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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF9D39 it is the complementary color #3062C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF9D39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF9D39 shade: #D49D34, #E5AF47, #F6C15A, #FFD36D and #FFE580

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF9D39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF9D39 shade: #CF9D39, #BE8B26, #AD7913, #9C6700 and #8B5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF9D39 shade: #CF9D39, #CF7539, #CF4C39 and #CF3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF9D39 shade: #CF9D39, #CFC539, #B0CF39, #88CF39 and #5FCF39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF9D39 shade matches the following richer shades: #CF9D39, #E3A426 and #F6AA12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF9D39 shade: #CF9D39, #BB964D, #A79061, #938975 and #808389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF9D39 shade: #CF4D39, #CF7539, #CF9D39, #CFC539 and #B1CF39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF9D39 shade: #936D23, #B4862B, #CF9D39, #D7AD5B and #DFBE7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF9D39 shade: #CF9D39, #4DCF39 and #6139CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF9D39 shade: #CF9D39, #39CF9D and #9D39CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF9D39 shade: #CF9D39, #4DCF39, #396BCF and #BB39CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF9D39 shade: #CF9D39, #39CF52, #396BCF and #CF39B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 72 / 19

HEX #CF9D39

RGB 207 157 57

HSL 40, 0.61%, 0.52%

LAB 67.78, 8.92, 56.97

 

Complementary color

CMYK 76 / 51 / 0 / 22

HEX #3062C6

RGB 48 98 198

HSL 220, 0.61%, 0.48%

LAB 43.42, 18.68, -57.01

 

CMYK 0 / 26 / 75 / 17

HEX #D49D34

RGB 212 157 52

HSL 39.38, 0.65%, 0.52%

LAB 68.28, 10.86, 59.66

 

CMYK 0 / 24 / 69 / 10

HEX #E5AF47

RGB 229 175 71

HSL 39.49, 0.75%, 0.59%

LAB 74.68, 9.45, 58.86

 

CMYK 0 / 22 / 63 / 4

HEX #F6C15A

RGB 246 193 90

HSL 39.62, 0.9%, 0.66%

LAB 81, 8.23, 57.77

 

CMYK 0 / 17 / 57 / 0

HEX #FFD36D

RGB 255 211 109

HSL 41.92, 1%, 0.71%

LAB 86.48, 3.91, 55.49

 

CMYK 0 / 10 / 50 / 0

HEX #FFE580

RGB 255 229 128

HSL 47.72, 1%, 0.75%

LAB 91.17, -3.72, 52.1

 

CMYK 0 / 24 / 72 / 19

HEX #CF9D39

RGB 207 157 57

HSL 40, 0.61%, 0.52%

LAB 67.78, 8.92, 56.97

 

CMYK 0 / 27 / 80 / 25

HEX #BE8B26

RGB 190 139 38

HSL 39.87, 0.67%, 0.45%

LAB 61.27, 10.45, 57.48

 

CMYK 0 / 30 / 89 / 32

HEX #AD7913

RGB 173 121 19

HSL 39.74, 0.8%, 0.38%

LAB 54.66, 12.27, 57.03

 

CMYK 0 / 34 / 100 / 39

HEX #9C6700

RGB 156 103 0

HSL 39.62, 1%, 0.31%

LAB 47.97, 14.36, 55.34

 

CMYK 0 / 39 / 100 / 45

HEX #8B5500

RGB 139 85 0

HSL 36.69, 1%, 0.27%

LAB 41.19, 16.88, 49.82

 

CMYK 0 / 24 / 72 / 19

HEX #CF9D39

RGB 207 157 57

HSL 40, 0.61%, 0.52%

LAB 67.78, 8.92, 56.97

 

CMYK 0 / 43 / 72 / 19

HEX #CF7539

RGB 207 117 57

HSL 24, 0.61%, 0.52%

LAB 58.31, 30.54, 47.18

 

CMYK 0 / 63 / 72 / 19

HEX #CF4C39

RGB 207 76 57

HSL 7.6, 0.61%, 0.52%

LAB 50.37, 50.74, 38.51

 

CMYK 0 / 72 / 72 / 19

HEX #CF3939

RGB 207 57 57

HSL 0, 0.61%, 0.52%

LAB 47.61, 58.26, 35.37

 

CMYK 0 / 24 / 72 / 19

HEX #CF9D39

RGB 207 157 57

HSL 40, 0.61%, 0.52%

LAB 67.78, 8.92, 56.97

 

CMYK 0 / 5 / 72 / 19

HEX #CFC539

RGB 207 197 57

HSL 56, 0.61%, 0.52%

LAB 78.17, -12.08, 67.14

 

CMYK 15 / 0 / 72 / 19

HEX #B0CF39

RGB 176 207 57

HSL 72.4, 0.61%, 0.52%

LAB 78.55, -29.89, 66.69

 

CMYK 34 / 0 / 72 / 19

HEX #88CF39

RGB 136 207 57

HSL 88.4, 0.61%, 0.52%

LAB 76.16, -45.11, 63.55

 

CMYK 54 / 0 / 72 / 19

HEX #5FCF39

RGB 95 207 57

HSL 104.8, 0.61%, 0.52%

LAB 74.42, -57.94, 61.22

 

CMYK 0 / 24 / 72 / 19

HEX #CF9D39

RGB 207 157 57

HSL 40, 0.61%, 0.52%

LAB 67.78, 8.92, 56.97

 

CMYK 0 / 28 / 83 / 11

HEX #E3A426

RGB 227 164 38

HSL 40, 0.77%, 0.52%

LAB 71.57, 13.12, 68.1

 

CMYK 0 / 31 / 93 / 4

HEX #F6AA12

RGB 246 170 18

HSL 40, 0.93%, 0.52%

LAB 75.07, 17.69, 76.34

 

