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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFD4A0 it is the complementary color #302B5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFD4A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFD4A0 shade: #D4D49B, #E5E6AE, #F6F8C1, #FFFFD4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFD4A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFD4A0 shade: #CFD4A0, #BEC28D, #ADB07A, #9C9E67 and #8B8C54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFD4A0 shade: #CFD49F, #D4CB9F, #D4BD9F, #D4AF9F and #D4A09F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFD4A0 shade: #CFD49F, #C1D49F, #B3D49F, #A4D49F and #9FD4A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFD4A0 shade matches the following richer shades: #CFD49F, #D8DF94, #E1EA89 and #EAF57E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFD4A0 shade: #CFD49F, #C6C9AB, #BDBEB6, #B4B2C1 and #ABA7CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFD4A0 shade: #D4BC9F, #D4CA9F, #CFD49F, #C1D49F and #B4D49F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFD4A0 shade: #B2BA67, #C0C783, #CFD49F, #DDE1BC and #EBEDD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFD4A0 shade: #CFD4A0, #9FD4AE and #C39FD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFD4A0 shade: #CFD4A0, #9FCFD4 and #D49FCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFD4A0 shade: #CFD4A0, #9FD4AE, #A49FD4 and #D49FC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFD4A0 shade: #CFD4A0, #9FD4BE, #A49FD4 and #D49FB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 25 / 17

HEX #CFD4A0

RGB 207 212 160

HSL 65.77, 0.38%, 0.73%

LAB 83.38, -10.16, 25.23

 

Complementary color

CMYK 49 / 55 / 0 / 63

HEX #302B5F

RGB 48 43 95

HSL 245.77, 0.38%, 0.27%

LAB 20.76, 17.59, -30.39

 

CMYK 0 / 0 / 27 / 17

HEX #D4D49B

RGB 212 212 155

HSL 60, 0.4%, 0.72%

LAB 83.68, -8.96, 28.29

 

CMYK 0 / 0 / 24 / 10

HEX #E5E6AE

RGB 229 230 174

HSL 61.07, 0.53%, 0.79%

LAB 90, -9.17, 27.26

 

CMYK 1 / 0 / 22 / 3

HEX #F6F8C1

RGB 246 248 193

HSL 62.18, 0.8%, 0.86%

LAB 96.24, -9.34, 26.28

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 2 / 0 / 25 / 17

HEX #CFD4A0

RGB 207 212 160

HSL 65.77, 0.38%, 0.73%

LAB 83.38, -10.16, 25.23

 

CMYK 2 / 0 / 27 / 24

HEX #BEC28D

RGB 190 194 141

HSL 64.53, 0.3%, 0.66%

LAB 76.95, -10, 26.27

 

CMYK 2 / 0 / 31 / 31

HEX #ADB07A

RGB 173 176 122

HSL 63.33, 0.25%, 0.58%

LAB 70.41, -9.8, 27.38

 

CMYK 1 / 0 / 35 / 38

HEX #9C9E67

RGB 156 158 103

HSL 62.18, 0.22%, 0.51%

LAB 63.75, -9.56, 28.54

 

CMYK 1 / 0 / 40 / 45

HEX #8B8C54

RGB 139 140 84

HSL 61.07, 0.25%, 0.44%

LAB 56.96, -9.25, 29.77

 

CMYK 2 / 0 / 25 / 17

HEX #CFD49F

RGB 207 212 159

HSL 65.66, 0.38%, 0.73%

LAB 83.37, -10.3, 25.73

 

CMYK 0 / 4 / 25 / 17

HEX #D4CB9F

RGB 212 203 159

HSL 49.81, 0.38%, 0.73%

LAB 81.41, -3.8, 23.12

 

CMYK 0 / 11 / 25 / 17

HEX #D4BD9F

RGB 212 189 159

HSL 33.96, 0.38%, 0.73%

LAB 77.81, 3.54, 18.16

 

CMYK 0 / 17 / 25 / 17

HEX #D4AF9F

RGB 212 175 159

HSL 18.11, 0.38%, 0.73%

LAB 74.29, 11.02, 13.23

 

