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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF7DE2 it is the complementary color #30821D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF7DE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF7DE2 shade: #D47DDD, #E58FF0, #F6A1FF, #FFB3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF7DE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF7DE2 shade: #CF7DE2, #BE6BCF, #AD59BC, #9C47A9 and #8B3596

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF7DE2 shade: #CF7DE2, #E27DDA, #E27DBF, #E27DA3 and #E27D88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF7DE2 shade: #CF7DE2, #B47DE2, #987DE2, #7D7DE2 and #7D7DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF7DE2 shade matches the following richer shades: #CF7DE2, #D770EF and #DF63FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF7DE2 shade: #CF7DE2, #C78AD5, #BF96C8, #B7A3BC and #AFB0AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF7DE2 shade: #987DE2, #B37DE2, #CE7DE2, #E27DDB and #E27DC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF7DE2 shade: #B639D3, #C35BDB, #CF7DE2, #DB9FE9 and #E8C1F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF7DE2 shade: #CF7DE2, #E27D7D and #7DE2A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF7DE2 shade: #CF7DE2, #E2CE7D and #7DE2CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF7DE2 shade: #CF7DE2, #E27D7D, #91E27D and #7DE2E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF7DE2 shade: #CF7DE2, #E29B7D, #91E27D and #7DC4E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 45 / 0 / 11

HEX #CF7DE2

RGB 207 125 226

HSL 288.71, 0.64%, 0.69%

LAB 64.5, 47.81, -38.56

 

Complementary color

CMYK 63 / 0 / 78 / 49

HEX #30821D

RGB 48 130 29

HSL 108.71, 0.64%, 0.31%

LAB 47.86, -43.83, 44.25

 

CMYK 4 / 43 / 0 / 13

HEX #D47DDD

RGB 212 125 221

HSL 294.38, 0.59%, 0.68%

LAB 64.87, 48.3, -35.17

 

CMYK 5 / 40 / 0 / 6

HEX #E58FF0

RGB 229 143 240

HSL 293.2, 0.76%, 0.75%

LAB 71.28, 47.56, -35.54

 

CMYK 4 / 37 / 0 / 0

HEX #F6A1FF

RGB 246 161 255

HSL 294.26, 1%, 0.82%

LAB 77.46, 46.09, -33.96

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 8 / 45 / 0 / 11

HEX #CF7DE2

RGB 207 125 226

HSL 288.71, 0.64%, 0.69%

LAB 64.5, 47.81, -38.56

 

CMYK 8 / 48 / 0 / 19

HEX #BE6BCF

RGB 190 107 207

HSL 289.8, 0.51%, 0.62%

LAB 58.01, 48.56, -38.22

 

CMYK 8 / 53 / 0 / 26

HEX #AD59BC

RGB 173 89 188

HSL 290.91, 0.42%, 0.54%

LAB 51.45, 49.26, -37.8

 

CMYK 8 / 58 / 0 / 34

HEX #9C47A9

RGB 156 71 169

HSL 292.04, 0.41%, 0.47%

LAB 44.86, 49.83, -37.24

 

CMYK 7 / 65 / 0 / 41

HEX #8B3596

RGB 139 53 150

HSL 293.2, 0.48%, 0.4%

LAB 38.26, 50.14, -36.45

 

CMYK 8 / 45 / 0 / 11

HEX #CF7DE2

RGB 207 125 226

HSL 288.71, 0.64%, 0.69%

LAB 64.5, 47.81, -38.56

 

CMYK 0 / 45 / 4 / 11

HEX #E27DDA

RGB 226 125 218

HSL 304.75, 0.64%, 0.69%

LAB 66.44, 51.88, -30.93

 

CMYK 0 / 45 / 15 / 11

HEX #E27DBF

RGB 226 125 191

HSL 320.79, 0.64%, 0.69%

LAB 65.43, 47.44, -17.35

 

