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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB38C it is the complementary color #304C73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB38C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB38C shade: #D4B387, #E5C59A, #F6D7AD, #FFE9C0 and #FFFBD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB38C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB38C shade: #CFB38C, #BEA179, #AD8F66, #9C7D53 and #8B6B40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB38C shade: #CEB28B, #CEA08B, #CE8E8B and #CE8B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB38C shade: #CEB28B, #CEC48B, #C6CE8B, #B4CE8B and #A2CE8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB38C shade matches the following richer shades: #CEB28B, #DCB57E, #E9B771 and #F6B964

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB38C shade: #CEB28B, #C1B099, #B4AEA6, #A7ACB3 and #9AAAC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB38C shade: #CE8E8B, #CEA08B, #CEB18B, #CEC38B and #C8CE8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB38C shade: #B68C51, #C29F6E, #CEB28B, #DBC6A9 and #E7D9C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB38C shade: #CFB38C, #9BCE8B and #978BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB38C shade: #CFB38C, #8BCEB1 and #B18BCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB38C shade: #CFB38C, #9BCE8B, #8BA8CE and #BF8BCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB38C shade: #CFB38C, #8BCE90, #8BA8CE and #CE8BCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 32 / 19

HEX #CFB38C

RGB 207 179 140

HSL 34.93, 0.41%, 0.68%

LAB 74.44, 4.38, 23.66

 

Complementary color

CMYK 58 / 34 / 0 / 55

HEX #304C73

RGB 48 76 115

HSL 214.93, 0.41%, 0.32%

LAB 31.89, 2.15, -25.58

 

CMYK 0 / 16 / 36 / 17

HEX #D4B387

RGB 212 179 135

HSL 34.29, 0.47%, 0.68%

LAB 74.82, 5.74, 26.91

 

CMYK 0 / 14 / 33 / 10

HEX #E5C59A

RGB 229 197 154

HSL 34.4, 0.59%, 0.75%

LAB 81.25, 5.19, 25.78

 

CMYK 0 / 13 / 30 / 4

HEX #F6D7AD

RGB 246 215 173

HSL 34.52, 0.8%, 0.82%

LAB 87.59, 4.71, 24.71

 

CMYK 0 / 9 / 25 / 0

HEX #FFE9C0

RGB 255 233 192

HSL 39.05, 1%, 0.88%

LAB 93.16, 1.34, 22.67

 

CMYK 0 / 2 / 17 / 0

HEX #FFFBD3

RGB 255 251 211

HSL 54.55, 1%, 0.91%

LAB 98.02, -5.06, 19.68

 

CMYK 0 / 14 / 32 / 19

HEX #CFB38C

RGB 207 179 140

HSL 34.93, 0.41%, 0.68%

LAB 74.44, 4.38, 23.66

 

CMYK 0 / 15 / 36 / 25

HEX #BEA179

RGB 190 161 121

HSL 34.78, 0.35%, 0.61%

LAB 67.89, 4.92, 24.81

 

CMYK 0 / 17 / 41 / 32

HEX #AD8F66

RGB 173 143 102

HSL 34.65, 0.3%, 0.54%

LAB 61.21, 5.55, 26.04

 

CMYK 0 / 20 / 47 / 39

HEX #9C7D53

RGB 156 125 83

HSL 34.52, 0.31%, 0.47%

LAB 54.41, 6.31, 27.38

 

CMYK 0 / 23 / 54 / 45

HEX #8B6B40

RGB 139 107 64

HSL 34.4, 0.37%, 0.4%

LAB 47.46, 7.23, 28.83

 

CMYK 0 / 14 / 33 / 19

HEX #CEB28B

RGB 206 178 139

HSL 34.93, 0.41%, 0.68%

LAB 74.08, 4.39, 23.68

 

CMYK 0 / 22 / 33 / 19

HEX #CEA08B

RGB 206 160 139

HSL 18.81, 0.41%, 0.68%

LAB 69.56, 14.1, 17.49

 

