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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFCCEE it is the complementary color #303311. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFCCEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFCCEE shade: #D4CCE9, #E5DEFC and #F6F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFCCEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFCCEE shade: #CFCCEE, #BEBADB, #ADA8C8, #9C96B5 and #8B84A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFCCEE shade: #D0CDEE, #D9CDEE, #E2CDEE, #EBCDEE and #EECDE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFCCEE shade: #D0CDEE and #CDCDEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFCCEE shade matches the following richer shades: #D0CDEE, #CBC7F3, #C7C2F9 and #C2BDFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFCCEE shade: #D0CDEE, #D4D2E9, #D9D8E3, #DDDDDE and #E1E2D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFCCEE shade: #CDDCEE, #CDD3EE, #D0CDEE, #D8CDEE and #E1CDEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFCCEE shade: #958FD9, #B3AEE4, #D0CDEE and #EDECF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFCCEE shade: #CFCCEE, #EECDE5 and #D7EECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFCCEE shade: #CFCCEE, #EED0CD and #CDEED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFCCEE shade: #CFCCEE, #EECDE5, #EBEECD and #CDEED6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFCCEE shade: #CFCCEE, #EECDDB, #EBEECD and #CDEEE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 14 / 0 / 7

HEX #CFCCEE

RGB 207 204 238

HSL 245.29, 0.5%, 0.87%

LAB 83.24, 7.61, -16.36

 

Complementary color

CMYK 6 / 0 / 67 / 80

HEX #303311

RGB 48 51 17

HSL 65.29, 0.5%, 0.13%

LAB 20.19, -7.21, 20.73

 

CMYK 9 / 12 / 0 / 9

HEX #D4CCE9

RGB 212 204 233

HSL 256.55, 0.4%, 0.86%

LAB 83.48, 8.21, -13.3

 

CMYK 9 / 12 / 0 / 1

HEX #E5DEFC

RGB 229 222 252

HSL 254, 0.83%, 0.93%

LAB 89.83, 7.94, -13.71

 

CMYK 4 / 6 / 0 / 0

HEX #F6F0FF

RGB 246 240 255

HSL 264, 1%, 0.97%

LAB 95.64, 4.68, -6.5

 

CMYK 13 / 14 / 0 / 7

HEX #CFCCEE

RGB 207 204 238

HSL 245.29, 0.5%, 0.87%

LAB 83.24, 7.61, -16.36

 

CMYK 13 / 15 / 0 / 14

HEX #BEBADB

RGB 190 186 219

HSL 247.27, 0.31%, 0.79%

LAB 76.79, 7.89, -16

 

CMYK 14 / 16 / 0 / 22

HEX #ADA8C8

RGB 173 168 200

HSL 249.38, 0.23%, 0.72%

LAB 70.22, 8.18, -15.66

 

CMYK 14 / 17 / 0 / 29

HEX #9C96B5

RGB 156 150 181

HSL 251.61, 0.17%, 0.65%

LAB 63.52, 8.5, -15.32

 

CMYK 14 / 19 / 0 / 36

HEX #8B84A2

RGB 139 132 162

HSL 254, 0.14%, 0.58%

LAB 56.68, 8.85, -14.99

 

CMYK 13 / 14 / 0 / 7

HEX #D0CDEE

RGB 208 205 238

HSL 245.45, 0.49%, 0.87%

LAB 83.57, 7.4, -15.86

 

CMYK 9 / 14 / 0 / 7

HEX #D9CDEE

RGB 217 205 238

HSL 261.82, 0.49%, 0.87%

LAB 84.27, 10.29, -14.74

 

CMYK 5 / 14 / 0 / 7

HEX #E2CDEE

RGB 226 205 238

HSL 278.18, 0.49%, 0.87%

LAB 85, 13.22, -13.57

 

CMYK 1 / 14 / 0 / 7

HEX #EBCDEE

RGB 235 205 238

HSL 294.55, 0.49%, 0.87%

LAB 85.75, 16.19, -12.36

 

CMYK 0 / 14 / 3 / 7

HEX #EECDE8

RGB 238 205 232

HSL 310.91, 0.49%, 0.87%

LAB 85.84, 16.11, -9.02

 

CMYK 13 / 14 / 0 / 7

HEX #D0CDEE

RGB 208 205 238

HSL 245.45, 0.49%, 0.87%

LAB 83.57, 7.4, -15.86

 

CMYK 14 / 14 / 0 / 7

HEX #CDCDEE

RGB 205 205 238

HSL 240, 0.49%, 0.87%

LAB 83.34, 6.45, -16.22

 

CMYK 13 / 14 / 0 / 7

HEX #D0CDEE

RGB 208 205 238

HSL 245.45, 0.49%, 0.87%

LAB 83.57, 7.4, -15.86

 

CMYK 16 / 18 / 0 / 5

HEX #CBC7F3

RGB 203 199 243

HSL 245.45, 0.65%, 0.87%

LAB 81.85, 10.08, -21.16

 

CMYK 20 / 22 / 0 / 2

HEX #C7C2F9

RGB 199 194 249

HSL 245.45, 0.82%, 0.87%

LAB 80.5, 12.85, -26.45

 

CMYK 24 / 26 / 0 / 0

HEX #C2BDFE

RGB 194 189 254

HSL 244.62, 0.97%, 0.87%

LAB 79.05, 15.2, -31.37

 

