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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF603F it is the complementary color #309FC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF603F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF603F shade: #D4603A, #E5724D, #F68460, #FF9673 and #FFA886

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF603F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF603F shade: #CF603F, #BE4E2C, #AD3C19, #9C2A06 and #8B1800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF603F shade: #CF603F and #CF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF603F shade: #CF603F, #CF863F, #CFAD3F, #C9CF3F and #A2CF3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF603F shade matches the following richer shades: #CF603F, #E2552B and #F54B18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF603F shade: #CF603F, #BB6A52, #A87566, #947F79 and #818A8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF603F shade: #CF3F6C, #CF3F46, #CF5E3F, #CF843F and #CFAB3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF603F shade: #963F25, #B74D2D, #CF603F, #D77B60 and #DF9681

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF603F shade: #CF603F, #93CF3F and #3F59CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF603F shade: #CF603F, #3FCF5E and #5E3FCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF603F shade: #CF603F, #93CF3F, #3FAFCF and #7B3FCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF603F shade: #CF603F, #67CF3F, #3FAFCF and #A63FCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 70 / 19

HEX #CF603F

RGB 207 96 63

HSL 13.75, 0.6%, 0.53%

LAB 54.02, 41.68, 39.38

 

Complementary color

CMYK 75 / 17 / 0 / 25

HEX #309FC0

RGB 48 159 192

HSL 193.75, 0.6%, 0.47%

LAB 60.98, -19.66, -25.86

 

CMYK 0 / 55 / 73 / 17

HEX #D4603A

RGB 212 96 58

HSL 14.81, 0.64%, 0.53%

LAB 54.73, 43.32, 43.04

 

CMYK 0 / 50 / 66 / 10

HEX #E5724D

RGB 229 114 77

HSL 14.61, 0.75%, 0.6%

LAB 60.98, 41.84, 40.8

 

CMYK 0 / 46 / 61 / 4

HEX #F68460

RGB 246 132 96

HSL 14.4, 0.89%, 0.67%

LAB 67.23, 40.43, 38.75

 

CMYK 0 / 41 / 55 / 0

HEX #FF9673

RGB 255 150 115

HSL 15, 1%, 0.73%

LAB 72.44, 36.08, 35.36

 

CMYK 0 / 34 / 47 / 0

HEX #FFA886

RGB 255 168 134

HSL 16.86, 1%, 0.76%

LAB 76.67, 28.39, 30.72

 

CMYK 0 / 54 / 70 / 19

HEX #CF603F

RGB 207 96 63

HSL 13.75, 0.6%, 0.53%

LAB 54.02, 41.68, 39.38

 

CMYK 0 / 59 / 77 / 25

HEX #BE4E2C

RGB 190 78 44

HSL 13.97, 0.62%, 0.46%

LAB 47.72, 43.17, 41.78

 

CMYK 0 / 65 / 86 / 32

HEX #AD3C19

RGB 173 60 25

HSL 14.19, 0.75%, 0.39%

LAB 41.51, 44.59, 44.12

 

CMYK 0 / 73 / 96 / 39

HEX #9C2A06

RGB 156 42 6

HSL 14.4, 0.93%, 0.32%

LAB 35.47, 45.74, 45.63

 

CMYK 0 / 83 / 100 / 45

HEX #8B1800

RGB 139 24 0

HSL 10.36, 1%, 0.27%

LAB 29.77, 46.19, 42.64

 

CMYK 0 / 54 / 70 / 19

HEX #CF603F

RGB 207 96 63

HSL 13.75, 0.6%, 0.53%

LAB 54.02, 41.68, 39.38

 

CMYK 0 / 70 / 70 / 19

HEX #CF3F3F

RGB 207 63 63

HSL 0, 0.6%, 0.53%

LAB 48.49, 56.34, 32.93

 

CMYK 0 / 54 / 70 / 19

HEX #CF603F

RGB 207 96 63

HSL 13.75, 0.6%, 0.53%

LAB 54.02, 41.68, 39.38

 

CMYK 0 / 35 / 70 / 19

HEX #CF863F

RGB 207 134 63

HSL 29.58, 0.6%, 0.53%

LAB 62.23, 21.7, 48.51

 

CMYK 0 / 16 / 70 / 19

HEX #CFAD3F

RGB 207 173 63

HSL 45.83, 0.6%, 0.53%

LAB 71.9, 0.66, 58.66

 

CMYK 3 / 0 / 70 / 19

HEX #C9CF3F

RGB 201 207 63

HSL 62.5, 0.6%, 0.53%

LAB 80.41, -19.32, 67.01

 

CMYK 22 / 0 / 70 / 19

HEX #A2CF3F

RGB 162 207 63

HSL 78.75, 0.6%, 0.53%

LAB 77.68, -35.08, 63.39

 

CMYK 0 / 54 / 70 / 19

HEX #CF603F

RGB 207 96 63

HSL 13.75, 0.6%, 0.53%

LAB 54.02, 41.68, 39.38

 

CMYK 0 / 62 / 81 / 11

HEX #E2552B

RGB 226 85 43

HSL 13.77, 0.76%, 0.53%

LAB 54.91, 52.91, 51.37

 

CMYK 0 / 69 / 90 / 4

HEX #F54B18

RGB 245 75 24

HSL 13.85, 0.92%, 0.53%

LAB 56.6, 62.83, 61.76

 

CMYK 0 / 54 / 70 / 19

HEX #CF603F

RGB 207 96 63

HSL 13.75, 0.6%, 0.53%

LAB 54.02, 41.68, 39.38

 

