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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFD980 it is the complementary color #30267F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFD980. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFD980 shade: #D4D97B, #E5EB8E, #F6FDA1, #FFFFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFD980. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFD980 shade: #CFD980, #BEC76D, #ADB55A, #9CA347 and #8B9134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFD980 shade: #CFD981, #D9CB81, #D9B381, #D99C81 and #D98481

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFD980 shade: #CFD981, #B7D981, #A0D981, #88D981 and #81D992

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFD980 shade matches the following richer shades: #CFD981, #D9E674 and #E4F366

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFD980 shade: #CFD981, #C5CC8E, #BBBF9B, #B0B1A8 and #A6A4B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFD980 shade: #D9B381, #D9CA81, #D0D981, #B9D981 and #A1D981

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFD980 shade: #B7C641, #C3CF61, #CFD981, #DBE2A1 and #E7ECC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFD980 shade: #CFD980, #81D99B and #BF81D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFD980 shade: #CFD980, #81D0D9 and #D981D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFD980 shade: #CFD980, #81D99B, #8A81D9 and #D981BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFD980 shade: #CFD980, #81D9B6, #8A81D9 and #D981A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 41 / 15

HEX #CFD980

RGB 207 217 128

HSL 66.74, 0.54%, 0.68%

LAB 84.2, -16.65, 42.63

 

Complementary color

CMYK 62 / 70 / 0 / 50

HEX #30267F

RGB 48 38 127

HSL 246.74, 0.54%, 0.32%

LAB 22.11, 31.92, -48.84

 

CMYK 2 / 0 / 43 / 15

HEX #D4D97B

RGB 212 217 123

HSL 63.19, 0.55%, 0.67%

LAB 84.51, -15.22, 45.56

 

CMYK 3 / 0 / 40 / 8

HEX #E5EB8E

RGB 229 235 142

HSL 63.87, 0.7%, 0.74%

LAB 90.79, -15.54, 44.4

 

CMYK 3 / 0 / 36 / 1

HEX #F6FDA1

RGB 246 253 161

HSL 64.57, 0.96%, 0.81%

LAB 96.99, -15.8, 43.27

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 5 / 0 / 41 / 15

HEX #CFD980

RGB 207 217 128

HSL 66.74, 0.54%, 0.68%

LAB 84.2, -16.65, 42.63

 

CMYK 5 / 0 / 45 / 22

HEX #BEC76D

RGB 190 199 109

HSL 66, 0.45%, 0.6%

LAB 77.81, -16.36, 43.79

 

CMYK 4 / 0 / 50 / 29

HEX #ADB55A

RGB 173 181 90

HSL 65.27, 0.38%, 0.53%

LAB 71.33, -16, 44.96

 

CMYK 4 / 0 / 56 / 36

HEX #9CA347

RGB 156 163 71

HSL 64.57, 0.39%, 0.46%

LAB 64.74, -15.53, 46.06

 

CMYK 4 / 0 / 64 / 43

HEX #8B9134

RGB 139 145 52

HSL 63.87, 0.47%, 0.39%

LAB 58.03, -14.93, 46.99

 

CMYK 5 / 0 / 41 / 15

HEX #CFD981

RGB 207 217 129

HSL 66.82, 0.54%, 0.68%

LAB 84.21, -16.54, 42.15

 

CMYK 0 / 6 / 41 / 15

HEX #D9CB81

RGB 217 203 129

HSL 50.45, 0.54%, 0.68%

LAB 81.32, -5.53, 38.63

 

CMYK 0 / 18 / 41 / 15

HEX #D9B381

RGB 217 179 129

HSL 34.09, 0.54%, 0.68%

LAB 75.19, 7.04, 30.68

 

CMYK 0 / 28 / 41 / 15

HEX #D99C81

RGB 217 156 129

HSL 18.41, 0.54%, 0.68%

LAB 69.55, 19.4, 23.15

 

CMYK 0 / 39 / 41 / 15

HEX #D98481

RGB 217 132 129

HSL 2.05, 0.54%, 0.68%

LAB 64.03, 32.31, 15.59

 

CMYK 5 / 0 / 41 / 15

HEX #CFD981

RGB 207 217 129

HSL 66.82, 0.54%, 0.68%

LAB 84.21, -16.54, 42.15

 

CMYK 16 / 0 / 41 / 15

HEX #B7D981

RGB 183 217 129

HSL 83.18, 0.54%, 0.68%

LAB 82.53, -25.68, 39.66

 

CMYK 26 / 0 / 41 / 15

HEX #A0D981

RGB 160 217 129

HSL 98.86, 0.54%, 0.68%

LAB 81.12, -33.96, 37.57

 

CMYK 37 / 0 / 41 / 15

HEX #88D981

RGB 136 217 129

HSL 115.23, 0.54%, 0.68%

LAB 79.87, -41.9, 35.71

 

CMYK 41 / 0 / 33 / 15

HEX #81D992

RGB 129 217 146

HSL 131.59, 0.54%, 0.68%

LAB 79.82, -41.31, 26.9

 

CMYK 5 / 0 / 41 / 15

HEX #CFD981

RGB 207 217 129

HSL 66.82, 0.54%, 0.68%

LAB 84.21, -16.54, 42.15

 

CMYK 6 / 0 / 50 / 10

HEX #D9E674

RGB 217 230 116

HSL 66.84, 0.7%, 0.68%

LAB 88.26, -20.32, 53.53

 

CMYK 6 / 0 / 58 / 5

HEX #E4F366

RGB 228 243 102

HSL 66.38, 0.85%, 0.68%

LAB 92.38, -23.39, 64.7

 

CMYK 5 / 0 / 41 / 15

HEX #CFD981

RGB 207 217 129

HSL 66.82, 0.54%, 0.68%

LAB 84.21, -16.54, 42.15

 

