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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB1A4 it is the complementary color #304E5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB1A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB1A4 shade: #D4B19F, #E5C3B2, #F6D5C5, #FFE7D8 and #FFF9EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB1A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB1A4 shade: #CFB1A4, #BE9F91, #AD8D7E, #9C7B6B and #8B6958

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB1A4 shade: #CFB1A4, #CFA6A4 and #CFA4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB1A4 shade: #CFB1A4, #CFBDA4, #CFC8A4, #CACFA4 and #BFCFA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB1A4 shade matches the following richer shades: #CFB1A4, #DAAD99, #E5A88E, #F0A483 and #FCA078

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB1A4 shade: #CFB1A4, #C4B6AF, #B9BABB, #AEBEC6 and #A2C3D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB1A4 shade: #CFA4AE, #CFA6A4, #CFB1A4, #CFBCA4 and #CFC8A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB1A4 shade: #B3836E, #C19A89, #CFB1A4, #DDC8BF and #EBE0DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB1A4 shade: #CFB1A4, #BACFA4 and #A4A9CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB1A4 shade: #CFB1A4, #A4CFB1 and #B1A4CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB1A4 shade: #CFB1A4, #BACFA4, #A4C2CF and #BAA4CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB1A4 shade: #CFB1A4, #ADCFA4, #A4C2CF and #C6A4CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 21 / 19

HEX #CFB1A4

RGB 207 177 164

HSL 18.14, 0.31%, 0.73%

LAB 74.44, 8.78, 10.65

 

Complementary color

CMYK 47 / 14 / 0 / 64

HEX #304E5B

RGB 48 78 91

HSL 198.14, 0.31%, 0.27%

LAB 31.42, -7.2, -11.13

 

CMYK 0 / 17 / 25 / 17

HEX #D4B19F

RGB 212 177 159

HSL 20.38, 0.38%, 0.73%

LAB 74.79, 9.94, 13.94

 

CMYK 0 / 15 / 22 / 10

HEX #E5C3B2

RGB 229 195 178

HSL 20, 0.5%, 0.8%

LAB 81.24, 9.46, 13.01

 

CMYK 0 / 13 / 20 / 4

HEX #F6D5C5

RGB 246 213 197

HSL 19.59, 0.73%, 0.87%

LAB 87.59, 9.04, 12.14

 

CMYK 0 / 9 / 15 / 0

HEX #FFE7D8

RGB 255 231 216

HSL 23.08, 1%, 0.92%

LAB 93.18, 5.81, 10.26

 

CMYK 0 / 2 / 8 / 0

HEX #FFF9EB

RGB 255 249 235

HSL 42, 1%, 0.96%

LAB 98.04, -0.35, 7.41

 

CMYK 0 / 14 / 21 / 19

HEX #CFB1A4

RGB 207 177 164

HSL 18.14, 0.31%, 0.73%

LAB 74.44, 8.78, 10.65

 

CMYK 0 / 16 / 24 / 25

HEX #BE9F91

RGB 190 159 145

HSL 18.67, 0.26%, 0.66%

LAB 67.86, 9.25, 11.57

 

CMYK 0 / 18 / 27 / 32

HEX #AD8D7E

RGB 173 141 126

HSL 19.15, 0.22%, 0.59%

LAB 61.17, 9.78, 12.55

 

CMYK 0 / 21 / 31 / 39

HEX #9C7B6B

RGB 156 123 107

HSL 19.59, 0.2%, 0.52%

LAB 54.34, 10.4, 13.63

 

CMYK 0 / 24 / 37 / 45

HEX #8B6958

RGB 139 105 88

HSL 20, 0.22%, 0.45%

LAB 47.36, 11.12, 14.82

 

CMYK 0 / 14 / 21 / 19

HEX #CFB1A4

RGB 207 177 164

HSL 18.14, 0.31%, 0.73%

LAB 74.44, 8.78, 10.65

 

CMYK 0 / 20 / 21 / 19

HEX #CFA6A4

RGB 207 166 164

HSL 2.79, 0.31%, 0.73%

LAB 71.7, 14.73, 6.75

 

