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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFA031 it is the complementary color #305FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFA031. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFA031 shade: #D4A02C, #E5B23F, #F6C452, #FFD665 and #FFE878

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFA031. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFA031 shade: #CFA031, #BE8E1E, #AD7C0B, #9C6A00 and #8B5800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFA031 shade: #CE9F30, #CE7430, #CE4A30 and #CE3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFA031 shade: #CE9F30, #CECA30, #A8CE30, #7DCE30 and #53CE30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFA031 shade matches the following richer shades: #CE9F30, #E3A71B and #F7B007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFA031 shade: #CE9F30, #B99745, #A58E59, #90866E and #7C7E82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFA031 shade: #CE4A30, #CE7430, #CE9F30, #CEC930 and #A9CE30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFA031 shade: #8B6B20, #AD8528, #CE9F30, #D6AE51 and #DEBE73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFA031 shade: #CFA031, #40CE30 and #5F30CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFA031 shade: #CFA031, #30CE9F and #9F30CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFA031 shade: #CFA031, #40CE30, #305FCE and #BE30CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFA031 shade: #CFA031, #30CE50, #305FCE and #CE30AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 76 / 19

HEX #CFA031

RGB 207 160 49

HSL 42.15, 0.62%, 0.5%

LAB 68.48, 6.95, 60.81

 

Complementary color

CMYK 77 / 54 / 0 / 19

HEX #305FCE

RGB 48 95 206

HSL 222.15, 0.62%, 0.5%

LAB 43.17, 23.63, -62.04

 

CMYK 0 / 25 / 79 / 17

HEX #D4A02C

RGB 212 160 44

HSL 41.43, 0.66%, 0.5%

LAB 68.98, 8.94, 63.26

 

CMYK 0 / 22 / 72 / 10

HEX #E5B23F

RGB 229 178 63

HSL 41.57, 0.76%, 0.57%

LAB 75.36, 7.47, 62.86

 

CMYK 0 / 20 / 67 / 4

HEX #F6C452

RGB 246 196 82

HSL 41.71, 0.9%, 0.64%

LAB 81.66, 6.2, 62.02

 

CMYK 0 / 16 / 60 / 0

HEX #FFD665

RGB 255 214 101

HSL 44.03, 1%, 0.7%

LAB 87.14, 1.82, 59.91

 

CMYK 0 / 9 / 53 / 0

HEX #FFE878

RGB 255 232 120

HSL 49.78, 1%, 0.74%

LAB 91.83, -5.89, 56.65

 

CMYK 0 / 23 / 76 / 19

HEX #CFA031

RGB 207 160 49

HSL 42.15, 0.62%, 0.5%

LAB 68.48, 6.95, 60.81

 

CMYK 0 / 25 / 84 / 25

HEX #BE8E1E

RGB 190 142 30

HSL 42, 0.73%, 0.43%

LAB 61.99, 8.55, 60.74

 

CMYK 0 / 28 / 94 / 32

HEX #AD7C0B

RGB 173 124 11

HSL 41.85, 0.88%, 0.36%

LAB 55.4, 10.44, 59.36

 

CMYK 0 / 32 / 100 / 39

HEX #9C6A00

RGB 156 106 0

HSL 40.77, 1%, 0.31%

LAB 48.73, 12.65, 55.84

 

CMYK 0 / 37 / 100 / 45

HEX #8B5800

RGB 139 88 0

HSL 37.99, 1%, 0.27%

LAB 41.95, 15.13, 50.31

 

CMYK 0 / 23 / 77 / 19

HEX #CE9F30

RGB 206 159 48

HSL 42.15, 0.62%, 0.5%

LAB 68.12, 7.01, 60.8

 

CMYK 0 / 44 / 77 / 19

HEX #CE7430

RGB 206 116 48

HSL 25.82, 0.62%, 0.5%

LAB 57.87, 30.26, 50.91

 

