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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB2AA it is the complementary color #304D55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB2AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB2AA shade: #D4B2A5, #E5C4B8, #F6D6CB, #FFE8DE and #FFFAF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB2AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB2AA shade: #CFB2AA, #BEA097, #AD8E84, #9C7C71 and #8B6A5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB2AA shade: #CFB2AA and #CFAAAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB2AA shade: #CFB2AA, #CFBCAA, #CFC6AA, #CECFAA and #C4CFAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB2AA shade matches the following richer shades: #CFB2AA, #D9AC9F, #E4A594, #EF9F89 and #FA997F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB2AA shade: #CFB2AA, #C4B8B4, #B9BEBF, #AFC4CA and #A4CAD5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB2AA shade: #CFAAB6, #CFAAAC, #CFB1AA, #CFBBAA and #CFC5AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB2AA shade: #B18275, #C09A8F, #CFB2AA, #DECAC4 and #ECE1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB2AA shade: #CFB2AA, #C0CFAA and #AAB1CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB2AA shade: #CFB2AA, #AACFB1 and #B1AACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB2AA shade: #CFB2AA, #C0CFAA, #AAC7CF and #B8AACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB2AA shade: #CFB2AA, #B5CFAA, #AAC7CF and #C4AACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 18 / 19

HEX #CFB2AA

RGB 207 178 170

HSL 12.97, 0.28%, 0.74%

LAB 74.83, 9.16, 7.94

 

Complementary color

CMYK 44 / 9 / 0 / 67

HEX #304D55

RGB 48 77 85

HSL 192.97, 0.28%, 0.26%

LAB 30.86, -8.44, -8.15

 

CMYK 0 / 16 / 22 / 17

HEX #D4B2A5

RGB 212 178 165

HSL 16.6, 0.35%, 0.74%

LAB 75.17, 10.27, 11.21

 

CMYK 0 / 14 / 20 / 10

HEX #E5C4B8

RGB 229 196 184

HSL 16, 0.46%, 0.81%

LAB 81.62, 9.82, 10.34

 

CMYK 0 / 13 / 17 / 4

HEX #F6D6CB

RGB 246 214 203

HSL 15.35, 0.7%, 0.88%

LAB 87.97, 9.41, 9.52

 

CMYK 0 / 9 / 13 / 0

HEX #FFE8DE

RGB 255 232 222

HSL 18.18, 1%, 0.94%

LAB 93.56, 6.22, 7.69

 

CMYK 0 / 2 / 5 / 0

HEX #FFFAF1

RGB 255 250 241

HSL 38.57, 1%, 0.97%

LAB 98.43, 0.13, 4.89

 

CMYK 0 / 14 / 18 / 19

HEX #CFB2AA

RGB 207 178 170

HSL 12.97, 0.28%, 0.74%

LAB 74.83, 9.16, 7.94

 

CMYK 0 / 16 / 21 / 25

HEX #BEA097

RGB 190 160 151

HSL 13.85, 0.23%, 0.67%

LAB 68.26, 9.6, 8.79

 

CMYK 0 / 18 / 24 / 32

HEX #AD8E84

RGB 173 142 132

HSL 14.63, 0.2%, 0.6%

LAB 61.56, 10.11, 9.71

 

CMYK 0 / 21 / 28 / 39

HEX #9C7C71

RGB 156 124 113

HSL 15.35, 0.18%, 0.53%

LAB 54.74, 10.69, 10.71

 

CMYK 0 / 24 / 32 / 45

HEX #8B6A5E

RGB 139 106 94

HSL 16, 0.19%, 0.46%

LAB 47.76, 11.36, 11.81

 

CMYK 0 / 14 / 18 / 19

HEX #CFB2AA

RGB 207 178 170

HSL 12.97, 0.28%, 0.74%

LAB 74.83, 9.16, 7.94

 

CMYK 0 / 18 / 18 / 19

HEX #CFAAAA

RGB 207 170 170

HSL 0, 0.28%, 0.74%

LAB 72.84, 13.48, 5.08

 

