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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB9AA it is the complementary color #304655. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB9AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB9AA shade: #D4B9A5, #E5CBB8, #F6DDCB, #FFEFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB9AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB9AA shade: #CFB9AA, #BEA797, #AD9584, #9C8371 and #8B715E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB9AA shade: #CFB9AA, #CFAFAA and #CFAAAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB9AA shade: #CFB9AA, #CFC3AA, #CFCDAA, #C7CFAA and #BDCFAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB9AA shade matches the following richer shades: #CFB9AA, #D9B79F, #E4B594, #EFB389 and #FAB17F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB9AA shade: #CFB9AA, #C4BBB4, #B9BDBF, #AFBFCA and #A4C1D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB9AA shade: #CFAAAF, #CFAFAA, #CFB8AA, #CFC2AA and #CFCCAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB9AA shade: #B18D75, #C0A38F, #CFB9AA, #DECEC4 and #ECE4DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB9AA shade: #CFB9AA, #B8CFAA and #AAAACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB9AA shade: #CFB9AA, #AACFB8 and #B8AACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB9AA shade: #CFB9AA, #B8CFAA, #AAC0CF and #C0AACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB9AA shade: #CFB9AA, #ADCFAA, #AAC0CF and #CBAACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 18 / 19

HEX #CFB9AA

RGB 207 185 170

HSL 24.32, 0.28%, 0.74%

LAB 76.6, 5.4, 10.46

 

Complementary color

CMYK 44 / 18 / 0 / 67

HEX #304655

RGB 48 70 85

HSL 204.32, 0.28%, 0.26%

LAB 28.55, -4.07, -11.65

 

CMYK 0 / 13 / 22 / 17

HEX #D4B9A5

RGB 212 185 165

HSL 25.53, 0.35%, 0.74%

LAB 76.93, 6.52, 13.69

 

CMYK 0 / 11 / 20 / 10

HEX #E5CBB8

RGB 229 203 184

HSL 25.33, 0.46%, 0.81%

LAB 83.35, 6.13, 12.8

 

CMYK 0 / 10 / 17 / 4

HEX #F6DDCB

RGB 246 221 203

HSL 25.12, 0.7%, 0.88%

LAB 89.68, 5.78, 11.96

 

CMYK 0 / 6 / 13 / 0

HEX #FFEFDE

RGB 255 239 222

HSL 30.91, 1%, 0.94%

LAB 95.27, 2.65, 10.15

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 11 / 18 / 19

HEX #CFB9AA

RGB 207 185 170

HSL 24.32, 0.28%, 0.74%

LAB 76.6, 5.4, 10.46

 

CMYK 0 / 12 / 21 / 25

HEX #BEA797

RGB 190 167 151

HSL 24.62, 0.23%, 0.67%

LAB 70.05, 5.78, 11.34

 

CMYK 0 / 14 / 24 / 32

HEX #AD9584

RGB 173 149 132

HSL 24.88, 0.2%, 0.6%

LAB 63.38, 6.21, 12.27

 

CMYK 0 / 16 / 28 / 39

HEX #9C8371

RGB 156 131 113

HSL 25.12, 0.18%, 0.53%

LAB 56.58, 6.7, 13.29

 

CMYK 0 / 19 / 32 / 45

HEX #8B715E

RGB 139 113 94

HSL 25.33, 0.19%, 0.46%

LAB 49.63, 7.28, 14.4

 

CMYK 0 / 11 / 18 / 19

HEX #CFB9AA

RGB 207 185 170

HSL 24.32, 0.28%, 0.74%

LAB 76.6, 5.4, 10.46

 

CMYK 0 / 15 / 18 / 19

HEX #CFAFAA

RGB 207 175 170

HSL 8.11, 0.28%, 0.74%

LAB 74.08, 10.78, 6.86

 

CMYK 0 / 18 / 18 / 19

HEX #CFAAAA

RGB 207 170 170

HSL 0, 0.28%, 0.74%

LAB 72.84, 13.48, 5.08

 

