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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFD68E it is the complementary color #302971. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFD68E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFD68E shade: #D4D689, #E5E89C, #F6FAAF, #FFFFC2 and #FFFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFD68E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFD68E shade: #CFD68E, #BEC47B, #ADB268, #9CA055 and #8B8E42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFD68E shade: #CFD68E, #D6CA8E, #D6B68E, #D6A38E and #D68F8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFD68E shade: #CFD68E, #BCD68E, #A8D68E, #95D68E and #8ED69B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFD68E shade matches the following richer shades: #CFD68E, #D9E282, #E3EF75 and #EDFB69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFD68E shade: #CFD68E, #C5CA9A, #BBBDA7, #B1B1B3 and #A7A4C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFD68E shade: #D6B68E, #D6C98E, #D0D68E, #BDD68E and #AAD68E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFD68E shade: #B5C051, #C2CB70, #CFD68E, #DCE1AC and #E9ECCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFD68E shade: #CFD68E, #8ED6A2 and #BF8ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFD68E shade: #CFD68E, #8ED0D6 and #D68ED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFD68E shade: #CFD68E, #8ED6A2, #948ED6 and #D68EC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFD68E shade: #CFD68E, #8ED6B8, #948ED6 and #D68EAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 34 / 16

HEX #CFD68E

RGB 207 214 142

HSL 65.83, 0.47%, 0.7%

LAB 83.61, -13.54, 34.82

 

Complementary color

CMYK 58 / 64 / 0 / 56

HEX #302971

RGB 48 41 113

HSL 245.83, 0.47%, 0.3%

LAB 21.6, 25.17, -40.74

 

CMYK 1 / 0 / 36 / 16

HEX #D4D689

RGB 212 214 137

HSL 61.56, 0.48%, 0.69%

LAB 83.91, -12.2, 37.83

 

CMYK 1 / 0 / 33 / 9

HEX #E5E89C

RGB 229 232 156

HSL 62.37, 0.62%, 0.76%

LAB 90.22, -12.46, 36.7

 

CMYK 2 / 0 / 30 / 2

HEX #F6FAAF

RGB 246 250 175

HSL 63.2, 0.88%, 0.83%

LAB 96.43, -12.68, 35.62

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 3 / 0 / 34 / 16

HEX #CFD68E

RGB 207 214 142

HSL 65.83, 0.47%, 0.7%

LAB 83.61, -13.54, 34.82

 

CMYK 3 / 0 / 37 / 23

HEX #BEC47B

RGB 190 196 123

HSL 64.93, 0.38%, 0.63%

LAB 77.2, -13.31, 35.97

 

CMYK 3 / 0 / 42 / 30

HEX #ADB268

RGB 173 178 104

HSL 64.05, 0.32%, 0.55%

LAB 70.68, -13.03, 37.16

 

CMYK 2 / 0 / 47 / 37

HEX #9CA055

RGB 156 160 85

HSL 63.2, 0.31%, 0.48%

LAB 64.05, -12.67, 38.37

 

CMYK 2 / 0 / 54 / 44

HEX #8B8E42

RGB 139 142 66

HSL 62.37, 0.37%, 0.41%

LAB 57.3, -12.21, 39.57

 

CMYK 3 / 0 / 34 / 16

HEX #CFD68E

RGB 207 214 142

HSL 65.83, 0.47%, 0.7%

LAB 83.61, -13.54, 34.82

 

CMYK 0 / 6 / 34 / 16

HEX #D6CA8E

RGB 214 202 142

HSL 50, 0.47%, 0.7%

LAB 81.01, -4.71, 31.51

 

CMYK 0 / 15 / 34 / 16

HEX #D6B68E

RGB 214 182 142

HSL 33.33, 0.47%, 0.7%

LAB 75.89, 5.78, 24.65

 

CMYK 0 / 24 / 34 / 16

HEX #D6A38E

RGB 214 163 142

HSL 17.5, 0.47%, 0.7%

LAB 71.18, 15.98, 18.2

 

