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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF6C73 it is the complementary color #30938C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF6C73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF6C73 shade: #D46C6E, #E57E81, #F69094, #FFA2A7 and #FFB4BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF6C73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF6C73 shade: #CF6C73, #BE5A60, #AD484D, #9C363A and #8B2427

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF6C73 shade: #CF6C73 and #CF6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF6C73 shade: #CF6C73, #CF6C8E, #CF6CA8, #CF6CC3 and #C06CCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF6C73 shade matches the following richer shades: #CF6C73, #DF5D66, #EE4D58 and #FE3D4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF6C73 shade: #CF6C73, #BF7C81, #B08C8E, #A09B9C and #90ABA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF6C73 shade: #CF6CA9, #CF6C8F, #CF6C74, #CF7E6C and #CF996C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF6C73 shade: #B03941, #C54D56, #CF6C73, #D98B91 and #E3AAAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF6C73 shade: #CF6C73, #C3CF6C and #6C9CCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF6C73 shade: #CF6C73, #74CF6C and #6C74CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF6C73 shade: #CF6C73, #C3CF6C, #6CCFC7 and #786CCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF6C73 shade: #CF6C73, #A6CF6C, #6CCFC7 and #956CCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 44 / 19

HEX #CF6C73

RGB 207 108 115

HSL 355.76, 0.51%, 0.62%

LAB 57.3, 39.66, 14.05

 

Complementary color

CMYK 67 / 0 / 5 / 42

HEX #30938C

RGB 48 147 140

HSL 175.76, 0.51%, 0.38%

LAB 55.47, -29.78, -4.65

 

CMYK 0 / 49 / 48 / 17

HEX #D46C6E

RGB 212 108 110

HSL 358.85, 0.55%, 0.63%

LAB 57.89, 41, 17.88

 

CMYK 0 / 45 / 44 / 10

HEX #E57E81

RGB 229 126 129

HSL 358.25, 0.66%, 0.7%

LAB 64.29, 39.92, 16.19

 

CMYK 0 / 41 / 40 / 4

HEX #F69094

RGB 246 144 148

HSL 357.65, 0.85%, 0.76%

LAB 70.65, 38.9, 14.71

 

CMYK 0 / 36 / 35 / 0

HEX #FFA2A7

RGB 255 162 167

HSL 356.77, 1%, 0.82%

LAB 76, 35.05, 11.93

 

CMYK 0 / 29 / 27 / 0

HEX #FFB4BA

RGB 255 180 186

HSL 355.2, 1%, 0.85%

LAB 80.43, 28.06, 7.91

 

CMYK 0 / 48 / 44 / 19

HEX #CF6C73

RGB 207 108 115

HSL 355.76, 0.51%, 0.62%

LAB 57.3, 39.66, 14.05

 

CMYK 0 / 53 / 49 / 25

HEX #BE5A60

RGB 190 90 96

HSL 356.4, 0.43%, 0.55%

LAB 50.81, 40.73, 15.88

 

CMYK 0 / 58 / 55 / 32

HEX #AD484D

RGB 173 72 77

HSL 357.03, 0.41%, 0.48%

LAB 44.31, 41.78, 18.06

 

CMYK 0 / 65 / 63 / 39

HEX #9C363A

RGB 156 54 58

HSL 357.65, 0.49%, 0.41%

LAB 37.86, 42.71, 20.76

 

CMYK 0 / 74 / 72 / 45

HEX #8B2427

RGB 139 36 39

HSL 358.25, 0.59%, 0.34%

LAB 31.57, 43.28, 24.16

 

CMYK 0 / 48 / 44 / 19

HEX #CF6C73

RGB 207 108 115

HSL 355.76, 0.51%, 0.62%

LAB 57.3, 39.66, 14.05

 

CMYK 0 / 48 / 48 / 19

HEX #CF6C6C

RGB 207 108 108

HSL 0, 0.51%, 0.62%

LAB 57.15, 38.96, 17.9

 

