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Color name
HEX #CFA467

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFA467 it is the complementary color #305B98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFA467. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFA467 shade: #D4A462, #E5B675, #F6C888, #FFDA9B and #FFECAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFA467. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFA467 shade: #CFA467, #BE9254, #AD8041, #9C6E2E and #8B5C1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFA467 shade: #CFA467, #CF8867, #CF6C67 and #CF6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFA467 shade: #CFA467, #CFC067, #C2CF67, #A6CF67 and #8ACF67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFA467 shade matches the following richer shades: #CFA467, #DFA757 and #EFAA47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFA467 shade: #CFA467, #BFA177, #AF9E88, #9E9C98 and #8E99A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFA467 shade: #CF6D67, #CF8867, #CFA467, #CFBF67 and #C3CF67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFA467 shade: #AD7C36, #C59148, #CFA467, #D9B787 and #E3CAA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFA467 shade: #CFA467, #7ECF67 and #7A67CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFA467 shade: #CFA467, #67CFA4 and #A467CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFA467 shade: #CFA467, #7ECF67, #6792CF and #B867CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFA467 shade: #CFA467, #67CF70, #6792CF and #CF67C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 50 / 19

HEX #CFA467

RGB 207 164 103

HSL 35.19, 0.52%, 0.61%

LAB 70.03, 8.36, 37.52

 

Complementary color

CMYK 68 / 40 / 0 / 40

HEX #305B98

RGB 48 91 152

HSL 215.19, 0.52%, 0.39%

LAB 38.51, 5.92, -37.8

 

CMYK 0 / 23 / 54 / 17

HEX #D4A462

RGB 212 164 98

HSL 34.74, 0.57%, 0.61%

LAB 70.48, 10, 40.76

 

CMYK 0 / 21 / 49 / 10

HEX #E5B675

RGB 229 182 117

HSL 34.82, 0.68%, 0.68%

LAB 76.92, 9.08, 39.4

 

CMYK 0 / 19 / 45 / 4

HEX #F6C888

RGB 246 200 136

HSL 34.91, 0.86%, 0.75%

LAB 83.27, 8.29, 38.1

 

CMYK 0 / 15 / 39 / 0

HEX #FFDA9B

RGB 255 218 155

HSL 37.8, 1%, 0.8%

LAB 88.81, 4.49, 35.77

 

CMYK 0 / 7 / 32 / 0

HEX #FFECAE

RGB 255 236 174

HSL 45.93, 1%, 0.84%

LAB 93.58, -2.48, 32.45

 

CMYK 0 / 21 / 50 / 19

HEX #CFA467

RGB 207 164 103

HSL 35.19, 0.52%, 0.61%

LAB 70.03, 8.36, 37.52

 

CMYK 0 / 23 / 56 / 25

HEX #BE9254

RGB 190 146 84

HSL 35.09, 0.45%, 0.54%

LAB 63.46, 9.32, 38.91

 

CMYK 0 / 26 / 62 / 32

HEX #AD8041

RGB 173 128 65

HSL 35, 0.45%, 0.47%

LAB 56.79, 10.45, 40.34

 

CMYK 0 / 29 / 71 / 39

HEX #9C6E2E

RGB 156 110 46

HSL 34.91, 0.54%, 0.4%

LAB 50, 11.82, 41.71

 

CMYK 0 / 34 / 81 / 45

HEX #8B5C1B

RGB 139 92 27

HSL 34.82, 0.67%, 0.33%

LAB 43.1, 13.49, 42.75

 

CMYK 0 / 21 / 50 / 19

HEX #CFA467

RGB 207 164 103

HSL 35.19, 0.52%, 0.61%

LAB 70.03, 8.36, 37.52

 

CMYK 0 / 34 / 50 / 19

HEX #CF8867

RGB 207 136 103

HSL 19.04, 0.52%, 0.61%

LAB 63.22, 23.56, 28.83

 

