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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFC3CE it is the complementary color #303C31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFC3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFC3CE shade: #D4C3C9, #E5D5DC, #F6E7EF and #FFF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFC3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFC3CE shade: #CFC3CE, #BEB1BB, #AD9FA8, #9C8D95 and #8B7B82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFC3CE shade: #CFC3CE, #CFC3CB, #CFC3C8, #CFC3C4 and #CFC3C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFC3CE shade: #CFC3CE, #CDC3CF, #C9C3CF, #C6C3CF and #C3C3CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFC3CE shade matches the following richer shades: #CFC3CE, #D8BAD5, #E0B2DC, #E9A9E4 and #F1A0EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFC3CE shade: #CFC3CE, #C6CCC7, #BED4BF, #B5DDB8 and #ACE6B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFC3CE shade: #CAC3CF, #CDC3CF, #CFC3CE, #CFC3CB and #CFC3C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFC3CE shade: #AA95A8, #BCACBB, #CFC3CE, #E1DAE1 and #F4F1F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFC3CE shade: #CFC3CE, #CFC6C3 and #C3CFCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFC3CE shade: #CFC3CE, #CECFC3 and #C3CECF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFC3CE shade: #CFC3CE, #CFC6C3, #C3CFC4 and #C3CCCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFC3CE shade: #CFC3CE, #CFCAC3, #C3CFC4 and #C3C8CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 0 / 19

HEX #CFC3CE

RGB 207 195 206

HSL 305, 0.11%, 0.79%

LAB 80.04, 6.17, -4

 

Complementary color

CMYK 20 / 0 / 18 / 76

HEX #303C31

RGB 48 60 49

HSL 125, 0.11%, 0.21%

LAB 23.94, -7.58, 5.18

 

CMYK 0 / 8 / 5 / 17

HEX #D4C3C9

RGB 212 195 201

HSL 338.82, 0.17%, 0.8%

LAB 80.32, 7, -0.85

 

CMYK 0 / 7 / 4 / 10

HEX #E5D5DC

RGB 229 213 220

HSL 333.75, 0.24%, 0.87%

LAB 86.71, 6.72, -1.46

 

CMYK 0 / 6 / 3 / 4

HEX #F6E7EF

RGB 246 231 239

HSL 328, 0.45%, 0.94%

LAB 93, 6.45, -2.06

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 0 / 6 / 0 / 19

HEX #CFC3CE

RGB 207 195 206

HSL 305, 0.11%, 0.79%

LAB 80.04, 6.17, -4

 

CMYK 0 / 7 / 2 / 25

HEX #BEB1BB

RGB 190 177 187

HSL 313.85, 0.09%, 0.72%

LAB 73.53, 6.44, -3.42

 

CMYK 0 / 8 / 3 / 32

HEX #AD9FA8

RGB 173 159 168

HSL 321.43, 0.08%, 0.65%

LAB 66.91, 6.74, -2.83

 

CMYK 0 / 10 / 4 / 39

HEX #9C8D95

RGB 156 141 149

HSL 328, 0.07%, 0.58%

LAB 60.15, 7.06, -2.21

 

CMYK 0 / 12 / 6 / 45

HEX #8B7B82

RGB 139 123 130

HSL 333.75, 0.06%, 0.51%

LAB 53.24, 7.42, -1.56

 

CMYK 0 / 6 / 0 / 19

HEX #CFC3CE

RGB 207 195 206

HSL 305, 0.11%, 0.79%

LAB 80.04, 6.17, -4

 

CMYK 0 / 6 / 2 / 19

HEX #CFC3CB

RGB 207 195 203

HSL 320, 0.11%, 0.79%

LAB 79.96, 5.62, -2.5

 

CMYK 0 / 6 / 3 / 19

HEX #CFC3C8

RGB 207 195 200

HSL 335, 0.11%, 0.79%

LAB 79.88, 5.08, -1

 

CMYK 0 / 6 / 5 / 19

HEX #CFC3C4

RGB 207 195 196

HSL 355, 0.11%, 0.79%

LAB 79.77, 4.37, 1

 