CMYK 0 / 48 / 44 / 19

HEX #CF6C73

RGB 207 108 115

HSL 355.76, 0.51%, 0.62%

LAB 57.3, 39.66, 14.05

 

CMYK 0 / 48 / 31 / 19

HEX #CF6C8E

RGB 207 108 142

HSL 339.39, 0.51%, 0.62%

LAB 57.98, 42.79, -0.68

 

CMYK 0 / 48 / 19 / 19

HEX #CF6CA8

RGB 207 108 168

HSL 323.64, 0.51%, 0.62%

LAB 58.81, 46.43, -14.52

 

CMYK 0 / 48 / 6 / 19

HEX #CF6CC3

RGB 207 108 195

HSL 307.27, 0.51%, 0.62%

LAB 59.83, 50.79, -28.41

 

CMYK 7 / 48 / 0 / 19

HEX #C06CCF

RGB 192 108 207

HSL 290.91, 0.51%, 0.62%

LAB 58.45, 48.61, -37.51

 

CMYK 0 / 48 / 44 / 19

HEX #CF6C73

RGB 207 108 115

HSL 355.76, 0.51%, 0.62%

LAB 57.3, 39.66, 14.05

 

CMYK 0 / 58 / 54 / 13

HEX #DF5D66

RGB 223 93 102

HSL 355.85, 0.67%, 0.62%

LAB 56.56, 51.47, 21

 

CMYK 0 / 68 / 63 / 7

HEX #EE4D58

RGB 238 77 88

HSL 355.9, 0.83%, 0.62%

LAB 56.28, 62.14, 29.23

 

CMYK 0 / 76 / 70 / 0

HEX #FE3D4B

RGB 254 61 75

HSL 355.65, 0.99%, 0.62%

LAB 56.99, 71.61, 38.23

 

CMYK 0 / 48 / 44 / 19

HEX #CF6C73

RGB 207 108 115

HSL 355.76, 0.51%, 0.62%

LAB 57.3, 39.66, 14.05

 

CMYK 0 / 35 / 32 / 25

HEX #BF7C81

RGB 191 124 129

HSL 355.52, 0.34%, 0.62%

LAB 59.05, 26.73, 8.12

 

CMYK 0 / 20 / 19 / 31

HEX #B08C8E

RGB 176 140 142

HSL 356.67, 0.19%, 0.62%

LAB 61.6, 13.94, 4.13

 

CMYK 0 / 3 / 2 / 37

HEX #A09B9C

RGB 160 155 156

HSL 348, 0.03%, 0.62%

LAB 64.42, 2.01, 0.12

 

CMYK 16 / 0 / 1 / 33

HEX #90ABA9

RGB 144 171 169

HSL 175.56, 0.14%, 0.62%

LAB 67.96, -9.68, -2.09

 

CMYK 0 / 48 / 18 / 19

HEX #CF6CA9

RGB 207 108 169

HSL 323.03, 0.51%, 0.62%

LAB 58.84, 46.58, -15.04

 

CMYK 0 / 48 / 31 / 19

HEX #CF6C8F

RGB 207 108 143

HSL 338.79, 0.51%, 0.62%

LAB 58.01, 42.92, -1.22

 

CMYK 0 / 48 / 44 / 19

HEX #CF6C74

RGB 207 108 116

HSL 355.15, 0.51%, 0.62%

LAB 57.32, 39.76, 13.5

 

CMYK 0 / 39 / 48 / 19

HEX #CF7E6C

RGB 207 126 108

HSL 10.91, 0.51%, 0.62%

LAB 61.02, 29.45, 23.14

 

CMYK 0 / 26 / 48 / 19

HEX #CF996C

RGB 207 153 108

HSL 27.27, 0.51%, 0.62%

LAB 67.37, 14.79, 31.49

 