CMYK 3 / 0 / 30 / 20

HEX #C5CC8E

RGB 197 204 142

HSL 66.77, 0.38%, 0.68%

LAB 80.18, -12.31, 30.17

 

CMYK 2 / 0 / 19 / 25

HEX #BBBF9B

RGB 187 191 155

HSL 66.67, 0.22%, 0.68%

LAB 76.19, -7.54, 17.73

 

CMYK 1 / 0 / 5 / 31

HEX #B0B1A8

RGB 176 177 168

HSL 66.67, 0.05%, 0.68%

LAB 71.89, -2, 4.47

 

CMYK 9 / 10 / 0 / 29

HEX #A6A4B6

RGB 166 164 182

HSL 246.67, 0.11%, 0.68%

LAB 68.05, 4.27, -9

 

CMYK 0 / 18 / 41 / 15

HEX #D9B381

RGB 217 179 129

HSL 34.09, 0.54%, 0.68%

LAB 75.19, 7.04, 30.68

 

CMYK 0 / 7 / 41 / 15

HEX #D9CA81

RGB 217 202 129

HSL 49.77, 0.54%, 0.68%

LAB 81.06, -5.01, 38.3

 

CMYK 4 / 0 / 41 / 15

HEX #D0D981

RGB 208 217 129

HSL 66.14, 0.54%, 0.68%

LAB 84.29, -16.16, 42.26

 

CMYK 15 / 0 / 41 / 15

HEX #B9D981

RGB 185 217 129

HSL 81.82, 0.54%, 0.68%

LAB 82.66, -24.93, 39.86

 

CMYK 26 / 0 / 41 / 15

HEX #A1D981

RGB 161 217 129

HSL 98.18, 0.54%, 0.68%

LAB 81.17, -33.62, 37.65

 

CMYK 8 / 0 / 67 / 22

HEX #B7C641

RGB 183 198 65

HSL 66.77, 0.54%, 0.52%

LAB 76.58, -22.26, 61.98

 

CMYK 6 / 0 / 53 / 19

HEX #C3CF61

RGB 195 207 97

HSL 66.55, 0.53%, 0.6%

LAB 80.23, -19.47, 52.5

 

CMYK 5 / 0 / 41 / 15

HEX #CFD981

RGB 207 217 129

HSL 66.82, 0.54%, 0.68%

LAB 84.21, -16.54, 42.15

 

CMYK 3 / 0 / 29 / 11

HEX #DBE2A1

RGB 219 226 161

HSL 66.46, 0.53%, 0.76%

LAB 87.98, -12.61, 31.07

 

CMYK 2 / 0 / 19 / 7

HEX #E7ECC0

RGB 231 236 192

HSL 66.82, 0.54%, 0.84%

LAB 92.04, -8.9, 20.82

 

CMYK 5 / 0 / 41 / 15

HEX #CFD980

RGB 207 217 128

HSL 66.74, 0.54%, 0.68%

LAB 84.2, -16.65, 42.63

 

CMYK 41 / 0 / 29 / 15

HEX #81D99B

RGB 129 217 155

HSL 137.73, 0.54%, 0.68%

LAB 79.99, -39.73, 22.44

 

CMYK 12 / 41 / 0 / 15

HEX #BF81D9

RGB 191 129 217

HSL 282.27, 0.54%, 0.68%

LAB 63.17, 39.18, -35.77

 

CMYK 5 / 0 / 41 / 15

HEX #CFD980

RGB 207 217 128

HSL 66.74, 0.54%, 0.68%

LAB 84.2, -16.65, 42.63

 

CMYK 41 / 4 / 0 / 15

HEX #81D0D9

RGB 129 208 217

HSL 186.14, 0.54%, 0.68%

LAB 78.92, -21.95, -12.1

 

CMYK 0 / 41 / 4 / 15

HEX #D981D0

RGB 217 129 208

HSL 306.14, 0.54%, 0.68%

LAB 65.75, 45.37, -26.5

 

CMYK 5 / 0 / 41 / 15

HEX #CFD980

RGB 207 217 128

HSL 66.74, 0.54%, 0.68%

LAB 84.2, -16.65, 42.63

 

CMYK 41 / 0 / 29 / 15

HEX #81D99B

RGB 129 217 155

HSL 137.73, 0.54%, 0.68%

LAB 79.99, -39.73, 22.44

 

CMYK 36 / 41 / 0 / 15

HEX #8A81D9

RGB 138 129 217

HSL 246.14, 0.54%, 0.68%

LAB 58.14, 24.05, -44

 

CMYK 0 / 41 / 12 / 15

HEX #D981BF

RGB 217 129 191

HSL 317.73, 0.54%, 0.68%

LAB 65.13, 42.49, -17.91

 

CMYK 5 / 0 / 41 / 15

HEX #CFD980

RGB 207 217 128

HSL 66.74, 0.54%, 0.68%

LAB 84.2, -16.65, 42.63

 

CMYK 41 / 0 / 16 / 15

HEX #81D9B6

RGB 129 217 182

HSL 156.14, 0.54%, 0.68%

LAB 80.56, -34.41, 8.99

 

CMYK 36 / 41 / 0 / 15

HEX #8A81D9

RGB 138 129 217

HSL 246.14, 0.54%, 0.68%

LAB 58.14, 24.05, -44

 

CMYK 0 / 41 / 24 / 15

HEX #D981A4

RGB 217 129 164

HSL 336.14, 0.54%, 0.68%

LAB 64.27, 38.35, -3.94

 

Description

Color code: HEX #CFD980 | qconv.com Color code: HEX #CFD980 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 217 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 217 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 41 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 41% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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