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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFA04D it is the complementary color #305FB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFA04D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFA04D shade: #D4A048, #E5B25B, #F6C46E, #FFD681 and #FFE894

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFA04D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFA04D shade: #CFA04D, #BE8E3A, #AD7C27, #9C6A14 and #8B5801

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFA04D shade: #CFA04D, #CF7D4D, #CF5A4D and #CF4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFA04D shade: #CFA04D, #CFC34D, #B8CF4D, #95CF4D and #72CF4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFA04D shade matches the following richer shades: #CFA04D, #E2A53B and #F4AA29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFA04D shade: #CFA04D, #BD9B5F, #AB9672, #999184 and #878C96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFA04D shade: #CF5A4D, #CF7D4D, #CFA04D, #CFC24D and #BACF4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFA04D shade: #A0752A, #C18D33, #CFA04D, #D8B26E and #E1C38E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFA04D shade: #CFA04D, #63CF4D and #6C4DCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFA04D shade: #CFA04D, #4DCFA0 and #A04DCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFA04D shade: #CFA04D, #63CF4D, #4D7DCF and #BA4DCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFA04D shade: #CFA04D, #4DCF5F, #4D7DCF and #CF4DBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 63 / 19

HEX #CFA04D

RGB 207 160 77

HSL 38.31, 0.58%, 0.56%

LAB 68.71, 8.45, 48.98

 

Complementary color

CMYK 73 / 47 / 0 / 30

HEX #305FB2

RGB 48 95 178

HSL 218.31, 0.58%, 0.44%

LAB 41.26, 13.08, -48.85

 

CMYK 0 / 25 / 66 / 17

HEX #D4A048

RGB 212 160 72

HSL 37.71, 0.62%, 0.56%

LAB 69.19, 10.27, 52.01

 

CMYK 0 / 22 / 60 / 10

HEX #E5B25B

RGB 229 178 91

HSL 37.83, 0.73%, 0.63%

LAB 75.61, 9.09, 50.76

 

CMYK 0 / 20 / 55 / 4

HEX #F6C46E

RGB 246 196 110

HSL 37.94, 0.88%, 0.7%

LAB 81.95, 8.07, 49.45

 

CMYK 0 / 16 / 49 / 0

HEX #FFD681

RGB 255 214 129

HSL 40.48, 1%, 0.75%

LAB 87.45, 3.99, 47.07

 

CMYK 0 / 9 / 42 / 0

HEX #FFE894

RGB 255 232 148

HSL 47.1, 1%, 0.79%

LAB 92.18, -3.35, 43.64

 

CMYK 0 / 23 / 63 / 19

HEX #CFA04D

RGB 207 160 77

HSL 38.31, 0.58%, 0.56%

LAB 68.71, 8.45, 48.98

 

CMYK 0 / 25 / 69 / 25

HEX #BE8E3A

RGB 190 142 58

HSL 38.18, 0.53%, 0.49%

LAB 62.17, 9.71, 50.18

 

CMYK 0 / 28 / 77 / 32

HEX #AD7C27

RGB 173 124 39

HSL 38.06, 0.63%, 0.42%

LAB 55.53, 11.22, 51.06

 

CMYK 0 / 32 / 87 / 39

HEX #9C6A14

RGB 156 106 20

HSL 37.94, 0.77%, 0.35%

LAB 48.79, 13.03, 51.14

 

CMYK 0 / 37 / 99 / 45

HEX #8B5801

RGB 139 88 1

HSL 37.83, 0.99%, 0.27%

LAB 41.95, 15.15, 50.03

 

CMYK 0 / 23 / 63 / 19

HEX #CFA04D

RGB 207 160 77

HSL 38.31, 0.58%, 0.56%

LAB 68.71, 8.45, 48.98

 

CMYK 0 / 40 / 63 / 19

HEX #CF7D4D

RGB 207 125 77

HSL 22.15, 0.58%, 0.56%

LAB 60.31, 27.42, 39.27

 

