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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF98C2 it is the complementary color #30673D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF98C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF98C2 shade: #D498BD, #E5AAD0, #F6BCE3, #FFCEF6 and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF98C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF98C2 shade: #CF98C2, #BE86AF, #AD749C, #9C6289 and #8B5076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF98C2 shade: #CE96C1, #CE96B2, #CE96A3 and #CE9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF98C2 shade: #CE96C1, #CC96CE, #BD96CE, #AE96CE and #9F96CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF98C2 shade matches the following richer shades: #CE96C1, #DA8AC7, #E67ECE and #F371D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF98C2 shade: #CE96C1, #C1A3BA, #B5AFB3, #A8BCAD and #9CC8A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF98C2 shade: #BD96CE, #CC96CE, #CE96C1, #CE96B2 and #CE96A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF98C2 shade: #B35E9F, #C07AB0, #CE96C1, #DBB3D1 and #E8CFE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF98C2 shade: #CF98C2, #CEAE96 and #96CEC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF98C2 shade: #CF98C2, #C1CE96 and #96C1CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF98C2 shade: #CF98C2, #CEAE96, #96CEA3 and #96B6CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF98C2 shade: #CF98C2, #CEBF96, #96CEA3 and #96A5CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 6 / 19

HEX #CF98C2

RGB 207 152 194

HSL 314.18, 0.36%, 0.7%

LAB 69.2, 27.32, -13.57

 

Complementary color

CMYK 53 / 0 / 41 / 60

HEX #30673D

RGB 48 103 61

HSL 134.18, 0.36%, 0.3%

LAB 39.01, -28.42, 18.28

 

CMYK 0 / 28 / 11 / 17

HEX #D498BD

RGB 212 152 189

HSL 323, 0.41%, 0.71%

LAB 69.56, 28.17, -10.19

 

CMYK 0 / 26 / 9 / 10

HEX #E5AAD0

RGB 229 170 208

HSL 321.36, 0.53%, 0.78%

LAB 76.05, 27.53, -10.78

 

CMYK 0 / 24 / 8 / 4

HEX #F6BCE3

RGB 246 188 227

HSL 319.66, 0.76%, 0.85%

LAB 82.44, 26.93, -11.34

 

CMYK 0 / 19 / 4 / 0

HEX #FFCEF6

RGB 255 206 246

HSL 311.02, 1%, 0.9%

LAB 88, 23.72, -13.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 0 / 27 / 6 / 19

HEX #CF98C2

RGB 207 152 194

HSL 314.18, 0.36%, 0.7%

LAB 69.2, 27.32, -13.57

 

CMYK 0 / 29 / 8 / 25

HEX #BE86AF

RGB 190 134 175

HSL 316.07, 0.3%, 0.64%

LAB 62.59, 27.98, -13.02

 

CMYK 0 / 33 / 10 / 32

HEX #AD749C

RGB 173 116 156

HSL 317.89, 0.26%, 0.57%

LAB 55.86, 28.7, -12.43

 

CMYK 0 / 37 / 12 / 39

HEX #9C6289

RGB 156 98 137

HSL 319.66, 0.23%, 0.5%

LAB 49.02, 29.48, -11.78

 

CMYK 0 / 42 / 15 / 45

HEX #8B5076

RGB 139 80 118

HSL 321.36, 0.27%, 0.43%

LAB 42.05, 30.3, -11.03

 

CMYK 0 / 27 / 6 / 19

HEX #CE96C1

RGB 206 150 193

HSL 313.93, 0.36%, 0.7%

LAB 68.6, 27.89, -13.92

 

CMYK 0 / 27 / 14 / 19

HEX #CE96B2

RGB 206 150 178

HSL 330, 0.36%, 0.7%

LAB 68.13, 25.32, -6.25

 

CMYK 0 / 27 / 21 / 19

HEX #CE96A3

RGB 206 150 163

HSL 346.07, 0.36%, 0.7%

LAB 67.71, 22.94, 1.52

 

