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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFC4E1 it is the complementary color #303B1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFC4E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFC4E1 shade: #D4C4DC, #E5D6EF, #F6E8FF and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFC4E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFC4E1 shade: #CFC4E1, #BEB2CE, #ADA0BB, #9C8EA8 and #8B7C95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFC4E1 shade: #D0C5E1, #D7C5E1, #DFC5E1, #E1C5DC and #E1C5D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFC4E1 shade: #D0C5E1, #C8C5E1 and #C5C5E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFC4E1 shade matches the following richer shades: #D0C5E1, #CEBEE8, #CCB7EF, #CBB0F6 and #C9A9FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFC4E1 shade: #D0C5E1, #D1CCDA, #D3D3D3, #D5DACC and #D6E1C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFC4E1 shade: #C5CAE1, #C8C5E1, #CFC5E1, #D7C5E1 and #DFC5E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFC4E1 shade: #A38EC6, #B9A9D4, #D0C5E1, #E6E0EF and #FCFCFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFC4E1 shade: #CFC4E1, #E1C5D1 and #C6E1C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFC4E1 shade: #CFC4E1, #E1CFC5 and #C5E1CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFC4E1 shade: #CFC4E1, #E1C5D1, #D7E1C5 and #C5E1D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFC4E1 shade: #CFC4E1, #E1C5C9, #D7E1C5 and #C5E1DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 13 / 0 / 12

HEX #CFC4E1

RGB 207 196 225

HSL 262.76, 0.33%, 0.83%

LAB 80.84, 9.26, -13.02

 

Complementary color

CMYK 19 / 0 / 49 / 77

HEX #303B1E

RGB 48 59 30

HSL 82.76, 0.33%, 0.17%

LAB 23.17, -10.52, 16.47

 

CMYK 4 / 11 / 0 / 14

HEX #D4C4DC

RGB 212 196 220

HSL 280, 0.26%, 0.82%

LAB 81.1, 9.95, -9.91

 

CMYK 4 / 10 / 0 / 6

HEX #E5D6EF

RGB 229 214 239

HSL 276, 0.44%, 0.89%

LAB 87.48, 9.65, -10.37

 

CMYK 4 / 9 / 0 / 0

HEX #F6E8FF

RGB 246 232 255

HSL 276.52, 1%, 0.95%

LAB 93.68, 8.81, -9.4

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 8 / 13 / 0 / 12

HEX #CFC4E1

RGB 207 196 225

HSL 262.76, 0.33%, 0.83%

LAB 80.84, 9.26, -13.02

 

CMYK 8 / 14 / 0 / 19

HEX #BEB2CE

RGB 190 178 206

HSL 265.71, 0.22%, 0.75%

LAB 74.35, 9.57, -12.6

 

CMYK 7 / 14 / 0 / 27

HEX #ADA0BB

RGB 173 160 187

HSL 268.89, 0.17%, 0.68%

LAB 67.73, 9.9, -12.19

 

CMYK 7 / 15 / 0 / 34

HEX #9C8EA8

RGB 156 142 168

HSL 272.31, 0.13%, 0.61%

LAB 60.99, 10.26, -11.78

 

CMYK 7 / 17 / 0 / 42

HEX #8B7C95

RGB 139 124 149

HSL 276, 0.11%, 0.54%

LAB 54.11, 10.66, -11.36

 

CMYK 8 / 12 / 0 / 12

HEX #D0C5E1

RGB 208 197 225

HSL 263.57, 0.32%, 0.83%

LAB 81.17, 9.05, -12.51

 

CMYK 4 / 12 / 0 / 12

HEX #D7C5E1

RGB 215 197 225

HSL 278.57, 0.32%, 0.83%

LAB 81.74, 11.37, -11.61

 

CMYK 1 / 12 / 0 / 12

HEX #DFC5E1

RGB 223 197 225

HSL 295.71, 0.32%, 0.83%

LAB 82.41, 14.04, -10.53

 