CMYK 0 / 11 / 18 / 19

HEX #CFB9AA

RGB 207 185 170

HSL 24.32, 0.28%, 0.74%

LAB 76.6, 5.4, 10.46

 

CMYK 0 / 6 / 18 / 19

HEX #CFC3AA

RGB 207 195 170

HSL 40.54, 0.28%, 0.74%

LAB 79.16, 0.1, 14.08

 

CMYK 0 / 1 / 18 / 19

HEX #CFCDAA

RGB 207 205 170

HSL 56.76, 0.28%, 0.74%

LAB 81.75, -5.12, 17.71

 

CMYK 4 / 0 / 18 / 19

HEX #C7CFAA

RGB 199 207 170

HSL 72.97, 0.28%, 0.74%

LAB 81.66, -9.08, 17.5

 

CMYK 9 / 0 / 18 / 19

HEX #BDCFAA

RGB 189 207 170

HSL 89.19, 0.28%, 0.74%

LAB 80.93, -12.69, 16.37

 

CMYK 0 / 11 / 18 / 19

HEX #CFB9AA

RGB 207 185 170

HSL 24.32, 0.28%, 0.74%

LAB 76.6, 5.4, 10.46

 

CMYK 0 / 16 / 27 / 15

HEX #D9B79F

RGB 217 183 159

HSL 24.83, 0.43%, 0.74%

LAB 76.75, 8.64, 16.75

 

CMYK 0 / 21 / 35 / 11

HEX #E4B594

RGB 228 181 148

HSL 24.75, 0.6%, 0.74%

LAB 77.09, 12.52, 23.29

 

CMYK 0 / 25 / 43 / 6

HEX #EFB389

RGB 239 179 137

HSL 24.71, 0.76%, 0.74%

LAB 77.52, 16.65, 29.92

 

CMYK 0 / 29 / 49 / 2

HEX #FAB17F

RGB 250 177 127

HSL 24.39, 0.92%, 0.74%

LAB 78.05, 21.07, 36.11

 

CMYK 0 / 11 / 18 / 19

HEX #CFB9AA

RGB 207 185 170

HSL 24.32, 0.28%, 0.74%

LAB 76.6, 5.4, 10.46

 

CMYK 0 / 5 / 8 / 23

HEX #C4BBB4

RGB 196 187 180

HSL 26.25, 0.12%, 0.74%

LAB 76.42, 1.94, 4.66

 

CMYK 3 / 1 / 0 / 25

HEX #B9BDBF

RGB 185 189 191

HSL 200, 0.04%, 0.74%

LAB 76.36, -1, -1.5

 

CMYK 13 / 5 / 0 / 21

HEX #AFBFCA

RGB 175 191 202

HSL 204.44, 0.2%, 0.74%

LAB 76.46, -3.23, -7.4

 

CMYK 23 / 9 / 0 / 16

HEX #A4C1D5

RGB 164 193 213

HSL 204.49, 0.37%, 0.74%

LAB 76.58, -5.38, -13.25

 

CMYK 0 / 18 / 15 / 19

HEX #CFAAAF

RGB 207 170 175

HSL 351.89, 0.28%, 0.74%

LAB 72.96, 14.28, 2.51

 

CMYK 0 / 15 / 18 / 19

HEX #CFAFAA

RGB 207 175 170

HSL 8.11, 0.28%, 0.74%

LAB 74.08, 10.78, 6.86

 

CMYK 0 / 11 / 18 / 19

HEX #CFB8AA

RGB 207 184 170

HSL 22.7, 0.28%, 0.74%

LAB 76.34, 5.94, 10.1

 

CMYK 0 / 6 / 18 / 19

HEX #CFC2AA

RGB 207 194 170

HSL 38.92, 0.28%, 0.74%

LAB 78.9, 0.63, 13.72

 

CMYK 0 / 1 / 18 / 19

HEX #CFCCAA

RGB 207 204 170

HSL 55.14, 0.28%, 0.74%

LAB 81.49, -4.6, 17.35

 