CMYK 0 / 45 / 28 / 11

HEX #E27DA3

RGB 226 125 163

HSL 337.43, 0.64%, 0.69%

LAB 64.55, 43.4, -2.83

 

CMYK 0 / 45 / 40 / 11

HEX #E27D88

RGB 226 125 136

HSL 353.47, 0.64%, 0.69%

LAB 63.85, 40.09, 11.53

 

CMYK 8 / 45 / 0 / 11

HEX #CF7DE2

RGB 207 125 226

HSL 288.71, 0.64%, 0.69%

LAB 64.5, 47.81, -38.56

 

CMYK 20 / 45 / 0 / 11

HEX #B47DE2

RGB 180 125 226

HSL 272.67, 0.64%, 0.69%

LAB 61.53, 40.13, -43.43

 

CMYK 33 / 45 / 0 / 11

HEX #987DE2

RGB 152 125 226

HSL 256.04, 0.64%, 0.69%

LAB 58.82, 32.47, -47.89

 

CMYK 45 / 45 / 0 / 11

HEX #7D7DE2

RGB 125 125 226

HSL 240, 0.64%, 0.69%

LAB 56.6, 25.66, -51.55

 

CMYK 45 / 45 / 0 / 11

HEX #7D7DE2

RGB 125 125 226

HSL 240, 0.64%, 0.69%

LAB 56.6, 25.66, -51.55

 

CMYK 8 / 45 / 0 / 11

HEX #CF7DE2

RGB 207 125 226

HSL 288.71, 0.64%, 0.69%

LAB 64.5, 47.81, -38.56

 

CMYK 10 / 53 / 0 / 6

HEX #D770EF

RGB 215 112 239

HSL 288.66, 0.8%, 0.69%

LAB 63.56, 59.06, -47.18

 

CMYK 12 / 61 / 0 / 1

HEX #DF63FC

RGB 223 99 252

HSL 288.63, 0.96%, 0.69%

LAB 63.04, 69.44, -55.12

 

CMYK 8 / 45 / 0 / 11

HEX #CF7DE2

RGB 207 125 226

HSL 288.71, 0.64%, 0.69%

LAB 64.5, 47.81, -38.56

 

CMYK 7 / 35 / 0 / 16

HEX #C78AD5

RGB 199 138 213

HSL 288.8, 0.47%, 0.69%

LAB 65.84, 35.91, -29.32

 

CMYK 5 / 25 / 0 / 22

HEX #BF96C8

RGB 191 150 200

HSL 289.2, 0.31%, 0.69%

LAB 67.32, 24.15, -19.89

 

CMYK 3 / 13 / 0 / 26

HEX #B7A3BC

RGB 183 163 188

HSL 288, 0.16%, 0.69%

LAB 69.39, 11.86, -10.18

 

CMYK 1 / 0 / 1 / 31

HEX #AFB0AF

RGB 175 176 175

HSL 120, 0.01%, 0.69%

LAB 71.73, -0.54, 0.38

 

CMYK 33 / 45 / 0 / 11

HEX #987DE2

RGB 152 125 226

HSL 256.04, 0.64%, 0.69%

LAB 58.82, 32.47, -47.89

 

CMYK 21 / 45 / 0 / 11

HEX #B37DE2

RGB 179 125 226

HSL 272.08, 0.64%, 0.69%

LAB 61.43, 39.85, -43.6

 

CMYK 9 / 45 / 0 / 11

HEX #CE7DE2

RGB 206 125 226

HSL 288.12, 0.64%, 0.69%

LAB 64.39, 47.53, -38.75

 

CMYK 0 / 45 / 3 / 11

HEX #E27DDB

RGB 226 125 219

HSL 304.16, 0.64%, 0.69%

LAB 66.48, 52.06, -31.42

 

CMYK 0 / 45 / 15 / 11

HEX #E27DC0

RGB 226 125 192

HSL 320.2, 0.64%, 0.69%

LAB 65.47, 47.6, -17.86

 

