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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB377 it is the complementary color #304C88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB377. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB377 shade: #D4B372, #E5C585, #F6D798, #FFE9AB and #FFFBBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB377. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB377 shade: #CFB377, #BEA164, #AD8F51, #9C7D3E and #8B6B2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB377 shade: #CFB377, #CF9B77, #CF8377 and #CF7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB377 shade: #CFB377, #CFCA77, #BBCF77, #A4CF77 and #8CCF77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB377 shade matches the following richer shades: #CFB377, #DEB868, #ECBE59 and #FBC34A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB377 shade: #CFB377, #C0AD85, #B1A894, #A2A3A3 and #939DB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB377 shade: #CF8277, #CF9A77, #CFB177, #CFC977 and #BDCF77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB377 shade: #B48F3F, #C4A258, #CFB377, #D9C495 and #E4D5B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB377 shade: #CFB377, #82CF77 and #8E77CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB377 shade: #CFB377, #77CFB1 and #B177CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB377 shade: #CFB377, #82CF77, #7794CF and #C377CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB377 shade: #CFB377, #77CF85, #7794CF and #CF77C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 43 / 19

HEX #CFB377

RGB 207 179 119

HSL 40.91, 0.48%, 0.64%

LAB 74.09, 1.92, 34.32

 

Complementary color

CMYK 65 / 44 / 0 / 47

HEX #304C88

RGB 48 76 136

HSL 220.91, 0.48%, 0.36%

LAB 33.08, 9.8, -36.72

 

CMYK 0 / 16 / 46 / 17

HEX #D4B372

RGB 212 179 114

HSL 39.8, 0.53%, 0.64%

LAB 74.48, 3.45, 37.51

 

CMYK 0 / 14 / 42 / 10

HEX #E5C585

RGB 229 197 133

HSL 40, 0.65%, 0.71%

LAB 80.9, 2.79, 36.26

 

CMYK 0 / 13 / 38 / 4

HEX #F6D798

RGB 246 215 152

HSL 40.21, 0.84%, 0.78%

LAB 87.22, 2.21, 35.06

 

CMYK 0 / 9 / 33 / 0

HEX #FFE9AB

RGB 255 233 171

HSL 44.29, 1%, 0.84%

LAB 92.79, -1.33, 32.9

 

CMYK 0 / 2 / 25 / 0

HEX #FFFBBE

RGB 255 251 190

HSL 56.31, 1%, 0.87%

LAB 97.62, -7.96, 29.8

 

CMYK 0 / 14 / 43 / 19

HEX #CFB377

RGB 207 179 119

HSL 40.91, 0.48%, 0.64%

LAB 74.09, 1.92, 34.32

 

CMYK 0 / 15 / 47 / 25

HEX #BEA164

RGB 190 161 100

HSL 40.67, 0.41%, 0.57%

LAB 67.54, 2.6, 35.6

 

CMYK 0 / 17 / 53 / 32

HEX #AD8F51

RGB 173 143 81

HSL 40.43, 0.36%, 0.5%

LAB 60.89, 3.4, 36.94

 

CMYK 0 / 20 / 60 / 39

HEX #9C7D3E

RGB 156 125 62

HSL 40.21, 0.43%, 0.43%

LAB 54.11, 4.37, 38.31

 

CMYK 0 / 23 / 69 / 45

HEX #8B6B2B

RGB 139 107 43

HSL 40, 0.53%, 0.36%

LAB 47.21, 5.58, 39.59

 

CMYK 0 / 14 / 43 / 19

HEX #CFB377

RGB 207 179 119

HSL 40.91, 0.48%, 0.64%

LAB 74.09, 1.92, 34.32

 

CMYK 0 / 25 / 43 / 19

HEX #CF9B77

RGB 207 155 119

HSL 24.55, 0.48%, 0.64%

LAB 68.05, 14.84, 26.42

 

CMYK 0 / 37 / 43 / 19

HEX #CF8377

RGB 207 131 119

HSL 8.18, 0.48%, 0.64%

LAB 62.36, 27.89, 18.75

 