CMYK 0 / 14 / 18 / 19

HEX #CFB2AA

RGB 207 178 170

HSL 12.97, 0.28%, 0.74%

LAB 74.83, 9.16, 7.94

 

CMYK 0 / 9 / 18 / 19

HEX #CFBCAA

RGB 207 188 170

HSL 29.19, 0.28%, 0.74%

LAB 77.36, 3.81, 11.54

 

CMYK 0 / 4 / 18 / 19

HEX #CFC6AA

RGB 207 198 170

HSL 45.41, 0.28%, 0.74%

LAB 79.93, -1.47, 15.17

 

CMYK 0 / 0 / 18 / 19

HEX #CECFAA

RGB 206 207 170

HSL 61.62, 0.28%, 0.74%

LAB 82.19, -6.52, 18.32

 

CMYK 5 / 0 / 18 / 19

HEX #C4CFAA

RGB 196 207 170

HSL 77.84, 0.28%, 0.74%

LAB 81.44, -10.17, 17.15

 

CMYK 0 / 14 / 18 / 19

HEX #CFB2AA

RGB 207 178 170

HSL 12.97, 0.28%, 0.74%

LAB 74.83, 9.16, 7.94

 

CMYK 0 / 21 / 27 / 15

HEX #D9AC9F

RGB 217 172 159

HSL 13.45, 0.43%, 0.74%

LAB 74.04, 14.53, 12.94

 

CMYK 0 / 28 / 35 / 11

HEX #E4A594

RGB 228 165 148

HSL 12.75, 0.6%, 0.74%

LAB 73.25, 21.07, 18.02

 

CMYK 0 / 33 / 43 / 6

HEX #EF9F89

RGB 239 159 137

HSL 12.94, 0.76%, 0.74%

LAB 72.86, 27.25, 23.68

 

CMYK 0 / 39 / 49 / 2

HEX #FA997F

RGB 250 153 127

HSL 12.68, 0.92%, 0.74%

LAB 72.65, 33.63, 29.07

 

CMYK 0 / 14 / 18 / 19

HEX #CFB2AA

RGB 207 178 170

HSL 12.97, 0.28%, 0.74%

LAB 74.83, 9.16, 7.94

 

CMYK 0 / 6 / 8 / 23

HEX #C4B8B4

RGB 196 184 180

HSL 15, 0.12%, 0.74%

LAB 75.65, 3.55, 3.54

 

CMYK 3 / 1 / 0 / 25

HEX #B9BEBF

RGB 185 190 191

HSL 190, 0.04%, 0.74%

LAB 76.62, -1.54, -1.12

 

CMYK 13 / 3 / 0 / 21

HEX #AFC4CA

RGB 175 196 202

HSL 193.33, 0.2%, 0.74%

LAB 77.79, -5.88, -5.43

 

CMYK 23 / 5 / 0 / 16

HEX #A4CAD5

RGB 164 202 213

HSL 193.47, 0.37%, 0.74%

LAB 79.01, -10.12, -9.63

 

CMYK 0 / 18 / 12 / 19

HEX #CFAAB6

RGB 207 170 182

HSL 340.54, 0.28%, 0.74%

LAB 73.15, 15.42, -1.06

 

CMYK 0 / 18 / 17 / 19

HEX #CFAAAC

RGB 207 170 172

HSL 356.76, 0.28%, 0.74%

LAB 72.89, 13.8, 4.05

 

CMYK 0 / 14 / 18 / 19

HEX #CFB1AA

RGB 207 177 170

HSL 11.35, 0.28%, 0.74%

LAB 74.58, 9.7, 7.58

 

CMYK 0 / 10 / 18 / 19

HEX #CFBBAA

RGB 207 187 170

HSL 27.57, 0.28%, 0.74%

LAB 77.11, 4.34, 11.18

 

CMYK 0 / 5 / 18 / 19

HEX #CFC5AA

RGB 207 197 170

HSL 43.78, 0.28%, 0.74%

LAB 79.67, -0.95, 14.81

 

