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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE291 it is the complementary color #301D6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE291. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE291 shade: #D4E28C, #E5F49F, #F6FFB2, #FFFFC5 and #FFFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE291. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE291 shade: #CFE291, #BED07E, #ADBE6B, #9CAC58 and #8B9A45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE291 shade: #CFE292, #E2DF92, #E2C992, #E2B492 and #E29E92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE291 shade: #CFE292, #B9E292, #A4E292, #92E295 and #92E2AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE291 shade matches the following richer shades: #CFE292, #D5ED87 and #DBF87B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE291 shade: #CFE292, #C9D69D, #C3CBA8, #BDC0B3 and #B7B5BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE291 shade: #E2CA92, #E2DF92, #CFE292, #BAE292 and #A4E292

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE291 shade: #B2D051, #C1D971, #CFE292, #DDEAB2 and #EBF3D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE291 shade: #CFE291, #92E2B4 and #D492E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE291 shade: #CFE291, #92CFE2 and #E292CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE291 shade: #CFE291, #92E2B4, #A492E2 and #E292BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE291 shade: #CFE291, #92E2CC, #A492E2 and #E292A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 36 / 11

HEX #CFE291

RGB 207 226 145

HSL 74.07, 0.58%, 0.73%

LAB 86.85, -19.13, 37.53

 

Complementary color

CMYK 56 / 74 / 0 / 57

HEX #301D6E

RGB 48 29 110

HSL 254.07, 0.58%, 0.27%

LAB 18.51, 31.77, -43.85

 

CMYK 6 / 0 / 38 / 11

HEX #D4E28C

RGB 212 226 140

HSL 69.77, 0.6%, 0.72%

LAB 87.14, -17.83, 40.47

 

CMYK 6 / 0 / 35 / 4

HEX #E5F49F

RGB 229 244 159

HSL 70.59, 0.79%, 0.79%

LAB 93.39, -18.01, 39.35

 

CMYK 4 / 0 / 30 / 0

HEX #F6FFB2

RGB 246 255 178

HSL 67.01, 1%, 0.85%

LAB 97.76, -14.76, 35.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 8 / 0 / 36 / 11

HEX #CFE291

RGB 207 226 145

HSL 74.07, 0.58%, 0.73%

LAB 86.85, -19.13, 37.53

 

CMYK 9 / 0 / 39 / 18

HEX #BED07E

RGB 190 208 126

HSL 73.17, 0.47%, 0.65%

LAB 80.5, -18.99, 38.67

 

CMYK 9 / 0 / 44 / 25

HEX #ADBE6B

RGB 173 190 107

HSL 72.29, 0.39%, 0.58%

LAB 74.04, -18.81, 39.84

 

CMYK 9 / 0 / 49 / 33

HEX #9CAC58

RGB 156 172 88

HSL 71.43, 0.34%, 0.51%

LAB 67.48, -18.57, 41.03

 

CMYK 10 / 0 / 55 / 40

HEX #8B9A45

RGB 139 154 69

HSL 70.59, 0.38%, 0.44%

LAB 60.81, -18.24, 42.17

 

CMYK 8 / 0 / 35 / 11

HEX #CFE292

RGB 207 226 146

HSL 74.25, 0.58%, 0.73%

LAB 86.87, -19, 37.05

 

CMYK 0 / 1 / 35 / 11

HEX #E2DF92

RGB 226 223 146

HSL 57.75, 0.58%, 0.73%

LAB 87.49, -10.28, 38.14

 

CMYK 0 / 11 / 35 / 11

HEX #E2C992

RGB 226 201 146

HSL 41.25, 0.58%, 0.73%

LAB 81.85, 0.97, 30.73

 

CMYK 0 / 20 / 35 / 11

HEX #E2B492

RGB 226 180 146

HSL 25.5, 0.58%, 0.73%

LAB 76.61, 12.03, 23.68

 

CMYK 0 / 30 / 35 / 11

HEX #E29E92

RGB 226 158 146

HSL 9, 0.58%, 0.73%

LAB 71.35, 23.81, 16.44

 

CMYK 8 / 0 / 35 / 11

HEX #CFE292

RGB 207 226 146

HSL 74.25, 0.58%, 0.73%

LAB 86.87, -19, 37.05

 

CMYK 18 / 0 / 35 / 11

HEX #B9E292

RGB 185 226 146

HSL 90.75, 0.58%, 0.73%

LAB 85.39, -27.08, 34.85

 

CMYK 27 / 0 / 35 / 11

HEX #A4E292

RGB 164 226 146

HSL 106.5, 0.58%, 0.73%

LAB 84.15, -34.37, 32.98

 

CMYK 35 / 0 / 34 / 11

HEX #92E295

RGB 146 226 149

HSL 122.25, 0.58%, 0.73%

LAB 83.27, -39.71, 30.11

 

CMYK 35 / 0 / 24 / 11

HEX #92E2AB

RGB 146 226 171

HSL 138.75, 0.58%, 0.73%

LAB 83.68, -35.93, 19.29

 

CMYK 8 / 0 / 35 / 11

HEX #CFE292

RGB 207 226 146

HSL 74.25, 0.58%, 0.73%

LAB 86.87, -19, 37.05

 

CMYK 10 / 0 / 43 / 7

HEX #D5ED87

RGB 213 237 135

HSL 74.12, 0.74%, 0.73%

LAB 90.07, -23.36, 46.66

 

CMYK 12 / 0 / 50 / 3

HEX #DBF87B

RGB 219 248 123

HSL 73.92, 0.9%, 0.73%

LAB 93.29, -27.51, 56.32

 

CMYK 8 / 0 / 35 / 11

HEX #CFE292

RGB 207 226 146

HSL 74.25, 0.58%, 0.73%

LAB 86.87, -19, 37.05

 