CMYK 0 / 6 / 6 / 19

HEX #CFC3C3

RGB 207 195 195

HSL 0, 0.11%, 0.79%

LAB 79.75, 4.2, 1.5

 

CMYK 0 / 6 / 0 / 19

HEX #CFC3CE

RGB 207 195 206

HSL 305, 0.11%, 0.79%

LAB 80.04, 6.17, -4

 

CMYK 1 / 6 / 0 / 19

HEX #CDC3CF

RGB 205 195 207

HSL 290, 0.11%, 0.79%

LAB 79.91, 5.67, -4.75

 

CMYK 3 / 6 / 0 / 19

HEX #C9C3CF

RGB 201 195 207

HSL 270, 0.11%, 0.79%

LAB 79.59, 4.3, -5.26

 

CMYK 4 / 6 / 0 / 19

HEX #C6C3CF

RGB 198 195 207

HSL 255, 0.11%, 0.79%

LAB 79.35, 3.29, -5.63

 

CMYK 6 / 6 / 0 / 19

HEX #C3C3CF

RGB 195 195 207

HSL 240, 0.11%, 0.79%

LAB 79.12, 2.27, -6

 

CMYK 0 / 6 / 0 / 19

HEX #CFC3CE

RGB 207 195 206

HSL 305, 0.11%, 0.79%

LAB 80.04, 6.17, -4

 

CMYK 0 / 14 / 1 / 15

HEX #D8BAD5

RGB 216 186 213

HSL 306, 0.28%, 0.79%

LAB 78.76, 15.36, -9.57

 

CMYK 0 / 21 / 2 / 12

HEX #E0B2DC

RGB 224 178 220

HSL 305.22, 0.43%, 0.79%

LAB 77.79, 23.65, -14.74

 

CMYK 0 / 27 / 2 / 9

HEX #E9A9E4

RGB 233 169 228

HSL 304.69, 0.59%, 0.79%

LAB 76.86, 32.89, -20.4

 

CMYK 0 / 34 / 2 / 5

HEX #F1A0EB

RGB 241 160 235

HSL 304.44, 0.74%, 0.79%

LAB 75.97, 41.46, -25.48

 

CMYK 0 / 6 / 0 / 19

HEX #CFC3CE

RGB 207 195 206

HSL 305, 0.11%, 0.79%

LAB 80.04, 6.17, -4

 

CMYK 3 / 0 / 2 / 20

HEX #C6CCC7

RGB 198 204 199

HSL 130, 0.06%, 0.79%

LAB 81.46, -2.97, 1.76

 

CMYK 10 / 0 / 10 / 17

HEX #BED4BF

RGB 190 212 191

HSL 122.73, 0.2%, 0.79%

LAB 82.8, -11.3, 7.89

 

CMYK 18 / 0 / 17 / 13

HEX #B5DDB8

RGB 181 221 184

HSL 124.5, 0.37%, 0.79%

LAB 84.48, -20.11, 13.9

 

CMYK 25 / 0 / 23 / 10

HEX #ACE6B1

RGB 172 230 177

HSL 125.17, 0.54%, 0.79%

LAB 86.28, -28.66, 19.99

 

CMYK 2 / 6 / 0 / 19

HEX #CAC3CF

RGB 202 195 207

HSL 275, 0.11%, 0.79%

LAB 79.67, 4.64, -5.13

 

CMYK 1 / 6 / 0 / 19

HEX #CDC3CF

RGB 205 195 207

HSL 290, 0.11%, 0.79%

LAB 79.91, 5.67, -4.75

 

CMYK 0 / 6 / 0 / 19

HEX #CFC3CE

RGB 207 195 206

HSL 305, 0.11%, 0.79%

LAB 80.04, 6.17, -4

 

CMYK 0 / 6 / 2 / 19

HEX #CFC3CB

RGB 207 195 203

HSL 320, 0.11%, 0.79%

LAB 79.96, 5.62, -2.5

 