CMYK 0 / 27 / 34 / 31

HEX #B18275

RGB 177 130 117

HSL 13, 0.28%, 0.58%

LAB 58.6, 16.31, 14.14

 

CMYK 0 / 20 / 26 / 25

HEX #C09A8F

RGB 192 154 143

HSL 13.47, 0.28%, 0.66%

LAB 66.75, 12.48, 11.13

 

CMYK 0 / 14 / 18 / 19

HEX #CFB2AA

RGB 207 178 170

HSL 12.97, 0.28%, 0.74%

LAB 74.83, 9.16, 7.94

 

CMYK 0 / 9 / 12 / 13

HEX #DECAC4

RGB 222 202 196

HSL 13.85, 0.28%, 0.82%

LAB 82.78, 5.99, 5.52

 

CMYK 0 / 5 / 6 / 7

HEX #ECE1DE

RGB 236 225 222

HSL 12.86, 0.27%, 0.9%

LAB 90.3, 3.23, 2.79

 

CMYK 0 / 14 / 18 / 19

HEX #CFB2AA

RGB 207 178 170

HSL 12.97, 0.28%, 0.74%

LAB 74.83, 9.16, 7.94

 

CMYK 7 / 0 / 18 / 19

HEX #C0CFAA

RGB 192 207 170

HSL 84.32, 0.28%, 0.74%

LAB 81.15, -11.62, 16.7

 

CMYK 18 / 14 / 0 / 19

HEX #AAB1CF

RGB 170 177 207

HSL 228.65, 0.28%, 0.74%

LAB 72.56, 3.79, -15.99

 

CMYK 0 / 14 / 18 / 19

HEX #CFB2AA

RGB 207 178 170

HSL 12.97, 0.28%, 0.74%

LAB 74.83, 9.16, 7.94

 

CMYK 18 / 0 / 14 / 19

HEX #AACFB1

RGB 170 207 177

HSL 131.35, 0.28%, 0.74%

LAB 79.81, -18.08, 10.89

 

CMYK 14 / 18 / 0 / 19

HEX #B1AACF

RGB 177 170 207

HSL 251.35, 0.28%, 0.74%

LAB 71.28, 9.89, -17.87

 

CMYK 0 / 14 / 18 / 19

HEX #CFB2AA

RGB 207 178 170

HSL 12.97, 0.28%, 0.74%

LAB 74.83, 9.16, 7.94

 

CMYK 7 / 0 / 18 / 19

HEX #C0CFAA

RGB 192 207 170

HSL 84.32, 0.28%, 0.74%

LAB 81.15, -11.62, 16.7

 

CMYK 18 / 4 / 0 / 19

HEX #AAC7CF

RGB 170 199 207

HSL 192.97, 0.28%, 0.74%

LAB 78.4, -8.01, -7.26

 

CMYK 11 / 18 / 0 / 19

HEX #B8AACF

RGB 184 170 207

HSL 262.7, 0.28%, 0.74%

LAB 71.86, 12.17, -16.95

 

CMYK 0 / 14 / 18 / 19

HEX #CFB2AA

RGB 207 178 170

HSL 12.97, 0.28%, 0.74%

LAB 74.83, 9.16, 7.94

 

CMYK 13 / 0 / 18 / 19

HEX #B5CFAA

RGB 181 207 170

HSL 102.16, 0.28%, 0.74%

LAB 80.38, -15.53, 15.51

 

CMYK 18 / 4 / 0 / 19

HEX #AAC7CF

RGB 170 199 207

HSL 192.97, 0.28%, 0.74%

LAB 78.4, -8.01, -7.26

 

CMYK 5 / 18 / 0 / 19

HEX #C4AACF

RGB 196 170 207

HSL 282.16, 0.28%, 0.74%

LAB 72.89, 16.15, -15.29

 

Description

Color code: HEX #CFB2AA | qconv.com Color code: HEX #CFB2AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 178 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 178 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 18 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 18% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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