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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFAE10 it is the complementary color #3051EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFAE10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFAE10 shade: #D4AE0B, #E5C01E, #F6D231, #FFE444 and #FFF657

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFAE10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFAE10 shade: #CFAE10, #BE9C00, #AD8A00, #9C7800 and #8B6600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFAE10 shade: #D0AF0F, #D07B0F, #D0470F, #D0130F and #D00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFAE10 shade: #D0AF0F, #BED00F, #89D00F, #55D00F and #21D00F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFAE10 shade matches the following richer shades: #D0AF0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFAE10 shade: #D0AF0F, #BEA321, #AC9734, #9A8B46 and #887F58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFAE10 shade: #D0460F, #D0790F, #D0AD0F, #C0D00F and #8DD00F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFAE10 shade: #836E09, #AA8F0C, #D0AF0F, #EDC91B and #F0D242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFAE10 shade: #CFAE10, #0FD012 and #600FD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFAE10 shade: #CFAE10, #0FD0AD and #AD0FD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFAE10 shade: #CFAE10, #0FD012, #0F33D0 and #D00FCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFAE10 shade: #CFAE10, #0FD04C, #0F33D0 and #D00F93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 92 / 19

HEX #CFAE10

RGB 207 174 16

HSL 49.63, 0.86%, 0.44%

LAB 71.94, -1.39, 72.5

 

Complementary color

CMYK 80 / 66 / 0 / 6

HEX #3051EF

RGB 48 81 239

HSL 229.63, 0.86%, 0.56%

LAB 42.38, 44.48, -82.11

 

CMYK 0 / 18 / 95 / 17

HEX #D4AE0B

RGB 212 174 11

HSL 48.66, 0.9%, 0.44%

LAB 72.42, 0.75, 73.76

 

CMYK 0 / 16 / 87 / 10

HEX #E5C01E

RGB 229 192 30

HSL 48.84, 0.79%, 0.51%

LAB 78.72, -0.94, 76.1

 

CMYK 0 / 15 / 80 / 4

HEX #F6D231

RGB 246 210 49

HSL 49.04, 0.92%, 0.58%

LAB 84.95, -2.41, 77.16

 

CMYK 0 / 11 / 73 / 0

HEX #FFE444

RGB 255 228 68

HSL 51.34, 1%, 0.63%

LAB 90.4, -7.02, 76.45

 

CMYK 0 / 4 / 66 / 0

HEX #FFF657

RGB 255 246 87

HSL 56.79, 1%, 0.67%

LAB 95.1, -14.98, 74.24

 

CMYK 0 / 16 / 92 / 19

HEX #CFAE10

RGB 207 174 16

HSL 49.63, 0.86%, 0.44%

LAB 71.94, -1.39, 72.5

 

CMYK 0 / 18 / 100 / 25

HEX #BE9C00

RGB 190 156 0

HSL 49.26, 1%, 0.37%

LAB 65.53, 0.42, 69.16

 

CMYK 0 / 20 / 100 / 32

HEX #AD8A00

RGB 173 138 0

HSL 47.86, 1%, 0.34%

LAB 59.03, 2.5, 63.8

 

CMYK 0 / 23 / 100 / 39

HEX #9C7800

RGB 156 120 0

HSL 46.15, 1%, 0.31%

LAB 52.4, 4.67, 58.34

 

CMYK 0 / 27 / 100 / 45

HEX #8B6600

RGB 139 102 0

HSL 44.03, 1%, 0.27%

LAB 45.62, 6.96, 52.76

 

CMYK 0 / 16 / 93 / 18

HEX #D0AF0F

RGB 208 175 15

HSL 49.74, 0.87%, 0.44%

LAB 72.3, -1.49, 72.96

 

CMYK 0 / 41 / 93 / 18

HEX #D07B0F

RGB 208 123 15

HSL 33.58, 0.87%, 0.44%

LAB 59.54, 26.48, 63.57

 

CMYK 0 / 66 / 93 / 18

HEX #D0470F

RGB 208 71 15

HSL 17.41, 0.87%, 0.44%

LAB 49.44, 52.03, 56.57

 

CMYK 0 / 91 / 93 / 18

HEX #D0130F

RGB 208 19 15

HSL 1.24, 0.87%, 0.44%

LAB 44.1, 66.88, 53.16

 

CMYK 0 / 93 / 93 / 18

HEX #D00F0F

RGB 208 15 15

HSL 0, 0.87%, 0.44%

LAB 43.92, 67.4, 53.05

 

CMYK 0 / 16 / 93 / 18

HEX #D0AF0F

RGB 208 175 15

HSL 49.74, 0.87%, 0.44%

LAB 72.3, -1.49, 72.96

 

CMYK 9 / 0 / 93 / 18

HEX #BED00F

RGB 190 208 15

HSL 65.6, 0.87%, 0.44%

LAB 79.67, -25.93, 77.93

 

CMYK 34 / 0 / 93 / 18

HEX #89D00F

RGB 137 208 15

HSL 82.07, 0.87%, 0.44%

LAB 76.35, -46.8, 73.9

 

CMYK 59 / 0 / 93 / 18

HEX #55D00F

RGB 85 208 15

HSL 98.24, 0.87%, 0.44%

LAB 74.24, -62.78, 71.3

 

CMYK 84 / 0 / 93 / 18

HEX #21D00F

RGB 33 208 15

HSL 114.4, 0.87%, 0.44%

LAB 73.2, -71.69, 70.02

 

CMYK 0 / 16 / 93 / 18

HEX #D0AF0F

RGB 208 175 15

HSL 49.74, 0.87%, 0.44%

LAB 72.3, -1.49, 72.96

 

CMYK 0 / 16 / 93 / 18

HEX #D0AF0F

RGB 208 175 15

HSL 49.74, 0.87%, 0.44%

LAB 72.3, -1.49, 72.96

 