CMYK 0 / 57 / 63 / 19

HEX #CF5A4D

RGB 207 90 77

HSL 6, 0.58%, 0.56%

LAB 53.07, 45.43, 30.46

 

CMYK 0 / 63 / 63 / 19

HEX #CF4D4D

RGB 207 77 77

HSL 0, 0.58%, 0.56%

LAB 50.81, 51.4, 27.62

 

CMYK 0 / 23 / 63 / 19

HEX #CFA04D

RGB 207 160 77

HSL 38.31, 0.58%, 0.56%

LAB 68.71, 8.45, 48.98

 

CMYK 0 / 6 / 63 / 19

HEX #CFC34D

RGB 207 195 77

HSL 54.46, 0.58%, 0.56%

LAB 77.78, -9.98, 58.93

 

CMYK 11 / 0 / 63 / 19

HEX #B8CF4D

RGB 184 207 77

HSL 70.62, 0.58%, 0.56%

LAB 79.24, -25.45, 59.97

 

CMYK 28 / 0 / 63 / 19

HEX #95CF4D

RGB 149 207 77

HSL 86.77, 0.58%, 0.56%

LAB 77.01, -38.99, 56.91

 

CMYK 45 / 0 / 63 / 19

HEX #72CF4D

RGB 114 207 77

HSL 102.92, 0.58%, 0.56%

LAB 75.29, -50.83, 54.52

 

CMYK 0 / 23 / 63 / 19

HEX #CFA04D

RGB 207 160 77

HSL 38.31, 0.58%, 0.56%

LAB 68.71, 8.45, 48.98

 

CMYK 0 / 27 / 74 / 11

HEX #E2A53B

RGB 226 165 59

HSL 38.08, 0.74%, 0.56%

LAB 71.82, 12.9, 60.85

 

CMYK 0 / 30 / 83 / 4

HEX #F4AA29

RGB 244 170 41

HSL 38.13, 0.9%, 0.56%

LAB 74.91, 17.28, 70.79

 

CMYK 0 / 23 / 63 / 19

HEX #CFA04D

RGB 207 160 77

HSL 38.31, 0.58%, 0.56%

LAB 68.71, 8.45, 48.98

 

CMYK 0 / 18 / 50 / 26

HEX #BD9B5F

RGB 189 155 95

HSL 38.3, 0.42%, 0.56%

LAB 65.82, 4.95, 36.04

 

CMYK 0 / 12 / 33 / 33

HEX #AB9672

RGB 171 150 114

HSL 37.89, 0.25%, 0.56%

LAB 63.08, 2.33, 21.88

 

CMYK 0 / 5 / 14 / 40

HEX #999184

RGB 153 145 132

HSL 37.14, 0.09%, 0.56%

LAB 60.51, 0.64, 7.95

 

CMYK 10 / 7 / 0 / 41

HEX #878C96

RGB 135 140 150

HSL 220, 0.07%, 0.56%

LAB 58.14, 0.25, -5.95

 

CMYK 0 / 57 / 63 / 19

HEX #CF5A4D

RGB 207 90 77

HSL 6, 0.58%, 0.56%

LAB 53.07, 45.43, 30.46

 

CMYK 0 / 40 / 63 / 19

HEX #CF7D4D

RGB 207 125 77

HSL 22.15, 0.58%, 0.56%

LAB 60.31, 27.42, 39.27

 

CMYK 0 / 23 / 63 / 19

HEX #CFA04D

RGB 207 160 77

HSL 38.31, 0.58%, 0.56%

LAB 68.71, 8.45, 48.98

 

CMYK 0 / 6 / 63 / 19

HEX #CFC24D

RGB 207 194 77

HSL 54, 0.58%, 0.56%

LAB 77.51, -9.47, 58.65

 

CMYK 10 / 0 / 63 / 19

HEX #BACF4D

RGB 186 207 77

HSL 69.69, 0.58%, 0.56%

LAB 79.39, -24.64, 60.17

 