CMYK 0 / 27 / 27 / 19

HEX #CE9696

RGB 206 150 150

HSL 0, 0.36%, 0.7%

LAB 67.38, 21.04, 8.32

 

CMYK 0 / 27 / 6 / 19

HEX #CE96C1

RGB 206 150 193

HSL 313.93, 0.36%, 0.7%

LAB 68.6, 27.89, -13.92

 

CMYK 1 / 27 / 0 / 19

HEX #CC96CE

RGB 204 150 206

HSL 297.86, 0.36%, 0.7%

LAB 68.83, 29.61, -20.81

 

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

CMYK 16 / 27 / 0 / 19

HEX #AE96CE

RGB 174 150 206

HSL 265.71, 0.36%, 0.7%

LAB 65.96, 19.87, -25.46

 

CMYK 23 / 27 / 0 / 19

HEX #9F96CE

RGB 159 150 206

HSL 249.64, 0.36%, 0.7%

LAB 64.68, 15.18, -27.53

 

CMYK 0 / 27 / 6 / 19

HEX #CE96C1

RGB 206 150 193

HSL 313.93, 0.36%, 0.7%

LAB 68.6, 27.89, -13.92

 

CMYK 0 / 37 / 9 / 15

HEX #DA8AC7

RGB 218 138 199

HSL 314.25, 0.52%, 0.7%

LAB 67.43, 39.41, -18.9

 

CMYK 0 / 45 / 10 / 10

HEX #E67ECE

RGB 230 126 206

HSL 313.85, 0.68%, 0.7%

LAB 66.67, 50.57, -23.83

 

CMYK 0 / 53 / 13 / 5

HEX #F371D4

RGB 243 113 212

HSL 314.31, 0.84%, 0.7%

LAB 66.23, 61.6, -27.73

 

CMYK 0 / 27 / 6 / 19

HEX #CE96C1

RGB 206 150 193

HSL 313.93, 0.36%, 0.7%

LAB 68.6, 27.89, -13.92

 

CMYK 0 / 16 / 4 / 24

HEX #C1A3BA

RGB 193 163 186

HSL 314, 0.19%, 0.7%

LAB 70.23, 14.97, -7.73

 

CMYK 0 / 3 / 1 / 29

HEX #B5AFB3

RGB 181 175 179

HSL 320, 0.04%, 0.7%

LAB 72.05, 2.87, -1.29

 

CMYK 11 / 0 / 8 / 26

HEX #A8BCAD

RGB 168 188 173

HSL 135, 0.13%, 0.7%

LAB 74.39, -9.75, 5.26

 

CMYK 22 / 0 / 17 / 22

HEX #9CC8A6

RGB 156 200 166

HSL 133.64, 0.29%, 0.7%

LAB 76.76, -21.27, 12.32

 

CMYK 8 / 27 / 0 / 19

HEX #BD96CE

RGB 189 150 206

HSL 281.79, 0.36%, 0.7%

LAB 67.34, 24.7, -23.21

 

CMYK 1 / 27 / 0 / 19

HEX #CC96CE

RGB 204 150 206

HSL 297.86, 0.36%, 0.7%

LAB 68.83, 29.61, -20.81

 

CMYK 0 / 27 / 6 / 19

HEX #CE96C1

RGB 206 150 193

HSL 313.93, 0.36%, 0.7%

LAB 68.6, 27.89, -13.92

 

CMYK 0 / 27 / 14 / 19

HEX #CE96B2

RGB 206 150 178

HSL 330, 0.36%, 0.7%

LAB 68.13, 25.32, -6.25

 

CMYK 0 / 27 / 21 / 19

HEX #CE96A3

RGB 206 150 163

HSL 346.07, 0.36%, 0.7%

LAB 67.71, 22.94, 1.52

 

