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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFA758 it is the complementary color #3058A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFA758. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFA758 shade: #D4A753, #E5B966, #F6CB79, #FFDD8C and #FFEF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFA758. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFA758 shade: #CFA758, #BE9545, #AD8332, #9C711F and #8B5F0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFA758 shade: #CEA758, #CE8758, #CE6758 and #CE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFA758 shade: #CEA758, #CEC658, #B6CE58, #97CE58 and #77CE58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFA758 shade matches the following richer shades: #CEA758, #E0AC47 and #F1B236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFA758 shade: #CEA758, #BDA16A, #AC9B7B, #9A968C and #89909E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFA758 shade: #CE6658, #CE8658, #CEA558, #CEC458 and #B9CE58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFA758 shade: #A57D2F, #C59639, #CEA758, #D8B878 and #E1C998

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFA758 shade: #CFA758, #6ACE58 and #7658CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFA758 shade: #CFA758, #58CEA5 and #A558CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFA758 shade: #CFA758, #6ACE58, #5882CE and #BD58CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFA758 shade: #CFA758, #58CE6A, #5882CE and #CE58BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 57 / 19

HEX #CFA758

RGB 207 167 88

HSL 39.83, 0.55%, 0.58%

LAB 70.6, 5.47, 45.82

 

Complementary color

CMYK 71 / 47 / 0 / 35

HEX #3058A7

RGB 48 88 167

HSL 219.83, 0.55%, 0.42%

LAB 38.55, 13.49, -46.7

 

CMYK 0 / 21 / 61 / 17

HEX #D4A753

RGB 212 167 83

HSL 39.07, 0.6%, 0.58%

LAB 71.05, 7.23, 48.9

 

CMYK 0 / 19 / 55 / 10

HEX #E5B966

RGB 229 185 102

HSL 39.21, 0.71%, 0.65%

LAB 77.47, 6.21, 47.61

 

CMYK 0 / 17 / 51 / 4

HEX #F6CB79

RGB 246 203 121

HSL 39.36, 0.87%, 0.72%

LAB 83.8, 5.34, 46.31

 

CMYK 0 / 13 / 45 / 0

HEX #FFDD8C

RGB 255 221 140

HSL 42.26, 1%, 0.77%

LAB 89.33, 1.42, 43.98

 

CMYK 0 / 6 / 38 / 0

HEX #FFEF9F

RGB 255 239 159

HSL 50, 1%, 0.81%

LAB 94.1, -5.71, 40.66

 

CMYK 0 / 19 / 57 / 19

HEX #CFA758

RGB 207 167 88

HSL 39.83, 0.55%, 0.58%

LAB 70.6, 5.47, 45.82

 

CMYK 0 / 22 / 64 / 25

HEX #BE9545

RGB 190 149 69

HSL 39.67, 0.48%, 0.51%

LAB 64.06, 6.55, 47.1

 

CMYK 0 / 24 / 71 / 32

HEX #AD8332

RGB 173 131 50

HSL 39.51, 0.55%, 0.44%

LAB 57.41, 7.83, 48.23

 

CMYK 0 / 28 / 80 / 39

HEX #9C711F

RGB 156 113 31

HSL 39.36, 0.67%, 0.37%

LAB 50.66, 9.38, 48.93

 

CMYK 0 / 32 / 91 / 45

HEX #8B5F0C

RGB 139 95 12

HSL 39.21, 0.84%, 0.3%

LAB 43.8, 11.28, 48.53

 

CMYK 0 / 19 / 57 / 19

HEX #CEA758

RGB 206 167 88

HSL 40.17, 0.55%, 0.58%

LAB 70.5, 5.05, 45.68

 

CMYK 0 / 34 / 57 / 19

HEX #CE8758

RGB 206 135 88

HSL 23.9, 0.55%, 0.58%

LAB 62.64, 22.4, 36.21

 

CMYK 0 / 50 / 57 / 19

HEX #CE6758

RGB 206 103 88

HSL 7.63, 0.55%, 0.58%

LAB 55.61, 39.4, 27.36

 

CMYK 0 / 57 / 57 / 19

HEX #CE5858

RGB 206 88 88

HSL 0, 0.55%, 0.58%

LAB 52.74, 46.8, 23.62

 

CMYK 0 / 19 / 57 / 19

HEX #CEA758

RGB 206 167 88

HSL 40.17, 0.55%, 0.58%

LAB 70.5, 5.05, 45.68

 

CMYK 0 / 4 / 57 / 19

HEX #CEC658

RGB 206 198 88

HSL 55.93, 0.55%, 0.58%

LAB 78.59, -11.17, 54.97

 

CMYK 12 / 0 / 57 / 19

HEX #B6CE58

RGB 182 206 88

HSL 72.2, 0.55%, 0.58%

LAB 78.92, -24.94, 54.84

 

CMYK 27 / 0 / 57 / 19

HEX #97CE58

RGB 151 206 88

HSL 87.97, 0.55%, 0.58%

LAB 76.94, -36.84, 52.06

 

CMYK 42 / 0 / 57 / 19

HEX #77CE58

RGB 119 206 88

HSL 104.24, 0.55%, 0.58%

LAB 75.31, -47.77, 49.76

 

CMYK 0 / 19 / 57 / 19

HEX #CEA758

RGB 206 167 88

HSL 40.17, 0.55%, 0.58%

LAB 70.5, 5.05, 45.68

 

CMYK 0 / 23 / 68 / 12

HEX #E0AC47

RGB 224 172 71

HSL 39.61, 0.71%, 0.58%

LAB 73.42, 8.92, 57.37

 

CMYK 0 / 26 / 78 / 5

HEX #F1B236

RGB 241 178 54

HSL 39.79, 0.87%, 0.58%

LAB 76.56, 12.21, 67.84

 