CMYK 0 / 27 / 74 / 37

HEX #A0752A

RGB 160 117 42

HSL 38.14, 0.58%, 0.4%

LAB 52.25, 9.43, 46.05

 

CMYK 0 / 27 / 74 / 24

HEX #C18D33

RGB 193 141 51

HSL 38.03, 0.58%, 0.48%

LAB 62.19, 11.22, 53.37

 

CMYK 0 / 23 / 63 / 19

HEX #CFA04D

RGB 207 160 77

HSL 38.31, 0.58%, 0.56%

LAB 68.71, 8.45, 48.98

 

CMYK 0 / 18 / 49 / 15

HEX #D8B26E

RGB 216 178 110

HSL 38.49, 0.58%, 0.64%

LAB 74.55, 5.24, 39.74

 

CMYK 0 / 13 / 37 / 12

HEX #E1C38E

RGB 225 195 142

HSL 38.31, 0.58%, 0.72%

LAB 80.17, 3.24, 30.57

 

CMYK 0 / 23 / 63 / 19

HEX #CFA04D

RGB 207 160 77

HSL 38.31, 0.58%, 0.56%

LAB 68.71, 8.45, 48.98

 

CMYK 52 / 0 / 63 / 19

HEX #63CF4D

RGB 99 207 77

HSL 109.85, 0.58%, 0.56%

LAB 74.71, -55.16, 53.72

 

CMYK 48 / 63 / 0 / 19

HEX #6C4DCF

RGB 108 77 207

HSL 254.31, 0.58%, 0.56%

LAB 42.76, 44.6, -63.09

 

CMYK 0 / 23 / 63 / 19

HEX #CFA04D

RGB 207 160 77

HSL 38.31, 0.58%, 0.56%

LAB 68.71, 8.45, 48.98

 

CMYK 63 / 0 / 23 / 19

HEX #4DCFA0

RGB 77 207 160

HSL 158.31, 0.58%, 0.56%

LAB 75.29, -46.68, 12.98

 

CMYK 23 / 63 / 0 / 19

HEX #A04DCF

RGB 160 77 207

HSL 278.31, 0.58%, 0.56%

LAB 48.62, 55.79, -53.35

 

CMYK 0 / 23 / 63 / 19

HEX #CFA04D

RGB 207 160 77

HSL 38.31, 0.58%, 0.56%

LAB 68.71, 8.45, 48.98

 

CMYK 52 / 0 / 63 / 19

HEX #63CF4D

RGB 99 207 77

HSL 109.85, 0.58%, 0.56%

LAB 74.71, -55.16, 53.72

 

CMYK 63 / 40 / 0 / 19

HEX #4D7DCF

RGB 77 125 207

HSL 217.85, 0.58%, 0.56%

LAB 52.67, 9.38, -47.27

 

CMYK 10 / 63 / 0 / 19

HEX #BA4DCF

RGB 186 77 207

HSL 290.31, 0.58%, 0.56%

LAB 52.12, 61.89, -47.55

 

CMYK 0 / 23 / 63 / 19

HEX #CFA04D

RGB 207 160 77

HSL 38.31, 0.58%, 0.56%

LAB 68.71, 8.45, 48.98

 

CMYK 63 / 0 / 54 / 19

HEX #4DCF5F

RGB 77 207 95

HSL 128.31, 0.58%, 0.56%

LAB 74.21, -58.38, 44.84

 

CMYK 63 / 40 / 0 / 19

HEX #4D7DCF

RGB 77 125 207

HSL 217.85, 0.58%, 0.56%

LAB 52.67, 9.38, -47.27

 

CMYK 0 / 63 / 8 / 19

HEX #CF4DBE

RGB 207 77 190

HSL 307.85, 0.58%, 0.56%

LAB 54.33, 64.14, -34.09

 

Description

Color code: HEX #CFA04D | qconv.com Color code: HEX #CFA04D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 160 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 160 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 63 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 63% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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