CMYK 0 / 31 / 33 / 19

HEX #CE8E8B

RGB 206 142 139

HSL 2.69, 0.41%, 0.68%

LAB 65.23, 23.92, 11.43

 

CMYK 0 / 33 / 33 / 19

HEX #CE8B8B

RGB 206 139 139

HSL 0, 0.41%, 0.68%

LAB 64.52, 25.55, 10.44

 

CMYK 0 / 14 / 33 / 19

HEX #CEB28B

RGB 206 178 139

HSL 34.93, 0.41%, 0.68%

LAB 74.08, 4.39, 23.68

 

CMYK 0 / 5 / 33 / 19

HEX #CEC48B

RGB 206 196 139

HSL 51.04, 0.41%, 0.68%

LAB 78.73, -5.1, 29.93

 

CMYK 4 / 0 / 33 / 19

HEX #C6CE8B

RGB 198 206 139

HSL 67.16, 0.41%, 0.68%

LAB 80.75, -13.33, 32.48

 

CMYK 13 / 0 / 33 / 19

HEX #B4CE8B

RGB 180 206 139

HSL 83.28, 0.41%, 0.68%

LAB 79.45, -20.13, 30.53

 

CMYK 21 / 0 / 33 / 19

HEX #A2CE8B

RGB 162 206 139

HSL 99.4, 0.41%, 0.68%

LAB 78.28, -26.66, 28.76

 

CMYK 0 / 14 / 33 / 19

HEX #CEB28B

RGB 206 178 139

HSL 34.93, 0.41%, 0.68%

LAB 74.08, 4.39, 23.68

 

CMYK 0 / 18 / 43 / 14

HEX #DCB57E

RGB 220 181 126

HSL 35.11, 0.57%, 0.68%

LAB 75.93, 6.86, 33.28

 

CMYK 0 / 21 / 52 / 9

HEX #E9B771

RGB 233 183 113

HSL 35, 0.73%, 0.68%

LAB 77.51, 9.82, 42.26

 

CMYK 0 / 25 / 59 / 4

HEX #F6B964

RGB 246 185 100

HSL 34.93, 0.89%, 0.68%

LAB 79.16, 13.07, 51

 

CMYK 0 / 14 / 33 / 19

HEX #CEB28B

RGB 206 178 139

HSL 34.93, 0.41%, 0.68%

LAB 74.08, 4.39, 23.68

 

CMYK 0 / 9 / 21 / 24

HEX #C1B099

RGB 193 176 153

HSL 34.5, 0.24%, 0.68%

LAB 72.69, 2.36, 14

 

CMYK 0 / 3 / 8 / 29

HEX #B4AEA6

RGB 180 174 166

HSL 34.29, 0.09%, 0.68%

LAB 71.37, 0.71, 4.85

 

CMYK 7 / 4 / 0 / 30

HEX #A7ACB3

RGB 167 172 179

HSL 215, 0.07%, 0.68%

LAB 70.16, -0.38, -4.2

 

CMYK 20 / 11 / 0 / 25

HEX #9AAAC0

RGB 154 170 192

HSL 214.74, 0.23%, 0.68%

LAB 69.06, -0.84, -13.13

 

CMYK 0 / 31 / 33 / 19

HEX #CE8E8B

RGB 206 142 139

HSL 2.69, 0.41%, 0.68%

LAB 65.23, 23.92, 11.43

 

CMYK 0 / 22 / 33 / 19

HEX #CEA08B

RGB 206 160 139

HSL 18.81, 0.41%, 0.68%

LAB 69.56, 14.1, 17.49

 

CMYK 0 / 14 / 33 / 19

HEX #CEB18B

RGB 206 177 139

HSL 34.03, 0.41%, 0.68%

LAB 73.82, 4.92, 23.34

 

CMYK 0 / 5 / 33 / 19

HEX #CEC38B

RGB 206 195 139

HSL 50.15, 0.41%, 0.68%

LAB 78.47, -4.58, 29.58

 

CMYK 3 / 0 / 33 / 19

HEX #C8CE8B

RGB 200 206 139

HSL 65.37, 0.41%, 0.68%

LAB 80.9, -12.56, 32.71

 