CMYK 0 / 21 / 21 / 19

HEX #CFA4A4

RGB 207 164 164

HSL 0, 0.31%, 0.73%

LAB 71.21, 15.82, 6.04

 

CMYK 0 / 14 / 21 / 19

HEX #CFB1A4

RGB 207 177 164

HSL 18.14, 0.31%, 0.73%

LAB 74.44, 8.78, 10.65

 

CMYK 0 / 9 / 21 / 19

HEX #CFBDA4

RGB 207 189 164

HSL 34.88, 0.31%, 0.73%

LAB 77.48, 2.37, 14.95

 

CMYK 0 / 3 / 21 / 19

HEX #CFC8A4

RGB 207 200 164

HSL 50.23, 0.31%, 0.73%

LAB 80.32, -3.41, 18.91

 

CMYK 2 / 0 / 21 / 19

HEX #CACFA4

RGB 202 207 164

HSL 66.98, 0.31%, 0.73%

LAB 81.76, -8.89, 20.85

 

CMYK 8 / 0 / 21 / 19

HEX #BFCFA4

RGB 191 207 164

HSL 82.33, 0.31%, 0.73%

LAB 80.95, -12.92, 19.6

 

CMYK 0 / 14 / 21 / 19

HEX #CFB1A4

RGB 207 177 164

HSL 18.14, 0.31%, 0.73%

LAB 74.44, 8.78, 10.65

 

CMYK 0 / 21 / 30 / 15

HEX #DAAD99

RGB 218 173 153

HSL 18.46, 0.47%, 0.73%

LAB 74.25, 13.56, 16.53

 

CMYK 0 / 27 / 38 / 10

HEX #E5A88E

RGB 229 168 142

HSL 17.93, 0.63%, 0.73%

LAB 73.94, 19.14, 22.26

 

CMYK 0 / 32 / 45 / 6

HEX #F0A483

RGB 240 164 131

HSL 18.17, 0.78%, 0.73%

LAB 74.01, 24.38, 28.49

 

CMYK 0 / 37 / 52 / 1

HEX #FCA078

RGB 252 160 120

HSL 18.18, 0.96%, 0.73%

LAB 74.31, 30.15, 35.03

 

CMYK 0 / 14 / 21 / 19

HEX #CFB1A4

RGB 207 177 164

HSL 18.14, 0.31%, 0.73%

LAB 74.44, 8.78, 10.65

 

CMYK 0 / 7 / 11 / 23

HEX #C4B6AF

RGB 196 182 175

HSL 20, 0.15%, 0.73%

LAB 75.01, 3.77, 5.34

 

CMYK 1 / 1 / 0 / 27

HEX #B9BABB

RGB 185 186 187

HSL 210, 0.01%, 0.73%

LAB 75.46, -0.16, -0.64

 

CMYK 12 / 4 / 0 / 22

HEX #AEBEC6

RGB 174 190 198

HSL 200, 0.17%, 0.73%

LAB 76.01, -3.85, -5.9

 

CMYK 22 / 7 / 0 / 18

HEX #A2C3D1

RGB 162 195 209

HSL 197.87, 0.34%, 0.73%

LAB 76.87, -7.95, -10.67

 

CMYK 0 / 21 / 16 / 19

HEX #CFA4AE

RGB 207 164 174

HSL 346.05, 0.31%, 0.73%

LAB 71.47, 17.38, 0.89

 

CMYK 0 / 20 / 21 / 19

HEX #CFA6A4

RGB 207 166 164

HSL 2.79, 0.31%, 0.73%

LAB 71.7, 14.73, 6.75

 

CMYK 0 / 14 / 21 / 19

HEX #CFB1A4

RGB 207 177 164

HSL 18.14, 0.31%, 0.73%

LAB 74.44, 8.78, 10.65

 

CMYK 0 / 9 / 21 / 19

HEX #CFBCA4

RGB 207 188 164

HSL 33.49, 0.31%, 0.73%

LAB 77.23, 2.9, 14.59

 