CMYK 0 / 33 / 34 / 16

HEX #D68F8E

RGB 214 143 142

HSL 0.83, 0.47%, 0.7%

LAB 66.44, 26.81, 11.59

 

CMYK 3 / 0 / 34 / 16

HEX #CFD68E

RGB 207 214 142

HSL 65.83, 0.47%, 0.7%

LAB 83.61, -13.54, 34.82

 

CMYK 12 / 0 / 34 / 16

HEX #BCD68E

RGB 188 214 142

HSL 81.67, 0.47%, 0.7%

LAB 82.24, -20.7, 32.77

 

CMYK 21 / 0 / 34 / 16

HEX #A8D68E

RGB 168 214 142

HSL 98.33, 0.47%, 0.7%

LAB 80.94, -27.94, 30.82

 

CMYK 30 / 0 / 34 / 16

HEX #95D68E

RGB 149 214 142

HSL 114.17, 0.47%, 0.7%

LAB 79.86, -34.41, 29.19

 

CMYK 34 / 0 / 28 / 16

HEX #8ED69B

RGB 142 214 155

HSL 130.83, 0.47%, 0.7%

LAB 79.73, -34.49, 22.19

 

CMYK 3 / 0 / 34 / 16

HEX #CFD68E

RGB 207 214 142

HSL 65.83, 0.47%, 0.7%

LAB 83.61, -13.54, 34.82

 

CMYK 4 / 0 / 42 / 11

HEX #D9E282

RGB 217 226 130

HSL 65.63, 0.62%, 0.7%

LAB 87.37, -17.01, 45.77

 

CMYK 5 / 0 / 51 / 6

HEX #E3EF75

RGB 227 239 117

HSL 65.9, 0.79%, 0.7%

LAB 91.39, -20.68, 56.95

 

CMYK 6 / 0 / 58 / 2

HEX #EDFB69

RGB 237 251 105

HSL 65.75, 0.95%, 0.7%

LAB 95.17, -23.44, 66.71

 

CMYK 3 / 0 / 34 / 16

HEX #CFD68E

RGB 207 214 142

HSL 65.83, 0.47%, 0.7%

LAB 83.61, -13.54, 34.82

 

CMYK 2 / 0 / 24 / 21

HEX #C5CA9A

RGB 197 202 154

HSL 66.25, 0.31%, 0.7%

LAB 79.87, -9.64, 23.45

 

CMYK 1 / 0 / 12 / 26

HEX #BBBDA7

RGB 187 189 167

HSL 65.45, 0.14%, 0.7%

LAB 75.92, -4.58, 10.89

 

CMYK 1 / 1 / 0 / 30

HEX #B1B1B3

RGB 177 177 179

HSL 240, 0.01%, 0.7%

LAB 72.26, 0.38, -1.03

 

CMYK 13 / 15 / 0 / 25

HEX #A7A4C0

RGB 167 164 192

HSL 246.43, 0.18%, 0.7%

LAB 68.44, 6.71, -13.96

 

CMYK 0 / 15 / 34 / 16

HEX #D6B68E

RGB 214 182 142

HSL 33.33, 0.47%, 0.7%

LAB 75.89, 5.78, 24.65

 

CMYK 0 / 6 / 34 / 16

HEX #D6C98E

RGB 214 201 142

HSL 49.17, 0.47%, 0.7%

LAB 80.75, -4.2, 31.16

 

CMYK 3 / 0 / 34 / 16

HEX #D0D68E

RGB 208 214 142

HSL 65, 0.47%, 0.7%

LAB 83.68, -13.15, 34.93

 

CMYK 12 / 0 / 34 / 16

HEX #BDD68E

RGB 189 214 142

HSL 80.83, 0.47%, 0.7%

LAB 82.31, -20.33, 32.87

 

CMYK 21 / 0 / 34 / 16

HEX #AAD68E

RGB 170 214 142

HSL 96.67, 0.47%, 0.7%

LAB 81.07, -27.24, 31.01

 