CMYK 0 / 23 / 55 / 29

HEX #B68C51

RGB 182 140 81

HSL 35.05, 0.41%, 0.52%

LAB 61.04, 8.94, 37.34

 

CMYK 0 / 18 / 43 / 24

HEX #C29F6E

RGB 194 159 110

HSL 35, 0.41%, 0.6%

LAB 67.57, 6.38, 30.41

 

CMYK 0 / 14 / 33 / 19

HEX #CEB28B

RGB 206 178 139

HSL 34.93, 0.41%, 0.68%

LAB 74.08, 4.39, 23.68

 

CMYK 0 / 10 / 23 / 14

HEX #DBC6A9

RGB 219 198 169

HSL 34.8, 0.41%, 0.76%

LAB 80.91, 2.86, 17.23

 

CMYK 0 / 6 / 14 / 9

HEX #E7D9C6

RGB 231 217 198

HSL 34.55, 0.41%, 0.84%

LAB 87.34, 1.7, 11.08

 

CMYK 0 / 14 / 32 / 19

HEX #CFB38C

RGB 207 179 140

HSL 34.93, 0.41%, 0.68%

LAB 74.44, 4.38, 23.66

 

CMYK 25 / 0 / 33 / 19

HEX #9BCE8B

RGB 155 206 139

HSL 105.67, 0.41%, 0.68%

LAB 77.86, -29.1, 28.13

 

CMYK 27 / 33 / 0 / 19

HEX #978BCE

RGB 151 139 206

HSL 250.75, 0.41%, 0.68%

LAB 61.22, 19.05, -32.93

 

CMYK 0 / 14 / 32 / 19

HEX #CFB38C

RGB 207 179 140

HSL 34.93, 0.41%, 0.68%

LAB 74.44, 4.38, 23.66

 

CMYK 33 / 0 / 14 / 19

HEX #8BCEB1

RGB 139 206 177

HSL 154.03, 0.41%, 0.68%

LAB 77.76, -27.41, 7.72

 

CMYK 14 / 33 / 0 / 19

HEX #B18BCE

RGB 177 139 206

HSL 274.03, 0.41%, 0.68%

LAB 63.56, 27.02, -29.12

 

CMYK 0 / 14 / 32 / 19

HEX #CFB38C

RGB 207 179 140

HSL 34.93, 0.41%, 0.68%

LAB 74.44, 4.38, 23.66

 

CMYK 25 / 0 / 33 / 19

HEX #9BCE8B

RGB 155 206 139

HSL 105.67, 0.41%, 0.68%

LAB 77.86, -29.1, 28.13

 

CMYK 33 / 18 / 0 / 19

HEX #8BA8CE

RGB 139 168 206

HSL 214.03, 0.41%, 0.68%

LAB 67.98, -0.94, -22.59

 

CMYK 7 / 33 / 0 / 19

HEX #BF8BCE

RGB 191 139 206

HSL 286.57, 0.41%, 0.68%

LAB 64.96, 31.44, -26.85

 

CMYK 0 / 14 / 32 / 19

HEX #CFB38C

RGB 207 179 140

HSL 34.93, 0.41%, 0.68%

LAB 74.44, 4.38, 23.66

 

CMYK 33 / 0 / 30 / 19

HEX #8BCE90

RGB 139 206 144

HSL 124.48, 0.41%, 0.68%

LAB 77.07, -33.61, 24.29

 

CMYK 33 / 18 / 0 / 19

HEX #8BA8CE

RGB 139 168 206

HSL 214.03, 0.41%, 0.68%

LAB 67.98, -0.94, -22.59

 

CMYK 0 / 33 / 2 / 19

HEX #CE8BCA

RGB 206 139 202

HSL 303.58, 0.41%, 0.68%

LAB 66.41, 35.5, -22.26

 

Description

Color code: HEX #CFB38C | qconv.com Color code: HEX #CFB38C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 179 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 179 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 32 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 32% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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