CMYK 0 / 14 / 83 / 25

HEX #BEA321

RGB 190 163 33

HSL 49.68, 0.7%, 0.44%

LAB 67.47, -2.73, 64.54

 

CMYK 0 / 12 / 70 / 33

HEX #AC9734

RGB 172 151 52

HSL 49.5, 0.54%, 0.44%

LAB 62.64, -3.51, 52.7

 

CMYK 0 / 10 / 55 / 40

HEX #9A8B46

RGB 154 139 70

HSL 49.29, 0.38%, 0.44%

LAB 57.83, -3.66, 38.51

 

CMYK 0 / 7 / 35 / 47

HEX #887F58

RGB 136 127 88

HSL 48.75, 0.21%, 0.44%

LAB 53.08, -2.83, 22.47

 

CMYK 0 / 66 / 93 / 18

HEX #D0460F

RGB 208 70 15

HSL 17.1, 0.87%, 0.44%

LAB 49.28, 52.44, 56.47

 

CMYK 0 / 42 / 93 / 18

HEX #D0790F

RGB 208 121 15

HSL 32.95, 0.87%, 0.44%

LAB 59.08, 27.55, 63.25

 

CMYK 0 / 17 / 93 / 18

HEX #D0AD0F

RGB 208 173 15

HSL 49.12, 0.87%, 0.44%

LAB 71.78, -0.44, 72.57

 

CMYK 8 / 0 / 93 / 18

HEX #C0D00F

RGB 192 208 15

HSL 64.97, 0.87%, 0.44%

LAB 79.81, -25.09, 78.11

 

CMYK 32 / 0 / 93 / 18

HEX #8DD00F

RGB 141 208 15

HSL 80.83, 0.87%, 0.44%

LAB 76.56, -45.35, 74.16

 

CMYK 0 / 16 / 93 / 49

HEX #836E09

RGB 131 110 9

HSL 49.67, 0.87%, 0.27%

LAB 46.97, -1.31, 51.3

 

CMYK 0 / 16 / 93 / 33

HEX #AA8F0C

RGB 170 143 12

HSL 49.75, 0.87%, 0.36%

LAB 60.08, -1.45, 62.55

 

CMYK 0 / 16 / 93 / 18

HEX #D0AF0F

RGB 208 175 15

HSL 49.74, 0.87%, 0.44%

LAB 72.3, -1.49, 72.96

 

CMYK 0 / 15 / 89 / 7

HEX #EDC91B

RGB 237 201 27

HSL 49.71, 0.85%, 0.52%

LAB 81.76, -2.19, 79.42

 

CMYK 0 / 13 / 73 / 6

HEX #F0D242

RGB 240 210 66

HSL 49.66, 0.85%, 0.6%

LAB 84.49, -4.31, 71.03

 

CMYK 0 / 16 / 92 / 19

HEX #CFAE10

RGB 207 174 16

HSL 49.63, 0.86%, 0.44%

LAB 71.94, -1.39, 72.5

 

CMYK 93 / 0 / 91 / 18

HEX #0FD012

RGB 15 208 18

HSL 120.93, 0.87%, 0.44%

LAB 73.06, -72.93, 69.43

 

CMYK 54 / 93 / 0 / 18

HEX #600FD0

RGB 96 15 208

HSL 265.18, 0.87%, 0.44%

LAB 32.66, 68.49, -80.28

 

CMYK 0 / 16 / 92 / 19

HEX #CFAE10

RGB 207 174 16

HSL 49.63, 0.86%, 0.44%

LAB 71.94, -1.39, 72.5

 

CMYK 93 / 0 / 17 / 18

HEX #0FD0AD

RGB 15 208 173

HSL 169.12, 0.87%, 0.44%

LAB 74.97, -50.56, 5.43

 

CMYK 17 / 93 / 0 / 18

HEX #AD0FD0

RGB 173 15 208

HSL 289.12, 0.87%, 0.44%

LAB 43.92, 77.53, -61.41

 

CMYK 0 / 16 / 92 / 19

HEX #CFAE10

RGB 207 174 16

HSL 49.63, 0.86%, 0.44%

LAB 71.94, -1.39, 72.5

 

CMYK 93 / 0 / 91 / 18

HEX #0FD012

RGB 15 208 18

HSL 120.93, 0.87%, 0.44%

LAB 73.06, -72.93, 69.43

 

CMYK 93 / 75 / 0 / 18

HEX #0F33D0

RGB 15 51 208

HSL 228.81, 0.87%, 0.44%

LAB 31.86, 49.77, -81.78

 

CMYK 0 / 93 / 1 / 18

HEX #D00FCD

RGB 208 15 205

HSL 300.93, 0.87%, 0.44%

LAB 49.69, 82.61, -50.07

 

CMYK 0 / 16 / 92 / 19

HEX #CFAE10

RGB 207 174 16

HSL 49.63, 0.86%, 0.44%

LAB 71.94, -1.39, 72.5

 

CMYK 93 / 0 / 63 / 18

HEX #0FD04C

RGB 15 208 76

HSL 138.96, 0.87%, 0.44%

LAB 73.37, -68.95, 52.2

 

CMYK 93 / 75 / 0 / 18

HEX #0F33D0

RGB 15 51 208

HSL 228.81, 0.87%, 0.44%

LAB 31.86, 49.77, -81.78

 

CMYK 0 / 93 / 29 / 18

HEX #D00F93

RGB 208 15 147

HSL 318.96, 0.87%, 0.44%

LAB 46.79, 75.19, -20.44

 

Description

Color code: HEX #CFAE10 | qconv.com Color code: HEX #CFAE10 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 174 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 174 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 92 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 92% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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