CMYK 0 / 25 / 25 / 17

HEX #D4A09F

RGB 212 160 159

HSL 1.13, 0.38%, 0.73%

LAB 70.62, 19.13, 8.03

 

CMYK 2 / 0 / 25 / 17

HEX #CFD49F

RGB 207 212 159

HSL 65.66, 0.38%, 0.73%

LAB 83.37, -10.3, 25.73

 

CMYK 9 / 0 / 25 / 17

HEX #C1D49F

RGB 193 212 159

HSL 81.51, 0.38%, 0.73%

LAB 82.34, -15.48, 24.16

 

CMYK 16 / 0 / 25 / 17

HEX #B3D49F

RGB 179 212 159

HSL 97.36, 0.38%, 0.73%

LAB 81.39, -20.52, 22.7

 

CMYK 23 / 0 / 25 / 17

HEX #A4D49F

RGB 164 212 159

HSL 114.34, 0.38%, 0.73%

LAB 80.45, -25.72, 21.26

 

CMYK 25 / 0 / 20 / 17

HEX #9FD4A9

RGB 159 212 169

HSL 131.32, 0.38%, 0.73%

LAB 80.36, -25.64, 15.82

 

CMYK 2 / 0 / 25 / 17

HEX #CFD49F

RGB 207 212 159

HSL 65.66, 0.38%, 0.73%

LAB 83.37, -10.3, 25.73

 

CMYK 3 / 0 / 34 / 13

HEX #D8DF94

RGB 216 223 148

HSL 65.6, 0.54%, 0.73%

LAB 86.76, -13.88, 36.02

 

CMYK 4 / 0 / 41 / 8

HEX #E1EA89

RGB 225 234 137

HSL 65.57, 0.7%, 0.73%

LAB 90.16, -17.11, 45.99

 

CMYK 4 / 0 / 49 / 4

HEX #EAF57E

RGB 234 245 126

HSL 65.55, 0.86%, 0.73%

LAB 93.58, -20.05, 55.54

 

CMYK 2 / 0 / 25 / 17

HEX #CFD49F

RGB 207 212 159

HSL 65.66, 0.38%, 0.73%

LAB 83.37, -10.3, 25.73

 

CMYK 1 / 0 / 15 / 21

HEX #C6C9AB

RGB 198 201 171

HSL 66, 0.22%, 0.73%

LAB 80.02, -6.19, 14.66

 

CMYK 1 / 0 / 4 / 25

HEX #BDBEB6

RGB 189 190 182

HSL 67.5, 0.06%, 0.73%

LAB 76.69, -1.8, 3.9

 

CMYK 7 / 8 / 0 / 24

HEX #B4B2C1

RGB 180 178 193

HSL 248, 0.11%, 0.73%

LAB 73.15, 3.6, -7.36

 

CMYK 16 / 18 / 0 / 20

HEX #ABA7CC

RGB 171 167 204

HSL 246.49, 0.27%, 0.73%

LAB 69.93, 8.96, -18.31

 

CMYK 0 / 11 / 25 / 17

HEX #D4BC9F

RGB 212 188 159

HSL 32.83, 0.38%, 0.73%

LAB 77.56, 4.07, 17.81

 

CMYK 0 / 5 / 25 / 17

HEX #D4CA9F

RGB 212 202 159

HSL 48.68, 0.38%, 0.73%

LAB 81.15, -3.28, 22.76

 

CMYK 2 / 0 / 25 / 17

HEX #CFD49F

RGB 207 212 159

HSL 65.66, 0.38%, 0.73%

LAB 83.37, -10.3, 25.73

 

CMYK 9 / 0 / 25 / 17

HEX #C1D49F

RGB 193 212 159

HSL 81.51, 0.38%, 0.73%

LAB 82.34, -15.48, 24.16

 

CMYK 15 / 0 / 25 / 17

HEX #B4D49F

RGB 180 212 159

HSL 96.23, 0.38%, 0.73%

LAB 81.45, -20.16, 22.8

 

