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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF6E20 it is the complementary color #3091DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF6E20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF6E20 shade: #D46E1B, #E5802E, #F69241, #FFA454 and #FFB667

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF6E20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF6E20 shade: #CF6E20, #BE5C0D, #AD4A00, #9C3800 and #8B2600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF6E20 shade: #CF6E20, #CF3F20 and #CF2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF6E20 shade: #CF6E20, #CF9D20, #CFCC20, #A2CF20 and #73CF20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF6E20 shade matches the following richer shades: #CF6E20 and #E26C0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF6E20 shade: #CF6E20, #BB7033, #A87247, #95745A and #81766D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF6E20 shade: #CF2031, #CF3D20, #CF6C20, #CF9A20 and #CFC920

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF6E20 shade: #874815, #AB5B1A, #CF6E20, #E08338 and #E5995C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF6E20 shade: #CF6E20, #60CF20 and #2620CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF6E20 shade: #CF6E20, #20CF6C and #6C20CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF6E20 shade: #CF6E20, #60CF20, #2083CF and #8F20CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF6E20 shade: #CF6E20, #2CCF20, #2083CF and #C320CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 85 / 19

HEX #CF6E20

RGB 207 110 32

HSL 26.74, 0.73%, 0.47%

LAB 56.61, 33.31, 56.37

 

Complementary color

CMYK 78 / 35 / 0 / 13

HEX #3091DF

RGB 48 145 223

HSL 206.74, 0.73%, 0.53%

LAB 58.23, -1.05, -47.51

 

CMYK 0 / 48 / 87 / 17

HEX #D46E1B

RGB 212 110 27

HSL 26.92, 0.77%, 0.47%

LAB 57.3, 35.22, 58.95

 

CMYK 0 / 44 / 80 / 10

HEX #E5802E

RGB 229 128 46

HSL 26.89, 0.78%, 0.54%

LAB 63.58, 33.29, 58.33

 

CMYK 0 / 41 / 74 / 4

HEX #F69241

RGB 246 146 65

HSL 26.85, 0.91%, 0.61%

LAB 69.85, 31.54, 57.09

 

CMYK 0 / 36 / 67 / 0

HEX #FFA454

RGB 255 164 84

HSL 28.07, 1%, 0.66%

LAB 75.11, 26.75, 54.29

 

CMYK 0 / 29 / 60 / 0

HEX #FFB667

RGB 255 182 103

HSL 31.18, 1%, 0.7%

LAB 79.44, 18.53, 50.11

 

CMYK 0 / 47 / 85 / 19

HEX #CF6E20

RGB 207 110 32

HSL 26.74, 0.73%, 0.47%

LAB 56.61, 33.31, 56.37

 

CMYK 0 / 52 / 93 / 25

HEX #BE5C0D

RGB 190 92 13

HSL 26.78, 0.87%, 0.4%

LAB 50.25, 35.37, 56.25

 

CMYK 0 / 57 / 100 / 32

HEX #AD4A00

RGB 173 74 0

HSL 25.66, 1%, 0.34%

LAB 43.92, 37.54, 54.09

 

CMYK 0 / 64 / 100 / 39

HEX #9C3800

RGB 156 56 0

HSL 21.54, 1%, 0.31%

LAB 37.66, 39.67, 49.1

 

CMYK 0 / 73 / 100 / 45

HEX #8B2600

RGB 139 38 0

HSL 16.4, 1%, 0.27%

LAB 31.52, 41.32, 43.91

 

CMYK 0 / 47 / 85 / 19

HEX #CF6E20

RGB 207 110 32

HSL 26.74, 0.73%, 0.47%

LAB 56.61, 33.31, 56.37

 

CMYK 0 / 70 / 85 / 19

HEX #CF3F20

RGB 207 63 32

HSL 10.63, 0.73%, 0.47%

LAB 48.17, 55.21, 49.11

 

CMYK 0 / 85 / 85 / 19

HEX #CF2020

RGB 207 32 32

HSL 0, 0.73%, 0.47%

LAB 44.81, 64.59, 46.16

 

CMYK 0 / 47 / 85 / 19

HEX #CF6E20

RGB 207 110 32

HSL 26.74, 0.73%, 0.47%

LAB 56.61, 33.31, 56.37

 

CMYK 0 / 24 / 85 / 19

HEX #CF9D20

RGB 207 157 32

HSL 42.86, 0.73%, 0.47%

LAB 67.64, 7.99, 65.66

 

CMYK 0 / 1 / 85 / 19

HEX #CFCC20

RGB 207 204 32

HSL 58.97, 0.73%, 0.47%

LAB 79.93, -16.46, 75.84

 

CMYK 22 / 0 / 85 / 19

HEX #A2CF20

RGB 162 207 32

HSL 75.43, 0.73%, 0.47%

LAB 77.53, -36.5, 72.52

 

CMYK 44 / 0 / 85 / 19

HEX #73CF20

RGB 115 207 32

HSL 91.54, 0.73%, 0.47%

LAB 75.06, -53.42, 69.43

 

CMYK 0 / 47 / 85 / 19

HEX #CF6E20

RGB 207 110 32

HSL 26.74, 0.73%, 0.47%

LAB 56.61, 33.31, 56.37

 

CMYK 0 / 52 / 95 / 11

HEX #E26C0C

RGB 226 108 12

HSL 26.92, 0.9%, 0.47%

LAB 58.9, 41.55, 64.92

 

CMYK 0 / 47 / 85 / 19

HEX #CF6E20

RGB 207 110 32

HSL 26.74, 0.73%, 0.47%

LAB 56.61, 33.31, 56.37

 

