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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF9FB8 it is the complementary color #306047. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF9FB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF9FB8 shade: #D49FB3, #E5B1C6, #F6C3D9, #FFD5EC and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF9FB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF9FB8 shade: #CF9FB8, #BE8DA5, #AD7B92, #9C697F and #8B576C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF9FB8 shade: #CFA0B8, #CFA0AB and #CFA0A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF9FB8 shade: #CFA0B8, #CFA0C5, #CCA0CF, #BFA0CF and #B2A0CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF9FB8 shade matches the following richer shades: #CFA0B8, #DA94B9, #E688B9, #F17DBA and #FD71BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF9FB8 shade: #CFA0B8, #C3ABB8, #B8B7B7, #ACC2B7 and #A0CEB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF9FB8 shade: #CCA0CF, #CFA0C5, #CFA0B9, #CFA0AC and #CFA0A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF9FB8 shade: #B3698F, #C184A4, #CFA0B8, #DCBBCC and #EAD6E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF9FB8 shade: #CF9FB8, #CFBFA0 and #A0CCCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF9FB8 shade: #CF9FB8, #B9CFA0 and #A0B9CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF9FB8 shade: #CF9FB8, #CFBFA0, #A0CFB6 and #A0AFCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF9FB8 shade: #CF9FB8, #CFCDA0, #A0CFB6 and #A0A1CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 11 / 19

HEX #CF9FB8

RGB 207 159 184

HSL 328.75, 0.33%, 0.72%

LAB 70.54, 21.76, -6.01

 

Complementary color

CMYK 50 / 0 / 26 / 62

HEX #306047

RGB 48 96 71

HSL 148.75, 0.33%, 0.28%

LAB 36.83, -22.86, 9.33

 

CMYK 0 / 25 / 16 / 17

HEX #D49FB3

RGB 212 159 179

HSL 337.36, 0.38%, 0.73%

LAB 70.9, 22.72, -2.64

 

CMYK 0 / 23 / 14 / 10

HEX #E5B1C6

RGB 229 177 198

HSL 335.77, 0.5%, 0.8%

LAB 77.39, 22.12, -3.34

 

CMYK 0 / 21 / 12 / 4

HEX #F6C3D9

RGB 246 195 217

HSL 334.12, 0.74%, 0.86%

LAB 83.77, 21.57, -4

 

CMYK 0 / 16 / 7 / 0

HEX #FFD5EC

RGB 255 213 236

HSL 327.14, 1%, 0.92%

LAB 89.35, 18.34, -5.78

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 23 / 11 / 19

HEX #CF9FB8

RGB 207 159 184

HSL 328.75, 0.33%, 0.72%

LAB 70.54, 21.76, -6.01

 

CMYK 0 / 26 / 13 / 25

HEX #BE8DA5

RGB 190 141 165

HSL 330.61, 0.27%, 0.65%

LAB 63.93, 22.37, -5.35

 

CMYK 0 / 29 / 16 / 32

HEX #AD7B92

RGB 173 123 146

HSL 332.4, 0.23%, 0.58%

LAB 57.2, 23.04, -4.64

 

CMYK 0 / 33 / 19 / 39

HEX #9C697F

RGB 156 105 127

HSL 334.12, 0.2%, 0.51%

LAB 50.34, 23.79, -3.86

 

CMYK 0 / 37 / 22 / 45

HEX #8B576C

RGB 139 87 108

HSL 335.77, 0.23%, 0.44%

LAB 43.34, 24.61, -2.98

 

CMYK 0 / 23 / 11 / 19

HEX #CFA0B8

RGB 207 160 184

HSL 329.36, 0.33%, 0.72%

LAB 70.78, 21.21, -5.66

 

CMYK 0 / 23 / 17 / 19

HEX #CFA0AB

RGB 207 160 171

HSL 345.96, 0.33%, 0.72%

LAB 70.42, 19.08, 1.02

 

CMYK 0 / 23 / 23 / 19

HEX #CFA0A0

RGB 207 160 160

HSL 0, 0.33%, 0.72%

LAB 70.14, 17.4, 6.71

 

