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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF90B1 it is the complementary color #306F4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF90B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF90B1 shade: #D490AC, #E5A2BF, #F6B4D2, #FFC6E5 and #FFD8F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF90B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF90B1 shade: #CF90B1, #BE7E9E, #AD6C8B, #9C5A78 and #8B4865

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF90B1 shade: #CF90B1, #CF90A0 and #CF9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF90B1 shade: #CF90B1, #CF90C2, #CB90CF, #BA90CF and #A990CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF90B1 shade matches the following richer shades: #CF90B1, #DC83B2, #E976B2 and #F569B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF90B1 shade: #CF90B1, #C29DB0, #B5A9B0, #A9B6AF and #9CC3AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF90B1 shade: #CB90CF, #CF90C2, #CF90B2, #CF90A1 and #CF9090

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF90B1 shade: #B65688, #C3739D, #CF90B1, #DBADC5 and #E8CAD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF90B1 shade: #CF90B1, #CFBA90 and #90CBCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF90B1 shade: #CF90B1, #B2CF90 and #90B2CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF90B1 shade: #CF90B1, #CFBA90, #90CFAD and #90A5CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF90B1 shade: #CF90B1, #CFCD90, #90CFAD and #9092CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 14 / 19

HEX #CF90B1

RGB 207 144 177

HSL 328.57, 0.4%, 0.69%

LAB 66.81, 28.78, -7.63

 

Complementary color

CMYK 57 / 0 / 30 / 56

HEX #306F4E

RGB 48 111 78

HSL 148.57, 0.4%, 0.31%

LAB 42.07, -28.68, 12.39

 

CMYK 0 / 32 / 19 / 17

HEX #D490AC

RGB 212 144 172

HSL 335.29, 0.44%, 0.7%

LAB 67.22, 29.75, -4.17

 

CMYK 0 / 29 / 17 / 10

HEX #E5A2BF

RGB 229 162 191

HSL 334.03, 0.56%, 0.77%

LAB 73.71, 29.04, -4.93

 

CMYK 0 / 27 / 15 / 4

HEX #F6B4D2

RGB 246 180 210

HSL 332.73, 0.79%, 0.84%

LAB 80.12, 28.38, -5.63

 

CMYK 0 / 22 / 10 / 0

HEX #FFC6E5

RGB 255 198 229

HSL 327.37, 1%, 0.89%

LAB 85.66, 25.04, -7.53

 

CMYK 0 / 15 / 3 / 0

HEX #FFD8F8

RGB 255 216 248

HSL 310.77, 1%, 0.92%

LAB 90.39, 18.83, -10.54

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B1

RGB 207 144 177

HSL 328.57, 0.4%, 0.69%

LAB 66.81, 28.78, -7.63

 

CMYK 0 / 34 / 17 / 25

HEX #BE7E9E

RGB 190 126 158

HSL 330, 0.33%, 0.62%

LAB 60.19, 29.51, -6.9

 

CMYK 0 / 38 / 20 / 32

HEX #AD6C8B

RGB 173 108 139

HSL 331.38, 0.28%, 0.55%

LAB 53.46, 30.31, -6.09

 

CMYK 0 / 42 / 23 / 39

HEX #9C5A78

RGB 156 90 120

HSL 332.73, 0.27%, 0.48%

LAB 46.63, 31.16, -5.17

 

CMYK 0 / 48 / 27 / 45

HEX #8B4865

RGB 139 72 101

HSL 334.03, 0.32%, 0.41%

LAB 39.69, 32.04, -4.06

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B1

RGB 207 144 177

HSL 328.57, 0.4%, 0.69%

LAB 66.81, 28.78, -7.63

 

CMYK 0 / 30 / 23 / 19

HEX #CF90A0

RGB 207 144 160

HSL 344.76, 0.4%, 0.69%

LAB 66.33, 26.13, 1.21

 

CMYK 0 / 30 / 30 / 19

HEX #CF9090

RGB 207 144 144

HSL 0, 0.4%, 0.69%

LAB 65.92, 23.87, 9.62

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B1

RGB 207 144 177

HSL 328.57, 0.4%, 0.69%

LAB 66.81, 28.78, -7.63

 

CMYK 0 / 30 / 6 / 19

HEX #CF90C2

RGB 207 144 194

HSL 312.38, 0.4%, 0.69%

LAB 67.36, 31.67, -16.34

 

CMYK 2 / 30 / 0 / 19

HEX #CB90CF

RGB 203 144 207

HSL 296.19, 0.4%, 0.69%

LAB 67.39, 32.75, -23.57

 

CMYK 10 / 30 / 0 / 19

HEX #BA90CF

RGB 186 144 207

HSL 280, 0.4%, 0.69%

LAB 65.66, 27.28, -26.37

 

CMYK 18 / 30 / 0 / 19

HEX #A990CF

RGB 169 144 207

HSL 263.81, 0.4%, 0.69%

LAB 64.07, 21.91, -28.96

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B1

RGB 207 144 177

HSL 328.57, 0.4%, 0.69%

LAB 66.81, 28.78, -7.63

 

CMYK 0 / 40 / 19 / 14

HEX #DC83B2

RGB 220 131 178

HSL 328.31, 0.56%, 0.69%

LAB 65.49, 40.39, -10.02

 

CMYK 0 / 49 / 24 / 9

HEX #E976B2

RGB 233 118 178

HSL 328.7, 0.72%, 0.69%

LAB 64.56, 51.26, -11.23

 

