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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFD194 it is the complementary color #302E6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFD194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFD194 shade: #D4D18F, #E5E3A2, #F6F5B5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFD194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFD194 shade: #CFD194, #BEBF81, #ADAD6E, #9C9B5B and #8B8948

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFD194 shade: #CFD193, #D1C293, #D1B293, #D1A193 and #D19393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFD194 shade: #CFD193, #BED193, #AED193, #9DD193 and #93D19A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFD194 shade matches the following richer shades: #CFD193, #DADD87, #E6E97B and #F1F66E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFD194 shade: #CFD193, #C3C4A0, #B7B8AC, #ACABB9 and #A09FC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFD194 shade: #D1B193, #D1C193, #D0D193, #BFD193 and #AFD193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFD194 shade: #B5B85A, #C2C477, #CFD193, #DCDDB0 and #E8E9CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFD194 shade: #CFD194, #93D1A1 and #B993D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFD194 shade: #CFD194, #93D0D1 and #D193D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFD194 shade: #CFD194, #93D1A1, #9493D1 and #D193C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFD194 shade: #CFD194, #93D1B3, #9493D1 and #D193B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 29 / 18

HEX #CFD194

RGB 207 209 148

HSL 61.97, 0.4%, 0.7%

LAB 82.38, -10.25, 30.12

 

Complementary color

CMYK 55 / 57 / 0 / 58

HEX #302E6B

RGB 48 46 107

HSL 241.97, 0.4%, 0.3%

LAB 22.46, 19.69, -35.49

 

CMYK 0 / 1 / 33 / 17

HEX #D4D18F

RGB 212 209 143

HSL 57.39, 0.45%, 0.7%

LAB 82.69, -8.96, 33.18

 

CMYK 0 / 1 / 29 / 10

HEX #E5E3A2

RGB 229 227 162

HSL 58.21, 0.56%, 0.77%

LAB 89.02, -9.23, 32.08

 

CMYK 0 / 0 / 26 / 4

HEX #F6F5B5

RGB 246 245 181

HSL 59.08, 0.78%, 0.84%

LAB 95.26, -9.46, 31.03

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 1 / 0 / 29 / 18

HEX #CFD194

RGB 207 209 148

HSL 61.97, 0.4%, 0.7%

LAB 82.38, -10.25, 30.12

 

CMYK 1 / 0 / 32 / 25

HEX #BEBF81

RGB 190 191 129

HSL 60.97, 0.33%, 0.63%

LAB 75.94, -10.02, 31.23

 

CMYK 0 / 0 / 36 / 32

HEX #ADAD6E

RGB 173 173 110

HSL 60, 0.28%, 0.55%

LAB 69.4, -9.73, 32.4

 

CMYK 0 / 1 / 42 / 39

HEX #9C9B5B

RGB 156 155 91

HSL 59.08, 0.26%, 0.48%

LAB 62.73, -9.38, 33.63

 

CMYK 0 / 1 / 48 / 45

HEX #8B8948

RGB 139 137 72

HSL 58.21, 0.32%, 0.41%

LAB 55.94, -8.94, 34.89

 

CMYK 1 / 0 / 30 / 18

HEX #CFD193

RGB 207 209 147

HSL 61.94, 0.4%, 0.7%

LAB 82.36, -10.38, 30.61

 

CMYK 0 / 7 / 30 / 18

HEX #D1C293

RGB 209 194 147

HSL 45.48, 0.4%, 0.7%

LAB 78.6, -1.87, 25.6

 

CMYK 0 / 15 / 30 / 18

HEX #D1B293

RGB 209 178 147

HSL 30, 0.4%, 0.7%

LAB 74.51, 6.6, 20.01

 

CMYK 0 / 23 / 30 / 18

HEX #D1A193

RGB 209 161 147

HSL 13.55, 0.4%, 0.7%

LAB 70.28, 15.78, 14.13

 