CMYK 4 / 0 / 45 / 27

HEX #B2BA67

RGB 178 186 103

HSL 65.78, 0.38%, 0.57%

LAB 73.26, -15.22, 40.96

 

CMYK 4 / 0 / 34 / 22

HEX #C0C783

RGB 192 199 131

HSL 66.18, 0.38%, 0.65%

LAB 78.28, -13.09, 33.29

 

CMYK 2 / 0 / 25 / 17

HEX #CFD49F

RGB 207 212 159

HSL 65.66, 0.38%, 0.73%

LAB 83.37, -10.3, 25.73

 

CMYK 2 / 0 / 16 / 12

HEX #DDE1BC

RGB 221 225 188

HSL 66.49, 0.38%, 0.81%

LAB 88.38, -7.54, 17.68

 

CMYK 1 / 0 / 9 / 7

HEX #EBEDD8

RGB 235 237 216

HSL 65.71, 0.37%, 0.89%

LAB 93.1, -4.26, 9.94

 

CMYK 2 / 0 / 25 / 17

HEX #CFD4A0

RGB 207 212 160

HSL 65.77, 0.38%, 0.73%

LAB 83.38, -10.16, 25.23

 

CMYK 25 / 0 / 18 / 17

HEX #9FD4AE

RGB 159 212 174

HSL 136.98, 0.38%, 0.73%

LAB 80.47, -24.73, 13.32

 

CMYK 8 / 25 / 0 / 17

HEX #C39FD4

RGB 195 159 212

HSL 280.75, 0.38%, 0.73%

LAB 70.28, 22.88, -21.99

 

CMYK 2 / 0 / 25 / 17

HEX #CFD4A0

RGB 207 212 160

HSL 65.77, 0.38%, 0.73%

LAB 83.38, -10.16, 25.23

 

CMYK 25 / 2 / 0 / 17

HEX #9FCFD4

RGB 159 207 212

HSL 185.66, 0.38%, 0.73%

LAB 80.04, -14.43, -7.59

 

CMYK 0 / 25 / 2 / 17

HEX #D49FCF

RGB 212 159 207

HSL 305.66, 0.38%, 0.73%

LAB 71.76, 27.54, -16.85

 

CMYK 2 / 0 / 25 / 17

HEX #CFD4A0

RGB 207 212 160

HSL 65.77, 0.38%, 0.73%

LAB 83.38, -10.16, 25.23

 

CMYK 25 / 0 / 18 / 17

HEX #9FD4AE

RGB 159 212 174

HSL 136.98, 0.38%, 0.73%

LAB 80.47, -24.73, 13.32

 

CMYK 23 / 25 / 0 / 17

HEX #A49FD4

RGB 164 159 212

HSL 245.66, 0.38%, 0.73%

LAB 67.61, 13.04, -26.32

 

CMYK 0 / 25 / 7 / 17

HEX #D49FC5

RGB 212 159 197

HSL 316.98, 0.38%, 0.73%

LAB 71.44, 25.74, -11.81

 

CMYK 2 / 0 / 25 / 17

HEX #CFD4A0

RGB 207 212 160

HSL 65.77, 0.38%, 0.73%

LAB 83.38, -10.16, 25.23

 

CMYK 25 / 0 / 10 / 17

HEX #9FD4BE

RGB 159 212 190

HSL 155.09, 0.38%, 0.73%

LAB 80.84, -21.63, 5.34

 

CMYK 23 / 25 / 0 / 17

HEX #A49FD4

RGB 164 159 212

HSL 245.66, 0.38%, 0.73%

LAB 67.61, 13.04, -26.32

 

CMYK 0 / 25 / 15 / 17

HEX #D49FB5

RGB 212 159 181

HSL 335.09, 0.38%, 0.73%

LAB 70.96, 23.04, -3.67

 

Description

Color code: HEX #CFD4A0 | qconv.com Color code: HEX #CFD4A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 212 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 212 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 25 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 25% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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