CMYK 6 / 0 / 58 / 25

HEX #B5C051

RGB 181 192 81

HSL 65.95, 0.47%, 0.54%

LAB 74.9, -19.02, 53.44

 

CMYK 4 / 0 / 45 / 20

HEX #C2CB70

RGB 194 203 112

HSL 65.93, 0.47%, 0.62%

LAB 79.24, -16.47, 44.14

 

CMYK 3 / 0 / 34 / 16

HEX #CFD68E

RGB 207 214 142

HSL 65.83, 0.47%, 0.7%

LAB 83.61, -13.54, 34.82

 

CMYK 2 / 0 / 24 / 12

HEX #DCE1AC

RGB 220 225 172

HSL 65.66, 0.47%, 0.78%

LAB 87.99, -10.25, 25.44

 

CMYK 1 / 0 / 14 / 7

HEX #E9ECCB

RGB 233 236 203

HSL 65.45, 0.46%, 0.86%

LAB 92.41, -6.52, 15.68

 

CMYK 3 / 0 / 34 / 16

HEX #CFD68E

RGB 207 214 142

HSL 65.83, 0.47%, 0.7%

LAB 83.61, -13.54, 34.82

 

CMYK 34 / 0 / 24 / 16

HEX #8ED6A2

RGB 142 214 162

HSL 136.67, 0.47%, 0.7%

LAB 79.87, -33.24, 18.7

 

CMYK 11 / 34 / 0 / 16

HEX #BF8ED6

RGB 191 142 214

HSL 280.83, 0.47%, 0.7%

LAB 65.96, 31.42, -29.76

 

CMYK 3 / 0 / 34 / 16

HEX #CFD68E

RGB 207 214 142

HSL 65.83, 0.47%, 0.7%

LAB 83.61, -13.54, 34.82

 

CMYK 34 / 3 / 0 / 16

HEX #8ED0D6

RGB 142 208 214

HSL 185, 0.47%, 0.7%

LAB 79.45, -19.3, -9.63

 

CMYK 0 / 34 / 3 / 16

HEX #D68ED0

RGB 214 142 208

HSL 305, 0.47%, 0.7%

LAB 68.16, 37.56, -22.84

 

CMYK 3 / 0 / 34 / 16

HEX #CFD68E

RGB 207 214 142

HSL 65.83, 0.47%, 0.7%

LAB 83.61, -13.54, 34.82

 

CMYK 34 / 0 / 24 / 16

HEX #8ED6A2

RGB 142 214 162

HSL 136.67, 0.47%, 0.7%

LAB 79.87, -33.24, 18.7

 

CMYK 31 / 34 / 0 / 16

HEX #948ED6

RGB 148 142 214

HSL 245, 0.47%, 0.7%

LAB 62.08, 18.46, -36.09

 

CMYK 0 / 34 / 9 / 16

HEX #D68EC2

RGB 214 142 194

HSL 316.67, 0.47%, 0.7%

LAB 67.68, 35.1, -15.78

 

CMYK 3 / 0 / 34 / 16

HEX #CFD68E

RGB 207 214 142

HSL 65.83, 0.47%, 0.7%

LAB 83.61, -13.54, 34.82

 

CMYK 34 / 0 / 14 / 16

HEX #8ED6B8

RGB 142 214 184

HSL 155, 0.47%, 0.7%

LAB 80.35, -28.94, 7.72

 

CMYK 31 / 34 / 0 / 16

HEX #948ED6

RGB 148 142 214

HSL 245, 0.47%, 0.7%

LAB 62.08, 18.46, -36.09

 

CMYK 0 / 34 / 20 / 16

HEX #D68EAC

RGB 214 142 172

HSL 335, 0.47%, 0.7%

LAB 66.99, 31.55, -4.48

 

Description

Color code: HEX #CFD68E | qconv.com Color code: HEX #CFD68E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 214 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 214 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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