CMYK 14 / 73 / 0 / 17

HEX #B639D3

RGB 182 57 211

HSL 288.7, 0.64%, 0.53%

LAB 48.98, 69.61, -54.9

 

CMYK 11 / 58 / 0 / 14

HEX #C35BDB

RGB 195 91 219

HSL 288.75, 0.64%, 0.61%

LAB 56.29, 60.07, -47.68

 

CMYK 8 / 45 / 0 / 11

HEX #CF7DE2

RGB 207 125 226

HSL 288.71, 0.64%, 0.69%

LAB 64.5, 47.81, -38.56

 

CMYK 6 / 32 / 0 / 9

HEX #DB9FE9

RGB 219 159 233

HSL 288.65, 0.63%, 0.77%

LAB 73.38, 34.72, -28.57

 

CMYK 4 / 20 / 0 / 5

HEX #E8C1F1

RGB 232 193 241

HSL 288.75, 0.63%, 0.85%

LAB 82.73, 22.15, -18.53

 

CMYK 8 / 45 / 0 / 11

HEX #CF7DE2

RGB 207 125 226

HSL 288.71, 0.64%, 0.69%

LAB 64.5, 47.81, -38.56

 

CMYK 0 / 45 / 45 / 11

HEX #E27D7D

RGB 226 125 125

HSL 0, 0.64%, 0.69%

LAB 63.6, 38.92, 17.44

 

CMYK 45 / 0 / 27 / 11

HEX #7DE2A5

RGB 125 226 165

HSL 143.76, 0.64%, 0.69%

LAB 82.63, -42.95, 20.83

 

CMYK 8 / 45 / 0 / 11

HEX #CF7DE2

RGB 207 125 226

HSL 288.71, 0.64%, 0.69%

LAB 64.5, 47.81, -38.56

 

CMYK 0 / 9 / 45 / 11

HEX #E2CE7D

RGB 226 206 125

HSL 48.12, 0.64%, 0.69%

LAB 82.8, -3.89, 42.69

 

CMYK 45 / 0 / 9 / 11

HEX #7DE2CE

RGB 125 226 206

HSL 168.12, 0.64%, 0.69%

LAB 83.55, -34.29, 0.58

 

CMYK 8 / 45 / 0 / 11

HEX #CF7DE2

RGB 207 125 226

HSL 288.71, 0.64%, 0.69%

LAB 64.5, 47.81, -38.56

 

CMYK 0 / 45 / 45 / 11

HEX #E27D7D

RGB 226 125 125

HSL 0, 0.64%, 0.69%

LAB 63.6, 38.92, 17.44

 

CMYK 36 / 0 / 45 / 11

HEX #91E27D

RGB 145 226 125

HSL 108.12, 0.64%, 0.69%

LAB 82.86, -43.54, 41.61

 

CMYK 45 / 0 / 0 / 11

HEX #7DE2E2

RGB 125 226 226

HSL 180, 0.64%, 0.69%

LAB 84.09, -29.48, -9.2

 

CMYK 8 / 45 / 0 / 11

HEX #CF7DE2

RGB 207 125 226

HSL 288.71, 0.64%, 0.69%

LAB 64.5, 47.81, -38.56

 

CMYK 0 / 31 / 45 / 11

HEX #E29B7D

RGB 226 155 125

HSL 17.82, 0.64%, 0.69%

LAB 70.24, 23.06, 26.44

 

CMYK 36 / 0 / 45 / 11

HEX #91E27D

RGB 145 226 125

HSL 108.12, 0.64%, 0.69%

LAB 82.86, -43.54, 41.61

 

CMYK 45 / 13 / 0 / 11

HEX #7DC4E2

RGB 125 196 226

HSL 197.82, 0.64%, 0.69%

LAB 75.66, -14.46, -21.89

 

Description

Color code: HEX #CF7DE2 | qconv.com Color code: HEX #CF7DE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 125 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 125 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 45 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 45% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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