CMYK 0 / 20 / 34 / 31

HEX #B18D75

RGB 177 141 117

HSL 24, 0.28%, 0.58%

LAB 61.38, 10.16, 17.98

 

CMYK 0 / 15 / 26 / 25

HEX #C0A38F

RGB 192 163 143

HSL 24.49, 0.28%, 0.66%

LAB 69.03, 7.55, 14.34

 

CMYK 0 / 11 / 18 / 19

HEX #CFB9AA

RGB 207 185 170

HSL 24.32, 0.28%, 0.74%

LAB 76.6, 5.4, 10.46

 

CMYK 0 / 7 / 12 / 13

HEX #DECEC4

RGB 222 206 196

HSL 23.08, 0.28%, 0.82%

LAB 83.79, 3.89, 6.96

 

CMYK 0 / 3 / 6 / 7

HEX #ECE4DE

RGB 236 228 222

HSL 25.71, 0.27%, 0.9%

LAB 91.05, 1.68, 3.88

 

CMYK 0 / 11 / 18 / 19

HEX #CFB9AA

RGB 207 185 170

HSL 24.32, 0.28%, 0.74%

LAB 76.6, 5.4, 10.46

 

CMYK 11 / 0 / 18 / 19

HEX #B8CFAA

RGB 184 207 170

HSL 97.3, 0.28%, 0.74%

LAB 80.58, -14.47, 15.83

 

CMYK 18 / 18 / 0 / 19

HEX #AAAACF

RGB 170 170 207

HSL 240, 0.28%, 0.74%

LAB 70.73, 7.64, -18.75

 

CMYK 0 / 11 / 18 / 19

HEX #CFB9AA

RGB 207 185 170

HSL 24.32, 0.28%, 0.74%

LAB 76.6, 5.4, 10.46

 

CMYK 18 / 0 / 11 / 19

HEX #AACFB8

RGB 170 207 184

HSL 142.7, 0.28%, 0.74%

LAB 79.97, -16.77, 7.38

 

CMYK 11 / 18 / 0 / 19

HEX #B8AACF

RGB 184 170 207

HSL 262.7, 0.28%, 0.74%

LAB 71.86, 12.17, -16.95

 

CMYK 0 / 11 / 18 / 19

HEX #CFB9AA

RGB 207 185 170

HSL 24.32, 0.28%, 0.74%

LAB 76.6, 5.4, 10.46

 

CMYK 11 / 0 / 18 / 19

HEX #B8CFAA

RGB 184 207 170

HSL 97.3, 0.28%, 0.74%

LAB 80.58, -14.47, 15.83

 

CMYK 18 / 7 / 0 / 19

HEX #AAC0CF

RGB 170 192 207

HSL 204.32, 0.28%, 0.74%

LAB 76.53, -4.31, -10.04

 

CMYK 7 / 18 / 0 / 19

HEX #C0AACF

RGB 192 170 207

HSL 275.68, 0.28%, 0.74%

LAB 72.54, 14.82, -15.86

 

CMYK 0 / 11 / 18 / 19

HEX #CFB9AA

RGB 207 185 170

HSL 24.32, 0.28%, 0.74%

LAB 76.6, 5.4, 10.46

 

CMYK 16 / 0 / 18 / 19

HEX #ADCFAA

RGB 173 207 170

HSL 115.14, 0.28%, 0.74%

LAB 79.85, -18.31, 14.69

 

CMYK 18 / 7 / 0 / 19

HEX #AAC0CF

RGB 170 192 207

HSL 204.32, 0.28%, 0.74%

LAB 76.53, -4.31, -10.04

 

CMYK 2 / 18 / 0 / 19

HEX #CBAACF

RGB 203 170 207

HSL 293.51, 0.28%, 0.74%

LAB 73.51, 18.51, -14.29

 

Description

Color code: HEX #CFB9AA | qconv.com Color code: HEX #CFB9AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 185 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 185 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 18 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 18% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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