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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFC759 it is the complementary color #3038A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFC759. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFC759 shade: #D4C754, #E5D967, #F6EB7A, #FFFD8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFC759. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFC759 shade: #CFC759, #BEB546, #ADA333, #9C9120 and #8B7F0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFC759 shade: #CEC658, #CEA758, #CE8758, #CE6758 and #CE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFC759 shade: #CEC658, #B7CE58, #97CE58, #77CE58 and #58CE5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFC759 shade matches the following richer shades: #CEC658, #E0D547 and #F1E436

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFC759 shade: #CEC658, #BDB76A, #ACA87B, #9A998C and #898A9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFC759 shade: #CE8658, #CEA558, #CEC458, #B9CE58 and #99CE58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFC759 shade: #A59D2F, #C5BB39, #CEC658, #D8D178 and #E1DC98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFC759 shade: #CFC759, #58CE66 and #9558CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFC759 shade: #CFC759, #58CEC4 and #C458CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFC759 shade: #CFC759, #58CE66, #5862CE and #CE58C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFC759 shade: #CFC759, #58CE8A, #5862CE and #CE589D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 57 / 19

HEX #CFC759

RGB 207 199 89

HSL 55.93, 0.55%, 0.58%

LAB 78.95, -11.19, 54.94

 

Complementary color

CMYK 71 / 66 / 0 / 35

HEX #3038A6

RGB 48 56 166

HSL 235.93, 0.55%, 0.42%

LAB 29.94, 34.17, -60.08

 

CMYK 0 / 6 / 60 / 17

HEX #D4C754

RGB 212 199 84

HSL 53.91, 0.6%, 0.58%

LAB 79.32, -9.46, 57.7

 

CMYK 0 / 5 / 55 / 10

HEX #E5D967

RGB 229 217 103

HSL 54.29, 0.71%, 0.65%

LAB 85.64, -10.19, 56.69

 

CMYK 0 / 4 / 50 / 4

HEX #F6EB7A

RGB 246 235 122

HSL 54.68, 0.87%, 0.72%

LAB 91.87, -10.8, 55.58

 

CMYK 0 / 1 / 45 / 0

HEX #FFFD8D

RGB 255 253 141

HSL 58.95, 1%, 0.78%

LAB 97.4, -14.43, 53.54

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 4 / 57 / 19

HEX #CFC759

RGB 207 199 89

HSL 55.93, 0.55%, 0.58%

LAB 78.95, -11.19, 54.94

 

CMYK 0 / 5 / 63 / 25

HEX #BEB546

RGB 190 181 70

HSL 55.5, 0.48%, 0.51%

LAB 72.52, -10.44, 55.88

 

CMYK 0 / 6 / 71 / 32

HEX #ADA333

RGB 173 163 51

HSL 55.08, 0.54%, 0.44%

LAB 66, -9.52, 56.51

 

CMYK 0 / 7 / 79 / 39

HEX #9C9120

RGB 156 145 32

HSL 54.68, 0.66%, 0.37%

LAB 59.36, -8.39, 56.5

 

CMYK 0 / 9 / 91 / 45

HEX #8B7F0D

RGB 139 127 13

HSL 54.29, 0.83%, 0.3%

LAB 52.62, -6.99, 55.26

 

CMYK 0 / 4 / 57 / 19

HEX #CEC658

RGB 206 198 88

HSL 55.93, 0.55%, 0.58%

LAB 78.59, -11.17, 54.97

 

CMYK 0 / 19 / 57 / 19

HEX #CEA758

RGB 206 167 88

HSL 40.17, 0.55%, 0.58%

LAB 70.5, 5.05, 45.68

 

CMYK 0 / 34 / 57 / 19

HEX #CE8758

RGB 206 135 88

HSL 23.9, 0.55%, 0.58%

LAB 62.64, 22.4, 36.21

 