CMYK 0 / 64 / 77 / 19

HEX #CE4A30

RGB 206 74 48

HSL 9.87, 0.62%, 0.5%

LAB 49.78, 50.89, 42.67

 

CMYK 0 / 77 / 77 / 19

HEX #CE3030

RGB 206 48 48

HSL 0, 0.62%, 0.5%

LAB 46.24, 60.57, 38.93

 

CMYK 0 / 23 / 77 / 19

HEX #CE9F30

RGB 206 159 48

HSL 42.15, 0.62%, 0.5%

LAB 68.12, 7.01, 60.8

 

CMYK 0 / 2 / 77 / 19

HEX #CECA30

RGB 206 202 48

HSL 58.48, 0.62%, 0.5%

LAB 79.37, -15.4, 71.17

 

CMYK 18 / 0 / 77 / 19

HEX #A8CE30

RGB 168 206 48

HSL 74.43, 0.62%, 0.5%

LAB 77.69, -33.06, 68.6

 

CMYK 39 / 0 / 77 / 19

HEX #7DCE30

RGB 125 206 48

HSL 90.76, 0.62%, 0.5%

LAB 75.27, -49.02, 65.47

 

CMYK 60 / 0 / 77 / 19

HEX #53CE30

RGB 83 206 48

HSL 106.71, 0.62%, 0.5%

LAB 73.67, -61.23, 63.38

 

CMYK 0 / 23 / 77 / 19

HEX #CE9F30

RGB 206 159 48

HSL 42.15, 0.62%, 0.5%

LAB 68.12, 7.01, 60.8

 

CMYK 0 / 26 / 88 / 11

HEX #E3A71B

RGB 227 167 27

HSL 42, 0.79%, 0.5%

LAB 72.26, 11.26, 71.56

 

CMYK 0 / 29 / 97 / 3

HEX #F7B007

RGB 247 176 7

HSL 42.25, 0.94%, 0.5%

LAB 76.58, 14.85, 78.85

 

CMYK 0 / 23 / 77 / 19

HEX #CE9F30

RGB 206 159 48

HSL 42.15, 0.62%, 0.5%

LAB 68.12, 7.01, 60.8

 

CMYK 0 / 18 / 63 / 27

HEX #B99745

RGB 185 151 69

HSL 42.41, 0.46%, 0.5%

LAB 64.06, 3.28, 46.96

 

CMYK 0 / 14 / 46 / 35

HEX #A58E59

RGB 165 142 89

HSL 41.84, 0.3%, 0.5%

LAB 59.95, 1.29, 31.35

 

CMYK 0 / 7 / 24 / 44

HEX #90866E

RGB 144 134 110

HSL 42.35, 0.13%, 0.5%

LAB 56.19, -0.32, 14.3

 

CMYK 5 / 3 / 0 / 49

HEX #7C7E82

RGB 124 126 130

HSL 220, 0.02%, 0.5%

LAB 52.75, 0.07, -2.44

 

CMYK 0 / 64 / 77 / 19

HEX #CE4A30

RGB 206 74 48

HSL 9.87, 0.62%, 0.5%

LAB 49.78, 50.89, 42.67

 

CMYK 0 / 44 / 77 / 19

HEX #CE7430

RGB 206 116 48

HSL 25.82, 0.62%, 0.5%

LAB 57.87, 30.26, 50.91

 

CMYK 0 / 23 / 77 / 19

HEX #CE9F30

RGB 206 159 48

HSL 42.15, 0.62%, 0.5%

LAB 68.12, 7.01, 60.8

 

CMYK 0 / 2 / 77 / 19

HEX #CEC930

RGB 206 201 48

HSL 58.1, 0.62%, 0.5%

LAB 79.1, -14.9, 70.93

 

CMYK 18 / 0 / 77 / 19

HEX #A9CE30

RGB 169 206 48

HSL 74.05, 0.62%, 0.5%

LAB 77.75, -32.66, 68.68

 