CMYK 0 / 47 / 11 / 30

HEX #B35E9F

RGB 179 94 159

HSL 314.12, 0.36%, 0.54%

LAB 51.94, 43.18, -20.07

 

CMYK 0 / 36 / 8 / 25

HEX #C07AB0

RGB 192 122 176

HSL 313.71, 0.36%, 0.62%

LAB 60.12, 35.43, -17.29

 

CMYK 0 / 27 / 6 / 19

HEX #CE96C1

RGB 206 150 193

HSL 313.93, 0.36%, 0.7%

LAB 68.6, 27.89, -13.92

 

CMYK 0 / 18 / 5 / 14

HEX #DBB3D1

RGB 219 179 209

HSL 315, 0.36%, 0.78%

LAB 77.22, 19.43, -9.67

 

CMYK 0 / 11 / 3 / 9

HEX #E8CFE2

RGB 232 207 226

HSL 314.4, 0.35%, 0.86%

LAB 85.64, 11.96, -6.19

 

CMYK 0 / 27 / 6 / 19

HEX #CF98C2

RGB 207 152 194

HSL 314.18, 0.36%, 0.7%

LAB 69.2, 27.32, -13.57

 

CMYK 0 / 16 / 27 / 19

HEX #CEAE96

RGB 206 174 150

HSL 25.71, 0.36%, 0.7%

LAB 73.28, 7.99, 16.64

 

CMYK 27 / 0 / 5 / 19

HEX #96CEC4

RGB 150 206 196

HSL 169.29, 0.36%, 0.7%

LAB 78.82, -20.12, -0.87

 

CMYK 0 / 27 / 6 / 19

HEX #CF98C2

RGB 207 152 194

HSL 314.18, 0.36%, 0.7%

LAB 69.2, 27.32, -13.57

 

CMYK 6 / 0 / 27 / 19

HEX #C1CE96

RGB 193 206 150

HSL 73.93, 0.36%, 0.7%

LAB 80.56, -13.75, 26.45

 

CMYK 27 / 6 / 0 / 19

HEX #96C1CE

RGB 150 193 206

HSL 193.93, 0.36%, 0.7%

LAB 75.5, -11.2, -11.17

 

CMYK 0 / 27 / 6 / 19

HEX #CF98C2

RGB 207 152 194

HSL 314.18, 0.36%, 0.7%

LAB 69.2, 27.32, -13.57

 

CMYK 0 / 16 / 27 / 19

HEX #CEAE96

RGB 206 174 150

HSL 25.71, 0.36%, 0.7%

LAB 73.28, 7.99, 16.64

 

CMYK 27 / 0 / 21 / 19

HEX #96CEA3

RGB 150 206 163

HSL 133.93, 0.36%, 0.7%

LAB 78.03, -26.73, 15.67

 

CMYK 27 / 12 / 0 / 19

HEX #96B6CE

RGB 150 182 206

HSL 205.71, 0.36%, 0.7%

LAB 72.49, -5.35, -15.68

 

CMYK 0 / 27 / 6 / 19

HEX #CF98C2

RGB 207 152 194

HSL 314.18, 0.36%, 0.7%

LAB 69.2, 27.32, -13.57

 

CMYK 0 / 7 / 27 / 19

HEX #CEBF96

RGB 206 191 150

HSL 43.93, 0.36%, 0.7%

LAB 77.63, -1.06, 22.64

 

CMYK 27 / 0 / 21 / 19

HEX #96CEA3

RGB 150 206 163

HSL 133.93, 0.36%, 0.7%

LAB 78.03, -26.73, 15.67

 

CMYK 27 / 20 / 0 / 19

HEX #96A5CE

RGB 150 165 206

HSL 223.93, 0.36%, 0.7%

LAB 67.91, 3.97, -22.63

 

Description

Color code: HEX #CF98C2 | qconv.com Color code: HEX #CF98C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 152 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 152 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 6 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 6% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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