CMYK 13 / 14 / 0 / 7

HEX #D0CDEE

RGB 208 205 238

HSL 245.45, 0.49%, 0.87%

LAB 83.57, 7.4, -15.86

 

CMYK 9 / 10 / 0 / 9

HEX #D4D2E9

RGB 212 210 233

HSL 245.22, 0.34%, 0.87%

LAB 84.98, 5.03, -11.05

 

CMYK 4 / 5 / 0 / 11

HEX #D9D8E3

RGB 217 216 227

HSL 245.45, 0.16%, 0.87%

LAB 86.71, 2.37, -5.28

 

CMYK 0 / 0 / 0 / 13

HEX #DDDDDE

RGB 221 221 222

HSL 240, 0.01%, 0.87%

LAB 88.14, 0.18, -0.5

 

CMYK 0 / 0 / 4 / 11

HEX #E1E2D8

RGB 225 226 216

HSL 66, 0.15%, 0.87%

LAB 89.56, -2.09, 4.75

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 14 / 11 / 0 / 7

HEX #CDD3EE

RGB 205 211 238

HSL 229.09, 0.49%, 0.87%

LAB 84.86, 3.27, -13.94

 

CMYK 13 / 14 / 0 / 7

HEX #D0CDEE

RGB 208 205 238

HSL 245.45, 0.49%, 0.87%

LAB 83.57, 7.4, -15.86

 

CMYK 9 / 14 / 0 / 7

HEX #D8CDEE

RGB 216 205 238

HSL 260, 0.49%, 0.87%

LAB 84.19, 9.97, -14.86

 

CMYK 5 / 14 / 0 / 7

HEX #E1CDEE

RGB 225 205 238

HSL 276.36, 0.49%, 0.87%

LAB 84.92, 12.9, -13.7

 

CMYK 31 / 34 / 0 / 15

HEX #958FD9

RGB 149 143 217

HSL 244.86, 0.49%, 0.71%

LAB 62.54, 18.94, -37.03

 

CMYK 21 / 24 / 0 / 11

HEX #B3AEE4

RGB 179 174 228

HSL 245.56, 0.5%, 0.79%

LAB 73.19, 12.98, -26.43

 

CMYK 13 / 14 / 0 / 7

HEX #D0CDEE

RGB 208 205 238

HSL 245.45, 0.49%, 0.87%

LAB 83.57, 7.4, -15.86

 

CMYK 4 / 5 / 0 / 3

HEX #EDECF8

RGB 237 236 248

HSL 245, 0.46%, 0.95%

LAB 93.79, 2.51, -5.67

 

CMYK 13 / 14 / 0 / 7

HEX #CFCCEE

RGB 207 204 238

HSL 245.29, 0.5%, 0.87%

LAB 83.24, 7.61, -16.36

 

CMYK 0 / 14 / 4 / 7

HEX #EECDE5

RGB 238 205 229

HSL 316.36, 0.49%, 0.87%

LAB 85.75, 15.58, -7.56

 

CMYK 10 / 0 / 14 / 7

HEX #D7EECD

RGB 215 238 205

HSL 101.82, 0.49%, 0.87%

LAB 91.69, -13.46, 13.44

 

CMYK 13 / 14 / 0 / 7

HEX #CFCCEE

RGB 207 204 238

HSL 245.29, 0.5%, 0.87%

LAB 83.24, 7.61, -16.36

 

CMYK 0 / 13 / 14 / 7

HEX #EED0CD

RGB 238 208 205

HSL 5.45, 0.49%, 0.87%

LAB 85.85, 9.99, 5.33

 

CMYK 14 / 0 / 13 / 7

HEX #CDEED0

RGB 205 238 208

HSL 125.45, 0.49%, 0.87%

LAB 91.09, -16.31, 10.94

 

CMYK 13 / 14 / 0 / 7

HEX #CFCCEE

RGB 207 204 238

HSL 245.29, 0.5%, 0.87%

LAB 83.24, 7.61, -16.36

 

CMYK 0 / 14 / 4 / 7

HEX #EECDE5

RGB 238 205 229

HSL 316.36, 0.49%, 0.87%

LAB 85.75, 15.58, -7.56

 

CMYK 1 / 0 / 14 / 7

HEX #EBEECD

RGB 235 238 205

HSL 65.45, 0.49%, 0.87%

LAB 93.11, -6.52, 15.65

 

CMYK 14 / 0 / 10 / 7

HEX #CDEED6

RGB 205 238 214

HSL 136.36, 0.49%, 0.87%

LAB 91.23, -15.24, 8.02

 

CMYK 13 / 14 / 0 / 7

HEX #CFCCEE

RGB 207 204 238

HSL 245.29, 0.5%, 0.87%

LAB 83.24, 7.61, -16.36

 

CMYK 0 / 14 / 8 / 7

HEX #EECDDB

RGB 238 205 219

HSL 334.55, 0.49%, 0.87%

LAB 85.48, 13.85, -2.65

 

CMYK 1 / 0 / 14 / 7

HEX #EBEECD

RGB 235 238 205

HSL 65.45, 0.49%, 0.87%

LAB 93.11, -6.52, 15.65

 

CMYK 14 / 0 / 6 / 7

HEX #CDEEE0

RGB 205 238 224

HSL 154.55, 0.49%, 0.87%

LAB 91.46, -13.39, 3.16

 

Description

Color code: HEX #CFCCEE | qconv.com Color code: HEX #CFCCEE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 204 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 204 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 14 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 14% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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