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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFA54E it is the complementary color #305AB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFA54E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFA54E shade: #D4A549, #E5B75C, #F6C96F, #FFDB82 and #FFED95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFA54E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFA54E shade: #CFA54E, #BE933B, #AD8128, #9C6F15 and #8B5D02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFA54E shade: #CEA54E, #CE824E, #CE604E and #CE4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFA54E shade: #CEA54E, #CEC74E, #B3CE4E, #90CE4E and #6ECE4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFA54E shade matches the following richer shades: #CEA54E, #E0AB3C and #F3B12A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFA54E shade: #CEA54E, #BC9E60, #AA9873, #989285 and #868B97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFA54E shade: #CE5F4E, #CE824E, #CEA44E, #CEC64E and #B5CE4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFA54E shade: #9F792B, #BF9234, #CEA54E, #D7B56F and #E0C68F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFA54E shade: #CFA54E, #5FCE4E and #704ECE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFA54E shade: #CFA54E, #4ECEA4 and #A44ECE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFA54E shade: #CFA54E, #5FCE4E, #4E79CE and #BD4ECE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFA54E shade: #CFA54E, #4ECE64, #4E79CE and #CE4EB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 62 / 19

HEX #CFA54E

RGB 207 165 78

HSL 40.47, 0.57%, 0.56%

LAB 69.98, 5.82, 49.94

 

Complementary color

CMYK 73 / 49 / 0 / 31

HEX #305AB1

RGB 48 90 177

HSL 220.47, 0.57%, 0.44%

LAB 39.77, 15.96, -50.65

 

CMYK 0 / 22 / 66 / 17

HEX #D4A549

RGB 212 165 73

HSL 39.71, 0.62%, 0.56%

LAB 70.45, 7.64, 52.92

 

CMYK 0 / 20 / 60 / 10

HEX #E5B75C

RGB 229 183 92

HSL 39.85, 0.72%, 0.63%

LAB 76.86, 6.52, 51.72

 

CMYK 0 / 18 / 55 / 4

HEX #F6C96F

RGB 246 201 111

HSL 40, 0.88%, 0.7%

LAB 83.19, 5.55, 50.45

 

CMYK 0 / 14 / 49 / 0

HEX #FFDB82

RGB 255 219 130

HSL 42.72, 1%, 0.75%

LAB 88.7, 1.52, 48.12

 

CMYK 0 / 7 / 42 / 0

HEX #FFED95

RGB 255 237 149

HSL 49.81, 1%, 0.79%

LAB 93.45, -5.76, 44.76

 

CMYK 0 / 20 / 62 / 19

HEX #CFA54E

RGB 207 165 78

HSL 40.47, 0.57%, 0.56%

LAB 69.98, 5.82, 49.94

 

CMYK 0 / 23 / 69 / 25

HEX #BE933B

RGB 190 147 59

HSL 40.31, 0.53%, 0.49%

LAB 63.45, 7.03, 51.08

 

CMYK 0 / 25 / 77 / 32

HEX #AD8128

RGB 173 129 40

HSL 40.15, 0.62%, 0.42%

LAB 56.82, 8.47, 51.89

 

CMYK 0 / 29 / 87 / 39

HEX #9C6F15

RGB 156 111 21

HSL 40, 0.76%, 0.35%

LAB 50.09, 10.19, 51.91

 

CMYK 0 / 33 / 99 / 45

HEX #8B5D02

RGB 139 93 2

HSL 39.85, 0.97%, 0.28%

LAB 43.24, 12.25, 50.63

 

CMYK 0 / 20 / 62 / 19

HEX #CEA54E

RGB 206 165 78

HSL 40.78, 0.57%, 0.56%

LAB 69.88, 5.4, 49.8

 

CMYK 0 / 37 / 62 / 19

HEX #CE824E

RGB 206 130 78

HSL 24.38, 0.57%, 0.56%

LAB 61.34, 24.38, 39.93

 