CMYK 0 / 19 / 57 / 19

HEX #CEA758

RGB 206 167 88

HSL 40.17, 0.55%, 0.58%

LAB 70.5, 5.05, 45.68

 

CMYK 0 / 15 / 44 / 26

HEX #BDA16A

RGB 189 161 106

HSL 39.76, 0.39%, 0.58%

LAB 67.54, 2.8, 32.41

 

CMYK 0 / 10 / 28 / 33

HEX #AC9B7B

RGB 172 155 123

HSL 39.18, 0.23%, 0.58%

LAB 64.68, 1.2, 19.08

 

CMYK 0 / 3 / 9 / 40

HEX #9A968C

RGB 154 150 140

HSL 42.86, 0.06%, 0.58%

LAB 62.15, -0.37, 5.78

 

CMYK 13 / 9 / 0 / 38

HEX #89909E

RGB 137 144 158

HSL 220, 0.1%, 0.58%

LAB 59.65, 0.42, -8.26

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 0 / 35 / 57 / 19

HEX #CE8658

RGB 206 134 88

HSL 23.39, 0.55%, 0.58%

LAB 62.4, 22.95, 35.92

 

CMYK 0 / 20 / 57 / 19

HEX #CEA558

RGB 206 165 88

HSL 39.15, 0.55%, 0.58%

LAB 69.99, 6.12, 45.08

 

CMYK 0 / 5 / 57 / 19

HEX #CEC458

RGB 206 196 88

HSL 54.92, 0.55%, 0.58%

LAB 78.06, -10.15, 54.37

 

CMYK 10 / 0 / 57 / 19

HEX #B9CE58

RGB 185 206 88

HSL 70.68, 0.55%, 0.58%

LAB 79.13, -23.74, 55.14

 

CMYK 0 / 24 / 72 / 35

HEX #A57D2F

RGB 165 125 47

HSL 39.66, 0.56%, 0.42%

LAB 54.94, 7.44, 46.75

 

CMYK 0 / 24 / 71 / 23

HEX #C59639

RGB 197 150 57

HSL 39.86, 0.55%, 0.5%

LAB 64.95, 8.35, 53.74

 

CMYK 0 / 19 / 57 / 19

HEX #CEA758

RGB 206 167 88

HSL 40.17, 0.55%, 0.58%

LAB 70.5, 5.05, 45.68

 

CMYK 0 / 15 / 44 / 15

HEX #D8B878

RGB 216 184 120

HSL 40, 0.55%, 0.66%

LAB 76.21, 3.03, 36.7

 

CMYK 0 / 11 / 32 / 12

HEX #E1C998

RGB 225 201 152

HSL 40.27, 0.55%, 0.74%

LAB 81.86, 1.31, 27.6

 

CMYK 0 / 19 / 57 / 19

HEX #CFA758

RGB 207 167 88

HSL 39.83, 0.55%, 0.58%

LAB 70.6, 5.47, 45.82

 

CMYK 49 / 0 / 57 / 19

HEX #6ACE58

RGB 106 206 88

HSL 110.85, 0.55%, 0.58%

LAB 74.77, -51.66, 48.99

 

CMYK 43 / 57 / 0 / 19

HEX #7658CE

RGB 118 88 206

HSL 255.25, 0.55%, 0.58%

LAB 46.03, 40.12, -57.19

 

CMYK 0 / 19 / 57 / 19

HEX #CFA758

RGB 207 167 88

HSL 39.83, 0.55%, 0.58%

LAB 70.6, 5.47, 45.82

 

CMYK 57 / 0 / 20 / 19

HEX #58CEA5

RGB 88 206 165

HSL 159.15, 0.55%, 0.58%

LAB 75.41, -42.99, 10.52

 

CMYK 20 / 57 / 0 / 19

HEX #A558CE

RGB 165 88 206

HSL 279.15, 0.55%, 0.58%

LAB 51.19, 51.37, -48.62

 

CMYK 0 / 19 / 57 / 19

HEX #CFA758

RGB 207 167 88

HSL 39.83, 0.55%, 0.58%

LAB 70.6, 5.47, 45.82

 

CMYK 49 / 0 / 57 / 19

HEX #6ACE58

RGB 106 206 88

HSL 110.85, 0.55%, 0.58%

LAB 74.77, -51.66, 48.99

 

CMYK 57 / 37 / 0 / 19

HEX #5882CE

RGB 88 130 206

HSL 218.64, 0.55%, 0.58%

LAB 54.55, 8.15, -43.7

 

CMYK 8 / 57 / 0 / 19

HEX #BD58CE

RGB 189 88 206

HSL 291.36, 0.55%, 0.58%

LAB 54.3, 57.47, -43.5

 

CMYK 0 / 19 / 57 / 19

HEX #CFA758

RGB 207 167 88

HSL 39.83, 0.55%, 0.58%

LAB 70.6, 5.47, 45.82

 

CMYK 57 / 0 / 49 / 19

HEX #58CE6A

RGB 88 206 106

HSL 129.15, 0.55%, 0.58%

LAB 74.35, -54.03, 39.78

 

CMYK 57 / 37 / 0 / 19

HEX #5882CE

RGB 88 130 206

HSL 218.64, 0.55%, 0.58%

LAB 54.55, 8.15, -43.7

 

CMYK 0 / 57 / 8 / 19

HEX #CE58BD

RGB 206 88 189

HSL 308.64, 0.55%, 0.58%

LAB 55.86, 59.01, -31.14

 

Description

Color code: HEX #CFA758 | qconv.com Color code: HEX #CFA758 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 167 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 167 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 57 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 57% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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