CMYK 0 / 50 / 57 / 19

HEX #CE6758

RGB 206 103 88

HSL 7.63, 0.55%, 0.58%

LAB 55.61, 39.4, 27.36

 

CMYK 0 / 57 / 57 / 19

HEX #CE5858

RGB 206 88 88

HSL 0, 0.55%, 0.58%

LAB 52.74, 46.8, 23.62

 

CMYK 0 / 4 / 57 / 19

HEX #CEC658

RGB 206 198 88

HSL 55.93, 0.55%, 0.58%

LAB 78.59, -11.17, 54.97

 

CMYK 11 / 0 / 57 / 19

HEX #B7CE58

RGB 183 206 88

HSL 71.69, 0.55%, 0.58%

LAB 78.99, -24.54, 54.94

 

CMYK 27 / 0 / 57 / 19

HEX #97CE58

RGB 151 206 88

HSL 87.97, 0.55%, 0.58%

LAB 76.94, -36.84, 52.06

 

CMYK 42 / 0 / 57 / 19

HEX #77CE58

RGB 119 206 88

HSL 104.24, 0.55%, 0.58%

LAB 75.31, -47.77, 49.76

 

CMYK 57 / 0 / 56 / 19

HEX #58CE5A

RGB 88 206 90

HSL 121.02, 0.55%, 0.58%

LAB 74.16, -56.17, 47.2

 

CMYK 0 / 4 / 57 / 19

HEX #CEC658

RGB 206 198 88

HSL 55.93, 0.55%, 0.58%

LAB 78.59, -11.17, 54.97

 

CMYK 0 / 5 / 68 / 12

HEX #E0D547

RGB 224 213 71

HSL 55.69, 0.71%, 0.58%

LAB 83.91, -12.29, 68.15

 

CMYK 0 / 5 / 78 / 5

HEX #F1E436

RGB 241 228 54

HSL 55.83, 0.87%, 0.58%

LAB 89.14, -13.37, 79.25

 

CMYK 0 / 4 / 57 / 19

HEX #CEC658

RGB 206 198 88

HSL 55.93, 0.55%, 0.58%

LAB 78.59, -11.17, 54.97

 

CMYK 0 / 3 / 44 / 26

HEX #BDB76A

RGB 189 183 106

HSL 55.66, 0.39%, 0.58%

LAB 73.37, -8.89, 39.78

 

CMYK 0 / 2 / 28 / 33

HEX #ACA87B

RGB 172 168 123

HSL 55.1, 0.23%, 0.58%

LAB 68.17, -5.83, 23.83

 

CMYK 0 / 1 / 9 / 40

HEX #9A998C

RGB 154 153 140

HSL 55.71, 0.06%, 0.58%

LAB 62.97, -2.03, 6.96

 

CMYK 13 / 13 / 0 / 38

HEX #898A9E

RGB 137 138 158

HSL 237.14, 0.1%, 0.58%

LAB 58, 3.83, -10.72

 

CMYK 0 / 35 / 57 / 19

HEX #CE8658

RGB 206 134 88

HSL 23.39, 0.55%, 0.58%

LAB 62.4, 22.95, 35.92

 

CMYK 0 / 20 / 57 / 19

HEX #CEA558

RGB 206 165 88

HSL 39.15, 0.55%, 0.58%

LAB 69.99, 6.12, 45.08

 

CMYK 0 / 5 / 57 / 19

HEX #CEC458

RGB 206 196 88

HSL 54.92, 0.55%, 0.58%

LAB 78.06, -10.15, 54.37

 

CMYK 10 / 0 / 57 / 19

HEX #B9CE58

RGB 185 206 88

HSL 70.68, 0.55%, 0.58%

LAB 79.13, -23.74, 55.14

 

CMYK 26 / 0 / 57 / 19

HEX #99CE58

RGB 153 206 88

HSL 86.95, 0.55%, 0.58%

LAB 77.05, -36.11, 52.22

 