CMYK 0 / 23 / 11 / 19

HEX #CFA0B8

RGB 207 160 184

HSL 329.36, 0.33%, 0.72%

LAB 70.78, 21.21, -5.66

 

CMYK 0 / 23 / 5 / 19

HEX #CFA0C5

RGB 207 160 197

HSL 312.77, 0.33%, 0.72%

LAB 71.17, 23.48, -12.26

 

CMYK 1 / 23 / 0 / 19

HEX #CCA0CF

RGB 204 160 207

HSL 296.17, 0.33%, 0.72%

LAB 71.2, 24.32, -17.76

 

CMYK 8 / 23 / 0 / 19

HEX #BFA0CF

RGB 191 160 207

HSL 279.57, 0.33%, 0.72%

LAB 69.98, 20.01, -19.73

 

CMYK 14 / 23 / 0 / 19

HEX #B2A0CF

RGB 178 160 207

HSL 262.98, 0.33%, 0.72%

LAB 68.83, 15.77, -21.58

 

CMYK 0 / 23 / 11 / 19

HEX #CFA0B8

RGB 207 160 184

HSL 329.36, 0.33%, 0.72%

LAB 70.78, 21.21, -5.66

 

CMYK 0 / 32 / 15 / 15

HEX #DA94B9

RGB 218 148 185

HSL 328.29, 0.49%, 0.72%

LAB 69.18, 31.76, -8.47

 

CMYK 0 / 41 / 20 / 10

HEX #E688B9

RGB 230 136 185

HSL 328.72, 0.65%, 0.72%

LAB 67.97, 42.2, -10.11

 

CMYK 0 / 48 / 23 / 5

HEX #F17DBA

RGB 241 125 186

HSL 328.45, 0.81%, 0.72%

LAB 67.21, 51.5, -11.66

 

CMYK 0 / 55 / 26 / 1

HEX #FD71BA

RGB 253 113 186

HSL 328.71, 0.97%, 0.72%

LAB 66.7, 60.88, -12.26

 

CMYK 0 / 23 / 11 / 19

HEX #CFA0B8

RGB 207 160 184

HSL 329.36, 0.33%, 0.72%

LAB 70.78, 21.21, -5.66

 

CMYK 0 / 12 / 6 / 24

HEX #C3ABB8

RGB 195 171 184

HSL 327.5, 0.17%, 0.72%

LAB 72.35, 10.93, -3.46

 

CMYK 0 / 1 / 1 / 28

HEX #B8B7B7

RGB 184 183 183

HSL 0, 0.01%, 0.72%

LAB 74.49, 0.35, 0.12

 

CMYK 11 / 0 / 6 / 24

HEX #ACC2B7

RGB 172 194 183

HSL 150, 0.15%, 0.72%

LAB 76.54, -9.61, 2.99

 

CMYK 22 / 0 / 12 / 19

HEX #A0CEB6

RGB 160 206 182

HSL 148.7, 0.32%, 0.72%

LAB 79.04, -19.91, 7.03

 

CMYK 1 / 23 / 0 / 19

HEX #CCA0CF

RGB 204 160 207

HSL 296.17, 0.33%, 0.72%

LAB 71.2, 24.32, -17.76

 

CMYK 0 / 23 / 5 / 19

HEX #CFA0C5

RGB 207 160 197

HSL 312.77, 0.33%, 0.72%

LAB 71.17, 23.48, -12.26

 

CMYK 0 / 23 / 11 / 19

HEX #CFA0B9

RGB 207 160 185

HSL 328.09, 0.33%, 0.72%

LAB 70.81, 21.38, -6.17

 

CMYK 0 / 23 / 17 / 19

HEX #CFA0AC

RGB 207 160 172

HSL 344.68, 0.33%, 0.72%

LAB 70.45, 19.24, 0.5

 

CMYK 0 / 23 / 23 / 19

HEX #CFA0A0

RGB 207 160 160

HSL 0, 0.33%, 0.72%

LAB 70.14, 17.4, 6.71

 