CMYK 0 / 53 / 62 / 19

HEX #CE604E

RGB 206 96 78

HSL 8.44, 0.57%, 0.56%

LAB 54.07, 42.2, 31.09

 

CMYK 0 / 62 / 62 / 19

HEX #CE4E4E

RGB 206 78 78

HSL 0, 0.57%, 0.56%

LAB 50.83, 50.68, 27.01

 

CMYK 0 / 20 / 62 / 19

HEX #CEA54E

RGB 206 165 78

HSL 40.78, 0.57%, 0.56%

LAB 69.88, 5.4, 49.8

 

CMYK 0 / 3 / 62 / 19

HEX #CEC74E

RGB 206 199 78

HSL 56.72, 0.57%, 0.56%

LAB 78.76, -12.37, 59.54

 

CMYK 13 / 0 / 62 / 19

HEX #B3CE4E

RGB 179 206 78

HSL 72.66, 0.57%, 0.56%

LAB 78.62, -26.91, 58.78

 

CMYK 30 / 0 / 62 / 19

HEX #90CE4E

RGB 144 206 78

HSL 89.06, 0.57%, 0.56%

LAB 76.45, -40.28, 55.79

 

CMYK 47 / 0 / 62 / 19

HEX #6ECE4E

RGB 110 206 78

HSL 105, 0.57%, 0.56%

LAB 74.83, -51.54, 53.54

 

CMYK 0 / 20 / 62 / 19

HEX #CEA54E

RGB 206 165 78

HSL 40.78, 0.57%, 0.56%

LAB 69.88, 5.4, 49.8

 

CMYK 0 / 24 / 73 / 12

HEX #E0AB3C

RGB 224 171 60

HSL 40.61, 0.73%, 0.56%

LAB 73.09, 8.9, 61.63

 

CMYK 0 / 27 / 83 / 5

HEX #F3B12A

RGB 243 177 42

HSL 40.3, 0.89%, 0.56%

LAB 76.48, 13.2, 71.77

 

CMYK 0 / 20 / 62 / 19

HEX #CEA54E

RGB 206 165 78

HSL 40.78, 0.57%, 0.56%

LAB 69.88, 5.4, 49.8

 

CMYK 0 / 16 / 49 / 26

HEX #BC9E60

RGB 188 158 96

HSL 40.43, 0.41%, 0.56%

LAB 66.51, 2.99, 36.36

 

CMYK 0 / 11 / 32 / 33

HEX #AA9873

RGB 170 152 115

HSL 40.36, 0.24%, 0.56%

LAB 63.54, 0.96, 21.93

 

CMYK 0 / 4 / 13 / 40

HEX #989285

RGB 152 146 133

HSL 41.05, 0.08%, 0.56%

LAB 60.72, -0.13, 7.67

 

CMYK 11 / 8 / 0 / 41

HEX #868B97

RGB 134 139 151

HSL 222.35, 0.08%, 0.56%

LAB 57.82, 0.68, -7.01

 

CMYK 0 / 54 / 62 / 19

HEX #CE5F4E

RGB 206 95 78

HSL 7.97, 0.57%, 0.56%

LAB 53.87, 42.7, 30.85

 

CMYK 0 / 37 / 62 / 19

HEX #CE824E

RGB 206 130 78

HSL 24.38, 0.57%, 0.56%

LAB 61.34, 24.38, 39.93

 

CMYK 0 / 20 / 62 / 19

HEX #CEA44E

RGB 206 164 78

HSL 40.31, 0.57%, 0.56%

LAB 69.63, 5.93, 49.51

 

CMYK 0 / 4 / 62 / 19

HEX #CEC64E

RGB 206 198 78

HSL 56.25, 0.57%, 0.56%

LAB 78.5, -11.86, 59.26

 

CMYK 12 / 0 / 62 / 19

HEX #B5CE4E

RGB 181 206 78

HSL 71.72, 0.57%, 0.56%

LAB 78.76, -26.11, 58.98

 