CMYK 6 / 0 / 27 / 16

HEX #C9D69D

RGB 201 214 157

HSL 73.68, 0.41%, 0.73%

LAB 83.41, -13.83, 26.76

 

CMYK 4 / 0 / 17 / 20

HEX #C3CBA8

RGB 195 203 168

HSL 73.71, 0.25%, 0.73%

LAB 80.26, -8.8, 16.56

 

CMYK 2 / 0 / 7 / 25

HEX #BDC0B3

RGB 189 192 179

HSL 73.85, 0.09%, 0.73%

LAB 77.14, -3.39, 6.18

HEX #BDC0B3

CMYK 4 / 5 / 0 / 25

HEX #B7B5BE

RGB 183 181 190

HSL 253.33, 0.06%, 0.73%

LAB 74.08, 2.41, -4.32

HEX #B7B5BE

CMYK 0 / 11 / 35 / 11

HEX #E2CA92

RGB 226 202 146

HSL 42, 0.58%, 0.73%

LAB 82.1, 0.45, 31.06

 

CMYK 0 / 1 / 35 / 11

HEX #E2DF92

RGB 226 223 146

HSL 57.75, 0.58%, 0.73%

LAB 87.49, -10.28, 38.14

 

CMYK 8 / 0 / 35 / 11

HEX #CFE292

RGB 207 226 146

HSL 74.25, 0.58%, 0.73%

LAB 86.87, -19, 37.05

 

CMYK 18 / 0 / 35 / 11

HEX #BAE292

RGB 186 226 146

HSL 90, 0.58%, 0.73%

LAB 85.46, -26.72, 34.94

 

CMYK 27 / 0 / 35 / 11

HEX #A4E292

RGB 164 226 146

HSL 106.5, 0.58%, 0.73%

LAB 84.15, -34.37, 32.98

 

CMYK 14 / 0 / 61 / 18

HEX #B2D051

RGB 178 208 81

HSL 74.17, 0.57%, 0.57%

LAB 79.14, -28.04, 58.06

 

CMYK 11 / 0 / 48 / 15

HEX #C1D971

RGB 193 217 113

HSL 73.85, 0.58%, 0.65%

LAB 83, -23.66, 48.22

 

CMYK 8 / 0 / 35 / 11

HEX #CFE292

RGB 207 226 146

HSL 74.25, 0.58%, 0.73%

LAB 86.87, -19, 37.05

 

CMYK 6 / 0 / 24 / 8

HEX #DDEAB2

RGB 221 234 178

HSL 73.93, 0.57%, 0.81%

LAB 90.52, -13.54, 25.82

 

CMYK 3 / 0 / 13 / 5

HEX #EBF3D3

RGB 235 243 211

HSL 75, 0.57%, 0.89%

LAB 94.51, -8.09, 14.54

 

CMYK 8 / 0 / 36 / 11

HEX #CFE291

RGB 207 226 145

HSL 74.07, 0.58%, 0.73%

LAB 86.85, -19.13, 37.53

 

CMYK 35 / 0 / 20 / 11

HEX #92E2B4

RGB 146 226 180

HSL 145.5, 0.58%, 0.73%

LAB 83.86, -34.24, 14.85

 

CMYK 6 / 35 / 0 / 11

HEX #D492E2

RGB 212 146 226

HSL 289.5, 0.58%, 0.73%

LAB 69.5, 38.18, -30.76

 

CMYK 8 / 0 / 36 / 11

HEX #CFE291

RGB 207 226 145

HSL 74.07, 0.58%, 0.73%

LAB 86.85, -19.13, 37.53

 

CMYK 35 / 8 / 0 / 11

HEX #92CFE2

RGB 146 207 226

HSL 194.25, 0.58%, 0.73%

LAB 79.74, -14.81, -15.61

 

CMYK 0 / 35 / 8 / 11

HEX #E292CF

RGB 226 146 207

HSL 314.25, 0.58%, 0.73%

LAB 70.34, 39.15, -18.85

 

CMYK 8 / 0 / 36 / 11

HEX #CFE291

RGB 207 226 145

HSL 74.07, 0.58%, 0.73%

LAB 86.85, -19.13, 37.53

 

CMYK 35 / 0 / 20 / 11

HEX #92E2B4

RGB 146 226 180

HSL 145.5, 0.58%, 0.73%

LAB 83.86, -34.24, 14.85

 

CMYK 27 / 35 / 0 / 11

HEX #A492E2

RGB 164 146 226

HSL 253.5, 0.58%, 0.73%

LAB 64.92, 23.77, -38.24

 

CMYK 0 / 35 / 15 / 11

HEX #E292BF

RGB 226 146 191

HSL 326.25, 0.58%, 0.73%

LAB 69.82, 36.53, -10.76

 

CMYK 8 / 0 / 36 / 11

HEX #CFE291

RGB 207 226 145

HSL 74.07, 0.58%, 0.73%

LAB 86.85, -19.13, 37.53

 

CMYK 35 / 0 / 10 / 11

HEX #92E2CC

RGB 146 226 204

HSL 163.5, 0.58%, 0.73%

LAB 84.41, -29.32, 3

 

CMYK 27 / 35 / 0 / 11

HEX #A492E2

RGB 164 146 226

HSL 253.5, 0.58%, 0.73%

LAB 64.92, 23.77, -38.24

 

CMYK 0 / 35 / 26 / 11

HEX #E292A7

RGB 226 146 167

HSL 344.25, 0.58%, 0.73%

LAB 69.12, 32.96, 1.61

 

Description

Color code: HEX #CFE291 | qconv.com Color code: HEX #CFE291 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 226 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 226 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 36 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 36% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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