CMYK 0 / 43 / 43 / 19

HEX #CF7777

RGB 207 119 119

HSL 0, 0.48%, 0.64%

LAB 59.7, 34.33, 15.08

 

CMYK 0 / 14 / 43 / 19

HEX #CFB377

RGB 207 179 119

HSL 40.91, 0.48%, 0.64%

LAB 74.09, 1.92, 34.32

 

CMYK 0 / 2 / 43 / 19

HEX #CFCA77

RGB 207 202 119

HSL 56.59, 0.48%, 0.64%

LAB 80.09, -10.06, 41.94

 

CMYK 10 / 0 / 43 / 19

HEX #BBCF77

RGB 187 207 119

HSL 73.64, 0.48%, 0.64%

LAB 79.91, -20.46, 41.39

 

CMYK 21 / 0 / 43 / 19

HEX #A4CF77

RGB 164 207 119

HSL 89.32, 0.48%, 0.64%

LAB 78.37, -29.14, 39.13

 

CMYK 32 / 0 / 43 / 19

HEX #8CCF77

RGB 140 207 119

HSL 105.68, 0.48%, 0.64%

LAB 77, -37.57, 37.1

 

CMYK 0 / 14 / 43 / 19

HEX #CFB377

RGB 207 179 119

HSL 40.91, 0.48%, 0.64%

LAB 74.09, 1.92, 34.32

 

CMYK 0 / 17 / 53 / 13

HEX #DEB868

RGB 222 184 104

HSL 40.68, 0.64%, 0.64%

LAB 76.56, 4.01, 45.37

 

CMYK 0 / 19 / 62 / 7

HEX #ECBE59

RGB 236 190 89

HSL 41.22, 0.79%, 0.64%

LAB 79.26, 5.57, 56.02

 

CMYK 0 / 22 / 71 / 2

HEX #FBC34A

RGB 251 195 74

HSL 41.02, 0.96%, 0.64%

LAB 81.86, 8.39, 65.71

 

CMYK 0 / 14 / 43 / 19

HEX #CFB377

RGB 207 179 119

HSL 40.91, 0.48%, 0.64%

LAB 74.09, 1.92, 34.32

 

CMYK 0 / 10 / 31 / 25

HEX #C0AD85

RGB 192 173 133

HSL 40.68, 0.32%, 0.64%

LAB 71.41, 0.76, 23.08

 

CMYK 0 / 5 / 16 / 31

HEX #B1A894

RGB 177 168 148

HSL 41.38, 0.16%, 0.64%

LAB 69.11, -0.18, 11.49

 

CMYK 1 / 0 / 0 / 36

HEX #A2A3A3

RGB 162 163 163

HSL 180, 0.01%, 0.64%

LAB 66.92, -0.35, -0.13

 

CMYK 17 / 12 / 0 / 30

HEX #939DB2

RGB 147 157 178

HSL 220.65, 0.17%, 0.64%

LAB 64.59, 0.92, -12.1

 

CMYK 0 / 37 / 43 / 19

HEX #CF8277

RGB 207 130 119

HSL 7.5, 0.48%, 0.64%

LAB 62.14, 28.43, 18.44

 

CMYK 0 / 26 / 43 / 19

HEX #CF9A77

RGB 207 154 119

HSL 23.86, 0.48%, 0.64%

LAB 67.81, 15.38, 26.09

 

CMYK 0 / 14 / 43 / 19

HEX #CFB177

RGB 207 177 119

HSL 39.55, 0.48%, 0.64%

LAB 73.57, 2.99, 33.66

 

CMYK 0 / 3 / 43 / 19

HEX #CFC977

RGB 207 201 119

HSL 55.91, 0.48%, 0.64%

LAB 79.82, -9.55, 41.61

 

CMYK 9 / 0 / 43 / 19

HEX #BDCF77

RGB 189 207 119

HSL 72.27, 0.48%, 0.64%

LAB 80.05, -19.68, 41.6

 