CMYK 0 / 5 / 72 / 35

HEX #A59D2F

RGB 165 157 47

HSL 55.93, 0.56%, 0.42%

LAB 63.61, -10.09, 55.46

 

CMYK 0 / 5 / 71 / 23

HEX #C5BB39

RGB 197 187 57

HSL 55.71, 0.55%, 0.5%

LAB 74.64, -11.26, 63.44

 

CMYK 0 / 4 / 57 / 19

HEX #CEC658

RGB 206 198 88

HSL 55.93, 0.55%, 0.58%

LAB 78.59, -11.17, 54.97

 

CMYK 0 / 3 / 44 / 15

HEX #D8D178

RGB 216 209 120

HSL 55.63, 0.55%, 0.66%

LAB 82.68, -9.92, 44.83

 

CMYK 0 / 2 / 32 / 12

HEX #E1DC98

RGB 225 220 152

HSL 55.89, 0.55%, 0.74%

LAB 86.73, -8.45, 34.09

 

CMYK 0 / 4 / 57 / 19

HEX #CFC759

RGB 207 199 89

HSL 55.93, 0.55%, 0.58%

LAB 78.95, -11.19, 54.94

 

CMYK 57 / 0 / 50 / 19

HEX #58CE66

RGB 88 206 102

HSL 127.12, 0.55%, 0.58%

LAB 74.3, -54.6, 41.67

 

CMYK 28 / 57 / 0 / 19

HEX #9558CE

RGB 149 88 206

HSL 271.02, 0.55%, 0.58%

LAB 49.28, 47.39, -51.78

 

CMYK 0 / 4 / 57 / 19

HEX #CFC759

RGB 207 199 89

HSL 55.93, 0.55%, 0.58%

LAB 78.95, -11.19, 54.94

 

CMYK 57 / 0 / 5 / 19

HEX #58CEC4

RGB 88 206 196

HSL 174.92, 0.55%, 0.58%

LAB 76.19, -35.42, -5.03

 

CMYK 5 / 57 / 0 / 19

HEX #C458CE

RGB 196 88 206

HSL 294.92, 0.55%, 0.58%

LAB 55.25, 59.27, -41.94

 

CMYK 0 / 4 / 57 / 19

HEX #CFC759

RGB 207 199 89

HSL 55.93, 0.55%, 0.58%

LAB 78.95, -11.19, 54.94

 

CMYK 57 / 0 / 50 / 19

HEX #58CE66

RGB 88 206 102

HSL 127.12, 0.55%, 0.58%

LAB 74.3, -54.6, 41.67

 

CMYK 57 / 52 / 0 / 19

HEX #5862CE

RGB 88 98 206

HSL 234.92, 0.55%, 0.58%

LAB 46, 27.83, -57.36

 

CMYK 0 / 57 / 6 / 19

HEX #CE58C1

RGB 206 88 193

HSL 306.61, 0.55%, 0.58%

LAB 56.04, 59.66, -33.16

 

CMYK 0 / 4 / 57 / 19

HEX #CFC759

RGB 207 199 89

HSL 55.93, 0.55%, 0.58%

LAB 78.95, -11.19, 54.94

 

CMYK 57 / 0 / 33 / 19

HEX #58CE8A

RGB 88 206 138

HSL 145.42, 0.55%, 0.58%

LAB 74.86, -48.63, 24.09

 

CMYK 57 / 52 / 0 / 19

HEX #5862CE

RGB 88 98 206

HSL 234.92, 0.55%, 0.58%

LAB 46, 27.83, -57.36

 

CMYK 0 / 57 / 24 / 19

HEX #CE589D

RGB 206 88 157

HSL 324.92, 0.55%, 0.58%

LAB 54.59, 54.21, -14.51

 

Description

Color code: HEX #CFC759 | qconv.com Color code: HEX #CFC759 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 199 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 199 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 57 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 57% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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