CMYK 0 / 43 / 56 / 27

HEX #BB6A52

RGB 187 106 82

HSL 13.71, 0.44%, 0.53%

LAB 53.47, 29.92, 27.5

 

CMYK 0 / 30 / 39 / 34

HEX #A87566

RGB 168 117 102

HSL 13.64, 0.28%, 0.53%

LAB 54.03, 18.09, 16.31

 

CMYK 0 / 14 / 18 / 42

HEX #947F79

RGB 148 127 121

HSL 13.33, 0.11%, 0.53%

LAB 54.92, 7.02, 6.22

 

CMYK 8 / 1 / 0 / 45

HEX #818A8C

RGB 129 138 140

HSL 190.91, 0.05%, 0.53%

LAB 56.82, -2.86, -2.21

 

CMYK 0 / 70 / 48 / 19

HEX #CF3F6C

RGB 207 63 108

HSL 341.25, 0.6%, 0.53%

LAB 49.38, 59.45, 7.07

 

CMYK 0 / 70 / 66 / 19

HEX #CF3F46

RGB 207 63 70

HSL 357.08, 0.6%, 0.53%

LAB 48.59, 56.71, 28.95

 

CMYK 0 / 55 / 70 / 19

HEX #CF5E3F

RGB 207 94 63

HSL 12.92, 0.6%, 0.53%

LAB 53.63, 42.67, 38.94

 

CMYK 0 / 36 / 70 / 19

HEX #CF843F

RGB 207 132 63

HSL 28.75, 0.6%, 0.53%

LAB 61.76, 22.79, 48

 

CMYK 0 / 17 / 70 / 19

HEX #CFAB3F

RGB 207 171 63

HSL 45, 0.6%, 0.53%

LAB 71.39, 1.72, 58.13

 

CMYK 0 / 58 / 75 / 41

HEX #963F25

RGB 150 63 37

HSL 13.81, 0.6%, 0.37%

LAB 38.15, 34.91, 33.36

 

CMYK 0 / 58 / 75 / 28

HEX #B74D2D

RGB 183 77 45

HSL 13.91, 0.61%, 0.45%

LAB 46.4, 41.06, 39.51

 

CMYK 0 / 54 / 70 / 19

HEX #CF603F

RGB 207 96 63

HSL 13.75, 0.6%, 0.53%

LAB 54.02, 41.68, 39.38

 

CMYK 0 / 43 / 55 / 16

HEX #D77B60

RGB 215 123 96

HSL 13.61, 0.6%, 0.61%

LAB 61.18, 33.11, 30.26

 

CMYK 0 / 33 / 42 / 13

HEX #DF9681

RGB 223 150 129

HSL 13.4, 0.59%, 0.69%

LAB 68.81, 24.99, 22.27

 

CMYK 0 / 54 / 70 / 19

HEX #CF603F

RGB 207 96 63

HSL 13.75, 0.6%, 0.53%

LAB 54.02, 41.68, 39.38

 

CMYK 29 / 0 / 70 / 19

HEX #93CF3F

RGB 147 207 63

HSL 85, 0.6%, 0.53%

LAB 76.79, -40.76, 62.2

 

CMYK 70 / 57 / 0 / 19

HEX #3F59CF

RGB 63 89 207

HSL 229.17, 0.6%, 0.53%

LAB 42.32, 29.71, -63.96

 

CMYK 0 / 54 / 70 / 19

HEX #CF603F

RGB 207 96 63

HSL 13.75, 0.6%, 0.53%

LAB 54.02, 41.68, 39.38

 

CMYK 70 / 0 / 55 / 19

HEX #3FCF5E

RGB 63 207 94

HSL 132.92, 0.6%, 0.53%

LAB 73.86, -61.18, 44.82

 

CMYK 55 / 70 / 0 / 19

HEX #5E3FCF

RGB 94 63 207

HSL 252.92, 0.6%, 0.53%

LAB 38.62, 49.86, -69.9

 

CMYK 0 / 54 / 70 / 19

HEX #CF603F

RGB 207 96 63

HSL 13.75, 0.6%, 0.53%

LAB 54.02, 41.68, 39.38

 

CMYK 29 / 0 / 70 / 19

HEX #93CF3F

RGB 147 207 63

HSL 85, 0.6%, 0.53%

LAB 76.79, -40.76, 62.2

 

CMYK 70 / 15 / 0 / 19

HEX #3FAFCF

RGB 63 175 207

HSL 193.33, 0.6%, 0.53%

LAB 66.69, -21.2, -25.41

 

CMYK 41 / 70 / 0 / 19

HEX #7B3FCF

RGB 123 63 207

HSL 265, 0.6%, 0.53%

LAB 41.64, 54.8, -64.84

 

CMYK 0 / 54 / 70 / 19

HEX #CF603F

RGB 207 96 63

HSL 13.75, 0.6%, 0.53%

LAB 54.02, 41.68, 39.38

 

CMYK 50 / 0 / 70 / 19

HEX #67CF3F

RGB 103 207 63

HSL 103.33, 0.6%, 0.53%

LAB 74.74, -55.28, 59.45

 

CMYK 70 / 15 / 0 / 19

HEX #3FAFCF

RGB 63 175 207

HSL 193.33, 0.6%, 0.53%

LAB 66.69, -21.2, -25.41

 

CMYK 20 / 70 / 0 / 19

HEX #A63FCF

RGB 166 63 207

HSL 282.92, 0.6%, 0.53%

LAB 47.19, 63.32, -55.59

 

Description

Color code: HEX #CF603F | qconv.com Color code: HEX #CF603F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 96 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 96 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 70 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 70% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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