CMYK 0 / 24 / 72 / 19

HEX #CF9D39

RGB 207 157 57

HSL 40, 0.61%, 0.52%

LAB 67.78, 8.92, 56.97

 

CMYK 0 / 20 / 59 / 27

HEX #BB964D

RGB 187 150 77

HSL 39.82, 0.45%, 0.52%

LAB 64.09, 5.28, 43.14

 

CMYK 0 / 14 / 42 / 35

HEX #A79061

RGB 167 144 97

HSL 40.29, 0.28%, 0.52%

LAB 60.8, 1.91, 28.14

 

CMYK 0 / 7 / 20 / 42

HEX #938975

RGB 147 137 117

HSL 40, 0.12%, 0.52%

LAB 57.44, 0.29, 12.08

 

CMYK 7 / 4 / 0 / 46

HEX #808389

RGB 128 131 137

HSL 220, 0.04%, 0.52%

LAB 54.69, 0.13, -3.62

 

CMYK 0 / 63 / 72 / 19

HEX #CF4D39

RGB 207 77 57

HSL 8, 0.61%, 0.52%

LAB 50.53, 50.31, 38.7

 

CMYK 0 / 43 / 72 / 19

HEX #CF7539

RGB 207 117 57

HSL 24, 0.61%, 0.52%

LAB 58.31, 30.54, 47.18

 

CMYK 0 / 24 / 72 / 19

HEX #CF9D39

RGB 207 157 57

HSL 40, 0.61%, 0.52%

LAB 67.78, 8.92, 56.97

 

CMYK 0 / 5 / 72 / 19

HEX #CFC539

RGB 207 197 57

HSL 56, 0.61%, 0.52%

LAB 78.17, -12.08, 67.14

 

CMYK 14 / 0 / 72 / 19

HEX #B1CF39

RGB 177 207 57

HSL 72, 0.61%, 0.52%

LAB 78.62, -29.48, 66.78

 

CMYK 0 / 26 / 76 / 42

HEX #936D23

RGB 147 109 35

HSL 39.64, 0.62%, 0.36%

LAB 48.59, 7.69, 44.96

 

CMYK 0 / 26 / 76 / 29

HEX #B4862B

RGB 180 134 43

HSL 39.85, 0.61%, 0.44%

LAB 58.91, 8.96, 52.96

 

CMYK 0 / 24 / 72 / 19

HEX #CF9D39

RGB 207 157 57

HSL 40, 0.61%, 0.52%

LAB 67.78, 8.92, 56.97

 

CMYK 0 / 20 / 58 / 16

HEX #D7AD5B

RGB 215 173 91

HSL 39.68, 0.61%, 0.6%

LAB 72.95, 5.87, 47.31

 

CMYK 0 / 15 / 44 / 13

HEX #DFBE7C

RGB 223 190 124

HSL 40, 0.61%, 0.68%

LAB 78.44, 3.11, 37.62

 

CMYK 0 / 24 / 72 / 19

HEX #CF9D39

RGB 207 157 57

HSL 40, 0.61%, 0.52%

LAB 67.78, 8.92, 56.97

 

CMYK 63 / 0 / 72 / 19

HEX #4DCF39

RGB 77 207 57

HSL 112, 0.61%, 0.52%

LAB 73.87, -62.32, 60.49

 

CMYK 53 / 72 / 0 / 19

HEX #6139CF

RGB 97 57 207

HSL 256, 0.61%, 0.52%

LAB 37.79, 53.42, -71.25

 

CMYK 0 / 24 / 72 / 19

HEX #CF9D39

RGB 207 157 57

HSL 40, 0.61%, 0.52%

LAB 67.78, 8.92, 56.97

 

CMYK 72 / 0 / 24 / 19

HEX #39CF9D

RGB 57 207 157

HSL 160, 0.61%, 0.52%

LAB 74.78, -50.54, 13.8

 

CMYK 24 / 72 / 0 / 19

HEX #9D39CF

RGB 157 57 207

HSL 280, 0.61%, 0.52%

LAB 45.08, 63.9, -59.06

 

CMYK 0 / 24 / 72 / 19

HEX #CF9D39

RGB 207 157 57

HSL 40, 0.61%, 0.52%

LAB 67.78, 8.92, 56.97

 

CMYK 63 / 0 / 72 / 19

HEX #4DCF39

RGB 77 207 57

HSL 112, 0.61%, 0.52%

LAB 73.87, -62.32, 60.49

 

CMYK 72 / 48 / 0 / 19

HEX #396BCF

RGB 57 107 207

HSL 220, 0.61%, 0.52%

LAB 46.83, 17.41, -56.67

 

CMYK 10 / 72 / 0 / 19

HEX #BB39CF

RGB 187 57 207

HSL 292, 0.61%, 0.52%

LAB 49.49, 69.91, -51.74

 

CMYK 0 / 24 / 72 / 19

HEX #CF9D39

RGB 207 157 57

HSL 40, 0.61%, 0.52%

LAB 67.78, 8.92, 56.97

 

CMYK 72 / 0 / 60 / 19

HEX #39CF52

RGB 57 207 82

HSL 130, 0.61%, 0.52%

LAB 73.61, -63.69, 50

 

CMYK 72 / 48 / 0 / 19

HEX #396BCF

RGB 57 107 207

HSL 220, 0.61%, 0.52%

LAB 46.83, 17.41, -56.67

 

CMYK 0 / 72 / 12 / 19

HEX #CF39B6

RGB 207 57 182

HSL 310, 0.61%, 0.52%

LAB 51.35, 70.26, -34.12

 

Description

Color code: HEX #CF9D39 | qconv.com Color code: HEX #CF9D39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 157 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 157 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 72 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 72% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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