CMYK 0 / 12 / 2 / 12

HEX #E1C5DC

RGB 225 197 220

HSL 310.71, 0.32%, 0.83%

LAB 82.44, 13.8, -7.8

 

CMYK 0 / 12 / 6 / 12

HEX #E1C5D4

RGB 225 197 212

HSL 327.86, 0.32%, 0.83%

LAB 82.21, 12.39, -3.84

 

CMYK 8 / 12 / 0 / 12

HEX #D0C5E1

RGB 208 197 225

HSL 263.57, 0.32%, 0.83%

LAB 81.17, 9.05, -12.51

 

CMYK 11 / 12 / 0 / 12

HEX #C8C5E1

RGB 200 197 225

HSL 246.43, 0.32%, 0.83%

LAB 80.54, 6.44, -13.52

 

CMYK 12 / 12 / 0 / 12

HEX #C5C5E1

RGB 197 197 225

HSL 240, 0.32%, 0.83%

LAB 80.31, 5.47, -13.88

 

CMYK 8 / 12 / 0 / 12

HEX #D0C5E1

RGB 208 197 225

HSL 263.57, 0.32%, 0.83%

LAB 81.17, 9.05, -12.51

 

CMYK 11 / 18 / 0 / 9

HEX #CEBEE8

RGB 206 190 232

HSL 262.86, 0.48%, 0.83%

LAB 79.49, 13.57, -18.82

 

CMYK 15 / 23 / 0 / 6

HEX #CCB7EF

RGB 204 183 239

HSL 262.5, 0.64%, 0.83%

LAB 77.84, 18.2, -25.11

 

CMYK 17 / 28 / 0 / 4

HEX #CBB0F6

RGB 203 176 246

HSL 263.14, 0.8%, 0.83%

LAB 76.31, 23.22, -31.22

 

CMYK 21 / 33 / 0 / 0

HEX #C9A9FE

RGB 201 169 254

HSL 262.59, 0.98%, 0.83%

LAB 74.79, 28.23, -37.91

 

CMYK 8 / 12 / 0 / 12

HEX #D0C5E1

RGB 208 197 225

HSL 263.57, 0.32%, 0.83%

LAB 81.17, 9.05, -12.51

 

CMYK 4 / 6 / 0 / 15

HEX #D1CCDA

RGB 209 204 218

HSL 261.43, 0.16%, 0.83%

LAB 82.81, 4.31, -6.32

 

CMYK 0 / 0 / 0 / 17

HEX #D3D3D3

RGB 211 211 211

HSL 0, 0%, 0.83%

LAB 84.56, 0, -0.01

 

CMYK 2 / 0 / 6 / 15

HEX #D5DACC

RGB 213 218 204

HSL 81.43, 0.16%, 0.83%

LAB 86.33, -4.18, 6.29

 

CMYK 5 / 0 / 12 / 12

HEX #D6E1C5

RGB 214 225 197

HSL 83.57, 0.32%, 0.83%

LAB 88.05, -8.59, 12.44

 

CMYK 12 / 10 / 0 / 12

HEX #C5CAE1

RGB 197 202 225

HSL 229.29, 0.32%, 0.83%

LAB 81.59, 2.8, -11.97

 

CMYK 11 / 12 / 0 / 12

HEX #C8C5E1

RGB 200 197 225

HSL 246.43, 0.32%, 0.83%

LAB 80.54, 6.44, -13.52

 

CMYK 8 / 12 / 0 / 12

HEX #CFC5E1

RGB 207 197 225

HSL 261.43, 0.32%, 0.83%

LAB 81.09, 8.73, -12.64

 

CMYK 4 / 12 / 0 / 12

HEX #D7C5E1

RGB 215 197 225

HSL 278.57, 0.32%, 0.83%

LAB 81.74, 11.37, -11.61

 

CMYK 1 / 12 / 0 / 12

HEX #DFC5E1

RGB 223 197 225

HSL 295.71, 0.32%, 0.83%

LAB 82.41, 14.04, -10.53

 