CMYK 0 / 3 / 21 / 19

HEX #CFC8A4

RGB 207 200 164

HSL 50.23, 0.31%, 0.73%

LAB 80.32, -3.41, 18.91

 

CMYK 0 / 27 / 39 / 30

HEX #B3836E

RGB 179 131 110

HSL 18.26, 0.31%, 0.57%

LAB 58.92, 15.68, 18.61

 

CMYK 0 / 20 / 29 / 24

HEX #C19A89

RGB 193 154 137

HSL 18.21, 0.31%, 0.65%

LAB 66.71, 12.02, 14.44

 

CMYK 0 / 14 / 21 / 19

HEX #CFB1A4

RGB 207 177 164

HSL 18.14, 0.31%, 0.73%

LAB 74.44, 8.78, 10.65

 

CMYK 0 / 10 / 14 / 13

HEX #DDC8BF

RGB 221 200 191

HSL 18, 0.31%, 0.81%

LAB 82.08, 5.87, 7.16

 

CMYK 0 / 5 / 7 / 8

HEX #EBE0DA

RGB 235 224 218

HSL 21.18, 0.3%, 0.89%

LAB 89.88, 2.72, 4.26

 

CMYK 0 / 14 / 21 / 19

HEX #CFB1A4

RGB 207 177 164

HSL 18.14, 0.31%, 0.73%

LAB 74.44, 8.78, 10.65

 

CMYK 10 / 0 / 21 / 19

HEX #BACFA4

RGB 186 207 164

HSL 89.3, 0.31%, 0.73%

LAB 80.6, -14.73, 19.05

 

CMYK 21 / 18 / 0 / 19

HEX #A4A9CF

RGB 164 169 207

HSL 233.02, 0.31%, 0.73%

LAB 70.02, 6.29, -19.88

 

CMYK 0 / 14 / 21 / 19

HEX #CFB1A4

RGB 207 177 164

HSL 18.14, 0.31%, 0.73%

LAB 74.44, 8.78, 10.65

 

CMYK 21 / 0 / 14 / 19

HEX #A4CFB1

RGB 164 207 177

HSL 138.14, 0.31%, 0.73%

LAB 79.44, -20.07, 10.31

 

CMYK 14 / 21 / 0 / 19

HEX #B1A4CF

RGB 177 164 207

HSL 258.14, 0.31%, 0.73%

LAB 69.76, 13.21, -20.19

 

CMYK 0 / 14 / 21 / 19

HEX #CFB1A4

RGB 207 177 164

HSL 18.14, 0.31%, 0.73%

LAB 74.44, 8.78, 10.65

 

CMYK 10 / 0 / 21 / 19

HEX #BACFA4

RGB 186 207 164

HSL 89.3, 0.31%, 0.73%

LAB 80.6, -14.73, 19.05

 

CMYK 21 / 6 / 0 / 19

HEX #A4C2CF

RGB 164 194 207

HSL 198.14, 0.31%, 0.73%

LAB 76.67, -7.25, -9.88

 

CMYK 10 / 21 / 0 / 19

HEX #BAA4CF

RGB 186 164 207

HSL 270.7, 0.31%, 0.73%

LAB 70.52, 16.15, -18.95

 

CMYK 0 / 14 / 21 / 19

HEX #CFB1A4

RGB 207 177 164

HSL 18.14, 0.31%, 0.73%

LAB 74.44, 8.78, 10.65

 

CMYK 16 / 0 / 21 / 19

HEX #ADCFA4

RGB 173 207 164

HSL 107.44, 0.31%, 0.73%

LAB 79.72, -19.33, 17.7

 

CMYK 21 / 6 / 0 / 19

HEX #A4C2CF

RGB 164 194 207

HSL 198.14, 0.31%, 0.73%

LAB 76.67, -7.25, -9.88

 

CMYK 4 / 21 / 0 / 19

HEX #C6A4CF

RGB 198 164 207

HSL 287.44, 0.31%, 0.73%

LAB 71.6, 20.12, -17.22

 

Description

Color code: HEX #CFB1A4 | qconv.com Color code: HEX #CFB1A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 177 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 177 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 21 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 21% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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