CMYK 0 / 30 / 30 / 18

HEX #D19393

RGB 209 147 147

HSL 0, 0.4%, 0.7%

LAB 66.92, 23.4, 9.39

 

CMYK 1 / 0 / 30 / 18

HEX #CFD193

RGB 207 209 147

HSL 61.94, 0.4%, 0.7%

LAB 82.36, -10.38, 30.61

 

CMYK 9 / 0 / 30 / 18

HEX #BED193

RGB 190 209 147

HSL 78.39, 0.4%, 0.7%

LAB 81.1, -16.8, 28.7

 

CMYK 17 / 0 / 30 / 18

HEX #AED193

RGB 174 209 147

HSL 93.87, 0.4%, 0.7%

LAB 80.01, -22.65, 27.05

 

CMYK 25 / 0 / 30 / 18

HEX #9DD193

RGB 157 209 147

HSL 110.32, 0.4%, 0.7%

LAB 78.97, -28.6, 25.47

 

CMYK 30 / 0 / 26 / 18

HEX #93D19A

RGB 147 209 154

HSL 126.77, 0.4%, 0.7%

LAB 78.54, -30.74, 21.12

 

CMYK 1 / 0 / 30 / 18

HEX #CFD193

RGB 207 209 147

HSL 61.94, 0.4%, 0.7%

LAB 82.36, -10.38, 30.61

 

CMYK 1 / 0 / 39 / 13

HEX #DADD87

RGB 218 221 135

HSL 62.09, 0.56%, 0.7%

LAB 86.19, -13.61, 41.85

 

CMYK 1 / 0 / 47 / 9

HEX #E6E97B

RGB 230 233 123

HSL 61.64, 0.71%, 0.7%

LAB 90.11, -16.05, 52.7

 

CMYK 2 / 0 / 55 / 4

HEX #F1F66E

RGB 241 246 110

HSL 62.21, 0.88%, 0.7%

LAB 94.2, -19.11, 63.57

 

CMYK 1 / 0 / 30 / 18

HEX #CFD193

RGB 207 209 147

HSL 61.94, 0.4%, 0.7%

LAB 82.36, -10.38, 30.61

 

CMYK 1 / 0 / 18 / 23

HEX #C3C4A0

RGB 195 196 160

HSL 61.67, 0.23%, 0.7%

LAB 78.24, -6.41, 18

 

CMYK 1 / 0 / 7 / 28

HEX #B7B8AC

RGB 183 184 172

HSL 65, 0.08%, 0.7%

LAB 74.4, -2.52, 5.96

 

CMYK 7 / 8 / 0 / 27

HEX #ACABB9

RGB 172 171 185

HSL 244.29, 0.09%, 0.7%

LAB 70.45, 3.08, -7.03

 

CMYK 19 / 19 / 0 / 23

HEX #A09FC5

RGB 160 159 197

HSL 241.58, 0.25%, 0.7%

LAB 66.75, 8.32, -19.34

 

CMYK 0 / 15 / 30 / 18

HEX #D1B193

RGB 209 177 147

HSL 29.03, 0.4%, 0.7%

LAB 74.26, 7.14, 19.66

 

CMYK 0 / 8 / 30 / 18

HEX #D1C193

RGB 209 193 147

HSL 44.52, 0.4%, 0.7%

LAB 78.35, -1.35, 25.25

 

CMYK 0 / 0 / 30 / 18

HEX #D0D193

RGB 208 209 147

HSL 60.97, 0.4%, 0.7%

LAB 82.44, -10, 30.73

 

CMYK 9 / 0 / 30 / 18

HEX #BFD193

RGB 191 209 147

HSL 77.42, 0.4%, 0.7%

LAB 81.17, -16.43, 28.81

 

CMYK 16 / 0 / 30 / 18

HEX #AFD193

RGB 175 209 147

HSL 92.9, 0.4%, 0.7%

LAB 80.08, -22.29, 27.15

 