CMYK 18 / 28 / 0 / 22

HEX #A38EC6

RGB 163 142 198

HSL 262.5, 0.33%, 0.67%

LAB 62.68, 19.12, -26.1

 

CMYK 13 / 20 / 0 / 17

HEX #B9A9D4

RGB 185 169 212

HSL 262.33, 0.33%, 0.75%

LAB 71.86, 14.1, -19.68

 

CMYK 8 / 12 / 0 / 12

HEX #D0C5E1

RGB 208 197 225

HSL 263.57, 0.32%, 0.83%

LAB 81.17, 9.05, -12.51

 

CMYK 4 / 6 / 0 / 6

HEX #E6E0EF

RGB 230 224 239

HSL 264, 0.32%, 0.91%

LAB 90.03, 4.75, -6.58

 

CMYK 0 / 0 / 0 / 1

HEX #FCFCFD

RGB 252 252 253

HSL 240, 0.2%, 0.99%

LAB 98.99, 0.18, -0.49

 

CMYK 8 / 13 / 0 / 12

HEX #CFC4E1

RGB 207 196 225

HSL 262.76, 0.33%, 0.83%

LAB 80.84, 9.26, -13.02

 

CMYK 0 / 12 / 7 / 12

HEX #E1C5D1

RGB 225 197 209

HSL 334.29, 0.32%, 0.83%

LAB 82.13, 11.87, -2.35

 

CMYK 12 / 0 / 12 / 12

HEX #C6E1C5

RGB 198 225 197

HSL 117.86, 0.32%, 0.83%

LAB 86.94, -14.1, 10.71

 

CMYK 8 / 13 / 0 / 12

HEX #CFC4E1

RGB 207 196 225

HSL 262.76, 0.33%, 0.83%

LAB 80.84, 9.26, -13.02

 

CMYK 0 / 8 / 12 / 12

HEX #E1CFC5

RGB 225 207 197

HSL 21.43, 0.32%, 0.83%

LAB 84.31, 4.6, 7.21

 

CMYK 12 / 0 / 8 / 12

HEX #C5E1CF

RGB 197 225 207

HSL 141.43, 0.32%, 0.83%

LAB 87.11, -12.64, 5.69

 

CMYK 8 / 13 / 0 / 12

HEX #CFC4E1

RGB 207 196 225

HSL 262.76, 0.33%, 0.83%

LAB 80.84, 9.26, -13.02

 

CMYK 0 / 12 / 7 / 12

HEX #E1C5D1

RGB 225 197 209

HSL 334.29, 0.32%, 0.83%

LAB 82.13, 11.87, -2.35

 

CMYK 4 / 0 / 12 / 12

HEX #D7E1C5

RGB 215 225 197

HSL 81.43, 0.32%, 0.83%

LAB 88.13, -8.24, 12.56

 

CMYK 12 / 0 / 5 / 12

HEX #C5E1D5

RGB 197 225 213

HSL 154.29, 0.32%, 0.83%

LAB 87.25, -11.52, 2.74

 

CMYK 8 / 13 / 0 / 12

HEX #CFC4E1

RGB 207 196 225

HSL 262.76, 0.33%, 0.83%

LAB 80.84, 9.26, -13.02

 

CMYK 0 / 12 / 11 / 12

HEX #E1C5C9

RGB 225 197 201

HSL 351.43, 0.32%, 0.83%

LAB 81.92, 10.52, 1.63

 

CMYK 4 / 0 / 12 / 12

HEX #D7E1C5

RGB 215 225 197

HSL 81.43, 0.32%, 0.83%

LAB 88.13, -8.24, 12.56

 

CMYK 12 / 0 / 1 / 12

HEX #C5E1DE

RGB 197 225 222

HSL 173.57, 0.32%, 0.83%

LAB 87.48, -9.78, -1.66

 

Description

Color code: HEX #CFC4E1 | qconv.com Color code: HEX #CFC4E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 196 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 196 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 13 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 13% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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