

CMYK 4 / 53 / 0 / 0

HEX #F677FF

RGB 246 119 255

HSL 296.03, 1%, 0.73%

LAB 69.47, 66.73, -46.4

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

CMYK 13 / 70 / 0 / 14

HEX #BE41DB

RGB 190 65 219

HSL 288.7, 0.68%, 0.56%

LAB 51.66, 69.84, -55.1

 

CMYK 14 / 77 / 0 / 22

HEX #AD2FC8

RGB 173 47 200

HSL 289.41, 0.62%, 0.48%

LAB 45.75, 69.17, -53.81

 

CMYK 14 / 84 / 0 / 29

HEX #9C1DB5

RGB 156 29 181

HSL 290.13, 0.72%, 0.41%

LAB 40.05, 67.65, -52.01

 

CMYK 14 / 93 / 0 / 36

HEX #8B0BA2

RGB 139 11 162

HSL 290.86, 0.87%, 0.34%

LAB 34.67, 64.87, -49.48

 

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

CMYK 0 / 65 / 5 / 7

HEX #EE53E3

RGB 238 83 227

HSL 304.26, 0.82%, 0.63%

LAB 61.58, 75.13, -43.42

 

CMYK 0 / 65 / 22 / 7

HEX #EE53B9

RGB 238 83 185

HSL 320.52, 0.82%, 0.63%

LAB 59.77, 69.11, -22.42

 

CMYK 0 / 65 / 40 / 7

HEX #EE538F

RGB 238 83 143

HSL 336.77, 0.82%, 0.63%

LAB 58.36, 64.22, -0.15

 

CMYK 0 / 65 / 57 / 7

HEX #EE5366

RGB 238 83 102

HSL 352.65, 0.82%, 0.63%

LAB 57.39, 60.7, 22.53

 

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

CMYK 31 / 65 / 0 / 7

HEX #A553EE

RGB 165 83 238

HSL 271.74, 0.82%, 0.63%

LAB 52.24, 60.94, -65.06

 

CMYK 48 / 65 / 0 / 7

HEX #7B53EE

RGB 123 83 238

HSL 255.48, 0.82%, 0.63%

LAB 47.71, 52.81, -72.61

 

CMYK 65 / 65 / 0 / 7

HEX #5353EE

RGB 83 83 238

HSL 240, 0.82%, 0.63%

LAB 44.52, 46.58, -77.97

 

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

CMYK 15 / 73 / 0 / 1

HEX #D844FD

RGB 216 68 253

HSL 288, 0.98%, 0.63%

LAB 57.87, 80.08, -64

 

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

CMYK 11 / 56 / 0 / 13

HEX #C562DE

RGB 197 98 222

HSL 287.9, 0.65%, 0.63%

LAB 57.92, 57.86, -46.76

 

CMYK 9 / 45 / 0 / 19

HEX #BC71CF

RGB 188 113 207

HSL 287.87, 0.49%, 0.63%

LAB 58.98, 44.85, -36.71

 

CMYK 7 / 33 / 0 / 25

HEX #B381C0

RGB 179 129 192

HSL 287.62, 0.33%, 0.63%

LAB 60.86, 30.32, -25.39

 

CMYK 3 / 18 / 0 / 31

HEX #AA90B0

RGB 170 144 176

HSL 288.75, 0.17%, 0.63%

LAB 63.03, 15.62, -13.11

 

CMYK 48 / 65 / 0 / 7

HEX #7C53EE

RGB 124 83 238

HSL 255.87, 0.82%, 0.63%

LAB 47.81, 52.99, -72.45

 

CMYK 31 / 65 / 0 / 7

HEX #A553EE

RGB 165 83 238

HSL 271.74, 0.82%, 0.63%

LAB 52.24, 60.94, -65.06

 

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

CMYK 0 / 65 / 5 / 7

HEX #EE53E3

RGB 238 83 227

HSL 304.26, 0.82%, 0.63%

LAB 61.58, 75.13, -43.42

 

CMYK 0 / 65 / 22 / 7

HEX #EE53BA

RGB 238 83 186

HSL 320.13, 0.82%, 0.63%

LAB 59.81, 69.24, -22.93

 

CMYK 18 / 90 / 0 / 15

HEX #B215D9

RGB 178 21 217

HSL 288.06, 0.82%, 0.47%

LAB 45.65, 79.01, -63.74

 

CMYK 16 / 81 / 0 / 8

HEX #C42DEA

RGB 196 45 234

HSL 287.94, 0.82%, 0.55%

LAB 51.33, 79.92, -64.07

 

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

CMYK 10 / 50 / 0 / 5

HEX #D978F1

RGB 217 120 241

HSL 288.1, 0.81%, 0.71%

LAB 65.39, 56.06, -45.4

 

CMYK 7 / 36 / 0 / 4

HEX #E49EF5

RGB 228 158 245

HSL 288.28, 0.81%, 0.79%

LAB 74.53, 40.35, -33.23

 

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

CMYK 0 / 65 / 65 / 7

HEX #EE5353

RGB 238 83 83

HSL 0, 0.82%, 0.63%

LAB 57.06, 59.5, 33.1

 

CMYK 65 / 0 / 39 / 7

HEX #53EE91

RGB 83 238 145

HSL 144, 0.82%, 0.63%

LAB 84.5, -60.85, 33.37

 

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

CMYK 0 / 13 / 65 / 7

HEX #EECF53

RGB 238 207 83

HSL 48, 0.82%, 0.63%

LAB 83.67, -2.75, 63.49

 

CMYK 65 / 0 / 13 / 7

HEX #53EECF

RGB 83 238 207

HSL 168, 0.82%, 0.63%

LAB 85.75, -47.73, 3.1

 

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

CMYK 0 / 65 / 65 / 7

HEX #EE5353

RGB 238 83 83

HSL 0, 0.82%, 0.63%

LAB 57.06, 59.5, 33.1

 

CMYK 52 / 0 / 65 / 7

HEX #72EE53

RGB 114 238 83

HSL 108, 0.82%, 0.63%

LAB 84.66, -62.11, 62.31

 

CMYK 65 / 0 / 0 / 7

HEX #53EEEE

RGB 83 238 238

HSL 180, 0.82%, 0.63%

LAB 86.58, -39.69, -11.95

 

CMYK 13 / 65 / 0 / 7

HEX #CF53EE

RGB 207 83 238

HSL 288, 0.82%, 0.63%

LAB 57.68, 69.96, -56.03

 

CMYK 0 / 46 / 65 / 7

HEX #EE8153

RGB 238 129 83

HSL 17.81, 0.82%, 0.63%

LAB 65.36, 38.06, 43.1

 

CMYK 52 / 0 / 65 / 7

HEX #72EE53

RGB 114 238 83

HSL 108, 0.82%, 0.63%

LAB 84.66, -62.11, 62.31

 

CMYK 65 / 20 / 0 / 7

HEX #53BFEE

RGB 83 191 238

HSL 198.19, 0.82%, 0.63%

LAB 73.07, -16.78, -32.47

 

Description

Color code: HEX #CF53EE | qconv.com Color code: HEX #CF53EE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 83 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 83 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 65 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 65% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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