CMYK 2 / 0 / 51 / 28

HEX #B5B85A

RGB 181 184 90

HSL 61.91, 0.4%, 0.54%

LAB 72.79, -14.23, 46.84

 

CMYK 1 / 0 / 39 / 23

HEX #C2C477

RGB 194 196 119

HSL 61.56, 0.39%, 0.62%

LAB 77.45, -12.18, 38.4

 

CMYK 1 / 0 / 30 / 18

HEX #CFD193

RGB 207 209 147

HSL 61.94, 0.4%, 0.7%

LAB 82.36, -10.38, 30.61

 

CMYK 0 / 0 / 20 / 13

HEX #DCDDB0

RGB 220 221 176

HSL 61.33, 0.4%, 0.78%

LAB 87.03, -7.66, 22.04

 

CMYK 0 / 0 / 12 / 9

HEX #E8E9CD

RGB 232 233 205

HSL 62.14, 0.39%, 0.86%

LAB 91.61, -5.05, 13.51

 

CMYK 1 / 0 / 29 / 18

HEX #CFD194

RGB 207 209 148

HSL 61.97, 0.4%, 0.7%

LAB 82.38, -10.25, 30.12

 

CMYK 30 / 0 / 23 / 18

HEX #93D1A1

RGB 147 209 161

HSL 133.55, 0.4%, 0.7%

LAB 78.68, -29.5, 17.61

 

CMYK 11 / 30 / 0 / 18

HEX #B993D1

RGB 185 147 209

HSL 276.77, 0.4%, 0.7%

LAB 66.36, 25.71, -26.43

 

CMYK 1 / 0 / 29 / 18

HEX #CFD194

RGB 207 209 148

HSL 61.97, 0.4%, 0.7%

LAB 82.38, -10.25, 30.12

 

CMYK 30 / 0 / 0 / 18

HEX #93D0D1

RGB 147 208 209

HSL 180.97, 0.4%, 0.7%

LAB 79.57, -19.09, -6.76

 

CMYK 0 / 30 / 0 / 18

HEX #D193D0

RGB 209 147 208

HSL 300.97, 0.4%, 0.7%

LAB 68.73, 33.25, -22.02

 

CMYK 1 / 0 / 29 / 18

HEX #CFD194

RGB 207 209 148

HSL 61.97, 0.4%, 0.7%

LAB 82.38, -10.25, 30.12

 

CMYK 30 / 0 / 23 / 18

HEX #93D1A1

RGB 147 209 161

HSL 133.55, 0.4%, 0.7%

LAB 78.68, -29.5, 17.61

 

CMYK 29 / 30 / 0 / 18

HEX #9493D1

RGB 148 147 209

HSL 240.97, 0.4%, 0.7%

LAB 63.15, 14.31, -31.64

 

CMYK 0 / 30 / 7 / 18

HEX #D193C3

RGB 209 147 195

HSL 313.55, 0.4%, 0.7%

LAB 68.29, 30.9, -15.47

 

CMYK 1 / 0 / 29 / 18

HEX #CFD194

RGB 207 209 148

HSL 61.97, 0.4%, 0.7%

LAB 82.38, -10.25, 30.12

 

CMYK 30 / 0 / 14 / 18

HEX #93D1B3

RGB 147 209 179

HSL 150.97, 0.4%, 0.7%

LAB 79.08, -26.06, 8.59

 

CMYK 29 / 30 / 0 / 18

HEX #9493D1

RGB 148 147 209

HSL 240.97, 0.4%, 0.7%

LAB 63.15, 14.31, -31.64

 

CMYK 0 / 30 / 15 / 18

HEX #D193B1

RGB 209 147 177

HSL 330.97, 0.4%, 0.7%

LAB 67.72, 27.85, -6.26

 

Description

Color code: HEX #CFD194 | qconv.com Color code: HEX #CFD194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 209 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 209 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 29 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 29% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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