CMYK 0 / 40 / 73 / 27

HEX #BB7033

RGB 187 112 51

HSL 26.91, 0.57%, 0.47%

LAB 54.44, 24.59, 45.19

 

CMYK 0 / 32 / 58 / 34

HEX #A87247

RGB 168 114 71

HSL 26.6, 0.41%, 0.47%

LAB 52.75, 16.62, 32.22

 

CMYK 0 / 22 / 40 / 42

HEX #95745A

RGB 149 116 90

HSL 26.44, 0.25%, 0.47%

LAB 51.4, 9.25, 19.32

 

CMYK 0 / 9 / 16 / 49

HEX #81766D

RGB 129 118 109

HSL 27, 0.08%, 0.47%

LAB 50.37, 2.61, 6.48

 

CMYK 0 / 85 / 76 / 19

HEX #CF2031

RGB 207 32 49

HSL 354.17, 0.73%, 0.47%

LAB 44.97, 65.08, 37.03

 

CMYK 0 / 71 / 85 / 19

HEX #CF3D20

RGB 207 61 32

HSL 9.94, 0.73%, 0.47%

LAB 47.89, 55.96, 48.86

 

CMYK 0 / 48 / 85 / 19

HEX #CF6C20

RGB 207 108 32

HSL 26.06, 0.73%, 0.47%

LAB 56.18, 34.35, 56

 

CMYK 0 / 26 / 85 / 19

HEX #CF9A20

RGB 207 154 32

HSL 41.83, 0.73%, 0.47%

LAB 66.89, 9.61, 65.03

 

CMYK 0 / 3 / 85 / 19

HEX #CFC920

RGB 207 201 32

HSL 57.94, 0.73%, 0.47%

LAB 79.12, -14.97, 75.18

 

CMYK 0 / 47 / 84 / 47

HEX #874815

RGB 135 72 21

HSL 26.84, 0.73%, 0.31%

LAB 37.55, 23.06, 39.98

 

CMYK 0 / 47 / 85 / 33

HEX #AB5B1A

RGB 171 91 26

HSL 26.9, 0.74%, 0.39%

LAB 47.25, 28.28, 48.55

 

CMYK 0 / 47 / 85 / 19

HEX #CF6E20

RGB 207 110 32

HSL 26.74, 0.73%, 0.47%

LAB 56.61, 33.31, 56.37

 

CMYK 0 / 42 / 75 / 12

HEX #E08338

RGB 224 131 56

HSL 26.79, 0.73%, 0.55%

LAB 63.64, 30.06, 53.89

 

CMYK 0 / 33 / 60 / 10

HEX #E5995C

RGB 229 153 92

HSL 26.72, 0.72%, 0.63%

LAB 69.62, 22.47, 43.23

 

CMYK 0 / 47 / 85 / 19

HEX #CF6E20

RGB 207 110 32

HSL 26.74, 0.73%, 0.47%

LAB 56.61, 33.31, 56.37

 

CMYK 54 / 0 / 85 / 19

HEX #60CF20

RGB 96 207 32

HSL 98.06, 0.73%, 0.47%

LAB 74.33, -59.06, 68.5

 

CMYK 82 / 85 / 0 / 19

HEX #2620CF

RGB 38 32 207

HSL 242.06, 0.73%, 0.47%

LAB 29.29, 59.6, -85.45

 

CMYK 0 / 47 / 85 / 19

HEX #CF6E20

RGB 207 110 32

HSL 26.74, 0.73%, 0.47%

LAB 56.61, 33.31, 56.37

 

CMYK 85 / 0 / 48 / 19

HEX #20CF6C

RGB 32 207 108

HSL 146.06, 0.73%, 0.47%

LAB 73.56, -63.05, 37.55

 

CMYK 48 / 85 / 0 / 19

HEX #6C20CF

RGB 108 32 207

HSL 266.06, 0.73%, 0.47%

LAB 35.45, 65.16, -75.05

 

CMYK 0 / 47 / 85 / 19

HEX #CF6E20

RGB 207 110 32

HSL 26.74, 0.73%, 0.47%

LAB 56.61, 33.31, 56.37

 

CMYK 54 / 0 / 85 / 19

HEX #60CF20

RGB 96 207 32

HSL 98.06, 0.73%, 0.47%

LAB 74.33, -59.06, 68.5

 

CMYK 85 / 37 / 0 / 19

HEX #2083CF

RGB 32 131 207

HSL 206.06, 0.73%, 0.47%

LAB 53, -0.14, -46.84

 

CMYK 31 / 85 / 0 / 19

HEX #8F20CF

RGB 143 32 207

HSL 278.06, 0.73%, 0.47%

LAB 40.21, 69.78, -67.06

 

CMYK 0 / 47 / 85 / 19

HEX #CF6E20

RGB 207 110 32

HSL 26.74, 0.73%, 0.47%

LAB 56.61, 33.31, 56.37

 

CMYK 79 / 0 / 85 / 19

HEX #2CCF20

RGB 44 207 32

HSL 115.89, 0.73%, 0.47%

LAB 73.07, -69.59, 66.9

 

CMYK 85 / 37 / 0 / 19

HEX #2083CF

RGB 32 131 207

HSL 206.06, 0.73%, 0.47%

LAB 53, -0.14, -46.84

 

CMYK 6 / 85 / 0 / 19

HEX #C320CF

RGB 195 32 207

HSL 295.89, 0.73%, 0.47%

LAB 48.44, 78.18, -53.36

 

Description

Color code: HEX #CF6E20 | qconv.com Color code: HEX #CF6E20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 110 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 110 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 85 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 85% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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