CMYK 0 / 48 / 50 / 19

HEX #CF6C67

RGB 207 108 103

HSL 2.88, 0.52%, 0.61%

LAB 57.05, 38.48, 20.66

 

CMYK 0 / 50 / 50 / 19

HEX #CF6767

RGB 207 103 103

HSL 0, 0.52%, 0.61%

LAB 56.03, 41.04, 19.29

 

CMYK 0 / 21 / 50 / 19

HEX #CFA467

RGB 207 164 103

HSL 35.19, 0.52%, 0.61%

LAB 70.03, 8.36, 37.52

 

CMYK 0 / 7 / 50 / 19

HEX #CFC067

RGB 207 192 103

HSL 51.35, 0.52%, 0.61%

LAB 77.25, -6.46, 46.37

 

CMYK 6 / 0 / 50 / 19

HEX #C2CF67

RGB 194 207 103

HSL 67.5, 0.52%, 0.61%

LAB 80.22, -19.33, 49.67

 

CMYK 20 / 0 / 50 / 19

HEX #A6CF67

RGB 166 207 103

HSL 83.65, 0.52%, 0.61%

LAB 78.29, -30.23, 46.9

 

CMYK 33 / 0 / 50 / 19

HEX #8ACF67

RGB 138 207 103

HSL 99.81, 0.52%, 0.61%

LAB 76.68, -40.29, 44.58

 

CMYK 0 / 21 / 50 / 19

HEX #CFA467

RGB 207 164 103

HSL 35.19, 0.52%, 0.61%

LAB 70.03, 8.36, 37.52

 

CMYK 0 / 25 / 61 / 13

HEX #DFA757

RGB 223 167 87

HSL 35.29, 0.68%, 0.61%

LAB 72.24, 12.15, 48.64

 

CMYK 0 / 29 / 70 / 6

HEX #EFAA47

RGB 239 170 71

HSL 35.36, 0.84%, 0.61%

LAB 74.54, 16.32, 59.05

 

CMYK 0 / 21 / 50 / 19

HEX #CFA467

RGB 207 164 103

HSL 35.19, 0.52%, 0.61%

LAB 70.03, 8.36, 37.52

 

CMYK 0 / 16 / 38 / 25

HEX #BFA177

RGB 191 161 119

HSL 35, 0.36%, 0.61%

LAB 67.95, 5.08, 25.99

 

CMYK 0 / 10 / 22 / 31

HEX #AF9E88

RGB 175 158 136

HSL 33.85, 0.2%, 0.61%

LAB 66.02, 2.63, 13.77

 

CMYK 0 / 1 / 4 / 38

HEX #9E9C98

RGB 158 156 152

HSL 40, 0.03%, 0.61%

LAB 64.41, -0.02, 2.34

 

CMYK 15 / 9 / 0 / 34

HEX #8E99A8

RGB 142 153 168

HSL 214.62, 0.13%, 0.61%

LAB 62.81, -0.73, -9.17

 

CMYK 0 / 47 / 50 / 19

HEX #CF6D67

RGB 207 109 103

HSL 3.46, 0.52%, 0.61%

LAB 57.25, 37.97, 20.94

 

CMYK 0 / 34 / 50 / 19

HEX #CF8867

RGB 207 136 103

HSL 19.04, 0.52%, 0.61%

LAB 63.22, 23.56, 28.83

 

CMYK 0 / 21 / 50 / 19

HEX #CFA467

RGB 207 164 103

HSL 35.19, 0.52%, 0.61%

LAB 70.03, 8.36, 37.52

 

CMYK 0 / 8 / 50 / 19

HEX #CFBF67

RGB 207 191 103

HSL 50.77, 0.52%, 0.61%

LAB 76.98, -5.94, 46.05

 

CMYK 6 / 0 / 50 / 19

HEX #C3CF67

RGB 195 207 103

HSL 66.92, 0.52%, 0.61%

LAB 80.3, -18.93, 49.78

 