CMYK 0 / 41 / 20 / 30

HEX #B3698F

RGB 179 105 143

HSL 329.19, 0.33%, 0.56%

LAB 53.68, 34.73, -8.05

 

CMYK 0 / 32 / 15 / 24

HEX #C184A4

RGB 193 132 164

HSL 328.52, 0.33%, 0.64%

LAB 62.1, 28.26, -7.46

 

CMYK 0 / 23 / 11 / 19

HEX #CFA0B8

RGB 207 160 184

HSL 329.36, 0.33%, 0.72%

LAB 70.78, 21.21, -5.66

 

CMYK 0 / 15 / 7 / 14

HEX #DCBBCC

RGB 220 187 204

HSL 329.09, 0.32%, 0.8%

LAB 79.11, 14.6, -4.16

 

CMYK 0 / 9 / 4 / 8

HEX #EAD6E1

RGB 234 214 225

HSL 327, 0.32%, 0.88%

LAB 87.5, 8.78, -2.91

 

CMYK 0 / 23 / 11 / 19

HEX #CF9FB8

RGB 207 159 184

HSL 328.75, 0.33%, 0.72%

LAB 70.54, 21.76, -6.01

 

CMYK 0 / 8 / 23 / 19

HEX #CFBFA0

RGB 207 191 160

HSL 39.57, 0.33%, 0.72%

LAB 77.91, 0.72, 17.7

 

CMYK 23 / 1 / 0 / 19

HEX #A0CCCF

RGB 160 204 207

HSL 183.83, 0.33%, 0.72%

LAB 79.14, -13.69, -6.24

 

CMYK 0 / 23 / 11 / 19

HEX #CF9FB8

RGB 207 159 184

HSL 328.75, 0.33%, 0.72%

LAB 70.54, 21.76, -6.01

 

CMYK 11 / 0 / 23 / 19

HEX #B9CFA0

RGB 185 207 160

HSL 88.09, 0.33%, 0.72%

LAB 80.45, -15.72, 20.95

 

CMYK 23 / 11 / 0 / 19

HEX #A0B9CF

RGB 160 185 207

HSL 208.09, 0.33%, 0.72%

LAB 73.98, -3.7, -13.92

 

CMYK 0 / 23 / 11 / 19

HEX #CF9FB8

RGB 207 159 184

HSL 328.75, 0.33%, 0.72%

LAB 70.54, 21.76, -6.01

 

CMYK 0 / 8 / 23 / 19

HEX #CFBFA0

RGB 207 191 160

HSL 39.57, 0.33%, 0.72%

LAB 77.91, 0.72, 17.7

 

CMYK 23 / 0 / 12 / 19

HEX #A0CFB6

RGB 160 207 182

HSL 148.09, 0.33%, 0.72%

LAB 79.32, -20.41, 7.43

 

CMYK 23 / 15 / 0 / 19

HEX #A0AFCF

RGB 160 175 207

HSL 220.85, 0.33%, 0.72%

LAB 71.31, 1.73, -17.95

 

CMYK 0 / 23 / 11 / 19

HEX #CF9FB8

RGB 207 159 184

HSL 328.75, 0.33%, 0.72%

LAB 70.54, 21.76, -6.01

 

CMYK 0 / 1 / 23 / 19

HEX #CFCDA0

RGB 207 205 160

HSL 57.45, 0.33%, 0.72%

LAB 81.55, -6.58, 22.72

 

CMYK 23 / 0 / 12 / 19

HEX #A0CFB6

RGB 160 207 182

HSL 148.09, 0.33%, 0.72%

LAB 79.32, -20.41, 7.43

 

CMYK 23 / 22 / 0 / 19

HEX #A0A1CF

RGB 160 161 207

HSL 238.72, 0.33%, 0.72%

LAB 67.63, 9.5, -23.55

 

Description

Color code: HEX #CF9FB8 | qconv.com Color code: HEX #CF9FB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 159 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 159 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 11 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 11% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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