CMYK 0 / 68 / 63 / 31

HEX #B03941

RGB 176 57 65

HSL 355.97, 0.51%, 0.46%

LAB 42.06, 48.73, 22.54

 

CMYK 0 / 61 / 56 / 23

HEX #C54D56

RGB 197 77 86

HSL 355.5, 0.51%, 0.54%

LAB 49.31, 48.61, 20.01

 

CMYK 0 / 48 / 44 / 19

HEX #CF6C73

RGB 207 108 115

HSL 355.76, 0.51%, 0.62%

LAB 57.3, 39.66, 14.05

 

CMYK 0 / 36 / 33 / 15

HEX #D98B91

RGB 217 139 145

HSL 355.38, 0.51%, 0.7%

LAB 65.95, 30.47, 9.26

 

CMYK 0 / 25 / 23 / 11

HEX #E3AAAE

RGB 227 170 174

HSL 355.79, 0.5%, 0.78%

LAB 74.91, 21.47, 6.12

 

CMYK 0 / 48 / 44 / 19

HEX #CF6C73

RGB 207 108 115

HSL 355.76, 0.51%, 0.62%

LAB 57.3, 39.66, 14.05

 

CMYK 6 / 0 / 48 / 19

HEX #C3CF6C

RGB 195 207 108

HSL 67.27, 0.51%, 0.62%

LAB 80.35, -18.46, 47.46

 

CMYK 48 / 25 / 0 / 19

HEX #6C9CCF

RGB 108 156 207

HSL 210.91, 0.51%, 0.62%

LAB 62.9, -2.2, -31.11

 

CMYK 0 / 48 / 44 / 19

HEX #CF6C73

RGB 207 108 115

HSL 355.76, 0.51%, 0.62%

LAB 57.3, 39.66, 14.05

 

CMYK 44 / 0 / 48 / 19

HEX #74CF6C

RGB 116 207 108

HSL 115.15, 0.51%, 0.62%

LAB 75.71, -46.68, 40.72

 

CMYK 48 / 44 / 0 / 19

HEX #6C74CF

RGB 108 116 207

HSL 235.15, 0.51%, 0.62%

LAB 52.04, 21.38, -48.17

 

CMYK 0 / 48 / 44 / 19

HEX #CF6C73

RGB 207 108 115

HSL 355.76, 0.51%, 0.62%

LAB 57.3, 39.66, 14.05

 

CMYK 6 / 0 / 48 / 19

HEX #C3CF6C

RGB 195 207 108

HSL 67.27, 0.51%, 0.62%

LAB 80.35, -18.46, 47.46

 

CMYK 48 / 0 / 4 / 19

HEX #6CCFC7

RGB 108 207 199

HSL 175.15, 0.51%, 0.62%

LAB 77.24, -30.98, -5.02

 

CMYK 42 / 48 / 0 / 19

HEX #786CCF

RGB 120 108 207

HSL 247.27, 0.51%, 0.62%

LAB 50.95, 29.08, -49.86

 

CMYK 0 / 48 / 44 / 19

HEX #CF6C73

RGB 207 108 115

HSL 355.76, 0.51%, 0.62%

LAB 57.3, 39.66, 14.05

 

CMYK 20 / 0 / 48 / 19

HEX #A6CF6C

RGB 166 207 108

HSL 84.85, 0.51%, 0.62%

LAB 78.35, -29.69, 44.57

 

CMYK 48 / 0 / 4 / 19

HEX #6CCFC7

RGB 108 207 199

HSL 175.15, 0.51%, 0.62%

LAB 77.24, -30.98, -5.02

 

CMYK 28 / 48 / 0 / 19

HEX #956CCF

RGB 149 108 207

HSL 264.85, 0.51%, 0.62%

LAB 53.62, 36.59, -45.44

 

Description

Color code: HEX #CF6C73 | qconv.com Color code: HEX #CF6C73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 108 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 108 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 44 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 44% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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