CMYK 0 / 28 / 69 / 32

HEX #AD7C36

RGB 173 124 54

HSL 35.29, 0.52%, 0.45%

LAB 55.65, 11.98, 44.52

 

CMYK 0 / 26 / 63 / 23

HEX #C59148

RGB 197 145 72

HSL 35.04, 0.52%, 0.53%

LAB 63.83, 11.97, 45.59

 

CMYK 0 / 21 / 50 / 19

HEX #CFA467

RGB 207 164 103

HSL 35.19, 0.52%, 0.61%

LAB 70.03, 8.36, 37.52

 

CMYK 0 / 16 / 38 / 15

HEX #D9B787

RGB 217 183 135

HSL 35.12, 0.52%, 0.69%

LAB 76.29, 5.6, 28.97

 

CMYK 0 / 11 / 27 / 11

HEX #E3CAA6

RGB 227 202 166

HSL 35.41, 0.52%, 0.77%

LAB 82.55, 3.36, 21.2

 

CMYK 0 / 21 / 50 / 19

HEX #CFA467

RGB 207 164 103

HSL 35.19, 0.52%, 0.61%

LAB 70.03, 8.36, 37.52

 

CMYK 39 / 0 / 50 / 19

HEX #7ECF67

RGB 126 207 103

HSL 106.73, 0.52%, 0.61%

LAB 76.09, -44.24, 43.72

 

CMYK 41 / 50 / 0 / 19

HEX #7A67CF

RGB 122 103 207

HSL 250.96, 0.52%, 0.61%

LAB 49.91, 32.54, -51.51

 

CMYK 0 / 21 / 50 / 19

HEX #CFA467

RGB 207 164 103

HSL 35.19, 0.52%, 0.61%

LAB 70.03, 8.36, 37.52

 

CMYK 50 / 0 / 21 / 19

HEX #67CFA4

RGB 103 207 164

HSL 155.19, 0.52%, 0.61%

LAB 76.19, -40.31, 12.22

 

CMYK 21 / 50 / 0 / 19

HEX #A467CF

RGB 164 103 207

HSL 275.19, 0.52%, 0.61%

LAB 54.13, 43.44, -44.53

 

CMYK 0 / 21 / 50 / 19

HEX #CFA467

RGB 207 164 103

HSL 35.19, 0.52%, 0.61%

LAB 70.03, 8.36, 37.52

 

CMYK 39 / 0 / 50 / 19

HEX #7ECF67

RGB 126 207 103

HSL 106.73, 0.52%, 0.61%

LAB 76.09, -44.24, 43.72

 

CMYK 50 / 29 / 0 / 19

HEX #6792CF

RGB 103 146 207

HSL 215.19, 0.52%, 0.61%

LAB 59.84, 2.33, -35.89

 

CMYK 11 / 50 / 0 / 19

HEX #B867CF

RGB 184 103 207

HSL 286.73, 0.52%, 0.61%

LAB 56.48, 48.94, -40.67

 

CMYK 0 / 21 / 50 / 19

HEX #CFA467

RGB 207 164 103

HSL 35.19, 0.52%, 0.61%

LAB 70.03, 8.36, 37.52

 

CMYK 50 / 0 / 46 / 19

HEX #67CF70

RGB 103 207 112

HSL 125.19, 0.52%, 0.61%

LAB 75.25, -49.78, 38.05

 

CMYK 50 / 29 / 0 / 19

HEX #6792CF

RGB 103 146 207

HSL 215.19, 0.52%, 0.61%

LAB 59.84, 2.33, -35.89

 

CMYK 0 / 50 / 4 / 19

HEX #CF67C6

RGB 207 103 198

HSL 305.19, 0.52%, 0.61%

LAB 59.01, 53.76, -31.38

 

Description

Color code: HEX #CFA467 | qconv.com Color code: HEX #CFA467 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 164 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 164 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 50 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 50% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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