CMYK 0 / 21 / 65 / 29

HEX #B48F3F

RGB 180 143 63

HSL 41.03, 0.48%, 0.48%

LAB 61.4, 5.07, 46.72

 

CMYK 0 / 17 / 55 / 23

HEX #C4A258

RGB 196 162 88

HSL 41.11, 0.48%, 0.56%

LAB 68.23, 3.5, 42.74

 

CMYK 0 / 14 / 43 / 19

HEX #CFB377

RGB 207 179 119

HSL 40.91, 0.48%, 0.64%

LAB 74.09, 1.92, 34.32

 

CMYK 0 / 10 / 31 / 15

HEX #D9C495

RGB 217 196 149

HSL 41.47, 0.47%, 0.72%

LAB 79.84, 0.44, 26.33

 

CMYK 0 / 7 / 21 / 11

HEX #E4D5B4

RGB 228 213 180

HSL 41.25, 0.47%, 0.8%

LAB 85.69, -0.03, 18.2

 

CMYK 0 / 14 / 43 / 19

HEX #CFB377

RGB 207 179 119

HSL 40.91, 0.48%, 0.64%

LAB 74.09, 1.92, 34.32

 

CMYK 37 / 0 / 43 / 19

HEX #82CF77

RGB 130 207 119

HSL 112.5, 0.48%, 0.64%

LAB 76.5, -40.84, 36.36

 

CMYK 31 / 43 / 0 / 19

HEX #8E77CF

RGB 142 119 207

HSL 255.68, 0.48%, 0.64%

LAB 55.53, 28.33, -42.46

 

CMYK 0 / 14 / 43 / 19

HEX #CFB377

RGB 207 179 119

HSL 40.91, 0.48%, 0.64%

LAB 74.09, 1.92, 34.32

 

CMYK 43 / 0 / 14 / 19

HEX #77CFB1

RGB 119 207 177

HSL 159.55, 0.48%, 0.64%

LAB 77.11, -33.48, 6.67

 

CMYK 14 / 43 / 0 / 19

HEX #B177CF

RGB 177 119 207

HSL 279.55, 0.48%, 0.64%

LAB 59.02, 38.38, -36.75

 

CMYK 0 / 14 / 43 / 19

HEX #CFB377

RGB 207 179 119

HSL 40.91, 0.48%, 0.64%

LAB 74.09, 1.92, 34.32

 

CMYK 37 / 0 / 43 / 19

HEX #82CF77

RGB 130 207 119

HSL 112.5, 0.48%, 0.64%

LAB 76.5, -40.84, 36.36

 

CMYK 43 / 29 / 0 / 19

HEX #7794CF

RGB 119 148 207

HSL 220.23, 0.48%, 0.64%

LAB 61.31, 5.13, -33.53

 

CMYK 6 / 43 / 0 / 19

HEX #C377CF

RGB 195 119 207

HSL 291.82, 0.48%, 0.64%

LAB 61.05, 43.74, -33.43

 

CMYK 0 / 14 / 43 / 19

HEX #CFB377

RGB 207 179 119

HSL 40.91, 0.48%, 0.64%

LAB 74.09, 1.92, 34.32

 

CMYK 43 / 0 / 36 / 19

HEX #77CF85

RGB 119 207 133

HSL 129.55, 0.48%, 0.64%

LAB 76.22, -42.02, 28.73

 

CMYK 43 / 29 / 0 / 19

HEX #7794CF

RGB 119 148 207

HSL 220.23, 0.48%, 0.64%

LAB 61.31, 5.13, -33.53

 

CMYK 0 / 43 / 7 / 19

HEX #CF77C0

RGB 207 119 192

HSL 310.23, 0.48%, 0.64%

LAB 61.88, 44.67, -23.55

 

Description

Color code: HEX #CFB377 | qconv.com Color code: HEX #CFB377 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 179 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 179 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 43 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 43% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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