CMYK 0 / 24 / 73 / 38

HEX #9F792B

RGB 159 121 43

HSL 40.34, 0.57%, 0.4%

LAB 53.19, 6.76, 46.52

 

CMYK 0 / 24 / 73 / 25

HEX #BF9234

RGB 191 146 52

HSL 40.58, 0.57%, 0.48%

LAB 63.25, 7.65, 53.94

 

CMYK 0 / 20 / 62 / 19

HEX #CEA54E

RGB 206 165 78

HSL 40.78, 0.57%, 0.56%

LAB 69.88, 5.4, 49.8

 

CMYK 0 / 16 / 48 / 16

HEX #D7B56F

RGB 215 181 111

HSL 40.38, 0.57%, 0.64%

LAB 75.23, 3.33, 40.06

 

CMYK 0 / 12 / 36 / 12

HEX #E0C68F

RGB 224 198 143

HSL 40.74, 0.57%, 0.72%

LAB 80.86, 1.4, 30.95

 

CMYK 0 / 20 / 62 / 19

HEX #CFA54E

RGB 207 165 78

HSL 40.47, 0.57%, 0.56%

LAB 69.98, 5.82, 49.94

 

CMYK 54 / 0 / 62 / 19

HEX #5FCE4E

RGB 95 206 78

HSL 112.03, 0.57%, 0.56%

LAB 74.27, -55.75, 52.76

 

CMYK 46 / 62 / 0 / 19

HEX #704ECE

RGB 112 78 206

HSL 255.94, 0.57%, 0.56%

LAB 43.29, 44.54, -61.65

 

CMYK 0 / 20 / 62 / 19

HEX #CFA54E

RGB 207 165 78

HSL 40.47, 0.57%, 0.56%

LAB 69.98, 5.82, 49.94

 

CMYK 62 / 0 / 20 / 19

HEX #4ECEA4

RGB 78 206 164

HSL 160.31, 0.57%, 0.56%

LAB 75.1, -45.16, 10.58

 

CMYK 20 / 62 / 0 / 19

HEX #A44ECE

RGB 164 78 206

HSL 280.31, 0.57%, 0.56%

LAB 49.25, 56.03, -51.73

 

CMYK 0 / 20 / 62 / 19

HEX #CFA54E

RGB 207 165 78

HSL 40.47, 0.57%, 0.56%

LAB 69.98, 5.82, 49.94

 

CMYK 54 / 0 / 62 / 19

HEX #5FCE4E

RGB 95 206 78

HSL 112.03, 0.57%, 0.56%

LAB 74.27, -55.75, 52.76

 

CMYK 62 / 41 / 0 / 19

HEX #4E79CE

RGB 78 121 206

HSL 219.84, 0.57%, 0.56%

LAB 51.55, 11.66, -48.48

 

CMYK 8 / 62 / 0 / 19

HEX #BD4ECE

RGB 189 78 206

HSL 292.03, 0.57%, 0.56%

LAB 52.65, 61.99, -46.12

 

CMYK 0 / 20 / 62 / 19

HEX #CFA54E

RGB 207 165 78

HSL 40.47, 0.57%, 0.56%

LAB 69.98, 5.82, 49.94

 

CMYK 62 / 0 / 51 / 19

HEX #4ECE64

RGB 78 206 100

HSL 130.31, 0.57%, 0.56%

LAB 73.99, -57.12, 42.19

 

CMYK 62 / 41 / 0 / 19

HEX #4E79CE

RGB 78 121 206

HSL 219.84, 0.57%, 0.56%

LAB 51.55, 11.66, -48.48

 

CMYK 0 / 62 / 10 / 19

HEX #CE4EB9

RGB 206 78 185

HSL 309.84, 0.57%, 0.56%

LAB 54.1, 62.69, -31.57

 

Description

Color code: HEX #CFA54E | qconv.com Color code: HEX #CFA54E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 165 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 165 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 62 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 62% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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