CMYK 0 / 23 / 77 / 45

HEX #8B6B20

RGB 139 107 32

HSL 42.06, 0.63%, 0.34%

LAB 47.12, 4.97, 44.49

 

CMYK 0 / 23 / 77 / 32

HEX #AD8528

RGB 173 133 40

HSL 41.95, 0.62%, 0.42%

LAB 57.86, 6.24, 52.88

 

CMYK 0 / 23 / 77 / 19

HEX #CE9F30

RGB 206 159 48

HSL 42.15, 0.62%, 0.5%

LAB 68.12, 7.01, 60.8

 

CMYK 0 / 19 / 62 / 16

HEX #D6AE51

RGB 214 174 81

HSL 41.95, 0.62%, 0.58%

LAB 73, 4.21, 52.11

 

CMYK 0 / 14 / 48 / 13

HEX #DEBE73

RGB 222 190 115

HSL 42.06, 0.62%, 0.66%

LAB 78.22, 1.83, 41.91

 

CMYK 0 / 23 / 76 / 19

HEX #CFA031

RGB 207 160 49

HSL 42.15, 0.62%, 0.5%

LAB 68.48, 6.95, 60.81

 

CMYK 69 / 0 / 77 / 19

HEX #40CE30

RGB 64 206 48

HSL 113.92, 0.62%, 0.5%

LAB 73.18, -65.26, 62.74

 

CMYK 54 / 77 / 0 / 19

HEX #5F30CE

RGB 95 48 206

HSL 257.85, 0.62%, 0.5%

LAB 35.99, 57.16, -73.63

 

CMYK 0 / 23 / 76 / 19

HEX #CFA031

RGB 207 160 49

HSL 42.15, 0.62%, 0.5%

LAB 68.48, 6.95, 60.81

 

CMYK 77 / 0 / 23 / 19

HEX #30CE9F

RGB 48 206 159

HSL 162.15, 0.62%, 0.5%

LAB 74.36, -50.79, 12.12

 

CMYK 23 / 77 / 0 / 19

HEX #9F30CE

RGB 159 48 206

HSL 282.15, 0.62%, 0.5%

LAB 44.15, 67.36, -59.98

 

CMYK 0 / 23 / 76 / 19

HEX #CFA031

RGB 207 160 49

HSL 42.15, 0.62%, 0.5%

LAB 68.48, 6.95, 60.81

 

CMYK 69 / 0 / 77 / 19

HEX #40CE30

RGB 64 206 48

HSL 113.92, 0.62%, 0.5%

LAB 73.18, -65.26, 62.74

 

CMYK 77 / 54 / 0 / 19

HEX #305FCE

RGB 48 95 206

HSL 222.15, 0.62%, 0.5%

LAB 43.17, 23.63, -62.04

 

CMYK 8 / 77 / 0 / 19

HEX #BE30CE

RGB 190 48 206

HSL 293.92, 0.62%, 0.5%

LAB 48.91, 73.19, -52.07

 

CMYK 0 / 23 / 76 / 19

HEX #CFA031

RGB 207 160 49

HSL 42.15, 0.62%, 0.5%

LAB 68.48, 6.95, 60.81

 

CMYK 77 / 0 / 61 / 19

HEX #30CE50

RGB 48 206 80

HSL 132.15, 0.62%, 0.5%

LAB 73.12, -64.91, 50.28

 

CMYK 77 / 54 / 0 / 19

HEX #305FCE

RGB 48 95 206

HSL 222.15, 0.62%, 0.5%

LAB 43.17, 23.63, -62.04

 

CMYK 0 / 77 / 16 / 19

HEX #CE30AE

RGB 206 48 174

HSL 312.15, 0.62%, 0.5%

LAB 49.85, 71.63, -31.8

 

Description

Color code: HEX #CFA031 | qconv.com Color code: HEX #CFA031 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 160 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 160 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 76 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 76% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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