CMYK 0 / 6 / 3 / 19

HEX #CFC3C8

RGB 207 195 200

HSL 335, 0.11%, 0.79%

LAB 79.88, 5.08, -1

 

CMYK 0 / 12 / 1 / 33

HEX #AA95A8

RGB 170 149 168

HSL 305.71, 0.11%, 0.63%

LAB 64.05, 11.24, -7.07

 

CMYK 0 / 9 / 1 / 26

HEX #BCACBB

RGB 188 172 187

HSL 303.75, 0.11%, 0.71%

LAB 72.08, 8.46, -5.58

 

CMYK 0 / 6 / 0 / 19

HEX #CFC3CE

RGB 207 195 206

HSL 305, 0.11%, 0.79%

LAB 80.04, 6.17, -4

 

CMYK 0 / 3 / 0 / 12

HEX #E1DAE1

RGB 225 218 225

HSL 300, 0.1%, 0.87%

LAB 87.77, 3.64, -2.59

 

CMYK 0 / 1 / 0 / 4

HEX #F4F1F3

RGB 244 241 243

HSL 320, 0.12%, 0.95%

LAB 95.42, 1.36, -0.62

 

CMYK 0 / 6 / 0 / 19

HEX #CFC3CE

RGB 207 195 206

HSL 305, 0.11%, 0.79%

LAB 80.04, 6.17, -4

 

CMYK 0 / 4 / 6 / 19

HEX #CFC6C3

RGB 207 198 195

HSL 15, 0.11%, 0.79%

LAB 80.51, 2.61, 2.61

 

CMYK 6 / 0 / 2 / 19

HEX #C3CFCB

RGB 195 207 203

HSL 160, 0.11%, 0.79%

LAB 82.13, -4.82, 0.57

 

CMYK 0 / 6 / 0 / 19

HEX #CFC3CE

RGB 207 195 206

HSL 305, 0.11%, 0.79%

LAB 80.04, 6.17, -4

 

CMYK 0 / 0 / 6 / 19

HEX #CECFC3

RGB 206 207 195

HSL 65, 0.11%, 0.79%

LAB 82.75, -2.47, 5.83

 

CMYK 6 / 0 / 0 / 19

HEX #C3CECF

RGB 195 206 207

HSL 185, 0.11%, 0.79%

LAB 81.97, -3.53, -1.8

 

CMYK 0 / 6 / 0 / 19

HEX #CFC3CE

RGB 207 195 206

HSL 305, 0.11%, 0.79%

LAB 80.04, 6.17, -4

 

CMYK 0 / 4 / 6 / 19

HEX #CFC6C3

RGB 207 198 195

HSL 15, 0.11%, 0.79%

LAB 80.51, 2.61, 2.61

 

CMYK 6 / 0 / 5 / 19

HEX #C3CFC4

RGB 195 207 196

HSL 125, 0.11%, 0.79%

LAB 81.95, -6.11, 4.05

 

CMYK 6 / 1 / 0 / 19

HEX #C3CCCF

RGB 195 204 207

HSL 195, 0.11%, 0.79%

LAB 81.45, -2.49, -2.56

 

CMYK 0 / 6 / 0 / 19

HEX #CFC3CE

RGB 207 195 206

HSL 305, 0.11%, 0.79%

LAB 80.04, 6.17, -4

 

CMYK 0 / 2 / 6 / 19

HEX #CFCAC3

RGB 207 202 195

HSL 35, 0.11%, 0.79%

LAB 81.54, 0.5, 4.09

 

CMYK 6 / 0 / 5 / 19

HEX #C3CFC4

RGB 195 207 196

HSL 125, 0.11%, 0.79%

LAB 81.95, -6.11, 4.05

 

CMYK 6 / 3 / 0 / 19

HEX #C3C8CF

RGB 195 200 207

HSL 215, 0.11%, 0.79%

LAB 80.41, -0.38, -4.09

 

Description

Color code: HEX #CFC3CE | qconv.com Color code: HEX #CFC3CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 195 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 195 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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