CMYK 0 / 57 / 27 / 4

HEX #F569B3

RGB 245 105 179

HSL 328.29, 0.88%, 0.69%

LAB 63.97, 61.17, -12.5

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B1

RGB 207 144 177

HSL 328.57, 0.4%, 0.69%

LAB 66.81, 28.78, -7.63

 

CMYK 0 / 19 / 9 / 24

HEX #C29DB0

RGB 194 157 176

HSL 329.19, 0.23%, 0.69%

LAB 68.55, 16.84, -4.66

 

CMYK 0 / 7 / 3 / 29

HEX #B5A9B0

RGB 181 169 176

HSL 325, 0.08%, 0.69%

LAB 70.41, 5.58, -2.05

 

CMYK 7 / 0 / 4 / 29

HEX #A9B6AF

RGB 169 182 175

HSL 147.69, 0.08%, 0.69%

LAB 72.88, -5.85, 2

 

CMYK 20 / 0 / 10 / 24

HEX #9CC3AF

RGB 156 195 175

HSL 149.23, 0.25%, 0.69%

LAB 75.57, -17.03, 5.78

 

CMYK 2 / 30 / 0 / 19

HEX #CB90CF

RGB 203 144 207

HSL 296.19, 0.4%, 0.69%

LAB 67.39, 32.75, -23.57

 

CMYK 0 / 30 / 6 / 19

HEX #CF90C2

RGB 207 144 194

HSL 312.38, 0.4%, 0.69%

LAB 67.36, 31.67, -16.34

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B2

RGB 207 144 178

HSL 327.62, 0.4%, 0.69%

LAB 66.84, 28.94, -8.15

 

CMYK 0 / 30 / 22 / 19

HEX #CF90A1

RGB 207 144 161

HSL 343.81, 0.4%, 0.69%

LAB 66.36, 26.28, 0.68

 

CMYK 0 / 30 / 30 / 19

HEX #CF9090

RGB 207 144 144

HSL 0, 0.4%, 0.69%

LAB 65.92, 23.87, 9.62

 

CMYK 0 / 53 / 25 / 29

HEX #B65688

RGB 182 86 136

HSL 328.75, 0.4%, 0.53%

LAB 49.95, 44.67, -9.43

 

CMYK 0 / 41 / 19 / 24

HEX #C3739D

RGB 195 115 157

HSL 328.5, 0.4%, 0.61%

LAB 58.32, 37.09, -9.06

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B1

RGB 207 144 177

HSL 328.57, 0.4%, 0.69%

LAB 66.81, 28.78, -7.63

 

CMYK 0 / 21 / 10 / 14

HEX #DBADC5

RGB 219 173 197

HSL 328.7, 0.39%, 0.77%

LAB 75.44, 20.59, -5.79

 

CMYK 0 / 13 / 6 / 9

HEX #E8CAD9

RGB 232 202 217

HSL 330, 0.39%, 0.85%

LAB 84.18, 13.02, -3.56

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B1

RGB 207 144 177

HSL 328.57, 0.4%, 0.69%

LAB 66.81, 28.78, -7.63

 

CMYK 0 / 10 / 30 / 19

HEX #CFBA90

RGB 207 186 144

HSL 40, 0.4%, 0.69%

LAB 76.31, 1.17, 24.05

 

CMYK 30 / 2 / 0 / 19

HEX #90CBCF

RGB 144 203 207

HSL 183.81, 0.4%, 0.69%

LAB 77.96, -17.86, -8.08

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B1

RGB 207 144 177

HSL 328.57, 0.4%, 0.69%

LAB 66.81, 28.78, -7.63

 

CMYK 14 / 0 / 30 / 19

HEX #B2CF90

RGB 178 207 144

HSL 87.62, 0.4%, 0.69%

LAB 79.67, -20.66, 28.2

 

CMYK 30 / 14 / 0 / 19

HEX #90B2CF

RGB 144 178 207

HSL 207.62, 0.4%, 0.69%

LAB 71.06, -4.72, -18.43

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B1

RGB 207 144 177

HSL 328.57, 0.4%, 0.69%

LAB 66.81, 28.78, -7.63

 

CMYK 0 / 10 / 30 / 19

HEX #CFBA90

RGB 207 186 144

HSL 40, 0.4%, 0.69%

LAB 76.31, 1.17, 24.05

 

CMYK 30 / 0 / 16 / 19

HEX #90CFAD

RGB 144 207 173

HSL 147.62, 0.4%, 0.69%

LAB 78.21, -27.2, 10.54

 

CMYK 30 / 20 / 0 / 19

HEX #90A5CF

RGB 144 165 207

HSL 220, 0.4%, 0.69%

LAB 67.53, 2.43, -23.8

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B1

RGB 207 144 177

HSL 328.57, 0.4%, 0.69%

LAB 66.81, 28.78, -7.63

 

CMYK 0 / 1 / 30 / 19

HEX #CFCD90

RGB 207 205 144

HSL 58.1, 0.4%, 0.69%

LAB 81.26, -8.72, 30.7

 

CMYK 30 / 0 / 16 / 19

HEX #90CFAD

RGB 144 207 173

HSL 147.62, 0.4%, 0.69%

LAB 78.21, -27.2, 10.54

 

CMYK 30 / 29 / 0 / 19

HEX #9092CF

RGB 144 146 207

HSL 238.1, 0.4%, 0.69%

LAB 62.5, 13.21, -31.55

 

Description

Color code: HEX #CF90B1 | qconv.com Color code: HEX #CF90B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 144 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 144 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 14 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 14% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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